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Reviews

 
  • Yet another beautiful and well-executed French drama

    1 out of 1 people found this review helpful. [What do you think?]
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    All Is Forgiven  (2007)

    Ok...I developed a huge crush on Mia Hansen-Løve last night.  If she really is still engaged to Olivier Assayas, I might as well just go throw myself off a cliff.

    I saw All is Forgiven at the San Francisco International Film Festival last night.  Hansen-Løve took a story which isn't extraordinary isn't even all that compelling, and she personalized it.  She turned into a beautiful story.  It was a very well-made grass roots debut.

    Reasons why I have a crush on Mia Hansen-Løve:

    • Her eye for casting is unbelievable.  With the exception of Marie-Christine Friedrich, the rest of the cast was made up of virtual unknowns.  In fact, as she stated in Q&A, she found Constance Rousseau on the street and brought her whole family into the film...and she was unbelievable.
    • Her taste in music was awesome.  She clearly stated that she did not appreciate film scores, that she preferred to take traditional songs as the backdrop for her film.  She made a very unique choice by picking two Irish songs and two Scottish songs for the film's music, and they fit so appropriately, even though the film was Franco-German in language.
    • She is an artist of conviction and principles.  Every choice she made was a deliberate one, and it shined through in every shot of the film.  During the Q&A she very explicitly stated that every decision was made for a reason and she made no apologies for them.  It was then that I knew I was in love.  :)

    The story follows a man and woman who have a child together (a story based on Hansen-Løve's real-life uncle).  The man, a writer, played by Paul Blain struggles with his eccentricity as a creative mind and turns to drugs.  The drugs take a toll on his relationship with his Austrian wife, Annette, played by Marie-Christine Friedrich.  A catalyctic event takes place and she is forced to leave him with their child, Pamela.

    Fast forward 12 years, and we see Pamela as a beautiful, young woman.  She's given the opportunity to reunite with her father...

    The story was well-told.  The French have an uncanny knack of making the most seemingly plain story so beautiful, through the use of subtle but very profound acting, simple film technique, and beautiful scripts, and All is Forgiven is no exception.  Paul Blain was so amazing that he really made an impression on me.  I hope to see him do more films. 

    Hansen-Løve's ability to manage the camera and to use it to pull the most of the characters on the screen was awesome.  She used close-ups, silences, and it made the film flow so smoothly.

    It's obvious that Hansen-Løve's experience working for Cahiers du Cinema gave her a good grounding and allowed her, as a critic, to put her money where her mouth is by producing a brilliantly made film.  I look forward to so much more from her.


  • It reminded me how much I hated high school...

    1 out of 1 people found this review helpful. [What do you think?]
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    American Teen  (2008)

    Have you ever been catapulted head first into a brick wall at 150 mph? Now imagine that brick wall was high school, and imagine that catapult was American Teen.

    Last night, I was instantly transported back 13 years to my high school days. The nervous tick came back. The pain pulled from the very depths of my innermost, repressed soul came shooting to the surface. I was reminded of my own high school experiences, the same experiences that molded me, the tough love I received from my peers, and the thick skin I developed as a result. But I was also reminded of how unhealthy an environment adolescence can be in the US for those living it.

    Nanette Burstein documented the lives of Warsaw, Indiana high school students, immaculately picking out what almost seemed like caricatures of the different types of students we all knew in high school. We follow four main students: the jock, the popular girl, the artsy girl, and the band geek. We become intimately involved in all aspects their high school lives; the pressures they face from their peers, their parents, and their futures. However, these students weren’t caricatures, they were real, dealing with the reality that has become the disgusting state of American teen culture taken from American pop culture and exploited in the worst manner ever in our public schools.

    What this film made very clear, is that the state of parenting, of education, of adolescence, of human values is so amazingly warped, that American families have completely lost touch with reality. The things that matter most are the things that should matter least and vice versa. We’ve led such sheltered lives that we forgot what it means to be human, and American Teen documents this reality very well.

    I realized that high school was no longer about getting a scholastic education, rather high school has taken on a far larger role of parenting - forcing our kids into the harshest of environments into a sort of “baptism by fire”. Parents have forgotten how to raise kids, and teachers have forgotten how to teach them. The best education a kid is getting in high school is from other kids.

    I could pontificate on the deplorable state of American families and American education, but all you need to do is watch this film to realize how scary a state it’s in.

    That said, Nanette Burstein did a fantastic job of filming American Teen. There were warmer moments throughout the film, but the dark undercurrent of each of these moments was never swept under the rug, and lingered uncomfortably among the viewers. I feel like this film is like taking medicine, it’s something you hate to do, but you know you have to…if for no other reason than to educate and remind yourself what it means to be young, to be human, to be a parent, and to influence the fragile and vulnerable lives of those around you.


  • Really blown away...

    1 out of 1 people found this review helpful. [What do you think?]
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    Planet B-Boy  (2008)

    Planet B-Boy is a fantastic film about the underbelly of the international breakdancing scene.  Like in any other artform, what's been exploited and what is known to the public is the crap...the passionless, marketed, undermining crap.  When you dig deeper into the underground and figure out what the artform is truly about, you leave refreshed and invigorated and Planet B-Boy does just that. 

