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  • Watch This Movie

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    Under discussion:

    The House of Yes  (1997)

    This movie is based on a play of the same name, and there for drew a lot of comparison between the film adaptation and the stage play.  The critics said mainly that it was a good attempt, but the premise does not work as a movie.  They are just wrong, and they smell.  I love this movie.  There are many note worthy performances and actors within the movie, though most notable would be the woman on the box cover, Parker Posey with gun in hand. 

    Parker plays the slightly sadistic and incestuous twin sister Jackie-O (yes, she thinks she's the real one) who goes apes*!t when her brother surprises the "family" at Thanksgiving with his new fiance'.  Oh yeah, and there's a major hurricane coming up the coast to boot.  What ensues is dark but smart, and really funny.  I really like the interactions and the quick dialogue.  It definitely goes places other comedies wouldn't dare, but it stays extremely interesting from beginning to end.  There are a lot of extremes between the dynamics of the characters, too.  The mother is unbelievably cold and hates the very warm and feeling fiance', who is basically her antithesis (Tori Spelling).  The brother Marty tries very hard to keep everything normal for his fiance', but his twin sister is a virtuoso when it comes to warping reality.  The bleeding heart third child is then thrown into the mix, as he claims his love for the brother's new fiance. 

    The movie really made me step back and look at my own family's dynamics.  Comparitively, mine's practically perfect, but not as funny.  

          


  • Witches of Eastwick Book vs. the Picture

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    Witches of Eastwick is neither a treasure on film or in literary form.  Both are about New Englander female empowerment, which is played out literally with hushed spells and evil storms.  The book tends to focus on Alexandra more than the others, which may not be true about the film (Michele and Susan may have wanted more ample screen time).  It is a story about an aging witch and her coven, living in a small town discovering powers and new love in mid-life.  In the movie, this new love happens to be Jack Nicholson, who also happens to be Satan.  Yes, Satan, albeit a humerous one, summoned from the depths of Hell by a wayward spell to prey on these poor Ipswitch women so that they may bear him children.  End Scene.  Let's slap together a raunchy Three's Company and Rosemary's Baby. 

    This is the movies greatest failing and highest inspiration, because though the novel, written by John Updike (living legend of American lit.) does not include Satan, the ending is decidedly not Hollywood. In the novel, Daryl Van Horne (merely a man, and an almost broke one) sets up his life in town with borrowed money and not dark powers.  He does have a decidedly pleasing effect on the coven, increasing their power and their libido.  This however, much like the movie, does have an impact on the small town in which they live. 

    At the end of the movie jilted Daryl becomes a titanic-sized demon that literally raises the roof off of the mansion in an attempt to kill the tiny women inside.   At the end of the book, you find Daryl is just on the DL and has skipped town with a male heir to a large family fortune.  -Yes, for the record that would be quite different.  Although they both have their flaws, there is still something positively alchemical about them.  The book, though radiantly anti-climactic is more palpable, and feels a touch more real.  The movie has a boffo ending that I just don't buy.  I like the story, or at least the conflict and the meaty bits.  I wish there were a way to combine the two and come back with something better than both, because when it comes down to it, its all about exacution.  Maybe its time for one of those re-makes....     

     

     

     


 

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