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Karina on SpoutBlog

  • BlogNosh 1/31/08

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    • Above: a detail of the special edition Julian Schnabel-designed Diving Bell poster that we’re giving away. The deadline to enter our giveaway was supposed to be earlier this week, but whilst at Sundance we got too busy to promote it. So, we’re extending the deadline to Wednesday, February 6. Full details on how to enter here.
    • David Pescovitz at BoingBoing links to The Mindscape of Alan Moore, a documentary about the creator of Watchmen and V for Vendetta, which you can watch online.
    • Amelie Gilette at The Onion A.V. Club “always thought that Jamie Foxx’s natural career progression would be Booty Call, Ray, Oscar win, release of the R&B album Unpredictable, release of the R&B album Hot Tub, Academy Award (These Are The Words I’m Sayin’ To You), followed by the launch of Academy Award Winner: The Fragrance (musky ego with notes of ugh).” She was wrong.
    • “In 1993 Justin Timberlake joined the Mickey Mouse Club. In 1993 I officially joined the Mrs Doubtfire Fan Club. While membership is small, we all still share a love of vaccuming to Aerosmith???s ‘Dude Looks Like a Lady.’” Paul Scheer breaks down what sets him apart from the superstar with whom he shares a birthday.
    • “It’s all in there,” James Toback tells Michael Musto of his upcoming Mike Tyson documentary. “The ear biting, the rape charge, which was indeed a setup, and the solitary confinement. Mike’s survived, but he’s not sure into what future. He talks about being 40 as if it were 105 because a lot of people around him are drugged out or dead. Where does he go now?”

    Originally posted on:SpoutBlog » karina

  • Heath Ledger and the Dark Marketing Conundrum

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    heathledgerjoker.pngYou knew this blog post was coming when Warner Brothers issued a say-nothing statement hours after Heath Ledger’s body was found last week. Now, a little over a week later, the scraps of news and speculative think pieces are flooding in; I read them and put the relevant information in a bullet-point list so that you wouldn’t have to.

    • Kim Masters at Slate says The Dark Knight hasn’t entered the ADR phase yet, meaning that if any of Ledger’s lines need re-recording, they’ll have to use a voice double. More interesting is the fact that Warner Brothers is spinning The Merchandising Issue as a moral one: if they don’t sell authorized t-shirts with Heath Ledger’s face on them, “The pirates would come out of the woodwork, and then it’s completely out of control.”
    • Chris Thilk says the third party companies who planned to partner with Warner Brothers on tie-ins (including Hersheys, who are planning some kind of Batman chocolate bar) were mostly not planning on using Joker imagery anyway, and will be able to continue with their capitalization plans unabated.
    • Borys Kit passes along word that WhySoSerious.com has been appended with a black ribbon. The creepy Joker images and Ledger soundbites otherwise remain intact.
    • Meanwhile, at Reel Pop, Steve Bryant reports that the “Why So Serious?” poster featuring an image of Ledger, which will likely be taken out of print, is selling for upwards of $70 on eBay. “Does the fact that I desperately want one make me soulless and insensitive?”

    More on Ledger, The Dark Knight, etc etc:

    The Dark Knight trailer: Chris’ Review

    Heath Ledger Joker Pics??

    Heath Ledger Found Dead??

    Joker Prequel: The Nontroversy (the prequel itself no longer exists on YouTube, but here are two posts about what it was like).

    Daniel Day-Lewis on Heath Ledger


    Originally posted on:SpoutBlog » karina

  • Build a Ship, Sail to Sadness in NY

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    build-a-ship-2.jpg

    A low budget musical, highly improvised, shot on consumer video and blown up to film? I’m there. I’ve been wanting to see Laurin Federlein’s Build a Ship, Sail to Sadness since reading write-ups of its premiere at Rotterdam a year ago, followed by a number of conflicted but non necessarily dismissive reviews from LAFF. I’m so excited that it’s finally coming to New York tomorrow. Here’s an excerpt of the synopsis from Anthology Film Archives’ calendar:

