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JakeStevens Blog

  • Lesser Hitchcock Film - My Foot!

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    To Catch a Thief  (1955)

    This film is great! If you've never seen a Hitchcock film, I'd say remove yourself from under the rock you dwell and watch this one first - you'll be a Hitch fan in less than two hours. Grant and Kelly both look great (I love the fireworks scene...classic!) Brigitte Auber is intriguing as Danielle Foussard, and the locales chosen for the film are some of the best ever committed to tape. This is a total vehicle for two personality stars whose personalities go together like peanut butter and jelly. Even though it's not your typical "Hitchcock" film (this film has a much lighter feel than a lot of his more suspenseful mysteries), it is still one of his best...and one OF the best!

  • Important (But Boring) Film

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    The Searchers  (1956)

    While I thought the cinematography was wonderful, I found myself yawning often during this Oater. But don't get me wrong - even though it's not my style, I appreciate it for what it's worth: it changed the Western as we know it forever. Never before had a "hero" been so unlikable. His wears his racism on his sleeve, and it's ugly to see. The Duke also isn't one of my favorite actors (I'd rate him pretty low, actually), but who else at that time could have altered the genre as much as he did...than him? It's an important milestone in film history...but it's just not my bag, man. Maybe another viewing will change my mind...

  • Come On, It's Not THAT Bad!

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    The Score  (2001)

    It's true - the story is one we've all heard before. A heist film (made in 2001, a busy time for the "heist" genre) with plenty of double crosses and temporary allegiances. And it's also true that this is no "masterpiece", but the direction is aptly handled by Frank Oz, who had his work cut out for him - he was the last director to attempt to reign in Marlon Brando, as Brando felt the need to call Oz "Fozzy" and walk around the set naked due to the warm weather. And then you've got De Niro and Norton, who are always fun to watch, even if the material is less than original. Certainly not a waste of time, folks.

  • A Funny Ensemble Comedy

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    Scorched  (2002)

    It's always hard when you've got a cast full of "main" characters like this to make sure each one of them gets enough screen time to get fully fleshed out for the audience to empathize with, but this one seems to work. I found myself laughing often in this underrated gem, although they were "smaller" laughs. There is no one particular moment where you'll lose it (ala the "frank and beans" scene in "There's Something About Mary"), but it's a decent rental on a weekday night when you've seen everything else, and you just want to laugh.

  • Everything You Always Wanted To Know About Metallica...But Were Afraid To Ask

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    To some, an in-depth look into the making of an album might seem incredibly boring. Back in 1992, when I was just learning to play guitar and drums, this was a heaven send - these guys were doing exactly what I wanted to do. The first half of this almost 4 hour long video is all Metallica, in the studio, bickering, talking about recording, talking about each other, showing how they came up with drum fills and solos, and so on and so forth. Basically, manna from heaven for anyone who wants to live the rock star life vicariously through Metallica. The second half is Metallica on the road, the partying, the performing, the bickering, the quintessential back-stage pass for anyone who wants to live the rock star life vicariously through Metallica. Metallica's popularity has waned over the years, but when this DVD came out, they were at the top of their game, and this is the perfect time capsule into their world at that time.

  • A Misogynistic Lethal Weapon

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    From the writer of "Lethal Weapon" comes this hit from 1991. Ah, the beginning of the 90's, where the 80's were still fresh in everyone's mind, the "grunge" scene was just about to burst, and butt rock was still in favor. I'd seen this a zillion times back in the day, but on my recent viewing, noticed just how forced and color-by-numbers this film is. I also noticed how misogynistic our two hero's worlds are - women are whores (quite literally in both of their cases), little girls are foul-mouthed whores in the making (uttering their crushes names in their sleep), and even when Willis and Field reconcile at the end, it's in the form of vitriolic profanity, meant, I'm sure, to be taken in a humorous context, but which I just found in bad taste. The other annoying thing was how much exposition Marcone (the bad guy) spews in the moments before he is supposed to kill one of the good guys. Kinda lame - and bad writing, in my opinion. But the reason this movie isn't a total loss is because the action is intense and Willis and Wayans have a great rapport with one another. So I'll leave it at neutral to be fair.

 


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