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azguki Blog

  • OH MY GOD!!!!

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    Baise-Moi  (2000)

     

       I almost feel guilty for watching this one.....almost.  In the all time top charts for most offensive and difficult-to-watch films these eyes have ever seen, this one is right near the top (with one ot two others I dare not even mention).  Unlike most films that are daring and trying to test social morality through controversy, this one is completely void of any redeeming features (most have at least one).  I understand what the filmmaker was trying to do, but for contemporary films pushing the envelope (especially by means of unsimulated sex in cinema) 9 Songs or Shortbus are vastly superior. 


  • Upon a second viewing

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       The first time I watched this was on a Sunday afternoon about 3 months ago and I think I was interrupted a few times.  I remember being happy for Forest Whitaker winning the Oscar (I will never forget his absolutely brilliant cameo in The Color of Money), but I was also a little disappointed that Ryan Gosling didn't get it (Half Nelson was probably the best movie I saw out of all the Oscar hopefuls). 

        But upon a second, uninterrupted,  viewing of this film last night, I can firmly say that I have a much better appreciation for it.  Not only are all of the performances perfect, it details what must have been one of the most intense times and places of the last fifty years.  I love a good fish-out-water story (being a white man in Asia myself) and watching McAvoy's astonishment at all things African,before realizing it isn't the grand adventure theme park he anticpated, seems 100% realistic and believable to me.  I wonder how much of his character's story is based on fact. 

         Before I close this down, I have to rave about Kerry Washington!!!  Not only is she beyond beautiful, but she has to be one of the most talented young actresses out there now.  Look at her in The Dead Girl.  Yeah!  That's the same girl.


  • Parker Posey

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    Fay Grim  (2006)

     

          Maybe it's just me, but I could probably watch Parker Posey do anyting for 2 hours and not get bored (Party Girl excluded).  Hal Hartley is quite an intriguingly unique filmmaker as well.  That makes for a pretty solid combination.  However, this one was a little bland.    The style and the mood of the whole piece is cool and completely refreshing in its estrangement from modern filmmaking conventionality, but it is necessary to see HENRY FOOL (a truly exceptional film) before watching this one.  

    AND THERE IS A SPOILER COMING FOR THOSE WHO WOULD LIKE TO AVOID IT!!!!! 

          My biggest problem with FAY GRIM (and there are not many problems with it), is that the entire movie is leading up to a promise that Fay will, at the end, be reunited with Henry, or at least have a face-to-face encounter with him.  That is what the entire plot built towards for myself.  That was going to be the big prize at the end of the game.  And it never came......................  I like Hal Hartley.  I like his style.   The Amateur is his best work (and a genuine masterpiece).  Unfortunately Fay Grim doesn't come close to its potential. 


  • Ouch!

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    The Condemned  (2007)

     

      Vinnie Jones was the only thing that made this watchable.  Actually, the only reason I bought it was because the guy was selling 6 DVDs for $10 on the sidewalk in Phnom Penh and I had run out of options.  I JUST LOVED the critic's quote on the front of the pirated copy "It seems as though thinking hurts Steve Austin's head.  Watching him certainly hurts mine."   Aren't those blurbs supposed to entice one to watch the film?  hahahahahaaaaa


  • Noah Baumbach

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       This is just a quality movie.  Noah Baumbach is probably too talented a writer to be making films though.  His mid-90's Kicking and Screaming was a borderline masterpiece and also about over-literate types in the same Whit Stillman-ish manner.  While that style makes for entertaining banter, however, it loses focus on film.  And, please, just completely disregard Baumbach's Mr. Jealousy (there was obviously something miscalculated about that production).   The Squid and the Whale is something new from Baumbach though.  It is a much more honest and harrowing side.  He allows the pace of the movie to carry it (no doubt a tip he picked up while collaborating with Wes Anderson on The Life Aquaitc).    This is as fine a film as I expect to see this summer. Jeff Daniels and Laura Linney just get better and better all the time.   I expect Noah Baumbach to do greater things in the near future.


  • !!!!

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    The Road Warrior  (1981)

      

         Last night I watched THE ROAD WARRIOR for the first time in probably six years.  I cannot believe that this film is 25 years old. It works better today than 99% of the action movies I've seen in the last five years.  For an action film, this is close to flawless.  Where are you when we need you George Miller?  The savagery is not only believable, it's downright eerie.  Everything in this movie works!  This costumes, the actors, the story, and the tone are all pitch perfect and flow in perfect harmony with one another.  There are also stunts in this film that would scare the living **** out of half of the stuntmen working today.  No CGI here, folks!  Nothing to see here but pure testosterone.   Throw in the whole post-apocolyptic backdrop and you have a sure-fire winner.  I absolutely love it.  Isn't it great when you are reminded of the movies you loved as a kid,  and then discover they are just as good now as they ever were?      

    (did anything ever come of the talk about Mad Max 4?........i heard the name was going to be Fury Road, but that was about two years ago)


 

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