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Dr_Gor Blog

  • The Ghoul

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    The Ghoul  (1933)

       Long considered a lost movie, there were no known surviving prints of this film for several years until somebody discovered a 35mm print in the early 70's.   The film was in very poor condition with Chechoslavakian subtitles.   The film was restored (as best as they could) and copied so that today we are able to enjoy Boris Karloff as  The Ghoul .   Karloff is Professor Moriant, an Egyptologist who comes into the possession of "The Eternal Light", a rare jewel that was stolen from an Egyptian tomb.   Moriant believes that if he is buried with the jewel it will allow him to return to life when the full moon strikes the door of his tomb.   On his deathbed, Moriant has his servant Laing (Enest Theisger) wrap a bandage around his hand which clutches the jewel.   Just before the tomb door is sealed shut Laing steals the jewel from his dead master's hand.   When the full moon hits the door of his tomb Moriant is ressurected from the dead none the less and, when he looks at his empty hand and discovers the missing jewel, returns to his house in a rather foul mood.   In zombie make-up, Karloff is at his menacing best as The Ghoul.   A fun little movie that is worth checking out despite several skips in the sound and picture and the rather poor quality of the print.

                                                                        < GOR >


  • The Black Cat

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    The Black Cat  (1934)

    I must take a moment here to mention  The Black Cat  featuring Karloff vs. Lugosi.   This is one of the few films that these two horror icons made together because in real life they actually hated each other!   I think that their very real dislike of each other plays into their acting in this exceptional film.   Young American honeymooners Peter and Joan Allison meet up with Dr. Vitus Werdegast (Lugosi) on a train in Hungary.   Werdegast is returning to his home town after spending several years as a prisoner of war.   When their hotel-bound bus crashes on a mountain road during a storm and Joan is injured the trio, along with Werdegast's menacing servant, are forced to seek shelter in the isolated home of Werdegast's arch-nemesis Hjalmar Poelzig (Karloff).   Poelzig is a Satan worshiping preist who keeps the bodies of his past 'wives' preserved in glass 'coffins' in the basement of his futuristic art-deco house so he can admire their beauty.   It turns out that one of these women was Werdegast's wife and Poelzig's current 'wife' is Werdegasts daughter!   When Poelzig decides he would like to add the lovely Joan to his collection he agrees to play a game of chess against Werdegast to decide the young lady's fate.   Let the fun begin!   This is a great movie that was very risque for it's time and is deffinately worth watching.

                                                                                 < GOR


 

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