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JScott Blog

  • Who's Camus Anyway?

    0 out of 1 people found this review helpful. [What do you think?]
    Under discussion:

    Touch of Evil  (1958)

    Day for Night  (1973)

    Directed by Mitsuo Yanagimachi.
    Director Mitsuo Yanagimachi creates a gripping atmosphere in an ensamble character study about filmmaking.  This film rotates around life experiences that the cast and the characters each engulf themselves in.  The basis of the film the students are making, The Bored Murderer, is about a Junior High student who kills to see how it feels.  The storyline of that film echoes a number of plotlines used throughout the actual film.  Students are stalked by girlfriends and professors, while others commit borderline adultry and later feel guilty about it.

    The best aspects of this film are the acting, which is great, and the cinematography which is even better.  The opening shot not only draws comparrison to Orson Welles' Touch of Evil via the dialogue but also through the long strolling shot that takes us all across the campus and even through the traditional and modern Japanese culture.

    The cross-cutting between the student's film and the actual film creates a very tense ending.  It grabs the viewer and makes us unsure what we are watching.  For those who have never been on a set it is an unique chance to see how a film is made and what the outcome looks like. 

    The depth of the characters and their continuing evolution through the script mirrors the chance in young adults and in actors.  Like the ending, the film blurs the line the entire time between acting for The Bored Murderer and acting in Who's Camus Anyway?  We learn what this kids are about through the difficulties they endure during the shooting of their student project.  It's very much like Truffaut's Day for Night which was the first mockumentary that Rob Reiner and Christopher Guest later popularized with their brand of tongue in cheek humor.

    I enjoyed the references to La Nouvelle Vague directors (Godard, Truffaut, etc.) and other important films.  There are also mentions of crucial authors and literature.  This film really hits on many levels and I think it is one of the best mocku-drama's I have ever seen.  It blurs the edges so it blends together properly. 

    Definately a winning film.

  • Bourne Again

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    Under discussion:

    Paul Greengrass (director of Bloody Sunday, United 93, etc.) is back for his second shot at the Bourne franchise.  Greengrass is largely known for his cinema vérité shooting style that involves shaky documentary style hand-cams that help provide realism.  By bringing this style that into The Bourne Ultimatum he keeps the action fresh and up-tempo, even if it makes it difficult to follow at times. 

    As usual, the fight and chase scenes are the best parts of the Bourne franchise.  I haven’t seen this much adrenaline on the screen since the opening foot chase sequence in Casino Royale, except this movie keeps that pace up for most of it.  While the action is exaggerated it makes for a top-notch thrill ride. 

    Jason Bourne (Matt Damon) is a former government assassin who has a case of amnesia.  He searches for answers to his past and to find the people who have made him into this killing machine.  Ultimatum fills in many of the holes that Identity and Supremacy left open.  The plot smoothly connects Bourne’s previous memories and the action sequences.  You are never looking at your watch (or gasp, cell phone, turn them off!) during the 111 minutes. 

    Bourne Ultimatum capitalizes on the summer movie action genre and appeals to our sense of curiosity about what Uncle Sam is doing.  In these times of lack of trust in our own government and belief that security and surveillance are become the hot buzz words that allow our elected and non-elected officials to make decisions beyond recourse, the Bourne story hits on a nerve of corruption and compassion for America.  Any form of art is a mirror of the times, movies may be one of the best examples of this.    

    The acting, save Joan Allen, is pretty good for a film that doesn’t require much.  The camera work and fast editing puts you right into the shoes of the Jason Bourne and keeps your heart racing.   

    A must-see for fans of the series.  If you aren’t up to date, no fret, cable stations are running the first two, or else they are available at your local video store.  You really should watch the first two before going into the third one or much of the storyline will go over your head. 


 

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