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Diabolical_Shadow Blog

  • My Man Godfrey ~ Capsule review.

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    My Man Godfrey  (1936)

    MY MAN GODFREY

    1936 – NR – 93 Min.

    D: Gregory La Cava

    S: William Powell – Carole Lombard – Eugene Pallette – Gail Patrick – Alice Brady – Jean Dixon

    Criterion Collection DVD

    Fullscreen / Dolby Digital Mono

    Extras: Commentary – Outtakes – Radio Adaptation – Production Stills – Trailer

     

    Powell is Godfrey, a ‘forgotten man’ living in the city dump until he is virtually swallowed up by the Bullock family during a scavenger hunt. Leaving a particularly strong impression, especially on Irene (Lombard), leads our pensive yet eager hero into employment as the new butler of the Bullock household. It is demonstrated almost immediately that living and working in said household requires the patience of Job. There’s the general day to day insanity to deal with (Nobody wants to claim the horse in the library?), as well as the stress brought on by Irene’s deviously calculating sister Cornelia (Patrick) and her constant plotting against Godfrey’s continued employment. Largest of all complications, however, is that Irene has fallen for the mysterious new butler, hard. When the truth about his past comes to light, the Bullock’s, and perhaps Godfrey himself, will never be the same. Though usually referred to as screwball comedy, My Man Godfrey is much more than that. The usual trappings are all present, social observation, satire, and yes, comedy, but nearly flawless direction combined with the talents of the exceptional cast come together to create something truly special. My Man Godfrey is an insightful, hilarious, profound, rewarding entertainment that deserves every bit of recognition it has and will claim. Lots of options will present themselves to those seeking to add this one to their collections, but the Criterion release is really the only way to go. Very highly recommended.


  • Hunting Creatures ~ Review.

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    HUNTING CREATURES

    2004 – NR – 72 Min.

    D: Oliver Kellisch & Andreas Pape

     

    Could it all be only a terrible joke? No? Seriously? Fine then. Let’s just get it over with as quickly as possible. I’ll start with this up front; I am no fan of the ultra low budget German splatter film to begin with. Their appeal eludes me and this rectal projectile of a disc has done NOTHING to alter that opinion. A bunch of trench-coat wearing crooks hold the lamest rave in history at a site that has some sort of chemical stored in it. The raveites get infected, turn into zombies, and the criminals running the show team up with a couple of the scientists involved in order to, you guessed it, hunt them all down and kill them. One of the undead trench-coat dinks becomes an indestructible super zombie (and would-be rapist?!) because of an additional serum he was injected with. The following hour or so of this ugly, aggravating, shit storm is an incomprehensible blur of unbelievably cheap gore, sloppy looking zombies, painfully annoying dialogue scenes, and generic death metal. It took two separate breaks to be able to make it through this nearly intolerable excremental stink bucket in one night. At 72 minutes Hunting Creatures is exactly 72 minutes too damn long. Makes Zombie 90 look like damn Dawn of the Dead. Amazingly, two directors had to join forces to cut this digital fart. A career re-evaluation is definitely in order. This is absolute and unbearable crap and it’s finally time to flush; somebody light a match already. NEXT!

     


  • Araf: The Abortion ~ Capsule review.

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    The Abortion  (2006)

    ARAF – THE ABORTION

    2006 – NR – 97 Min

    D: Biray Dalkiran

    S: Akasya Asliturkmen – Murat Yildirim

     

    Eda (Asliturkmen) is part of an interpretive dance troupe and, though already involved in a solid relationship, is having an affair with an older married man. She finds herself pregnant and wants to get rid of the baby but it’s too late. Eda decides to get one of those discount basement abortions and after a lot of screaming and blood, it’s done. Three years later she’s back with original boyfriend Cenk, (Yildirim), married, and once again pregnant. The trouble is, the ghost of the original child is not done with Eda just yet. As a matter of fact, the aborted baby is pretty offended by this new pregnancy and it’s now that Eda’s life (and sanity) begins to completely unravel. Terrific. A low budget Turkish horror movie attempting to emulate the already redundant style of several cinematic Japanese ghost stories. Sound bad? It is. Poor lighting is an annoying problem throughout and, even so, the crappy CGI is still irritating. If the subtitles are accurate then the dialogue is some of the most bizarre and nonsensical I’ve come across in a long time. The final five minutes of this pretentious slop just begin to raise interest, but then the payoff is something I’d expect from a lesser Night Gallery episode. The final insult comes during the closing credits, where you’ll hear music that sounds like Turkish Rammstein. Take a nap instead, you might anyway, just not by choice. Save a step… Skip it.

     


  • American Kickboxer 2 ~ Capsule review.

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    AMERICAN KICKBOXER 2

    1993 – R – 91 Min.

    D: Jeno Hodi

    S: Dale ‘Apollo’ Cook – Evan Lurie – Kathy Shower – David Graf

     

    Can you imagine a B-grade martial arts action movie that’s a mix of everything from 48 HRS to My Two Dads? Well, you don’t have to ‘cause here it is – kitchen sink and all. Lillian (Shower) lives the good life with ‘safe choice’ husband Howard (Graf) until her daughter Susie is kidnapped and a two-million-dollar ransom is demanded. She digs into her ‘bad choice’ past to beg help from both her ex-husband Mike (Cook) and her ex-lover David (Lurie). Mike is a pissed-off cop with a violent temper and David is a kickboxing playboy who ‘isn’t into violence’. Nobody knows for sure who actually fathered the child but everybody wants to get her back. David lands himself in jail but Mike needs help and reluctantly pulls a few strings to get the guy released. From this point on it’s non-stop martial arts mayhem. The true follow-up to American Kickboxer is a film called To The Death, but this hilariously muddled mess is an altogether different animal. Nearly every possible cliché is dragged out kicking and screaming during the running time. Cameramen are visible in long shots, dialogue is often out of sync, the generic soundtrack is grating, the acting is marginal at best, the ‘twists’ are predictable, it just goes on and on. The thing is, American Kickboxer 2 is such a disaster that you just can’t get enough. Fantastically entertaining for all the wrong reasons, AK2 should be considered required viewing for bad film fanatics.


 

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