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JimBell Blog

The White Countess

Under discussion:
The White Countess (2005) does not reach out and grab you: You have to go to it. It lacks immediate appeal because it is a love story where the man and woman immediately agree to have only a working relationship, the man running his cosmopolitan club in 1930s Shanghai and the woman acting as his lead hostess. Then to add difficulty onto difficulty, the man was badly damaged by two violent acts that took his family and the woman was wounded by her family’s flight from Communist Russia and their destitution in China. Both have thrown up a lot of barriers.  Some people will have difficulty getting into the movie, for example, happy and healthy young people who have not known crushing disappointment. The pace of the movie is leisurely so generate no excitement in and of itself. The acting, however, is excellent, giving viewers every opportunity to empathize with the main characters. Natasha Richardson, as the fallen White Countess, is so good that she completely inhabits the role, never making you thing that she is an English actress doing a Russian accent. Interestingly, the accent was not of much concern to her. Rather, she remembered Russian theatre friends saying that English actors doing Chekhov never got it right because they did not understand the Russian soul, so she tried above all else to capture and portray the Russian soul. Although I have no idea if she was successful as far as Russians are concerned, she convinced me. Ralph Fiennes as the disillusioned diplomat running a night club is powerful. After reading the script, he suggested to James Ivory (director) that the character needed something extra, an edge of some kind, and out of this came a character blinded by a bomb blast. Fiennes does a wonderful job of portraying an American who has small remnants of his golly-gee optimism but is primarily damaged and cynical no matter how much he says his blindness—symbolic of his misfortune—hasn’t significantly changed him. 

Wisely, the movie details Countess Sofia Belinskya’s relationship with her extended family. Although it slows down the film and the development of the romance, the way Sofia’s family mistreats her is heart-breaking and encourages the viewer to wish her the best in developing a romantic relationship with her boss. Similarly, the movie follows Todd Jackson’s relationship with a Japanese man (Hiroyuki Sanada) who speaks flawless but slow English. It is one time we see the embittered Jackson happy, and the Japanese man helps him develop the desired cosmopolitan atmosphere in his club. But the man turns out to be a high-ranking point man for the Japanese invasion, and this brings us face to face with the movie’s second and worthwhile theme of how involved we should be with “the big canvas” being painted internationally versus how successful we can be creating a safe and happy microcosm.

Jim Bell

posted on Tuesday, May 01, 2007 1:25 AM by JimBell


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stanjan1
Posted Wednesday, December 05, 2007 7:07 PM

Well done!