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  • Good movie.

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    Ocean's Eleven  (2001)

    Clooney plays Danny Ocean, a recently released big-time thief, who has big aspirations of knocking over the owner of three big Las Vegas casinos, Terry Benedict.  Terry is not only a major a-hole with plenty of enemies, but also happens to be sporting Ocean's former wife on his arm, which makes him an illustrious target in Danny's eyes.  Danny pulls together a gang of ten other players, each with their own skills which are needed to bust in the high-security vault which hold the millions taken in by the casinos. 

    Soderbergh squeezes more juice than one could have thought could be had from the material, and the actors provide oodles of chemistry and amiable performances which make Ocean's Eleven one of the hippest and most fun films of 2001. With grainy film stock, a hip funk-jazz score, well-choreographed camera movements and segues, plus good use of Las Vegas scenic locales, it's a treat for the mind as well as the funny bone.


  • Third best Star Wars movie.

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    Star Wars  (1977)

    A couple of robots shuttle to a desert planet after their rebel spaceship is taken over by an Imperial starcruiser, capturing everyone on board including the rebel princess, Leia (Fisher). Leia has sent the robots to convey a message to a man named Obi-Wan Kenobi (Guiness), who she claims is the only hope left for the rebels to beat the evil Empire.

    A pair of farmers buy the droids after they are captured by some scavengers to use on their farm, and after the farmer boy, Luke (Hamill) discovers the princess' message, he heads to Obi-Wan to deliver it. While he is away, his family is killed by the Empire seeking the droids, as they make their escape from the planet with the aid of a space pirate named Han Solo (Ford), and make their way to help the princess, who is now aboard a space station powerful enough to destroy an entire planet in seconds, the Death Star.

    Star Wars is truly one of the all-time greatest cinematic experiences ever created. A modern day equivalent of a fairy tale, masterfully and lovingly created by writer-director George Lucas. Combining elements of narratives of the past with modern-day westerns and Japanese cinema, it is a breathtaking endeavor, with an absorbing universe of richly-defined characters. It's bolstered by a memorable score by John Williams, beautifully created costumes and sets, and a tightly constructed plot that never strays off course, this is nothing short of a sci-fi/fantasy masterpiece.


  • Second best Star Wars movie.

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    The Empire Strikes Back continues the Star Wars saga in exciting fashion, with the Empire now having driven the Rebels from their secret base to another on an ice world called Hoth. The Empire eventually finds them on Hoth, forcing an evacuation, whereupon Luke is told by the "spirit" of Obi-Wan Kenobi to seek out a Jedi instructor named Yoda for training. Meanwhile, romance is brewing between Han Solo and Princess Leia, but Han has problems of his own as he is plagued by bounty hunters and the Empire out to nab him. Excitement erupts as Luke and Vader meet face to face, and some startling revelations occur.

    The Empire Strikes Back is not only a terrific sequel to Star Wars, it's one of the best sequels of all time, and some people even think it's better than the first of the series. I don't totally agree with that assessment, but admittedly the special effects are better, the characters more three-dimensional, the artwork more beautiful, and the John Williams score still absolutely amazing. The film leaves more questions than answers, and sets itself up in the end for the eventual sequel to tie up all the loose ends.

    Empire may ultimately be just a set-up film, but what a setup! It's grand scale and top-notch entertainment of the highest order, and a must-see for anyone who saw Star Wars. The pace and editing of this film is nothing short of perfection...this is how to keep action tight and suspenseful!


  • Best Star Wars movie.

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    After Star Wars: A New Hope and Star Wars: The Empire Strikes Back, it was clear that George Lucas had something hot in his hands. At this point, Lucas was under some pressure, and it would've been easy to produce a followup that was a disaster and let everyone down. Star Wars: Return of the Jedi shows Lucas' ingenuity: he combines the best elements of the previous two episodes and produces a movie that is not only technologically advanced, in terms of special effects, but ties the loose ends together in a consistent whole.

    The plot is similar to Star Wars: A New Hope. The Evil Empire has built a new killing machine, much more powerful than the Death Star (even though it has the same weak points as far as blowing it up is concerned). The Rebel Alliance must destroy it before it destroys them.

    Luke Skywalker (Mark Hamill), along with Princess Leia (Carrie Fisher), Chewbacca (Peter Mayhew), Lando Calrissian (Billy Dee Williams), C3PO (Anthony Daniels), and R2D2 (Kenny Baker) tie up the first loose thread by rescuing Han Solo (Harrison Ford) from the clutches of the evil Jabba the Hutt (Toby Philpott). Then Luke returns to the Dagobah system to finish his training (thread number two) with Yoda (Frank Oz) and makes it there just in time. The nine-hundred-year-old Jedi Master dies and joins Obi-Wan Kenobi in the great beyond. Luke learns from Yoda that he has a twin sister and must confront Darth Vader before he can become a proper Jedi Knight (and that's two more threads tied up for you).

    Meanwhile, the Rebel Alliance begins planning their attack on the Empire's weapon. Luke and his friends are responsible for destroying the shield protecting the new weapon so Lando and the Alliance crew can destroy the revamped Death Star. As they approach Endor, the moon containing the shield controls, Darth Vader (David Proust, voice of James Earl Jones) and Luke sense each other's presence. Luke then confronts Darth Vader and tries to convert him to the good side.

    Up till now, the most fearsome villain in the Star Wars movies was Darth Vader. But Lucas manages to create an even more impressive one, just as he begins to change Darth Vader into a good guy. The new villain is Darth Vader's master, the evil Emperor (Ian McDiarmid), who looks feeble and old but possess extraordinary Jedi powers (presumably from his alliance with the dark side). When the Emperor realises he cannot convert Luke to the dark side, he begins to slowly and painfully kill Luke. Darth Vader, seeing Luke lying helplessly on the floor while the Emperor exhibits pure evil, feels a spark of compassion and kills the Emperor (a little too easily, but it's better than having a sustained fight). In doing so, he finally redeems himself and joins Obi-Wan and Yoda.


  • Awesome.

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    Synopsis: Tuscany, as the Allies pursue the Germans north at the end of WWII: traumatised by loss and carnage, Canadian nurse Hana (Binoche) decides to stay behind in an abandoned, bombed monastery and care for her dying patient (Fiennes). He seems to recall little of his life, but when Caravaggio (Dafoe), a vengeful, morphine-addicted thief, turns up and quizzes him over past dark secrets, and as Hana reads from his beloved Herodotos, memories return of the pre-war years when, as an archaeologist/cartographer in the Sahara, he had a passionate affair with Katharine (Scott Thomas), wife of a British colleague.


    My verdict: Though Anthony Minghella's adaptation of Michael Ondaatje's novel simplifies, jettisons and changes certain elements of the original story, it remains a rich, complex, entrancing piece of work. Part poignant romance, part suspenseful adventure, part enigmatic mystery, it's essentially a study in different responses to love and war, honour and betrayal, nationality and identity, falsehood and forgiveness, which sounds subtle echoes as the narrative flashes to and fro between two main time frames. Needless to say, the performances are flawless; more surprising is the fluency, poetry and scale of Minghella's direction (John Seale's sensuous desert photography is superb), equally eloquent whether depicting boudoir intimacies, bomb-disposal skills, drunken dementia or a deadly sandstorm.


 

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