    I thought the director did an excellent job in bringing to the surface the intensity and passion of the b-boys.  The film wasn't perfect.  I think it gets a little too personal and sways from the details of the breakdancing movement, but I do appreciate what Benson Lee was trying to get at with the pressures these teens deal with in trying to prove the credibility of their passion to their parents and their respective societies.  I especially love how Lee ventures all around the world to show the different countries and their diverse personalities in how they prepare for what is the World Cup of breakdancing.

    A must-see for everyone who has an appreciation for a unique underground artform.


  • Better than your average heist film

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    The Bank Job  (2008)

    My expectations were pretty low going in, but I left entertained.  I think what intrigued me more about this film is that it was based on a true story.  The plot was a little more complex than your average bank heist plot because it's based on the fact that by breaking into the safe deposit vault of this bank the villains (as they were often called throughout the film) opened a Pandora's Box of lies, deceit, treachery, politics-gone-bad, bad cops, porn and all the juicy details of the corrupt lifestyles of the rich and famous.

    Jason Statham was pretty subdued in this role thankfully.  In fact, he's made it to be quite the James Bond character in this film.  Charisma.  Good Looks.  Intelligent.  Saffron Burrows was stunning.  She did well.  But truth be told, I think I was too taken aback by her amazing beauty.

    It was a well-shot film with a more complex plot.  I think there were up to four parties that got incriminated and had a stake in making sure these bank robbers were killed.  Technically, it gave a retro feel at points...but didn't stick as consistently close as I would've expected.  Jason Statham did not look like a 70s bankrobbing villain.  That said...the film does little more than provide filmmaking eye candy, with a light layer of substance on top.


  • A solid, no frills family drama

    1 out of 1 people found this review helpful. [What do you think?]
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    The Savages  (2007)

    Laura Linney can annoy me.  Her attempt at playing a blue collar wife in Mystic River fell flat because she's too refined for that.  She's doing well in John Adams because she's a very plain and simple actress.  However, I really liked her in The Savages because it gave her a chance to push the limits with her personality to make bring to the surface what the average middle-aged, single woman with a dying father would go through.

    Philip Seymour Hoffman does a fantastic job as usual playing the self-absorbed older brother who doesn't want to deal with anything because he's got his own personality issues.

    The two of them together generated a great on-scene chemistry as brother and sister because they were both subdued and acting more from the heart without the flare that you might see from them in other bigger budget films.  If you were to ask me what made the film, it was this chemistry.

    The story was rich.  I wouldn't say it was terribly original, but Tamara Jenkins does an excellent job on the screenplay as well as the direction.  I'm not sure I would see it in the theatre again, as I think independent films, particularly independent family dramas are best enjoyed at home.


  • A great film...ahead of its time...

    1 out of 1 people found this review helpful. [What do you think?]
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    Midnight Cowboy  (1969)

    One of Jon Voight's first films, this was the one that kicked off his film career. This would be the film that also exploited Dustin Hoffman's true acting talent. This would also be the first X-rated film ever to win an Oscar for Best Picture (although by today's standards, it would barely even be rated-R). This would also be one of the first great films that kicked off one of the best decades of American film, the 1970s.

    I'd been dying to see this film for some time. It was a landmark film in so many ways and it was great in so many ways. It's a story about a very positive, though very naive boy from Texas named Joe Buck (Jon Voight) whose past haunts him and wants to escape his hometown Texas life (and his past) for a life of sex and gigolo-ism in New York City. He finds that the New York life isn't all it's made out to be and he struggles, all the while getting hustled himself and having to subject himself to the pains and horrors of a small-town kid trying to make it in the big city. He befriends one of the guys who hustles him (Dustin Hoffman) and you see their friendship grow throughout the film as they struggle to survive together.

    I thought the film was incredibly well done. It was real ahead of it's time for 1969, complete with flashbacks, flashing images, personal horror, violent emotion. The direction was phenomenal and the acting was some of the best these actors have done in their careers. The mise-en-scene portrays a very dark NYC complete with homelessness, violence, anger, etc. The kind of NYC you feel in the wide variety of films in the 70s - Rosemary's Baby, Saturday Night Fever, any Woody Allen film etc.

    I really felt every shift in emotion that I don't get from very many films nowadays. The flashes going through the mind aren't just of his past but of his present and of both simultaneously. His inner conflict is further complicated by his sense of southern positive yet naive attitude toward life that makes the viewer feel a huge sense of sympathy towards him. His ability to forgive those who've hustled him and to befriend complete strangers pains the viewer because you almost want him to walk away. To go back home. But as we learn later in the film, even his resilience is challenged.

    His sympathy towards other human beings is what seems to keep him going. His desire to make it big is only paralleled with his desire to have a companion in life. He finds it in Enrico Rizzo (Hoffman) and you see a true friendship take form.

    The film was overall pretty depressing but just a great feat of filmmaking that I would suggest to anyone who wants a great film to watch.

 

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