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Jenn Blog

  • It's not about you

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    Under discussion:

    A part from the story, the internal ethical struggles of a man very good at his job, angst of a broken family, conniving ways to get truth, and the negative effects smoking has on your body, Thank You For Smoking was a hilarious look at PR.  The main lesson I take away from it is that it's not so important that you're right, but that the other person is wrong.  OucH!  It reminds me of McNamara's advice (and lesson) from his term as Secretary of Defense: "answer the question you wish you were asked."

    The film also hopefully makes an obvious jab at smokers (not all granted!) that anti-smoking campaigns aren't so much about stopping you from smoking, just not smoking around, well, non-smokers.

     


  • Live or DVD?

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    Fidelio  (1979)

    I can't wait to see this film as I've watched a live performance of this opera in the Vienna Opera House in 1998 which left me quite speechless.  I was so touched by the music and once I figured out what was actually going on* I became quite mezmorized.   I have a copy of the music which is strong and delicate.  I'd love to hear your opinion if you've seen this film - or if you too have seen the opera!

    *For the whole first half I didn't quite understand why a woman actor was playing a man.. sure back in the day I could understand why one would play another gender due to lack of theatre players or law, though then it was men who played woman's roles.. What a touching surprise to find the real reason why.

     


  • Four eyes, four legs, four arms, four hands.

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    The premise of this film is fantastic especially for singletons who yearn for and loath those who become four-eyed monstors inseparable from the moment their eyes meet and stuck at the hip.  The film starts out hilarious with snap shots of couples and men proposing on video tape to their future wives.  It's very sweet and funny.   Then, it gets a little boring and more home-video quality.  You keep watching waiting for that same intro humor to return; the post-it notes give you hope, as do the snip-it interviews, but alas, you're still waiting when the credits roll.  I'm glad I got to see this at Slamdance, 2005, however I wouldn't recommend it.  I'd love to see the film-makers spend more time on the theme and construction of their story.  It has a lot of potential. 

 

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