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KATTmandu Blog

  • Entertaining, but not my favorite

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    As I settled into my chair at the movie theatre last night, I was overflowing with anticipation for what I was about to see. The film began and there was the hero, Jason Bourne. Unfortunately for me, The Bourne Ultimatum did not live up to the hype machine that surrounded it. While I thoroughly enjoyed the film, it was my least favorite of the Bourne series. This film flowed solely on action sequences and chase scenes. Okay, we get it, Jason Bourne is can not be caught or defeated, but what's the point? In the first film, Jason Bourne was responsible for himself and a woman, both who he had to protect. In the Bourne Supremacy, Bourne was out to avenge the death of that woman. So what is the point in Ultimatum? Jason Bourne wants to know who he is. That's it?! Without giving away the film, it doesn't matter if Bourne was or wasn't satsified with what he found out, because I wasn't! The film was still thrilling and creative, but it seemed like a poor extension of the first and second. I recommend seeing this film, but do not go in with higher expectations than the first two films.


  • Iron Man

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    After watching this film again last night, I remembered why I want to go see Bourne Ultimatum so badly. In The Bourne Supremacy, Jason Bourne (Matt Damon) suddenly discovers himself as the target of an unknown, foreign assassin. The man accidentally kills Bourne's lover Marie Kreutz (Franka Potente) with an errant  shot. Because the main character is immediately forced into turmoil, the audience is forced to pull for him to achieve revenge. As the sequel continues, it becomes clear that Jason Bourne has changed. He is no longer just a killer, but he now has a heart. He slowly remembers his first mission, where he killed a husband and wife, and by the end of the film he finds himself apologizing to their daughter. Bourne still has the killer instinct, but his now a caring heart and mind that seeks justice. As a result, this makes the audience love him even more. This film contained fantastic action sequences and a stellar soundtrack. I found myself thoroughly entertained by the end of the film, and now I plan on seeing Bourne Ultimatum tonight.

  • This has to be good

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    Russian Ark  (2002)

    While perusing Spout's awesome website today, I couldn't help but notice the film Russian Ark. I had never heard of it before, but it turns out that it's a film consisting of one, that's right one, shot. It's filmed using a steady cam and it runs a whole 90-minutes. Apparently it took them only four takes to complete, but when the takes are each over an hour, it makes sense to cut them down. They were filmed on a camera that had 100 minute hard disk, and clearly everything was choreographed to a T. The film uses over 2,000 actors and takes place in the Winter Palace in Russia. Now while this may seem dull, I really want to see it. Chances are I may lose interest, but who knows maybe this film is truly magnificent. I look forward to seeing it soon!

  • Slightly appalled

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    Wedding Crashers  (2005)

    Knocked Up  (2007)

    As more films like Knocked Up and The 40-Year-Old Virgin continue to make money and get released, I become more and more disturbed with the direction of the entertainment industry. Under no circumstance should a film about pregnancy outside of marriage be funny. I don't understand how our society has decided to accept that pre-marital sex is not only okay, but encouraged. I may be speaking under false pretense as I have not actually seen Knocked Up, but the idea behind the film makes my stomach cringe. I don't really know what more to say. To be honest, if I did actually see the film, I would probably laugh quite a bit, but that is exactly what the producers and directors of a film like this expect. The entertainment industry has decided that anything goes, and anything that can get a buck is something that needs to be made. This couldn't be more clear in a film like Wedding Crashers, which is absolutely hilarious, but to be honest is almost like a softcore porn in some scenes. Something needs to change, but as long as the seats are filled in theaters, it won't.

  • a bout de souffle

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    Breathless  (1960)

    While typically I do not enjoy foreign films simply because I am too lazy to read the subtitles, Jean-Luc Godard's Breathless changes the way I look at foreign film. Skeptical at first, I thoroughly enjoyed this film. I think the main reason it appeas to me is Jean-Paul Belmondo's charismatic personality. I could not help but be entertained by almost everything Belmondo's character Michel did. My favorite scene is appears towards the beginning of the film when Belmondo races through the countryside in a stolen vehicle. Combinded with Godard's famous jump cuts and Michel's voice over, I became enthralled in the scene.

        Another thing that makes the film so fascinating is Godard's ability to separate the audience from the characters. While Michel appealed to me as a likeable character, I was not disappointed when he was killed in the somewhat anti-climatic end. Overall, Breathless is a French New Wave classic that changes the way we watch film today.


  • Classic

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    Regardless of whether or not you enjoy Westerns or not, this is a must see film. First of all it is not a typical U.S. Western, but a Spaghetti Western like almost all of Leone's films. As a result the town and officials are corrupt and the outlaw embodies what is good. This film made Clint Eastwood, but don't be mistaken it would not be same without him playing Blondie. Combined with one of the greatest soundtracks (Ennio Morricone) in film history this film leaves an lasting impression on the viewer. My favorite scene is when Blondie slowly takes the cigarette from his mouth to light a cannon and launch its projectile at Tuco. Blondie truly is a "badass" before badasses. A great film and must see for anyone looking to beef up on their film history or simply enjoy a classic.

  • Liked it, but...

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    So last week I was finally able to see the Spout "hype machine" known as Four Eyed Monsters. To be honest, it was better than I anticipated. While I liked the film, I felt a few minor improvements would make it great. The unique concept of their relationship really makes the film. As they go on wondering when they will start talking, the viewer does the same.

        I really enjoyed the mix of montage, voice over, and drawn art. My favorite part of the film was the beginning montage of the couple with Arin's voice over describing what a "four eyed monster" is; such a unique idea. I just wished the film would have ended in similar fashion. I understand that the base idea is supposed to be one that will continue long after the film, but some closure to the Four Eyed Monsters, similar to the beginning montage, would have worked really well to leave the viewer completely satisfied and inspired.


  • Lots of laughs

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    Big  (1988)

    I watched this film again over the weekend as I stumbled upon it while channel surfing. I immediatly regained the joy I recieved the first time I watched it over ten years ago. Tom Hanks plays the part of a 13 year old boy as if there really is a kid trapped inside him and the film is constantly highlighted by scenes that allow Hanks to shine. I could not help but laugh out loud during the famous FAO Schwartz piano scene where Josh (Hanks) plays Chopsticks with his boss on the giant keyboard. Another scene that made me chuckle was the business formal where Josh chews on baby corn like it is a full husk and he nibbles off the mini kernels. I really enjoyed this film and it reminded me why I've always liked Tom Hanks so much. He is one of the most versitale and talented actors of our generation and I always look forward to seeing his next film.

  • Shooter

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    Shooter  (2007)

    After watching this film for a second time last night, I left with the same feelings I had after the first time I saw it. While the movie is extremely predictable and cliche, that's exactly what its intended audience expects. While watching this film, the viewer can't help but pull for Bobby Lee Swagger (Mark Wahlberg) and feel that it is "us against the world". Wahlberg delivers as the gritty, badass he is supposed to be and as a result the action in the movie is incredible, even if at times unrealistic. If you liked The Fugutive and The Bourne Identity, this is your kind of movie.

  • Must see for the college crowd

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    Regardless of your knowledge of European futbol this film is a must see for men ages 18-24. While at first it is hard to picture Elijah Wood as the brass knuckled, hardcore gangbanger that Green Street Hooligans casts him as, the viewers grow with him as the Green Street Elite soccer gang learn to embrace him. This film takes the audience through brash fighting, bar jolleys, and emotional highs and lows as it delivers on all levels. Similar to the way Boondock Saints has spread as an underground favorite for many young people, this film also delivers in the same way and is sure to expand its fan base.

 

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