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  • Pretty Slumdog Working Girl in The Dark Underworld

    1 out of 1 people found this review helpful. [What do you think?]
    Under discussion:

    Pretty in Pink  (1986)

    Working Girl  (1988)

    The Dark  (2005)

    Underworld: Rise of the Lycans is just very average. I've actually already forgotten most of it. The story was told in the first Underworld movie and so there are no real surprises. Michael Sheen ("Frost/Nixon") reprises his role as the werewolf Lucian and Bill Nighy ("Valkyrie") is back as head vamp, Viktor. The action is okay. The effects are okay. It's just all okay.

    Sadly, until just a few days ago, I had never seen Pretty in Pink. But I caught up with it and loved it. Written by John Hughes ("Just Visiting") it features many of his 80s teen trademarks: Molly Ringwald ("Not Another Teen Movie"), the clash between rich and poor, and lots of angst. John Cryer ("Two and Half Men") does an excellent lip sync. This movie really is awesome.

    From director Danny Boyle ("Sunshine"), Slumdog Millionaire tells the story of a poor boy from Mumbai  who is accused of cheating on India's version of "Who Wants to Be a Millionaire." As the police interrogate him, the film flashes back through his life to show the reasons he knows the answers to the questions. A love story hides amongst the tragedy and a lively soundtrack really makes the film pop. Definitely check this out.

    Unfortunately named though it may be, The Dark is really a tense little horror/thriller. Maria Bello ("The Mummy: Tomb of the Dragon Emperor") brings her daughter, Sarah, to Wales to visit husband Sean Bean ("Far North"). On the creepy seaside, Sarah appears to drown, but while her parents search for her, another girl appears claiming to have returned from the dead to take Sarah's place. Very creepy and atmospheric, but not frightening. I got quite caught up in it.

    Another 80's classic with which I finally caught up, Working Girl puts Melanie Griffith ("Have Mercy") in the dog-eat-dog corporate world as a secretary determined to rise to the top. When her bitchy boss, a nice turn by Sigourney Weaver ("The Tale of Despereaux") steals her idea, Griffith fights back by pretending to have her boss' job. Then she falls for Harrison Ford ("Indiana Jones and the Kingdom of the Crystal Skull") and then things go awry. Sometimes funny, sometimes frustrating, but ultimately inspiring, this is a really good watch.


  • Kung-Fu Hamlet's Revolutionary Hotel for American Teens

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    Under discussion:

    Kung Fu Panda  (2008)

    Hamlet 2  (2008)

    Hotel for Dogs  (2009)

    American Teen  (2008)

    American Teen is an interesting documentary following a group of kids as they go through their senior year of high school. It doesn't get too in depth on any of the four main kids, but gives enough that I remembered why I'm glad high school is over. Intercut with the teens interviews and clips of them in their daily activities, are cartoons symbolizing their hopes and fears. I enjoyed the movie, but I didn't love it. Some of the scenes felt too scripted to be a real documentary.

    Hamlet 2 has several laugh-out-loud moments, most of which come at the expense of Steve Coogan ("Tropic Thunder")'s pride. Coogan stars as a failed writer/actor who now teaches high school drama and must write a great play to save the program from cancellation. No cows are sacred in this movie and that mostly adds to the humor. Sometimes, though, it's too over the top. A funny movie, but not the year's best comedy.

    I was really entertained by Kung-Fu Panda. Jack Black ("Tropic Thunder") voices the title character, a dreaming, over-weight panda who is inexplicably chosen to be a kung-fu hero. The film has a good message, if you believe in yourself, you can do anything. And the animation is really good.

    Revolutionary Road seemed to get the most press for reuniting Kate Winslet ("The Reader") and Leonardo DiCaprio ("Body of Lies"). They play a married couple in the 50s who realize that their dreams no longer coincide. This is a really depressing movie. The acting is mostly good, except when DiCaprio starts channeling Jack Nicholson for no reason. And just when the film has dragged you down so far, Michael Shannon ("Before the Devil Knows Your Dead") busts in for some much needed shock and humor. It's worth seeing. Just take some anti-depressants first.

    Now, Hotel for Dogs, on the other hand, is a super cute story of two orphans who start a home for stray dogs. Pretty much just like the title implies. I thought the story was sweet. But my husband said it was dreadful and that my pregnancy hormones were influencing my reviewing skills. I told him that he better get used to this kind of thing. Because once we have a kid, we're going to be seeing a lot more movies like this.


