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Rebellious Celluloid

  • a wonderfully bizarre love triangle

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    Gilda  (1946)

    A film-noir classic focused around a wonderfully bizarre love triangle between a gambler, his boss (a front for a Nazi cartel) and his boss' wife (who is also the gamblers ex-lover). On the surface Gilda is all about the strikingly beautiful Rita Hayworth, but if you can manage to detach your eyes from her hourglass figure and take a look under the hood you'll witness a strikingly strong story built on male self-loathing, misogyny and a fear of liberated female sexuality. Fans of The Shawshank Redemption will remember the famous Hayworth/Gilda poster image, you need to see this film if it's the last thing you do.


  • Spall shines as Britain's last hangman.

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    Pierrepoint  (2007)

    2005 (UK)
    dir: Adrian Shergold
    Timothy Spall, Juliet Stevenson, Eddie Marsan

    Most Brits are familiar with the names Ruth Ellis, Derek Bentley, Timothy Evans, John Christie and Lord Haw Haw. We know of their trials and their eventual fate at the gallows. What is not so well publicised is that they all met their maker at the hands of the same man. His was the last voice they heard and the last pair of eyes they looked into. That man was Albert Pierrepoint.

    Timothy Spall conveys, with brilliance, the way that Pierrepoint moves from being utterly confident and comfortable in his role as Public Hangman Number One to being progressively disturbed and disillusioned.

    You might feel that a film focused on such a bleak subject matter is not for you, but Pierrepoint is drama at its utmost best. In style and imagery this reminds me so much of Mike Leigh's 'Vera Drake' but Pierrepoint, although originally meant for TV audiences only still surpasses it in terms of substance and plot.

    I'm not without my gripes. Not everything about the plot is entirely historically correct. The years skip by too fast for one. Albert's career progression from assistant to hangman was actually much slower than the film suggests. And at times viewing this film was uncomfortable, it's no feel good movie. Nonetheless Pierrepoint is a gripping film, propelled by Timothy Spall's performance. I urge you all to seek out a viewing. It's a gem!


  • You won't fool the children of the revolution

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    Children of Men  (2006)

    2006 (UK)
    dir: Alfonso Cuaron
    Clive Owen, Julianne Moore, Michael Caine

    In 2027, in a chaotic world in which man can no longer procreate, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea where her child's birth may help scientists save the future of mankind.

    A clever premise with a totally unexpected twist at the end of the first act that took my enjoyment of the film to a higher level. The cinematography really stands out and there's some decent performances on show, but I found some of the lower cast of characters extremely stereo-typical. The Geordie eco-warrior and his recital of Blaydon Races was so cheesy it made me cringe.


  • A secret handshake among comedians

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    The Aristocrats  (2005)

     

    'No Nudity, No Violence, just Unspeakable Obscenity'. Prepare to either walk out in disgust or fall off your seat laughing. I almost fell out of my seat several times just laughing at the people who walked out of the cinema in disgust. Bob Saget's clips are golden and the South Park scene had me in stitches, but it's Sarah Silverman that ultimately steals the show.


 

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