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HairyLime Blog

  • A lot of employed actresses

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    Evening  (2007)

    Went to the movies tonight, and let the wife drag me to a chick flick. Normally I'm more than open minded about these types of films, but this one left me cold from almost the opening shots. It seems to really have some worthwhile things to say, but has a hard time cutting through the schmaltz and the bland direction and screenwriting to say it.

    Hard to put my finger on, but it felt as if each of the actors were working in an isolation chamber, and never seemed to make any sort of connection with each other in a believable way. All the money seems to have been spent on all the big name female talent, and we are left with a lot of leftovers in the male parts (Barry Bostwick?), which is a special problem considering the 'man who is the love of her life' is played by such a dead fish, that you wonder what all the fuss was about, plus a script that looks as if it were copied almost verbatim from the novel (and sometimes sounds rather awkward coming out of characters mouths).

    My biggest problem is with Claire Danes, who is totally miscast as a woman from the 40s/50s with mannerisms and acting style straight out of the 90s (a similar thing happened recently with 'Black Dahlia' where Scarlett Johansson and Hilary Swank are miscast as the female leads). I would have preferred Natasha Richardson to have played the younger version of Vanessa Redgrave, then at least there would have been some slight resemblance to the older character (a fact that seems to have been the only job requirement for the actress who plays the young Meryl Streep - for which the resemblance is uncanny and almost creepy). A lot of pretty scenery, a lot of female bonding (the beauty and cycle of life, yadda yadda yadda), and a few beautifully romantic settings that look straight off the cover of a supermarket romance novel. Take your wife, get some points.


  • Why Do They Hate Us?

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    Why We Fight  (2006)

    Heard about this one on a short segment on NPR where Christopher Guest (of all people) suggest DVD rentals, and this was one of his choices. I noticed it was running on our local cable's 'on demand' service, so took a look at it last night (and then restarted it again from the beginning so my wife could watch the whole thing too, when she wandered into the room - mostly because the opening scenes of the 'airplane graveyard' we had actually visited in Tucson recently). Fascinating documentary, that seems to take a very hard cold look at the double dealings and backroom motivations behind why we have managed to stay constantly at war with someone or other since the end of World War Two. Frightening, sobering, and depressing look at how the military industrial complex has so completely and neatly infiltrated the workings of our country to the point where I don't think we could ever stop it if we wanted to. Unfortunately the cable goofed up and we ended up missing the last 9 minutes of the movie, but we will be back to finish it at our earliest convenience. (Oddly and ironically enough, we got a call about halfway through the film from our teenaged son, who was over at a friends house, playing video games, --- 'Call To Duty', which gave us both a chill)

  • Spaghetti with a twist

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    Up until now, my only exposure to the whole 'Spaghetti Western' genre has been through Sergio Leone's 'Fistful of Dollars', 'A Few Dollars More', 'The Good, The Bad & The Ugly', 'Once Upon a Time in the West', 'Fistful of Dynamite' and the odd ridiculous Terrence Hill comedy/westerns featuring his 'Trinity' character. I ran into this one this evening on IFC, and was struck right away with the different feel this one had. A lot of the same 'bigger than life' characters with outrageously precise shooting prowess, lots of 'in your face' violence, extreme close-ups, out of sync dialog, elaborate gun hardware and strange gallows humor, but on the other hand, it had characters that weren't quite totally good or totally bad, just with different agendas, and sorry to spoil the ending, but it was a real shock to see the 'hero' not come out on top, and those he hoped to save from the 'villain' slaughtered mercilessly and the sadistic bounty hunter ride off unsullied into the sunset. I loved the snow covered landscapes and sets, which gave the whole film a rather stark appearance in keeping with its existential themes.

  • Magical

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    Pan's Labyrinth  (2006)

    We received this movie from Netflix over a couple weeks ago, and it has just sat on the shelf. It always seems to happen, that the ones I put off seeing for one reason or another always end up being surprising favorites. This was no exception. While I was prepared for magic and fantasy and fairy tales, I was totally unprepared to be blown away by the more 'realistic' side of the story. One of the most memorably evil movie villains in recent memory, 'The Captain', played by Sergi Lopez, totally dominated this movie, upstaging giant toads, enigmatic fauns, fairies, and a terrifyingly grotesque blind child eating beast with eyeballs in his hands. This movie grabs you with the very first scene and doesn't let go until the tragic, yet satisfying ending. A bit heavy on the violence in places, which I wouldn't recommend to smaller children, but I like the way the movie breaks boundaries, not quite satisfied to be a 'kiddie fantasy' movie, and assuming a bit more intelligence out of its audience, while at the same time reaching into the child in all of us, and making you believe in fairies and magic, much more effectively than all the Harry Potter sequels combined.

 

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