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Karina on SpoutBlog

  • Speed Racer: “A World Where Humans And Machines Have Become Interchangeable”

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    Under discussion:

    Tron  (1982)

    Speed Racer  (2008)

    Speed Racer Emile Hirsch

    People are starting to say smart things about Speed Racer, sight unseen. The film has been screened for journalists who attended junkets, but those journalists have so far stuck to stuck to the studio’s review embargo––all of the really interesting stuff is being written by bloggers who are basing their critiques solely on promo materials like stills, trailers, and now clips.

    It’s these seven new clips posted by Colider.com that prompted iO9’s Annalee Newitz to start spouting sci-fi philosophy. “In this scene, where Speed and his pals race through a geometrically-impossible “ice mountain,” it’s clear we’re inside an artificial world where humans and machines have become interchangeable,” she writes. “Watching Speed and his car is like seeing the movie Tron from the point of view of one of the programs.” Tron references are always sexy.

    You can watch the clips at either Colider or iO9, but they don’t seem to be easily embeddable. Colider’s are crisp and HD sparkly; it looks like Newitz’ crack Gawker Media tech team scraped the clips in order to re-post them on their own site, but I kind of prefer the lower resolution. Especially with that ice cave clip, the pixelation causes the image to blur into a wild four-dimensional abstract expressionist canvas. It made my eyes cross, but in a good way.


    Originally posted on:SpoutBlog » Karina Longworth

  • Che at Cannes: Anatomy of a Meme

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    “Why did everyone have Che wrong?” reads the headline at Variety’s festival blog The Circuit. “The headline all over last week’s Cannes prognostications were about how Soderbergh’s Che epic wasn’t going to make the Croisette,” Mike Jones writes. “Today, all the Cannes headlines lead with Soderbergh. Surprise, surprise: Che will storm the south of France - all 4 hours of it.”

    Jones says that after sales agency The Wild Bunch failed to find a distributor for the film in Berlin, “the Cannes rumors started, becoming a near-fact in the blogosphere that there would be no revolution on the Croisette.” The implication is that Wild Bunch spread rumors that the movie wouldn’t make it to Cannes, in order to make it instant news when it did.

    But the thing is, I just did a pretty exhaustive Google BlogSearch, and though I found several post-Berlin posts indicating that Che would make its debut in the south of France, I couldn’t find a single blog post trying to pass off Che’s absence from Cannes as fact dated before this Variety story from April 17. In that story, Todd McCarthy said neither of Soderbergh’s two films would premiere in Cannes, because “Soderbergh has essentially finished the second film but, despite non-stop work in recent weeks, hasn’t quite gotten the first half of the Benicio Del Toro starrer where he wants it.” The Variety report was widely circulated throughout the blogosphere over the following few days. That report came almost two weeks after a rumor, posted by Jeff Wells on April 4, that although odds weren’t great that Soderbergh would be able to make the deadline, he was determined to get Che to Cannes:

    One guy says he’s been told by a Warner Bros. source that Soderbergh is determined to get the film[s] done in time for Cannes. Another guy told me he’s heard the chances of The Argentine being “ready-ready” are “less than 50%.” And yet Soderbergh, he adds, repeating what the Warner Bros. guy passed along, is said to be confident he can have The Argentine in some kind of decent shape by the mid-April deadline, or roughly ten days from now.

    Wells’ post is the only thing on the English language internet that I could find pre-dating the Variety story that even suggests that Che might not play at Cannes, and I ultimately walked away from that post thinking that chances of the film making the line-up were pretty good. And blogs were still suggesting that Che would make the lineup in the days between Wells’ report and McCarthy’s.

    Maybe I’m wrong, maybe there’s a blog post I missed. But if you really want to know how it became “a near-fact in the blogosphere that there would be no revolution on the Croisette”? It looks like it’s because Variety said so.


    Originally posted on:SpoutBlog » Karina Longworth

  • EbertFest. Without Ebert.

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    Roger EbertJim Emerson alerts us to some good news and some bad news in regards to Roger Ebert. The good news: Roger now has a blog! The bad news: last night he used the blog to announce that he won’t be attending this year’s installment of his Overlooked Film Festival as planned, due to a broken hip:

    Sigh. I was really happy with this one…A broken hip adds to my tour of medical adventures. My current plan is to take it easy, obey the doctors orders, and start writing reviews again.

    In the meantime, my heart will be in Urbana. Old friends like Bill and Carolyne Nack, Richard and Mary Corliss and Barry Avrich and Hannah Fisher will meet new ones. Chaz [Ebert’s wife] will be the Emcee. Again, David Bordwell and Kristin Thompson will add their gravitas and wit to the proceedings.

    We wish Roger well, and will be keeping an eye on Jim’s reports from the festival, as well as Ms. Lisa Rosman’s blog.


    Originally posted on:SpoutBlog » Karina Longworth

  • Larry David on Woody Allen’s Set

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    Behold! Set pics from Woody Allen’s new horror movie, in which 20 year-old Evan Rachel Wood and 60 year-old Larry David grab a knish. Looks like Ben Kingsley was just the beginning of the threat to Hollywood’s nubile youth. More at dListed, if you can stomach it.


    Originally posted on:SpoutBlog » Karina Longworth

  • Valkyrie: It is fine. EVERYTHING IS FINE.

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    I know I should be able to pull off some kind of stunning analysis of this morning’s New York Times story, in which Tom Cruise’s producing partner Paula Wagner defends United Artists against the bad buzz swirling around Valkyrie, but I’m not feeling it. The story just adheres to such a tired formula: “The Internet says there’s trouble, but I talked to a studio exec for an hour and a half and she said everything was okay! And Bram Stoker’s Dracula made $83 million! So take that, Internet!” Yawn. Plus, the timing of the piece just seems bizarre. It’s been ages (in internet time, at least) since Valkyrie’s release date was pushed back to February 2009. Cruise is getting good press for his cameo in Tropic Thunder. Why would UA jump to defend themselves now? Why not just let Bryan Singer shoot (or reshoot) whatever he needs to shoot, and project confidence about the film and the release date through non-defensive silence?

    Whatever. I’ll just point you towards David Poland’s piece on the piece, which begins as a clarification of the statement “Valkyrie is dead,” which was quoted from Poland’s blog in the second sentence of the NYT piece without much context. Mostly, he’s annoyed at being lumped into a story in which Roger Friedman is heavily quoted. “I just wanted to say, I would never make any of the silly, lazy reaches that The Inhuman Stain would. They are unfair and uninformed. But then again, what do you expect from a gossip columinst who works for a right-wing organization that stands against much of what he stands for and who “reports” what he is told to report?”

    But it could be worse. “At least [NYT’s Michael] Cieply didn’t call me ‘a blogger,’” Poland writes. On his blog.


    Originally posted on:SpoutBlog » Karina Longworth

  • Comic Glut: Trade Roughage 04/23/08

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    Under discussion:

    Baby Mama  (2008)

    • Baby Mama on SpoutPamela McClintock at Variety notes that the fact that Universal is opening two comedies in two weeks––Forgetting Sarah Marshall and Baby Mama––is a sign that the release schedule is over-crowded with comic content. Related: Judd Apatow gets yet another job.
    • James Schamus will adapt the memoir Taking Woodstock: A True Story of a Riot, Concert, and a Life, for Ang Lee to direct.
    • MGM has acquired distribution rights to the Simon Pegg comedy How To Lose Friends and Alienate People, which co-stars Kirsten Dunst.

    Originally posted on:SpoutBlog » Karina Longworth

 


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