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JakeStevens Blog

  • Unusual

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    This 10 minute Armenian film directed by legendary Russian filmmaker Sergei Paradjanov is not your typical biopic or portrait of an artist (technically, this film is about its titular suject, artist Hagop, or Hakob, Hovnatanian, or Hovnatanyan). It's definitely a personal subject for Paradjanov, who presents us with close ups of many of his paintings, and the close ups mainly being the eyes and hands of the paintings' subjects. If you're not familiar with Hovnatanyan's life or works, this will just be a collection of seemingly unrelated vignettes that last all of two seconds a piece. It seems to me to be something they would show in an Art Class to students studying Hovnatanyan, and not much else.

  • Brando's Most Accessible Western

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    The Appaloosa  (1966)

    Available for the first time on DVD in a widescreen transfer in the Marlon Brando Franchise box set available from Universal Studios, this is a surprisingly good western starring Marlon Brando as a Mateo Fletcher, a reformed drifter who comes to Ojo Prieto to start life as a rancher with his adopted family. But things take a turn for the worse when a local bandit, Chuy Medina, decides to terrorize the family Mateo lives with and steal the titular horse, which holds a lot of personal meaning for Mateo. It's a pretty by-the-numbers Western with some extraordinarily good performances throughout, especially Marlon Brando. It's a little unbelievable when he splotches coffee grounds on his face and dons a pretty good accent to "become" a Mexican, but apart from that, my suspension of disbelief was upheld throughout most of the movie. The cinematography is wonderfully left of center, and there's a pretty suspenseful moment with a deadly arm wrestling match. Since this was a more rare film in the box set, I watched this one first, and I'm glad I did - I can't wait to watch the others (which include The Ugly American, A Countess From Hong Kong & The Night Of The Following Day).


  • Mediocre Film With A Legendary Actor

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    I've been reluctant to see this since it came out, regardless of Pacino's casting, and that is because it's about a topic I have little interest in: sports. Our national waste-of-time, er, pastime has never been of any interest to me, so why would I want to see a film based on this subject? Not only that, Matthew McConaughey is in it - he of many a rom-com dreck. But I'm a completist, and I'd be a hypocrite if I didn't see every Pacino film, so I finally hunkered down and watched it on a Sunday night, and I'll admit to being more entertained that I imagined I'd be, which isn't saying much since the expectations were so low. I'd bet it all on the fact that, though this is "based on a true story", it strays far from the source material's actuality - this is, after all, a big fat Hollywood production. But McConaughey is tolerable enough, Armand Assante turns in a surprisingly menacing performance, and Rene Russo pops in now and then, making you wish it would happen more often. But this is really Al Pacino's baby; he simmers, he gloats, he mesmerizes, he wallows in the gutter...you'd think he was on the set of "Merchant of Venice" or "Glengarry Glen Ross". Is his talent wasted on this somewhat-pointless film? Perhaps. But it's nice to see that at the age of 65, Pacino can still keep a film afloat that would have disappeared without a trace were it not for his presence.

 

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