    An absurdist musical travelogue, BUILD A SHIP follows young solitary Vincent as he rides on his moped through a deserted Scottish mountain region. His mission: to ???heal the loneliness??? of the few scattered inhabitants by introducing a mobile disco to the area. Driven by messianic determination and an addiction to petrol fumes, he struggles to keep his disintegrating vision afloat amidst the hostile landscape and stubborn indifference of the locals.
    Conceived around the idiosyncratically witty and eloquent persona of lead-actor and collaborator Magnus Aronson, whose heartbreakingly poignant pop songs punctuate the low-key proceedings, BUILD A SHIP is based on many hours of conversations between Aronson???s Vincent and the real-life residents of the area and was filmed using two consumer Hi8 video camcorders, resulting in an intentionally low-fi, grungy look that corresponds to Vincent???s defiant struggle: to erect a vision of perfection, glamour, and aesthetic refinement within the imperfections and dullness of everyday reality.


    Originally posted on:SpoutBlog » karina

  • Tom Petty: Not Quite the Superstar That Peter Bogdanovich Led Us To Believe?

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    tompetty.pngIdolator passes along the news that networks are feverishly trying to counterprogram against “the allegedly low starpower of the veteran rocker” at the center of Sunday’s Super Bowl halftime show, Tom Petty. But how could that be? Peter Bogdanovich spent four hours telling us that Petty is the biggest, most beloved, and most important rock star IN THE WORLD. I simply refuse to believe that a work-for-hire hagiography might have embellished the appeal of the man who commissioned it. If Spike TV execs think their competitive eating special will out-draw “Free Fallin’”, then I can only assume they didn’t see Bogdanovich’s movie.

    To be fair to Bogdanovich, Idolator’s Maura Johnston calls a bit of bullshit on the story, which originated with The Hollywood Reporter, and Idolator’s hipster commenters come out in full force to defend Petty’s demo-crossing likability.

    That still doesn’t change the fact that the most interesting thing about Bogdanovich’s film is the way it betrays the fact that Petty paid him to make it, an issue which I went into in this podcast. Also of note: I sat through the entire four-hour film, totally sober, and didn’t nod off once, and I STILL don’t know who did the guitar solo on Runnin’ Down a Dream. I would have liked to find out because, to use what I believe is the appropriate parlance, it’s fucking sick.


    Originally posted on:SpoutBlog » karina

  • Dinner For Five

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    Alison at the IFC Blog points to the 50th and apparently final episode of Dinner For Five, which premieres on IFC Friday night, but which you can watch online via Brightcove now. According to this press release, it’s basically a promo for a soon-to-be-released film documenting Vince Vaughn’s Wild West Comedy Show, but in practice, it doesn’t feel that shilly.

    The show has always had a boy’s club romanticism to it that can either be fantastic or unbearable, depending on the assortment of guests, but this last episode is interesting if only because it draws attention to the entire series as a work of Jon Favreau/Vince Vaughn autobiography.

    (more…)


    Originally posted on:SpoutBlog » karina

  • Trade Roughage 01/31/08

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    Under discussion:

    Cloverfield  (2008)

    • How to craft a Variety box office trend story: line up your greatest hits of disingenuous statements from past stories (Juno–the little movie that could! Cloverfield dropped 68% in its second weekend, but that’s not so bad–even if it was really 72%!); find either wildly optimistic or severely apocalyptic structuring rubric to make these old chestnuts seem, uh, less old; repeat.
    • Speaking of Cloverfield, Paramount, apparently turning a blind eye to the film’s lack of staying power, has offered director Matt Reeves two new jobs, including a Cloverfield sequel. He’ll also direct The Invisible Woman, “a Hitchcock-style thriller that probes the mind of a former beauty queen who turns to a life of crime to protect her family,” from his own script.
    • Paul Haggis is setting up a production shingle at Tom Cruise’s Scientology rec center studio, United Artists.

    Originally posted on:SpoutBlog » karina

 

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