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JakeStevens Blog

  • A Tad Dull

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    The Bat  (1959)

    Not one of Vincent Price's best, but as always, it's a pleasure to see him in just about ANYTHING. Crane Wilbur's direction is pedestrian at best, and the film plays as, well, a stage play. I hear the 30's version is the superior version, but again, Price's presence is the main draw here. I have the Good Times DVD which, I believe, is one of the only widescreen transfers of this film, and it's sadly a very bad and blurry transfer. As this is most definitely a "cult" film, I doubt we'll see a Special Edition or HD Transfer of this film anytime soon, so I'll have to settle for this for the time being.


  • "Hannibal Falling" More Apt Title (Or Failing?)

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    Hannibal Rising  (2007)

    The only, and I mean THE ONLY, reason this didn't  garner a "disliked" rating here in my review is because the cinematography is absolutely wonderful, but that's as far as my kudos extend. Everything else about this stinker reeks of franchise profiteering, and the script (supplied by none other than Thomas Harris, creator of the novels the films are based on) is an abysmal failure. Nothing will ruin the mystique of  villainous characters more than probing into their sordid backgrounds, and I always believed that Hannibal's eeriness was in his dichotomous behavior. In "Silence of the Lambs", we are told chilling tales of his methodical psyche while dispatching victims, and when we meet him for the first time, he is calm and collected but feral, much like a caged lion. In "Red Dragon", we see him as one of society's elite members, and who could ever imagine this man capable of the horrors he commits? Here, we get none of these traits, and I believe this film was made strictly for the slasher crowd, and certainly not for the mystery/suspense crowd that made "Silence of the Lambs" such a thrilling film to watch.


  • They Don't Make 'Em Like They Used To

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    While it is obvious the Disney crew put a lot of care into making this, their first widescreen animated feature, it's the striking racial stereotypes that brought down the rating of this film for me (and they damn well fit every single one you can imagine in there, save for Native American and surprisingly, African American). Not that the homogenized, straight-to-video sequel can even hold a candle to this masterpiece, I can see why some parents might opt to have their young ones view that one instead of this one. There is a wonderful amount of creativity and dedication evident in the final project, and a quaintness to the theme due to its dated look and style. It's been decades since I've seen this film, but it was nice to dust it off and take a trip down memory lane.


 


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