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  • Review: Transformers

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    Transformers  (2007)

    My rating: 7/10

     

    I've never watched an episode of Transformers before, but I believe this film comes close enough to creating a world where real-life robots threaten the human race.  Michael Bay never fails to create good atmospheres for action and thrills, but Transformers still suffered from some problems.  These problems were big enough to detract from the whole picture.

    First, the action.  It was top notch, but not perfect.  The special effects were probably the best and most advanced I've seen yet.  The human military presence was awesome.  Watching the U.S. military, with it's most advanced technology, get served by a couple alien robots, really gives a nod to the power of the alien force.  But, the action was just too much.  I've been noticing a trend with new movies lately that the action in these types of movies continues to get faster.  It's now getting more difficult for the human eye to follow what's happening.  At times I had trouble following the action, or even recognizing which robots where good and which were evil.  I really wanted to enjoy every second of the graphical battles, but if I blinked and focused on the wrong part of the picture, I found I missed a lot.  Bigger and faster is not always better.

    The detailed design of the transformers was also too complex for my taste.  It was all SO detailed, I had a hard time appreciating it.  Since of course they wouldn't stand still long enough to notice the fine details, they were a wasted feature in my mind.  More complex is not always better.

    I really enjoyed the slow-motion, Matrix like moments, albeit brief.  These short shots really showcased the graphical power of this film.

    The story was typical but sufficient.  The quest for an artifact that would calm a civil war between robots, with some teenage love thrown in.  You can't really expect more from this type of film.

    What was refreshing and nice to see was the humor.  It was actually very funny.  This was what prehaps redeemed the film, giving it character and watchability that the overload of graphics took from it.  Both the characters and transformers lent their personalities and their unique takes on the impending destruction, lightening up the movie enough to give it some character.

    I'd recommend Transformers.  Some prefer to live by "the more action, the better", even if it's too much for myself personally.  Check it out.


  • Films of the 90s

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    Groundhog Day  (1993)

    Ever since joining Spout.com a while back, I've come to learn a lot about film in general and my movie watching habits.  One of the more prominant things is how the Movies I've Watched By Decade chart.  Since I first starting watching movies at a high rate 2+ years ago, it's not surprising that most are from this decade.  They seem to be more accessible, and more prominant on my mind as being ones I want to see.  Plus, when deciding what to watch with my wife or with friends, we usually decide on something recent, as most casual movie watchers prefer.  Nothing wrong with that.  But I've found that because about 50% of the films I've seen are from this decade, I'm missing out on a lot.  Of course I'm trying to watch the classics from each decade--it's a slow process but I'm getting there.  But there are a lot of good ones out there I'd never stumble across unless forced to in a way, which is why I've decided to focus on one decade at a time, for now anyway.

    Since I've seen a fair share of 2000 and newer flicks, I've decided to focus on the 90s next.  I have just over 200 to watch to catch up to the 2000s, and I've made some progress to date.  I'll need to watch a few more than that because I won't constrict myself to solely 90s films, but this will be my focus for the next year or so.  This project really brings back some great movies I saw long ago but don't remember (Groundhog Day), some hidden gems (The Virgin Suicides), and even some guilty pleasures (I Know What You Did Last Summer).  Really, it's hard to miss a lot of the great movies out there when taking this approach.

    When this is all over I'll move on the 80s, the great decade I was born in.  I have even more films to watch from that decade in order to equal the 2000s, but I'll feel that much more knowledgable after I do it.


  • Review: The Godfather (1972)

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    The Godfather  (1972)

    My rating: 9/10

    Going into this film, it's hard not to take into account its reputation.  #2 on AFI's 100 greatest movies.  #1 of the IMDB Top 250.  Considered by many as the all time greatest American film, referenced and quoted countless times.  Going in, I expected perfection even though I try to leave expectations at the door when watching a film.  This is my second viewing, and really my opinion of it hasn't changed much.  I loved the movie, and it's bascially flawless, but I can't give it a perfect 10, nor can I consider it the greatest film of all time.  One of the greatest, perhaps, but I disagree with what seems like the majority of opinions.

    The story is certainly interesting: a mafia boss's son returns home after the war, innocent of his family's dealings and intent on keeping it that way.  But somewhere along the way, he becomes personally involved in a way that he can never reverse.  The dangerous but relentless life in the mafia for all involved is told wonderfully.

    The acting is done wonderfully by some of the best in the business.  The dark cinementography is perfect for such as film as this, as is the musical score.  Again, I can't really find anything wrong with The Godfather but for me that doesn't consistute a perfect film.  For it, it's missing the "awe factor".  I was never really found myself holding my breath during a great scene, witnessing greatness that made me become a film buff in the first place.  It's a solid film, paced wonderfully, not too slow or with unnecessary scenes.  But I just can't rank it up there at the very top, regardless of its place in film history.


  • Review: Commando (1985)

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    Commando  (1985)

    So this past Saturday I needed something to do, and with no new DVDs lying around I decided to see what was on On Demand.  This cable service has many free movies that are over 10 years old, and I decided I was in the mood for a mindless action movie.

    I hit the jackpot.  Commando, starring Arnold fresh off the sucess of The Terminator and a young, innocent  Alyssa Milano, is a pure action flick with a little family sentiment thrown in, but little else.  If you want to see Arnold kill more than 80 baddies (that's almost one per minute!) without taking more than a scratch himself, you'll love the premise.

