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HairyLime Blog

  • Something missing here

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    Under discussion:

    Absolutely gorgeous to look at, lots of impressive special effects (almost too much at times, there's so much detail on the 'Flying Dutchman' and her barnacle encrusted crew that it becomes a bit overwhelming), but something is definitely missing here. Another case of sequel-itis (ok, more of the same, but bigger, and more of it), and along the way, whatever spark of magic that the original had is lost in the shuffle. I remember being so pleasantly surprised by the first movie, went in expecting total crap (I mean, based on the lamest of the Disney park rides, next to 'its a small world', and the second one to come out in the same summer - Haunted House flopping horribly), but it captured the imagination, Depp caught us all by surprise with his startling original take on the 'pirate captain' - but this time around... Depp's Jack Sparrow seems to mince and mugg for the camera even more, and instead of being endearing and groundbreaking, it feels phoned in.

    Some were turned off by the grisley touches (the severed finger necklace), the violence, the thick characterizations (that voodoo princess they visit is barely understandable) - but for me, these were the best parts - I'm all for leaving the kiddie crowd behind -- perhaps the childish glee that they tried to inject into this darker story is what feels wrong, and not the other way around.

    Not a good sign that we watched 2 hours of it, and then turned it off to finish later with little enthusiasm to see what happens at the end. 


  • Top notch melodramatics

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    Rebecca  (1940)

    Always forget this one when talking about Hitchcock's movies, perhaps because it was so thoroughly imprinted with the Selznick 'blockbuster' touch. Fresh from the huge success of Gone With the Wind, the formula is attempted again (bestseller adaptation, big name stars) to lesser success, but with darker overtones thanks to a promising young director. Joan Fontaine plays the cringingly obsequious 'new Mrs. DeWinter' (we never do actually learn her name, Maxim usually refers to her as either 'my darling' or 'you little fool'), and while her performance is uncomfortable for the audience, it is very effective, as it tends to put the audience in her corner . . . when she breaks the priceless knick knack on Rebecca's writing desk, our response is the same; "quick, hide it", and we become just as perplexed by her new husband's lightning quick temper outbursts, creeped out by the stern housekeeper (the excellent Judith Anderson), and generally overwhelmed by an oppressive personality who we can only guess at (the title character herself). George Sanders has a small but memorably slimy part, and Nigel Bruce plays his usual 'comic relief' self (a welcome release valve from the overbearing seriousness everyone else seems to carry around with them -- funny how his costume is a strongman carrying around a 'blow up' dumbell, that is so light it actually bounces).

    Have seen this a few times over the past twenty years, and recently revisited it, it still holds up well. Highly recommended.


 

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