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Karina on SpoutBlog

  • SXSW Review: My Effortless Brilliance

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    Lynn Shelton’s My Effortless Brilliance plays something like an overtly comic remake of Old Joy, with mountains swapped out for woods, and a third man wild card pushing the narrative along. It’s not quite like nothing I’ve ever seen before, but it’s a nicely rendered, novella-esque character study with some impressive naturalistic performances.

    Sean Nelson plays Erik, an exceedingly shlubby, thirty-something author trying to match the unexpected success of his first book with his third. Terribly insecure, he turns every interpersonal reaction into a grand performance with him as the star. When asked if he’s hungry, he answers, “Yes. I am INCREDIBLY hungry!” He seems right away to be faking it like he’s still making it, and eventually we get confirmation that success was something that came and went very quickly for him, a moment he was unable to grasp and fully enjoy before it floated away. Years after his fifteen minutes, he spins party stories out his failure to assimilate into the world of fame: “I got to be at the table with Liv Tyler, but I only got to talk to her ass.”

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    Originally posted on:SpoutBlog » karina

  • SXSW Review: The Order of Myths

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    Margaret Brown’s The Order of Myths is an immersion into the archaic miasma that is Mardi Gras in Mobile, Alabama. Mobile’s Mardi Gras is the oldest in the world, and in keeping with tradition, its two weeks worth of parties and parades are mostly segregated. Using Mardi Gras season as a microcosm for a portrait of contemporary race relations in the city, Brown gets a filmmaker’s dream gift in the black and white Mardi Gras associations’ selection of their queens. Queen Stephanie, a black schoolteacher, is a descendant of slaves who were transported on the Clothilde, the last slave ship to enter the US. When the Clothilde came ashore, there was a fire and the passengers escaped into the woods, ultimately settling in an area that came to be known as Africatown. Queen Helen Meaher, whose family now owns most of the land in Africatown, is a descendant of the company that brought the Clothilde over. “My people was on her people’s ship,” Stephanie says, with a slow, matter-of-fact nod. That nod confirms the film’s thesis: casual racism is not an outrage in Mobile, it’s an institution.

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    Originally posted on:SpoutBlog » karina

  • SXSW: Harmony Korine, Stand Up Comedian

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    Before Saturday’s screening of his incredible Mister Lonely at the Alamo Ritz here in Austin, director/notorious bullshit artist Harmony Korine took the stage and, wired mic in hand, paced back and forth whilst grasping for the appropriate words to mark the occasion. “I’m not used to theaters where people eat like this,” he began. “I saw somebody back there choke on a nacho.” Pause for effect. “I got excited.”

    Korine then launched into a story about the last time he was in Austin, which, he claimed, was at age 16, when he was picked up on a hitchhiking road trip by a guy who drove whilst eating raw sticks of butter. Long before Korine got to the punchline, the guy sitting next to me, who earlier said he was friends with the filmmaker, started laughing. He leaned over and whispered, “None of this is true.” Not that it matters––it was the best stand-up comedy I’ve seen in a while.

    More on Mister Lonely soon.


    Originally posted on:SpoutBlog » karina

 

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