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Karina on SpoutBlog

  • Dames & Cakes: Tilda Swinton’s Film Festival

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    Via CNN via Anne Thompson comes the full lineup for The Ballerina Ballroom Cinema of Dreams, the film festival thrown by recent Oscar winner Tilda Swinton and guest programmed by some of her and Joel Coen, starting this Friday in “Nairn in the North East of Scotland, a seaside town where Chaplin used to holiday and which has a balmy microclimate and vistas across the Moray Firth to the Black Isle, Cromarty and Sutherland.”

    If you think that’s a lot to swallow, look at the line-up. Busby Berkeley’s Dames! Rainer Werner Fassbinder’s The Bitter Tears of Petra Von Kant! Stuff by David Lynch and Roman Polanski, world premieres, an entire day devoted to singing! And, a mandate that the audience make a lot of noise at the end of each film. From the Ballerina website’s News page:

    Our first thoughts were kazoos. Or balloons that we could burst at the end. But then our friend Phoebe suggested jam jars 1/4 full of dried peas, to rattle. We like this idea a lot. So, as well as your passion, humour, good will and cake, could you bring a jam jar of peas to rattle, or some other kind of noise-making instrument? Also if you have any of those glowy, torchy things that you get at Hogmanay or dodgy stadium concerts, they could be waved at the end of movies (though how that would work after The Bill Douglas Trilogy takes some imagining).

    Okay, yes — all this, plus Swinton’s insistence that the audience sit on bean bag chairs and eat “home-made cakes and fish finger sandwiches,” might be just a little too cute for some of us cynical city folk. But the program certainly has enough grit to counterbalance the twee– in Petra Von Kant alone, if nowhere else. And at least attendees can probably be pretty damn sure that it’s going to be a Blackberry-free zone. How much are last minute fares to the outlands of Scotland going for nowadays?


    Originally posted on:SpoutBlog » Karina Longworth

  • CHE, WRESTLER Make NYFF Lineup

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    If I was Nikki Finke, I’d start this headline with a “TOLDJA!”, but I’m too obsessed with search engine optimization for that.

    So as I predicted, Steven Soderbergh’s Che, which has gone MIA since controversially premiering in a two-part, 4.5 hour cut at Cannes, has made the lineup for the Lincoln Center event. Also of note, Darren Aronsofsky’s The Wrestler, which will close the festival.

    Otherwise, it’s basically Cannes Redux–giving lie to the whispers that this year’s installment of the French festival was sub par, I guess. Clint Eastwood’s The Changeling will serve as its Centerpiece, and will join a whole ton of Cannes cherry picks, including Gomorrah, Tony Manero, Waltz With Bashir, Serbis, A Headless Woman, A Christmas Tale, 24 City…I could go on for awhile. There’s really only a handful of films which didn’t premiere at Cannes (one of which, I’m Going to Explode, was directed by the star of Azazel Jacobs’ The GoodTimesKid, and also Mike Leigh’s Berlin fave Happy-Go-Lucky). I’ve pasted their titles and synopses after the jump. I guess, refreshingly, there are few slots filled by star-studded indie-arm Oscar bait…but then, there are few indie arms left to fill slots. indieWIRE has the full schedule.

    Afterschool
    Antonio Campos, USA, 2008; 122m
    When two students at a posh prep school accidentally overdose, a student filmmaker struggles to create an appropriate tribute for them.

    Bullet in the Head (Trio en la cabeza)
    Jaime Rosales, Spain/France, 2008; 85m
    A powerful, engrossing meditation on politics and the contemporary cult of surveillance.

    Chouga (Shuga)
    Darezhan Omirbaev, France/Kazakhstan, 2007; 91m
    A Kazakh, minimalist adaptation of Anna Karenina.

    Happy-Go-Lucky
    Mike Leigh, UK, 2008; 118m
    An affectionate portrait of an unattached, 30-something London schoolteacher coming to terms with the fact that she’s no longer young.I

    ‘m Going to Explode (Voy a explotar)
    Gerardo Naranjo, Mexico, 2008; 103m
    Two Mexican teenagers go into hiding to see the reactions their disappearance will get from relatives and friends.

    Let It Rain (Parlez-moi de la pluie)
    Agnes Jaoui, France, 2008; 110m
    A portrait of a rising feminist politician may be the ticket to fame and jobs for two aspiring filmmakers.

    The Northern Land (A Corte do Norte)
    Joao Botelho, Portugal, 2008; 101m
    A woman searches for the truth about her life in the stories of ancestors and the distant manor house they inhabited.

    Summer Hours <– this actually did screen at Cannes, but unofficially in the Marche.

