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  • Prom Night x 2 + Sidney Poitier x 3

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    Under discussion:

    Prom Night  (1980)

    Prom Night  (2008)

    I will never catch up on my reviews.

    So in my obviously ill-advised quest to watch original horror films and then their remakes, I took in both Prom Nights. The 1980 version starring Jamie Lee Curtis ("The Kid & I") and Leslie Nielsen ("Superhero Movie"), sort of a strange combination, is actually very entertaining. The set-up with some kids playing around in an abandoned building is creepy. And then the deaths are okay, with one really great one involving a severed head.

    But the remake. I don't even know why these things happen. I don't even know why I go to them. It's a sickness. Anyway, I didn't notice that the new version was PG-13 until we were sitting in the theater. And not that a PG-13 horror movie can't be good, but a PG-13 slasher? The definition of slasher is bloody, violent death. And if you can't see it then the movie must rely on other things, like plot, acting, character development and atmosphere which were all pretty much missing from this mess. It gets two stars just for being so ludicrous. And for some reason I have a soft spot for star Brittany Snow ("Hairspray").

    I have pretty much fallen in love with Sidney Poitier ("The Jackal"). To Sir, With Love starts out with a kind of cheesy song that I eventually found myself humming as it played several times during the film. Poitier stars as an engineer unable to find work who ends up taking a teaching job in the slums of London's East End. I enjoyed this inspirational teacher/student story. Poitier is fabulous as he tries to keep his temper and show these kids how to behave as adults. I laughed. I almost cried.

    Then I watched A Raisin in the Sun where Poitier is explosive as a man trying to realize his dreams. Based on a play by Lorraine Hansberry ("To Be Young, Gifted and Black"), the story revolves around a poor black family crammed into a tiny apartment and waiting for a life insurance check. The writing is fabulous. I never got tired of the characters and the struggle. And the acting was great. Especially Poitier and Ruby Dee ("American Gangster").

    Poitier won his Oscar for Lilies of the Field, and though I thought his performance was good, out of this little Poitier-a-thon, it wasn't the best. The story follows Poitier as a handy-man who stumbles across a group of German nuns who "hire" him to fix their roof. Instead of paying him and letting him go on his way, they lure him into more jobs. This film shows a lighter side of Poitier. And there are many amusing bits between him and the nuns as he tries to help them with their English. I just didn't find the film that entertaining. The end was good, though.


  • Once August Rushes Young Guns to the Quiet Spider Baby

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    Under discussion:

    The Quiet Man  (1952)

    Spider Baby  (1964)

    Young Guns 2  (1990)

    August Rush  (2007)

    Once  (2007)

    August Rush = totally lame. Saccharine sweet, poorly acted, cheesy dialogue. I kept groaning almost anytime someone opened their mouth. The kid, Freddie Highmore ("The Spiderwick Chronicles"), is trying to find his parents who don't even know he exists. They just had one really great night together and just "feel" that someone is out there. Almost every single movie cliche exists in this film. Avoid. Avoid.

    Young Guns II is not a real improvement on the first film. Everyone who made it alive out of the first movie is back and they brought some friends. Viggo Mortensen  ("Eastern Promises") and Gil Grissom (William Peterson) take a bow. This time the story is told in flashback with Emilio Estevez ("Bobby") as a really unconvincing old Billy the Kid trying to get a pardon for his past crimes. His young Billy is equally fake, only now, instead of the steely glare, he's got the maniacal laughter. Lame and disappointing. But Keifer still rules.

    I heard so many good things about Once that it was almost bound to disappoint. I didn't hate the film, it just felt like a really long music video to me. That said, I loved, loved, loved the music. Glen Hansard and Marketa Irglova are amazing as lonely musicians who come together to write some really great songs. Very moving music.

    Spider Baby is just plain weird. Lon Chaney ("Dracula vs. Frankenstein") is the caretaker for some "kids" with special troubles. Some distant relatives turn up and want to take possession of the property. Well, the "kids" don't really know how to play well with others, so there are some accidents a.k.a. violent deaths. I believe this is considered a cult classic, and I can see why. The characters are all a bit strange and over the top. The girls are mostly scantily clad. There wasn't a whole lot of gore, but the deaths were good. This is interesting if nothing else.

    The Quiet Man won director John Ford ("7 Women") one of his four Oscars. John Wayne ("The Shootist") stars as an American returning to his old family home in Ireland. He falls for a fiery redhead, but runs afoul of her brother, which throws kinks in their romance. I think I missed something in this film. Wayne was pretty convincing in his role, except I didn't quite buy the romance. And that was a big chunk of the plot. The cinematography was gorgeous and the side characters entertaining. I didn't love the film, but some of it was amusing. Maybe I was just in the wrong mood?

 


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