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Karina on SpoutBlog

  • Eastwood Roundtable Video Essays

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    Under discussion:

    Gran Torino  (2008)

    Last month, on the opening day of Gran Torino, I went up to Lincoln Center to participate in a roundtable discussion about Clint Eastwood for a Film Comment podcast. Kevin B. Lee, who also participated in the roundtable, has since adapted the conversation into three video essays: one on Changeling (in which I am extremely quiet; I guess I was playing by the “if you have nothing nice to say…” rule); one on Gran Torino, and one (embedded above) on the look of Eastwood’s films, and particularly his use of light. I’m quiet in that last one, too, but in this case it’s because my knowledge of Eastwood’s filmography was brutally overmatched by that of the Film Society’s Evan Davis, Ed Gonzalez of Slant Magazine, Akiva Gottlieb of The Nation.

    I’ve always had major problems with Eastwood’s work, but being part of the conversation made me excited about going back and watching some of his directorial efforts that I hadn’t seen, including The Bridges of Madison Country, which coincidentally ended up showing the weekend after we recorded the podcast on the WE network, where I gave it about four hours of my life, counting the frequent breaks for Rich Bride, Poor Bride promos. It was worth it.


    Originally posted on:SpoutBlog » Karina Longworth

  • DEAR ZACHARY: A response to comments

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    Every time Kurt Kuenne’s Dear Zachary: A Letter to a Son About His Father, my review of the film gets a new flood of angry comments. Since my analytical response to the documentary seems to be so thoroughly out of tune with the emotional responses of MSNBC viewers, I thought I’d excerpt from a few of these comments in order present the argument of the other side:

    “Katrina ,
    Your pure uttering of nonsense assures me that you yourself suffer of some form of illness. And I am not saying this as an insult. I truly believe you must be scarred or simply looking to rile up attention by being simple.” — michelle

    “Can’t you see that Karina wrote an amateur minded article with the purpose of stirring up emotions? … Move on to a quality review, secure in your own ideas and inspirations.” — John

    “I’m stunned at reading the the above “review”, - or that this film was even ‘reviewed’ at all by anyone…The basis for this film are horrid, the final outcome is unthinkable, and for YOU to criticize “how” it was made is beyond me. Just how many devoted friends to you have Karina?” — Judy

    “I’m writing to Karina and I just want to say that people like you are what makes up the crazy in this world. I will say a prayer for you.” — tammy

    Lessons learned: Documentaries shouldn’t be reviewed; film reviews shouldn’t ask you to question “your own ideas and inspirations”; my name is Katrina, and I am sick and mad because I tried to do my job, which I’ve always thought is not to assess a film’s merits based on how it made me feel, but on the choices made by the filmmaker, his/her degree of craft, and the quality of the finished product divorced of the maker’s noble intentions. I guess I was wrong!


    Originally posted on:SpoutBlog » Karina Longworth

  • Hugh Jackman Drops Out of Soderbegh’s Elvis Musical

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    Michael Fleming reports at Variety:

    Hugh Jackman has removed himself from discussions to star with Catherine Zeta-Jones in Cleo, a 3-D live action musical which Steven Soderbergh will direct as his next project…Soderbergh has said he wants to inject the famous historical love story with rock n’ roll songs and a style akin to an Elvis musical.

    Jackman’s exit is attributed by insiders to scheduling conflicts, though it is not clear what other project is on his plate.

    Above: Elvis Presley in the 1965 harem-sploitation musical comedy, Harum Scarum. Discuss.


    Originally posted on:SpoutBlog » Karina Longworth

 


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