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Color Correction and Conflict Avoidance. BlogNosh 07/07/08
Under discussion:
My Sister Eileen
(1955)
At
Cinematical
, Erik Davis notes that although some bloggers fretted that Sony Pictures Classics would allow
The Wackness
to “disappear in limited release … and be eaten by a Cabbage Patch Kid, or whatever,” the film actual opening weekend “numbers [were] pretty frickin’ awesome.” And yet, are said fretting bloggers “congratulating SPC on a job well done? Nope. Not at all.”
Nick Schwartz is unemployed. “Or, ‘between things,’ as I’ve been told to say,” he writes at
ShortEnd Magazine
. This leaves him lots of time to watch movies from the Brooklyn Public Library, read James Agee, and contemplate conflict avoidance: “I’m not some kind of idealistic idiot. ‘Shut The **** Up!’ might be some kind of bizarre, fanciful, Lumet-inspired concept of how New Yorkers are supposed to handle conflict.”
Who would make a final color-corrected master of their movie so that 70% of the theatrical audience wouldn’t be able to see the colors properly?” asks David S. Cohen at
Thompson on Hollywood
. “Apparently, the Wachowski Brothers.”
At
Bright Lights After Dark
,
C. Jerry Kutner sends a Happy Birthday message to Janet Leigh, via appraisal of her little-seen, dancing-in-the-Manhattan-streets musical triumph, the Bob Fosse-choreographed
My Sister Eileen
. See a related clip above.
Originally posted on:
SpoutBlog » Karina Longworth
posted on Monday, July 07, 2008 7:00 PM by
Karina
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