    Schwarzenegger plays ex-marine John Matrix who wants nothing more than to retire in peace with is young daughter by his side.  This dream is shattered when an ex-dictator of a Latin American country decides he needs Matrix to help him regain power by killing the current leader.  To ensure Matrix's cooporation the baddies kidnap his daughter.  John won't stand for it it of course, letting neither civilians, rent-a-cops, or real cops stand in his way.

    Matrix then goes on a killing spree, loading up on assault rifles, grenades, even rocket launchers and killing or pounding anyone who gets in his way.  For most of the movie this means most of his enemies are not actually bad guys, but cops and others that get in the way of his goal.  After all, Matrix's thinking is that nobody can or will stop him from getting his daughter back, especially innocent bystanders.

    The action is over the top and comical.  It tries not to be but turns out to be more of a comedy than a straight action movie.  Arnold delivers plenty of one-liners, and when he gets in trouble, his trusty sidekick Cindy (who he teams up with by chance) is there to rescue him with both her womanly touch and mad rocket launcher skills.  (One of the best scenes is when she shoots the first rocket backwards).  The evil dictator's army seems ridiculously large, yet never manages to hit our hero, but instead run by scores to their death.

     I'm sure there's more I could complain about, but it all points to the same conclusion.  The whole premise and execution is terrible, but it's so bad it starts to become good again.  It was entertaining to watch, but this doesn't warrent a positive rating.

     3/10


  • Review: WWII: The Lost Color Archives

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    Rating: 9/10

    I was recently drawn to rent a collection of 40 minute shows known collectivly as "WWII: The Lost Color Archives".  If you're a history or war buff, you probably know why.  World War II has always been seen in black and white, but what I wasn't aware of was that were exist hundreds of hours of color footage taken both at the front lines and of the events surrounding the war.  I was hoping to see the war in a way I never had before, and I was deeply satisfied.

    The collection is broken up into three 45 minute segments: A New World Order, Total War and Triumph and Despair.  Together, the tell a brief story of the war from Hilter's ascendtion to the allied victory in Japan.  There is narration throughout as the program plays out like any history program.  There is extensive use of diary entries of numerous people involved, from soldiers on both sides to civilians, nurses and the victims of concentration camps.  The diaries are read by convincing actors with the proper accents, and while the number of diaries gets a little excessive, it still probes deeper into the effects of war than most programs do.

    The footage is remarkable.  The quality is very good for the time period, and is taken in many different parts of the world.  It's not just news footage, it's taken by soldiers as they bomb cities, including the two atom bomb runs, as well as post-Pearl Harbor shots and plenty of footage of France, a devastated Berlin and the home movies of Adolf Hitler.  As I watched this footage, I felt closer to those involved, as if these events happened only years ago, not generations.  The footage was also appropriate for the narration, and most of it was not terribly bloody or gorey (although there were shots of dead bodies both on the battlefield and in the concentration camps).  Some of the shots were so tear-jerking you wondered how humans could do this to one another.  As the U.S. took some of the Japanese-held pacific islands, they discovered thousands of innocent Japanese civilians in caves, starving because the Japanese army had taken their food.  The impact of civilians was something you rarely see.

     I would recommend this to anyone.  The knowledge is important and the color brings it to life in a way that can't be missed.


  • Review - A Trip to the Moon

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    9/10

     The first science fiction film.  A timeless classic.  These statements are well deserved for A Trip to the Moon.  Directed by a master illusionist, this film showcases some wonderful special effects for its day, providing a wonderful dream world in an undiscovered land.  The narrative is linear and builds suspense as the brave astronauts flee the aliens, making the audience question whether they will escape the Moon and return to Earth.  The thrill of discovering the unknown, and the comfort of returning home are both beautifully captured in this classic silent film.


  • Review: Mission: Impossible

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    8/10

    I first watched this film back when I was a teenager, and at that time I found the plot very confusing.  Rewatching it now at 24, I realize how great it is.  Perhaps because I already knew what was going to happen, and maybe that's what frustrated me in the beginning.  We weren't expecting such a twist, such backstabbing, such confusion as Cruise's character finds himself in.  The movie was perhaps too cerebral, which is why it disappointed some.  But if you can get past that, the plot is great and the action (while sometimes over the top) manages to compliment it.   The next two films in the series focus much more on the action, and I think what would make the perfect M:I film would be a mix of the first film's atmostphere, plot and suspense, and the sequals' action and less serious nature.  This film is not the typical M:I story, I believe because so much goes wrong for the protagonist. He's fighting what he can't see, but such is the life of a spy.


  • Review of: The Lost World: Jurassic Park (1997)

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    5/10

     I had watched this years ago but couldn't remember much, but going in I remembered it landed nowhere near the first Jurassic Park in terms of quality.  Turns out I remembered right.  The first JP is one of my favorite films because the atmosphere Spielberg created just felt so real to me.  Dinosaurs roaming the earth in the 20th century may seem like fantasy but Spielberg was able to create a world where you couldn't help but believe they really ruled the island, and that man was trespassing.  In this film however, the spectical is gone, perhaps because it shows a lot of what we've already seen.  I liked the references to some key moments in the original JP, but beyond that we just saw more of the same dinosaurs doing the same damage.  The suspense was really gone from this movie, and it turned into another monster movie.  I liked the original because it didn't feel like that.  Most of the original actors were absent from this film, and that's usually a bad sign.  Overall, The Lost World felt more like a cashout on the JP name than a worthy thriller.


 

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