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The Machinist (2003, USA, Brad Anderson) ***

Under discussion:

The Machinist  (2003)

Often, I have trouble understanding why fellow cineastes dislike movies I enjoy.  I still don't quite understand why Kristen didn't like Seven Beauties and Heavenly Creatures or why Edwin didn't like Ordinary People.  I understand exactly, however, why Kristen and Zach didn't like The Machinist, and their criticisms are accurate.  It's kind of stupid and doesn't say much.  But I enjoyed the movie (though a lot, lot less than the three listed above) for what it offers: the  some wonderful photography, and for most of the way has a unique, disturbing atmosphere. 

The movie opens as Trevor Reznick (Christian Bale), an ultra-thin, emaciated man, takes a body from his aparement and disposes it.  After the opening credits, we see that Trevor lives a pretty empty life- he works the night shift as a machinist in a factory, where he is unpopular and regarded as a bit of psycho.  He lives alone, with his only friendly social contact being his prostitue (Jennifer Jason Leigh) and his waitress (Aitana Sanchez-Gijon).  Things begin to go wrong when he finds strange notes written on his refrigator and accidently causes a co-worker (Michael Ironside) to loose his arm.  It gets even stranger when no one but Trevor acknowleges the existance of Ivan (John Sharian) a big, threatining guy at work.  Of course, we, the audince are try to figure out through the whole film whether the body dispocial scene was a flashback, or fast-forward.

The Machinist is not so much a thriller with a lame surprise ending as a mystery with an unsatisfactory solution.  To the film's credit, I did not guess what is reveled at the end, but I was underwhelmed it occured.  What makes the ending worse is that it means that movie isn't really saying very much at all- for most of the way, it looks deeper than it actully is.

What the movie does have in its favor is its tone- we really share this guy's nearly apoclalyptic state of mind.  The low-saturated colors and unidentified setting help make the film feel like an Edgar Allen Poe short story.  Also of note is Christian Bale- he lost a huge amount weight for the role (allmovie says he weighed only 126 pounds at time of of filming) and makes Peter Cushing look fat.  I gasped when I saw him shirtless at the begnning of the film, and it wasn't because he's hunky.

I hope that this review has sucessfully described the merits of this picture - it's not an intellecutal experince, but a visceral one.  This is the sort of movie that will appeal to a very specific audince, but one that will hopefully be able to identify what kind of films they like.  As for me, I found the movie's atmosphere to be  effective- but not enough for me to want to see it again.

The Machinist (2003)

posted on Tuesday, May 13, 2008 8:11 PM by CinemaRian


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