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The Bigger Picture

  • Batman: Gotham Knight (2008)

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    Under discussion:

    Batman Begins  (2005)

    The Dark Knight  (2008)

    Batman: Gotham Knight attempts to bridge the gap between Batman Begins and this year's Dark Knight with a collection of short adventures taking place between the two stories.

    Each episode in the anthology is 10-15 minutes long and is directed by a different anime director, giving each part a unique feel and flavour. The stories are linked in their goal to explain the character of the Batman and how his presence has been felt on Gotham since the events of the first movie.

    The concept is solid enough but the execution varies wildly between each of the installments making it feel choppy and lacking in depth. The short running time of each segment gives little time for a plot to develop - these are all about character and style. Fortunately Gotham Knight doesn't do a bad job of either.

    Some of the segments look stunning - of particular note for me was the filmic approach adopted in the Killer Croc story. Sprays of blood and movement capture the imagination and up until the point when we saw the "villain" I was thinking that Croc might actually work in the Nolanverse. On second thoughts though maybe not...

    Each portion reveals something about Wayne/Batman - his attitudes, how he is seen, the way he handles pain. I liked this but wished that there had been fewer stories given more time.

    Whilst far from perfect this is a great way to whet the appetite before you head to see The Dark Knight (though if you're considering this you've probably already been to see it more than once by now). I hope that Warner Bros release another Batman anime title at some point soon; the concept clearly has legs and based on this, the style suits the caped crusader well.


  • The Assassination of Jesse James by the Coward Robert Ford (2007)

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    The title really says it all. The Assassination of Jesse James by the Coward Robert Ford is too long to grab you, packed with ambiguity and judgements we are invited to question and clearly establishes that we will view Jesse James through the eyes and actions of ‘the Coward’.

    The story is one of hero worship turned sour. Robert Ford has grown up reading stories of the train robber Jesse James. Desperate to get close to him, he weasels his way into the small gang that James has formed to carry out one last job, then becomes disillusioned when James does not appear to value or respect him as much as he would like.

    Much of the film chronicles the slow evolution of this relationship between a lustful hero worship (with overtones of sexual desire on the part of Ford) to mistrust and paranoia. It frustrates that this portion of the movie passes so slowly. Good, multi-textured performances from Pitt and Affleck cannot save this portion of the film. I wanted more emotional conflict, to see the characters face themselves or talk to each other - instead we spend too much time with the gang, watching as their fates are sealed. This is incidental to the main thrust of the picture and could have been chopped happily without damaging the rest of the film.

    It is perverse that we spend so long nearing the assassination that once we reach it, it passes far too quickly. Once Ford joins James for those final days the piece switches gear. We can see both characters trying to work out the thoughts of the other. The script allows the two actors to really seize the screen and build the tension before reaching a short, sharp climax.

    For once I felt stimulated by the film as I wondered what leads James to turn his back on a man he surely knows will want to kill him. Is it a curiosity about death or a misplaced trust in Ford? Or has he misjudged his young fan, believing he will not be able to take hold of an opportunity so clearly presented to him? Suddenly I felt engaged and then it was all over.

    Despite the frustrating approach adopted to the story, there are a couple of elements that really deserve praise. The landscapes are epic and haunting. Few motion pictures are peppered with this quality of backdrop. The scenes in winter stand out - the terrain becoming bleak, cold and desolate as James’ mental state deteriorates.

    Also I should highlight Casey Affleck, a young actor who clearly is destined for big things. Without his complex performance, I am sure I would have lost faith and abandoned this film. I look forward to seeing him again in other projects.

    The Assassination of Jesse James by the Coward Robert Ford underplays its elements, never delivering the compelling narrative that it ought to. It certainly has intense moments, particularly towards its end, yet the piece feels imbalanced and never truly satisfies.

    Without its adherence to the poetic text of the novel and with a more ruthless editor, the film could well have gripped me. Unfortunately it simply takes too long to get going and by the time I found elements of interest it was already almost at its conclusion.

     

     


  • Life On Mars Remake

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    Under discussion:

    So it seems that the American remake of the BBC Life On Mars television series is to go ahead despite a pilot that received very dubious reviews at the time. The big news though is that Colm Meaney is no longer attached to the project as Gene Hunt and instead Harvey Keitel is taking on that role.

    Now part of the reason I was prepared to give the remake a chance was because of Meaney who is an actor I enjoyed from his Star Trek days but Keitel is definitely a coup. As I understand it this will be his first stint as a television regular and he is an actor of enormous quality. I look forward to seeing what he does with the role.

    On the other hand, I remain concerned about the American Sam and Annie - they are so far divorced from the British series based on the scenes I saw that I cannot imagine them working half as well.


 

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