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  • 3 Stars for fun

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    4D Man  (1959)

    A guy drops the S-Bomb! It's a 1959 film, and This guy falls down the stars and drops the S-Bomb! That doesn't make it any better or worse. It's a B movie that should be filed under So Bad It's Good or under C for Cheese. "I broke open your locker and I saw your force field". Amazing soundtrack!

  • This Is The End?

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    I'll be the first to say that I have always considered Luc Besson to be a bit overrated. I really enjoyed the Professional, but that's about it. I don't think he is a bad director. He does have an incredible style and vision. I really wanted to see this film because it was going to be his swan song. After viewing Arther And The Invisables, I want to tell him to do one more, and not to end his career on this stinker. I was totally into the live action opening. Mia Farrow and Freddie Highmore are perfect as grandmother & grandson. It's funny, sweet, and it totally pulls you in. The problems start when the animation starts. It's ugly and it's just dumb. The writing is all over the place, and the story becomes secondary to it's visuals. Come on Mr. Besson. Let's see one more film before you go.

  • Influential

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    If Hitchcock's Rear Window, and Michael Powell's Peeping Tom are the quintessential voyeuristic films, than John Cassevettie's A Woman Under The Influence invites you in to it's home, and doesn't care what you see or if it makes you uncomfortable. The godfather of independent film, with his crew consisting of friends and family, A Woman Under The Influence feels more personal and uncompromising than anything I have ever seen. With his use of hand held cameras, natural lighting, and non-actors, Cassavetes completely destroyed the conventional film making process. A Woman Under the Influence remains to be as  powerful as when it was first released. The performances by his own wife, Gena Rowlands and Peter Falk are so intense and truthful, that they stay with you for days after a viewing. Without a doubt, they are two of the greatest performances you will ever see.

  • Antoine Doinel

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    Love on the Run  (1979)

    The Antoine Doinel films follow the Doinel character from boyhood to manhood with 400 Blows, Antoine and Colette, Stolen Kisses, Bed and Board, & Love on the Run. Even though this is not a documentary like the Seven Up films, I got a similar feeling watching the same actor portray the same character within a 20+ year period. It is very interesting to watch a real actor grow up on film.

  • Antoine Doinel

    Was this review helpful? [Be the first to tell us!]
    Under discussion:

    The Antoine Doinel films follow the Doinel character from boyhood to manhood with 400 Blows, Antoine and Colette, Stolen Kisses, Bed and Board, & Love on the Run. Even though this is not a documentary like the Seven Up films, I got a similar feeling watching the same actor portray the same character within a 20+ year period. It is very interesting to watch a real actor grow up on film.

  • Antoine Doinel

    Was this review helpful? [Be the first to tell us!]
    Under discussion:

    Stolen Kisses  (1968)

    The Antoine Doinel films follow the Doinel character from boyhood to manhood with 400 Blows, Antoine and Colette, Stolen Kisses, Bed and Board, & Love on the Run. Even though this is not a documentary like the Seven Up films, I got a similar feeling watching the same actor portray the same character within a 20+ year period. It is very interesting to watch a real actor grow up on film.

 

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