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apulrang Blog

  • Nuanced Disability Depiction

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    The Diving Bell and The Butterfly is a better depiction of disability than most reviews would indicate. It isn't "heartbreaking", or even especially "uplifting". It is, above all, authentic and absorbing. It seems like "Jean-Do" Bauby was absorbed by the experience of his disability, though obviously he also experienced heartbreak and uplift. What keeps him going, as he says in the film, is imagination and, of course, his one good eye.

    From the perspective of someone with a disability, I was very pleased to see that for the most part, we are spared splashy temper tantrums from the disabled person, calmed by a scolding non-disabled mentor. One scene suggests this familiar formulation, but steers away at the last moment. 

    One thing I do wonder about is whether Jean-Do got to know any of the other residents of his hospital. In the film, they are treated as scenery, in a borderline offensive and definitely dehumanizing way.

    This is a very "good" disability depiction, in a "great" film.


  • In My Backyard

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    Frozen River  (2008)

    I wrote this email to a friend, about Frozen River, filmed in my backyard ...

    "I finally watched it. Wow. This is a really great film!

    I can understand why some local Native Americans don't like it. The depiction of reservation life is not flattering. This is especially true, I think, if the Native Americans who were at the screening really buy into or want to believe that reservation society is really quite noble. The movie depicts aspects of official reservation power structure as being fairly corrupt ... the bingo parlors, and the fact that they condone families stealing babies from disfavored family members. The smugglers are the closest things to good guys, yet they are the bad guys of the reservation ... or at least they are looked down upon.

    Then there's the fact that the white woman who upped the ante on the smuggling ... arguably getting the native woman in worse trouble ... ended up a selfless hero. That's gotta be a bit irritating to Native sensibilities.

    On the ot her side ...

    The movie beautifully depicts that poor is poor. The white woman's troubles weren't all that different from the natives' troubles. Family problems and money pretty much accounts for all of it. That's what made these two women such good partners and friends, even though they started out as adversaries.

    Other observations:

    - I'm not sure, but I think the actor who played Lila was fantastic. Its hard to tell, since the character is so low-key, but I think she did a great job.

    - Ray's older son was great, too.

    - I really wanted to know more about why Lila's mother-in-law took her child. But I'm glad they left that vague.

    - One thing they didn't do very well was sell the idea that Lila was anti-white. Though, I do think it was very significant when she said several times that they wouldn't be stopped ... and if stopped, it would be alright ... because Ray was white. "Remember, you're white!" I wanted to say, "Yeah, but you aren't!"

    - Another group that could be offended by this movie ... French Canadians! I mean, their contacts on the other side were pretty sleazy, no?

    - I love the local authenticity ... Route 37, "the Moira Road", Tom Messner doing the weather on Channel 5.

    Anyway, the whole thing was pretty damned awesome!"


  • Twists On Familiar Twists

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    In Bruges  (2008)

    At first, In Bruges appears to rely on plot and character "twists" that you've seen enough times that they aren't really "twists" anymore. The thoughtful hitman. Two contrasting buddies, one crude, the other refined. The comically-menacing crime boss.

    What you get here are new twists on these themes. The hitman is thoughtful in truly meaningful and difficult ways. The "crude" buddy may not actually be such a bad guy. The Mob boss's sense of "honor" is both familiar and refreshingly flawed.

    Meanwhile, the film truly is "a feast for the eyes".


  • Big Mistake

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    The fatal flaw in this second installment in the Chronicles of Narnia series is the completely unnecessary addition of a sort of love story between Caspian and Susan. It's not at all even hinted at in the book, and adds nothing to the movie. In fact, it overshadows and ruins what would otherwise have been a fairly decent depiction of one of my favorite of the Narnia books. "Dawn Treader" could be outstanding, or horrible.


  • A Good Start

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    Pretty good, considering the inherent difficulty of reproducing the spirit and feel of the books on screen. The essentials are there, with nothing unnecessary added.


  • Light, But Rich, too

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    Some Girls  (1988)

    Some Girls is light but tasty entertainment covering a rich center. It's fun to spot Patrick Dempsey, Jennifer Connelly, and Sheila Kelley early in their careers, and Michael is one lucky guy to be pursued by such beautiful, if perplexing, young women. But the real core of the story involves granny, who in her dementia connects with Michael, and affects him in ways as surprising to us as to him.


 

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