    (L’heure d’ete)
    Olivier Assayas, France, 2008; 103m
    Juliette Binoche is one of three siblings brought face-to-face with time and mortality by the sudden death of her mother in this moving new film from Olivier Assayas.
    The Windmill Movie
    Alexander Olch, USA, 2008; 80m
    Filmmaker Alexander Olch, using material left by the late filmmaker Richard Rogers for a never completed film autobiography, attempts to make sense of the life of his former teacher and friend.


    Originally posted on:SpoutBlog » Karina Longworth

  • iArthouse Born as Vongo & ClickStar Die

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    Under discussion:

    The Tiger in the Snow

    Yesterday saw the launch of iArthouse, a download-to-burn service offering a large selection of foreign films. According to Scott Kirsner, the site is an outgrowth of an existing service that I’ve never heard of called EZ Takes––Scott calls it “a rebranding of EZTakes.com without some of the schlockier stuff — no ‘Extreme Sports’ category, for instance, and no Troma movies like Toxic Avenger.” Currently promoted on the front page of iArthouse: Roberto Benigni’s much-maligned The Tiger and the Snow. Scott goes on to note that EZTakes’ traffic currently falls far short of iArthouse’s logical competitor, Jaman.com, although metrics for actual downloads on these kinds of sites are hard to come by.

    Meanwhile, in news that’s so related as to seem ironic: today comes the news that both Starz!-owned Vongo and Morgan Freeman-owned ClickStar are shutting down.

    Vongo had  big studio titles, but its profile never matched that of iTunes; Starz! will license its library for download through third parties, with Verizon being the first. Meanwhile, ClickStar’s stated mission of bringing indie-arm-ish releases (Brad Silberling’s 10 Items of Less, the John Travolta/Salma Hayek vehicle Lonely Hearts) to the download realm shortly after their traditional exhibition premiere failed, in large part because theater owners are still hesitant to book anything that’s going to be available in homes within a matter of weeks.

    So with EZTakes looking to “indiefy” at the same time that download sites with higher star power are shutting down, is this evidence that highbrow content is in higher demand than “schlockier stuff” when it comes to downloads? Maybe. It does seem clear that while Jaman seems to be doing surprisingly well trafficking in festival films and classics (right now Teeth and the original The Italian Job are being promoted on the front page of site, which is ranked just inside Alexa’s Top 5,000 sites on the web), and iTunes––which of course benefits from being the top name brand in s selling 50,000 downloads a day (mostly of high-profile new releases like 21 and Harold and Kumar), the sites trying to hit the middle of the market are not having much luck.


    Originally posted on:SpoutBlog » Karina Longworth

  • Kim Novak Drags Judy Holliday Under the Stars

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    If you listened to last week’s episode of FilmCouch, you’ll know that I have a pretty unhealthy relationship with TCM’s Summer Under the Stars. Every August, I become pretty much a total shut-in. Their strategy of programming 24 hours worth of films for a different star every day of the month forces the network to really dig into the archives sometimes. So day after day, I try to leave my house, but it seems like there’s always a chance that I’m going to miss something that’s not going to air until next August, if even then.

    Such is the case with today’s tribute to Kim Novak. I don’t actually care about Novak’s work that much (although it’s always nice to have an excuse to watch Billy Wilder’s Kiss Me, Stupid, which airs today at 12 om EST), but she played a supporting part in Phffft!, Judy Holliday and Jack Lemmon’s follow up to It Should Happen to You, a film I’ve been trying to see for years. From what I know of it, it’s actually kind of a stretch to call it a Kim Novak film at all, but since Holliday didn’t make enough movies to qualify for her own Summer Under the Stars tribute, I’m not going to complain.

    See a clip above. Phffft! airs this morning at 10:30 EST.


    Originally posted on:SpoutBlog » Karina Longworth

  • Angelina Sex Changes Salt. Trade Roughage 08/12/08

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    Under discussion:

    Tropic Thunder  (2008)

    • In what is probably the only case on record of an oft-voted Sexiest Woman Alive replacing a defensively heterosexual male megastar in a Hollywood thriller, espionage film Edwin A. Salt is being rewritten to star Angelina Jolie instead of Tom Cruise.
    • Does anyone else sort of wonder if this whole Tropic Thunder “retard” protest is actually just an “alternative” marketing thing, paid for by Dreamworks to make the film’s satire look “dangerous”? Although I have to admit, canceling the premiere after party would be going a little far for a campaign…
    • Helen Mirren’s husband will direct a film about Tennessee Williams’ dysfunctional childhood. The Cloverfield guy will produce a movie about an earthquake. The Japanese girl from Babel will star as an undercover hit woman in the next film from Isabel Coixet.

    Originally posted on:SpoutBlog » Karina Longworth

 


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