  • If Persepolis Silenced Gran Torino in Dark Corners

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    Under discussion:

    If...  (1968)

    Dark Corners  (2007)

    Persepolis  (2007)

    Gran Torino  (2008)

    Dark Corners started out as a pretty interesting horror movie with Thora Birch ("Train") playing dual roles as a depressed, poor woman having beautiful dreams and a wealthy, happy woman having nightmares. They seemed to be dreaming each other's lives. And then it just descended into making zero sense and plausibility. I don't mind bending the rules of space and time. But there needs to be something I can hold onto as possible.

    Gran Torino gives us Clint Eastwood ("Million Dollar Baby") at his grizzled best. Eastwood stars as a grumpy old racist man living in a changing neighborhood. He starts getting close to his Hmong neighbors who change his outlook as he tries to keep them out of trouble. Besides Eastwood, the acting of the unknowns in the film is atrocious. But the story is so good, that I mostly overlooked that. And I enjoy Eastwood as a director. He doesn't waste time. All the shots are important and further the story. If this is truly Eastwood's final acting performance, then this is a good one to end with. But I hope he keeps directing for many more years.

    Another in the Filmspotting Angry Young Men Marathon, If... just confirms that I don't like this genre. A very young Malcolm McDowell ("Bolt") stars as a disgruntled, head-in-the-clouds, authority hating teen at a boarding school. As the term wears on, McDowell and his friends rebel against some older bullies and the teachers backing them. And a full-fledged war develops. There are some very surreal sequences as well. These supossedly emphasize the absurdness of the society and school. I just didn't enjoy it.

    Persepolis is an animated coming-of-age story of an imaginative Iranian girl during and after the Islamic Revolution. I really enjoyed the black and white animation. Very dramatic. And the story. It was funny, informative and heart-breaking. I don't know much about the Islamic Revolution, but this story, based on the life of cowriter/codirector Marjane Satrapi, shows the long-lasting effects on one family. Very good.

    And then I rewatched Silence of the Lambs. I don't know what to say about it that hasn't already been said. It still rocks. It's still tense even though I know exactly what's coming. Anthony Hopkins ("Beowolf") is perfect and not over the top. Jodie Foster ("Nim's Island") is all young and determined to prove herself. I love it!


  • Invisible Headless Yentl is Unborn in Real Life

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    Under discussion:

    Yentl  (1983)

    The Invisible  (2007)

    Dan in Real Life  (2007)

    The Unborn  (2009)

    By now, you know how I feel about creepy kid movies, so it should come as no surprise that I was super pumped for The Unborn. Sadly, it didn't live up to it's trailer or my expectations, but it didn't totally suck either. I enjoyed the premise, a twin who died in the womb haunting the sibling who lived. And then the mythology, maybe this spirit twin is a stronger presence that needs to be exorcised from our world, was also good. But the dialogue and terrible acting just brought me completely out of the story. The main girl, Odette Yustman ("Cloverfield") wasn't that bad, but her friend, Meagan Good ("Saw V") killed me every time she opened her mouth. I started dreading her appearance on screen.

    Yentl has Barbra Steisand ("Meet the Fockers") as a Jewish woman who poses as a man so she can study the Torah. Of course, she falls in love with a classmate, Mandy Patinkin ("Choking Man"), and then all of weirdness happens while she tries to keep her secret. Plus, there's singing. I found it sometimes strange and often touching. Definitely worth watching.

    The Invisible is kind of a lame thriller about a kid who gets beaten and left for dead, but his spirit is wandering about trying to get someone to find his body before he actually dies. It entertained me. Partly because I think the main kid, Justin Chatwin ("Middle of Nowhere"), is adorable. But the story is just okay and the acting isn't great. Except for Marcia Gay Harden ("Home"), of course. I say, if it's on, watch it. But don't go to any great lengths to seek it out.

    You don't always know from a preview which Steve Carell ("Get Smart") you're going to get, but Dan in Real Life features the subtle and still funny man. The story is very sweet and very realistic. Carell plays a widower raising three girls. They got to a family reunion where Carell falls for his brother's girlfriend. Like all family situations, this movie features many classic moments, both tear-jerking and uncomfortable. Pleasantly surprised by this one.

    I'm pretty sure that Headless Horseman is a Sci-Fi channel original. And, of course, I got sucked right in there. In a slasher take on the Sleepy Hollow story, a group of teenagers get stranded in a backwoods, inbred (typical) town where every 7 years, Headless comes looking for 7 heads to feed to hell. It's a weird backstory, and it might even have been more interesting, if the dialogue and acting hadn't been so bad. I realize that this a common complaint of mine. But I just feel that there are so many good actors and writers out there, why can't studios try harder to get better ones?


 


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