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  • Killer Waitress Slither

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    The Killers  (1946)

    Slither  (2006)

    Waitress  (2007)

    Oh, happy day, finally some good films.
    The filmspotting guys are having a film noir marathon now, so I queued up The Killers and had a blast. Based on an Ernest Hemingway short story (so you know automatically that women are going to be evil), the film is set up so that the main character dies at the beginning. Excellent opening sequence with the killers coming into a local diner to look for "The Swede." The rest of the movie follows an insurance investigator as he tries to piece together the puzzle of why the Swede left everything to a hotel worker whom he barely knew. I enjoyed the flashbacks, the moody cinematography and the great score. Noir rules.

    Slither is one of those comedy/horror films that are just loads of fun. A meteor lands in a sleepy little town, infects one of the locals and all hell breaks loose. I laughed alot, especially at the mayor, Greg Henry ("The Black Dahlia"), and reveled in the gore. Nathan Fillion ("Waitress"), fast becoming my new favorite actor, brings some comedy as well as emotion as he tries to save the woman he's always loved from her alien-infested husband. I really enjoyed that the film didn't take itself too seriously. And there were a few tense scenes that played really well. But on the whole, this is a comedy. A good one.

    I just saw Waitress this afternoon, and maybe, with time, I'll come to find some flaws in it. But right now, I absolutely love it. Kerri Russell ("Mission Impossible: III") stars as a small town waitress with a gift for pie-making who is trapped in an unhappy marriage. She's planning an escape when she discovers that she's pregnant. The film follows her through the months of her pregnancy as she tries to find what will make her happy. The dialogue is great. Witty and thoughtful. All of the side characters are fleshed out. And Russell has some great chemistry with Nathan Fillion. The movie takes a few sad turns, but it never drags down too long, with the comedy pulling it back out of the hole. It's a very sweet film. Writer/director Adrienne Shelly also has a small role. And this is the sad part. She was murdered just before the film debuted. So there won't be any more magic. But I'm going to check out her previous films. If this is playing in your town, go see it.

  • Pan's Labyrinth

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    Pan's Labyrinth  (2006)

    Wow. A movie finally lived up to its hype.
    Director Guillermo del Toro ("Hellboy") directs Pan's Labyrinth, a simultaneously beautiful and horrible story of a young girl who creates a fantasy world to help her escape the harsh realities of a cruel stepfather, sick mother and civil war. The plot seems simple, but I've found myself thinking of it over and over these last couple of days. It's like a children's story but there are spurts of random violence. The cinematography is gorgeous. Even the parts that are set in the "real world" seem like a fairytale. The music, haunting. Del Torro pulls together the best elements of his last few films and combines them to show some real strength as a writer/director. And the end is awesome.
    How often does that happen?
    Queue it up.

  • Rope me in

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    Rope  (1948)

    Rope is one of those Hitchcock movies I've always heard so much about but never seen. And this is one that should not be overlooked. Based on a play, all the action takes place in a single apartment. But Hitchcock manages to build wonderful suspense in even such a small setting. Two friends decide to kill one of their "inferior" classmates and then have a dinner party for his friends and family on the chest where they have hidden the body. There is much interesting conversation about murder as an art and how some people deserve to be killed. Jimmy Stewart ("The Big Sleep") also turns in an excellent performance. If you haven't seen this Hitch, queue it up now.

  • I miss you, Spider-Man 2

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    Spider-Man 3  (2007)

    Could Spider-Man 3 have ever lived up to Spider-Man 2? No. It couldn't. Did that stop me from expecting it to? No. It didn't. I pretty much love everyone involved in the film, Sam Raimi, Kirsten Dunst, Topher Grace. All of the acting is good. The effects are top-notch, especailly the sand. Wow is all that can be said about that. But somehow, I left feeling cold. The story was too much, maybe. Too many villains? Too many emotions? Maybe Raimi knew he wasn't going to make another one and tried to squeeze in everything possible to this? I can't really say. There were some weird side gags that sort of bugged me. The spectacle was great to see in the theater, but the film is just okay.

 


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