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  • The Tenant (also Le Locataire)

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    The Tenant  (1976)

    This is a very difficult movie, and it's almost impossible to get a handle on what's going on. At first it seems to be a rather pedestrian movie about a guy (Trelkovsky) who needs an apartment and rather crassly invites himself into one when the current tenant (a woman) commits suicide. Then the twists and turns start. Are the neighbors trying to kill him? And why are the dead tenant's clothes turning up in the apartment? One wonders, finally, if Trelkovksy _is_ the prior tenant. 

     

    SPOILER SPOILER SPOILER SPOILER SPOILER SPOILER 

     

    One of the tricks Polanski pulls on us is to lie to us. We assume when we see things from the point of view of a character that we see things as the character does and that there may be distortions of reality. We assume when the camera is showing us things from its omniscient point of view that we see actuality - but Polanski has the camera lie to us.


  • The Matador

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    The Matador  (2005)

    A solid movie with a great soundtrack. Kinnear and Brosnan work very well together and are well-matched in their roles. Two more different friends you couldn't imagine, but you find that their differences complement each other and that they have rather more similarities than you would have thought at first. Very watchable.


  • Reuben, Reuben

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    Reuben, Reuben  (1983)

    This is a light comedic movie about an alcoholic, Scottish poet with a toothache. A randy man, McGland travels the states wowing women with his poetry, wooing with his Scottish accent, while he worries over getting old. There's a great set up over his toothache, his teeth, and his old age, but he meets a much younger woman who sets him straight. Oh, and the dog. There's a dog.


  • Another Woman

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    Another Woman  (1988)

    This is one of Woody Allen's best movies. Gena Rowlands always knocks my socks off, and she's at her best here. Gene Hackman seemed out of place, but Ian Holm was right on target with his characterization. The script is excellent, and the character development is relentless as the plot draws us to its climax. The intertwining of separate lives into one story is well done. A great film for adults. If you haven't seen it since it came out, it's time to see it again.


  • Mon Oncle

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    Mon Oncle  (1958)

    This is a great movie with the best use of a set I've seen in a long time, and some of the best use of music. The film is the contrast of post-World War II France with its pre-war glory. M. Hulot lives in the old France, in a house in a neighborhood. It's full of people, life is lived and loved on the street, and the music is marvelous. His sister and brother-in-law have become Americanized (even having an American car). Their streets are empty, no houses visible behind the barricades with electric gates. There is no music, only the staccato tattoo of Madame Arpel's heels on the concrete floor. The director uses M. Hulot's house to the fullest, and I encourage watching all the scenes with some attention, as Jacques Tati (who plays Hulot) is a master at his craft.


  • Princess Tam Tam

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    Princess Tam Tam  (1935)

    This movie had so much promise and failed so badly. There are only a couple of songs by Josephine Baker - this is not a musical. There is a dance that is so badly done it's funny. The plot is a mishmash of jealousy, revenge, and Pygmalion. A white Frenchman in Africa stumbles across an African girl and decides to use her to make his philandering wife jealous. He teaches the African to be a white European, then claims she is an Indian princess. He returns to Europe with her, where she is acclaimed. The philandering wife is having an affair with an Indian who is played by a white man in dark makeup. The Indian recognizes the fraud at once, but doesn't disclose it. He offers the "princess" the choice of continuing to live as a European or the return to Africa. There is a great deal of material in what's going on, but it's never delved into. If it's not going to be a musical, I wanted to know why the Indian didn't expose her; I wanted to know more about the choice between Europe and Africa. instead, the Frenchman's ploy works, his wife becomes jealous and returns to his arms. Tam Tam returns to Africa with the native man who beat her, and they apparently live happily ever after.

    It's an interesting movie to see for the history: the casual racism, the lousy choreography, Europe between wars. Baker is wasted as a child-like savage with only two songs.


 

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