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  • The Rocket: the Legend of Maurice Richard

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    The Rocket  (2005)

    Rudy on ice. The Rocket: the Legend of Maurice Richard chronicles the rise of Richard, apparently a famous French Canadian hockey player active during the 1940’s. Written by Ken Scott and directed by Charles Biname(‘), The Rocket is a beautiful period film washed with the familiar patina of films like Hope and Glory.

     

     It seems no one, especially the sporting press, ever expected the frail Richard to amount to much. His team, the Canadians, even felt he was a ‘lemon’ at the beginning of his career. Personal doubts followed, but Richard remained determined. He had heart, I suppose. Besides his humble demeanor Richard stayed remarkably unchanged from his youth, through his career in the NHL. He loved the same woman, always dominated the rink and even held down a factory job for many years. Truly he was a saint.

     

     

    Roy Dupuis is serviceable as the modest Richard but the real standout is Stephen McHattie (A History of Violence, The Fountain) as Canadians coach Dick Irvin. Irvin defies his anti-Canadian superiors to keep Richard on the team, seeing in him the drive and heart he needs for the team. Over time others begin to notice the Richard that Irvin has known all along, and our protagonist finally begins to get his due.

     

     

    The film follows the familiar plot of most sports hero films. Athlete overcomes obstacles to live his dream and continues to overcome further obstacles to prove himself. Eventually he is recognized a true underdog success story and lauded as the greatest “insert sport here” player ever. If you feel you’ve probably seen this all before it’s because you have. Sometimes done worse, sometimes done better. Everything seems dragged from other movies, the somber piano music, the strained home life, the derision by those in the league working against him.

     

     

    The Rocket does convey the struggle Richard went through to have his accomplishments recognized for their merit. Time and again Richard breaks league records with ease, and every time he is met with indifference from a francophobic American fan base. At every turn he is met with obstacles, always overcoming them with cool aplomb. The “aw shucks’ routine does wear thin after a while, but the film maintains interest in Richard by highlighting he growing importance to underdog lovers everywhere.

     

    While The Rocket isn’t a bad film by any stretch it is a boring one. Unless you are a hockey fan, Canadian, or just love Rudy, Rocky, Hoosiers, Invincible, The Karate Kid, Major League 2, The Mighty Ducks, The Bad News Bears, Cinderella Man etc…, you might be hard to make it through the film.


  • Sun Dogs

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    Sun Dogs  (2007)

    Sun Dogs is the story of a rag tag group coming together to create Jamaica’s very first dog sled team. Does that sound familiar at all? Cool Runnings with dogs immediately comes to mind. While the basic concept of overcoming impossible odds to have the Caribbean islanders competing in snow sports is no different from that mediocre effort, the form is. Sun Dogs eschews the stoner comedy milieu in favor of heart warming documentary.

     

    The film focuses on the batch of strays selected for the dog team, and the men who came together to make it happen, including Jimmy Buffet. After the initial investment from some enterprising locals, American trainers are brought down to seriously engage the animals. It’s basically the training sequence from Best of the Best sans montage.

     

    The film spends a lot of time dealing with the plight of average Jamaicans and the wreckage of their economy. If you’ve ever been to the Caribbean and traveled inland from the beach resorts you have probably come across the utter poverty that plagues the region. The film makers attempt to draw a line between the street mutts and their streetwise trainers. Through the dog sled team everyone gets a second chance I suppose. Too bad this part of the film falls flat. It’s hard to know where the focus is exactly, and splitting between two species doesn’t really resonate the way it could have in more adept hands. Director Andrea Stewart attempts to play the heartstrings, but sudden shifts in tone just become annoying.

     

    The strongest note in the film is without a doubt the dogs themselves. Coming from the streets or abused homes there is something gratifying in watching the wayward animals develop from confused and frightened shadows of themselves into working athletes. To this end Stewart spends time with the Jamaican Society for the Prevention of Cruelty to Animals and other animal enthusiasts. These sequences are very effective and feature some of the best interviews in the film.

     

    Just as soon as she creates some sympathy for the animals though, she attempts to once again trade it in for human sympathy. Jamaica sucks, I get it. It has been in a downward spiral for decades with little hope of overcoming its wasted potential. I know, I read The Economist. It’s nice that through the dog sled team many under privileged participants like Oswald and Newton, the dog trainers, and received opportunities to travel the world and succeed. Honestly I just don’t care. I found myself just wanting to watch the dogs.

     

    Sun Dogs tries very hard to be all things to all people. It’s as if while filming the director became increasingly distracted and decided to follow as many sub plots as possible. Unfortunately it doesn’t work. If you love dogs, or are interested in the plight of the crime ridden island, Sun Dogs may be worth a look, otherwise just skip it.


 

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