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  • Dead Cloverfield Winter on Mulberry Borderland

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    Under discussion:

    Borderland  (2007)

    The Last Winter  (2007)

    Mulberry Street  (2007)

    Lake Dead  (2007)

    Cloverfield  (2008)

    Borderland is another good After Dark film. Based on actual events, though I didn't check into that claim, the story follows three friends headed down to Mexico for some fun. They end up involved with a cult that practices blood sacrifice. It's gritty and fascinating, though not that scary. Just creepy and intense. I enjoyed it.

    Lake Dead is also an After Dark movie, and this one is good for people who are frightened of incest and camping. Two girls inherit a hotel they've never seen. They go with some friends to check it out, and killing ensues. Most of the acting is atrocious, but there are some good scares and many tense moments. Enjoyable.

    Thanks to the Sci-Fi Channel, I caught yet another After Dark horror movie, Mulberry Street. This one is really good. All over New York, rats are biting and infecting citizens. These bites turn the victims into violent, hungry rat creatures. The film focuses on a group of tenants in a run down apartment building. It's tense, the characters feel real, and I cared about them. It's very much like a zombie movie, with infected friends and family turning against each other. Good times.

    The Last Winter sets a group of oil drillers in the Alaskan wilderness where the land is rebelling against them. Due to how humans have abused the earth, the Alaskan permafrost is melting and releasing spirits into the world. It's an interesting premise, but not that well executed. Ron Perlman ("Hellboy II: The Golden Army") is the main character, and he is belligerent and annoying. The other characters are only slightly interesting, and I didn't care that much when they died. The effects are pretty good. But mostly, this is a forgettable movie.

    I finally caught up with Cloverfield, and I really liked it. It's not going to change the world or anything, but I don't see where all the hate is coming from. The premise of a surprise party gone awry when a giant monster attacks New York City is awesome. The guy from the party running the video camera films all the action from a first person point-of-view. I think that was a good way to handle the chaos. And the guy was amusing. The characters are believable and established quickly. And not too much of the monster is shown, which builds suspense. Then, when we do see it, the pay-off is worth it. Check this one out.


  • Sound of Haunted Eagle Blindness Reincarnation

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    Under discussion:

    Reincarnation  Production Year

    Eagle Eye  (2008)

    Eagle Eye is a pretty entertaining spy thriller. Of course, I think Shia LaBeouf ("Indiana Jones and the Kingdom of the Crystal Skull") rocks. I believed his ordinary man in extraordinary situation. The action starts off pretty fast and then doesn't let up until the end. Could I see where it was going after about half an hour? Yes. Did I still want to know how it got there? Yes. So, a fun two hour diversion. Just beware, Billy Bob Thorton ("Mr. Woodcock") is looking more and more like a living skeleton. Creepy.

    A Sound of Thunde
    r has a really interesting premise. In the future, man has created a machine that allows us to jump back in time. Only Ben Kingsley ("The Love Guru") is using it to take wealthy men back to hunt dinosaurs. And, of course, one tiny thing goes wrong and Ed Burns ("27 Dresses") has to scramble to save life as we know it. The CG is bad. I mean really bad. And the dialogue is often silly. However, I found myself entertained when it popped up on the Sci-Fi Channel.

    Blindness should have been a really good movie, and elements of the good were there. But, somehow, and I haven't been able to put my finger on it exactly, it just didn't work. The story follows a group of people affected by a sudden plague of blindness. Only Julianne Moore ("I'm Not There") retains her sight, and she becomes the eyes for this group after they ar quarantined in an old hospital. Of course, all manner of atrocities ensue. It's a bleak story. the cinematography reflects this. And the film follows the book very faithfully, which is usually a plus. I don't even know exactly what to complain about. I don't usually mind depressing stories or gross and despicable things on screen. But this film just did not work for me, and I can't recommend it.

    Death Row a.k.a. Haunted Prison, is a Sci-Fi Channel Original, and it's not one of the better offerings. Jake Busey ("Time Bomb"), yes, you read it right, stars as the leader of a group of thieves who take refuge in an abandoned prison as they try to escape police. Also in the prison is a group of filmmakers who are shooting a documentary about the building. But the prison has it's own plan, and the groups are thrown together as members are mysteriously killed off by the ghosts of inmates. The acting is atrocious, the dialogue not much better, but something kept me watching. Maybe the gore?

    Reincarnation is one of the After Dark horror films, which, I'm discovering, are really hit or miss. This is one of the hits. A Japanese filmmakers is doing a movie about a seemingly random brutal slaying in a hotel. As he recreates the set, the people drawn to the project begin to have strange dreams and visions. Sometimes the movie is confusing, but always creepy, and the end is very satisfying. Check this one out.


  • Man Who Fell to Secret Shutter Redbelt Terrace

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    Under discussion:

    Lakeview Terrace  (2008)

    Redbelt  (2008)

    Shutter  (2008)

    Shutter, which I knew nothing about going in, turned out to be pretty creepy. Joshua Jackson ("Bobby") stars as a photographer who keeps seeing a ghost in his pictures. Then she turns up haunting him and his girlfriend, so they try to sort out why she's so pissed. The mood is pretty chilly throughout, and even the end held up. I wouldn't say seek it out, but if you come across it, it's worth watching.

