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chrismorrell Blog

  • Great music great images

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    Rumble Fish  (1983)

     "Rumble Fish" is probably my favourite from that year...not least for the superb music by Stan Stansfield and Stewart Copeland..there's a copy on my shelf and i shall watch it again...If only Mickey Rourke could have stayed that way..( at least no facial surgery)...remembering it as i write,this is a classic : got to get out this small town coz it's killing us/rebel without a cause/wild one excursion...it's undercut by a whistful childlike quality in the Rusty James character(Dillon),looking to his big bad brother "The Motorcycle Boy" (Rourke) for answers ,but the "boy" can see himself turning into his alchoholic father (Dennis Hopper)... cheers HairyLime,you remind me about the Tom Waits cameo,then ,of course theres Nic Cage,who gets the girl..huh!

     I love it ... 


  • Ageing well

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    The Driver  (1978)

     I don't think this has been bettered for car smash /chase action...and if you read a synopsis that omitted the four-wheel stuff it would sound sooo unpromising.

    No character names ,minimal character development,total underplaying ,except for Bruce Dern who literally chews the scenery..

    It's the Sheriff versus the "gun for hire" ...the "loner" ,man with no name ,who listens to country music(?!) who wants to turn over a new leaf...an almost comotose "love interest" ...but what it comes down to is a battle between a Pontiac Firebird and a breathed-over Ford pickup...


  • the reel world

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    Mulholland Dr.  (2001)

     What would we do without this bloke?

      I made a word up (i think) to explain this to myself,and how damn good it is...

     A "prismatic" masterpiece ...it messes with dreams and time in a way that it seems to bend around in a loop,radiating from the centre,or two-thirds through... you can go back for more,time after time...this spoilt me for other movies for at least a year.

     Naomi Watts took on iconic status for many , i'm sure,following this.

     We hear her briefly,of course in "Inland Empire" ,where Laura Dern ventures further into the labyrinth...

    I know not everyone has got time for Lynch,but,like taking pleasure in the other visual Arts,i'm just glad of the exclusivity...


  • Why Marty why?

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    Infernal Affairs  (2002)

    This is the third time i have watched it..familiarity wiith the dialogue helps concentration away from the subtitles..and it suprised me how much English they speak,with "boss" and "okay" ,"bye bye" and other

    phrases tagged on all over the place..

     That sing-song Cantonese drawl ,perfectly suits the insouciance of both the "Underworld",and the Police ,and there is a lot of humour in this..

    I was captivated straight away by the Hi-Fi shop exchanges where the two "star-crossed" recruits  meet up again.

     Cinematography is fantastic in this,and makes great use of the Hong Kong locations,where space is at such a premium,that everything ,including cemeteries and golf courses,are on rooftops...the camera seems to float everywhere ,and we get iconic image after iconic image. Most memorable,the rooftop "stand-offs" ,using exaggerated wide angled close-ups ,cut with "distance" shots,and reflections in the surrounding buildings,that create the effect of figures seeming to appear

    from nowhere...

    There is little flab in this film,no unecessary sex scenes ,crisp black and white freeze-frame flashbacks that punctuate the "life and death" moments,the violence is horrific , unglamorous,and perfunctory..

     A "neat" ending is eschewed for one that leaves the main character in "moral limbo",and leaves your imagination to run on into the future,outside the frame...with just a quotation from "The Buddah" that offers no solace,referring as it does to "Continuous Hell" as the worst kind...because those in "Continuous Hell" can never die ...

    ...Never Depart...


  • Reclaim the Flag

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    This is England  (2007)

     The title sequence could be a short, entitled "We Hate Thatcher,and this is why"...it includes some horrific footage from the Falklands campaign ,that i have not seen before.(.A similar montage ,these days would be entitled "We hate Bush and Blair,and this is why"..)
     The Falklands War was seen by many of us as a very politically expedient adventure,and the image of  Britain,more specifically England,as the triumphal World Power, flexing it's moral,military muscles,cast Margaret Thatcher as the "War" Prime Minister,and contrasted strongly with the unrest at home..Three million unemployed,
    social unrest in the racially divided inner cities.. and we know how extremism can thrive under these conditions...ringing any bells?
     Main character "Shaun" is only eleven or so,has lost his father to
    The Falklands . ..gets inculcated into the "skinhead" culture. Firstly with "Woody" and his group of well-meaning,friendly ,integrated types,who mainly love the Ska music..then,he
    "graduates" ,catastrophically, to the psychotic racist nut-case ,"Combo" (Stephen Graham) ...Youth cults,are ripe for hijacking by extremists,and this is what happened to the Skins in England.I found myself running all through my recollections of the period,"Two-Tone" ,the English Ska scene,"Rock Against Racism"...how, Socialist Worker recruits "The Redskins" tried to,single-handedly wrest things back from the BNP...
    Things get darker and darker, Meadows shows true artistic use of the medium ,and we are payed off with a very effective image,that echoes the "Goose Green" footage of the opening titles... Acting is great,despite many being "first timers" ,i guess..but the young kid (Thom Turgoose)  is probably the best performance ..quite a tough watch...superb.

  • Socialists of the World Unite

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    Loach's new film " It's a Free World"recently debuted directly on Channel Four T.V. and "On Demand" download...
     Despite the success of "The Wind..." such is the dominance of Hollywood product over Cinema releases ,coupled with the pure expense of getting enough prints made for a nationwide release, that Loach concluded that a television debut for "It's a Free World" with the DVD out soon after,made much more sense...as a result ,it probably got a bigger audience,and i thought it played well as  T.V. including ad' breaks...tea making time.
     Subject matter is very pertinent ,highly politically charged , shockingly realistic to many,probably.
     Have we really got "shanty town" ghettos of illegal immigrants living in the railway sidings of London?...well ...yes, apparently.
     All actors are "unknowns " and "real" people. No doubt highly-rehearsed, then " improvised " on camera and looks "real"...
    Central character is Angie ,played by Kierston Wareing,in her first film.
     She is fantastic,reminding me of a youngish Stephanie Beecham,lookswise.
     We meet Angie in Katowice, Poland, recruiting migrant workers.
     Boorish colleagues ,drive her to a job-losing incident.. she coincidentally
    befriends a young Polish bloke..She decides ,that, with her friend Rose,she will start her own recruitment agency..she is in fact becoming a "gangmaster" to illegal immigrants...her impetuosity is both her strength and her ultimate undoing.. Ken Loach's point of view is,undoubtedly represented on-screen by her father,attempting to prick her concience,and "do the right thing" by her working-class roots. Things are left open-ended...
    As a fully signed up Ken Loach fan,this delivers in the humanistic ways that i expected. Another well realised piece of work that spoils you for all the clunky stuff...

 

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