    The newest film from writer/director David Mamet ("Spartan"), Redbelt is sort of about a martial arts instructor who doesn't want to fight in a tournament, but then circumstances, and acquaintances, conspire to get him into it. Because it's Mamet, the dialogue is super cool. My two new favorite phrases, "Let the wheel come around," and "Leave the outside, outside." However, there are a few side stories that are either confusing or don't go anywhere. Chiwetel Ejiofor ("American Gangster") is amazing in the lead. His eyes express everything. I quite enjoyed this.

    Drawn to The Secret through my movie crush on David Duchovny ("The X-Files: I Want to Believe"), I had no idea what I was getting into. I'm still not sure what happened. Okay, I am, but I kind of wish I didn't know. Duchovny's wife and teenage daughter are in a car crash, and the wife's soul ends up in the daughter's body. then she tries to convince Duchovny she's his wife, not his daughter, and uncomfortableness ensues. Very interesting, yet disturbing film. I enjoyed it.

    I wasn't really interested in Lakeview Terrace until I heard Neil LaBute ("The Wicker Man") was directing. LaBute has a way of creating a really disturbing story with totally messed up and, yet, sometimes sympathetic characters. If I pretend the remake of The Wicker Man never happened, he's one of my favorite directors. And this film is not a disappointment. Patrick Wilson ("Evening") and Kerry Washington ("Miracle at St. Anna") a mixed-race couple, move into a nice suburb where their neighbor, a black cop in the form of Samuel L. Jackson ("Jumper"), is forced to confront his own prejudices. The main plot is a pretty by-the-book thriller, but the characters are well developed and believable. And when LaBute wants to make us uncomfortable and scared, we are. Also, the racism issues aren't wrapped up in a neat ball, but laid out for us to think about and digest. Not a great film, but a good one.

    The Man Who Fell to Earth
    is a classic science fiction movie starring David Bowie ("Arthur and the Invisibles") as an alien who is trying to figure out a way to transport water back to his home planet. And it's weird and long. There a flashbacks and forwards and general disregard of traditional timelines. Some of the shots are cool. There's a lot, and I mean, a lot of nudity, both male and female. I don't know about this film. I couldn't really get into the story and now I'm just scared for life.


  • Righteous Baby Mama Returns to Getaway Jules and Jim

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    Under discussion:

    The Getaway  (1972)

    Jules and Jim  (1962)

    Baby Mama  (2008)

    Righteous Kill  (2008)

    Righteous Kill reunites two acting greats, Al Pacino ("Ocean's Thirteen") and Robert De Niro ("Stardust"). I was intrigued enough to get to the theater, but really the film is just a glorified made-for-TV cop drama. It's very predictable. Neither De Niro or Pacino really bring anything new to their roles of cops tracking  a serial killer who is probably one of their own. I did enjoy seeing De Niro play the more angry role. Just wait for this to come on cable.

    With funnywomen Tina Fey ("30 Rock") and Amy Poehler ("Saturday Night Live") in the leads, Baby Mama should have been a big basket of funny. But, alas, it was not. Fey wants a baby, but is unable to conceive, so she hires Poehler to be her surrogate. Poehler is white-trash. Fey is upscale business. I guess writer/director Michael McCullers ("Thunderbirds," Baby Mama is his directorial debut) thought hijinks would ensue. However, the only funny bits were Poehler peeing in the sink and everything involving the doorman, Romany Malco ("The Love Guru"), who I couldn't get enough of. Also, Fey and love interest Greg Kinnear ("Ghost Town") have zero chemistry. Just skip it.

    The Getaway stars the ever cool Steve McQueen ("The Hunter") as a thief just released from jail. His wife, Ali MacGraw ("Glam"), has to do some shady stuff to get him an early release, and McQueen must pull off a heist for the corrupt warden once he's on the outside. The film is directed by Sam Peckinpah ("The Osterman Weekend")  so there's loads of violence, slow motion and female issues. It also takes it's time getting where it's going. But McQueen is awesome, the shots are amazing. It's worth the time.

    Jules and Jim is a famous French movie from director Francios Truffaut ("Confidentially Yours"). Jules and Jim are great friends who fall for the same woman. Then there's lots of voiceover and ridiculous philosophizing. The girl will do anything to get attention and the men will put up with her shenanigans. I didn't really care for it. I couldn't get behind any of the characters. In fact, most of the time they made me really mad. And this distracted me from any other goodness the film may hold. Maybe I was in the wrong mood, but I didn't get why this is so great.

    Usually, with my love of bad horror movies, I can find something good to say about them, but I'm at a loss with Return to House on Haunted Hill. Even the ghosts weren't very creepy. Someone was drawn and quartered, so that was kind of neat. But bad acting, dialogue and plot just wiped that all out.


 


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