list http://www.spout.com/ Recent community activity around Halloween: The Curse of Michael Myers on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Halloween_The_Curse_of_Michael_Myers/93066/default.aspx Title: Halloween: The Curse of Michael Myers
Year: 1995
Director: Joe Chappelle
Plot: Picking up six years after the events of Halloween 5: The Revenge of Michael Myers, this competently produced but ultimately disappointing sequel attempts to tie up the uneven horror series' loose ends with a less-than-convincing resolution. This installment opens with Jamie Lloyd (J.C. Brandy), young niece of supernatural psycho-killer Michael Myers, giving birth on an altar amid a mysterious Druid ceremony. Before she is killed by her monstrous uncle, Jamie manages to leave her baby in the care of young Tommy Doyle (Paul Rudd), who has pursued a lifelong obsession with the horrific Myers family legacy in the town of Haddonfield, Illinois. Living with members of the Strode family, Tommy comes to suspect that one of them, little Danny Strode (Devin Gardner), is cursed with the same malevolent power that drove Michael to murder several members of his family. When Michael arrives in Haddonfield to find and destroy Jamie's baby, Tommy joins forces with Dr. Sam Loomis (Donald Pleasence), Michael's ex-psychiatrist and a life-long crusader against his sinister former patient, to find the connection between Michael and the Man in Black and end the curse once and for all. Released shortly after Pleasence's death, this confusing, horribly-edited blend of tired slasher clichés and X-Files-inspired subplots is a poor testament to the long career of the distinguished and compelling character actor. ~ Cavett Binion, All Movie Guide
Times Tagged: 9
Number of Lists: 6
Number of blog posts: 2
SpoutRating: 3
]]>Fri, 27 Mar 2009 13:00:44 GMTHalloween: The Curse of Michael Myers1995Joe ChappellePicking up six years after the events of Halloween 5: The Revenge of Michael Myers, this competently produced but ultimately disappointing sequel attempts to tie up the uneven horror series' loose ends with a less-than-convincing resolution. This installment opens with Jamie Lloyd (J.C. Brandy), young niece of supernatural psycho-killer Michael Myers, giving birth on an altar amid a mysterious Druid ceremony. Before she is killed by her monstrous uncle, Jamie manages to leave her baby in the care of young Tommy Doyle (Paul Rudd), who has pursued a lifelong obsession with the horrific Myers family legacy in the town of Haddonfield, Illinois. Living with members of the Strode family, Tommy comes to suspect that one of them, little Danny Strode (Devin Gardner), is cursed with the same malevolent power that drove Michael to murder several members of his family. When Michael arrives in Haddonfield to find and destroy Jamie's baby, Tommy joins forces with Dr. Sam Loomis (<a href="/players/P____57070/default.aspx" style='text-decoration:underline'>Donald Pleasence</a>), Michael's ex-psychiatrist and a life-long crusader against his sinister former patient, to find the connection between Michael and the Man in Black and end the curse once and for all. Released shortly after Pleasence's death, this confusing, horribly-edited blend of tired slasher clichés and <a href=/films/354786/default.aspx style='text-decoration:underline'>X-Files</a>-inspired subplots is a poor testament to the long career of the distinguished and compelling character actor. ~ Cavett Binion, All Movie Guide9Taggedy Taggged (6-10)623http://www.spout.com/ProductImages/t08019top4q.jpghttp://www.spout.com/films/Halloween_The_Curse_of_Michael_Myers/93066/default.aspxFilm http://www.spout.com/blogs/spoutblog/archive/2009/3/27/41289.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 3/27/2009 9:00:44 AM
Body: Though the third Fast and the Furious installment, Tokyo Drift, wasn’t a huge box office disappointment with its $63 million domestic gross, it was significantly less successful than its predecessors, The Fast and the Furious ($145 million) and 2 Fast 2 Furious ($127 million). A fourth film would normally see an even bigger drop in box office receipts, but next week’s Fast & Furious has a good chance of actually being the highest-grossing film in the series yet, due to the return of original cast members Paul Walker, Michelle Rodriguez, Jordanna Brewster and, most importantly, Vin Diesel. With the expectation that Fast & Furious will be enough of a hit to save the franchise, we take a look at ten other films that similarly kept their respective series going, either because of an increase in profits or a surprising increase in quality, following one or many disappointing installments. Batman Begins (2005) It’s appropriate to begin with the film that has “begins” in the title. Also, this is one of the more obvious examples (it’s also the first in alphabetical order), but it almost seems to count the least, because while it did lift the Batman franchise back up, both in terms of box office and quality, after Batman & Robin, Christopher Nolan’s reboot of the character isn’t much in line with the previous installments. For all the difference between Burton’s and Schumacher’s pairs of films, they are of the same continuity, for the most part. Still, compared to attempted reboots like Superman Returns and Punisher: War Zone, Batman Begins is a real savior; just imagine if it had failed, and we’d never have gotten The Dark Knight. Goldeneye (1995) and Casino Royale (2006) While Casino Royale is another obvious choice and could very well have been the only James Bond film on this list, it’s worth including Goldeneye, too, because after the disappointing 007 films starring Timothy Dalton, this installment boosted the franchise’s profits way back up and thankfully knocked Moonraker off the highest-grossing-Bond movie throne. Beginning a more action-packed run with new lead Pierce Brosnan, Goldeneye was a terrific addition to the series even if it led to a subsequent drop in quality where spectacle took precedence over story. Fortunately, a decade later Casino Royale came in and saved the franchise once again. Halloween H20 (1998) Thanks in part to the return of Jamie Lee Curtis, who was joined by a crop of young, likable stars including Michelle Williams, Josh Hartnett and Joseph Gordon-Levitt (not to mention LL Cool J), Halloween H20 was a huge success and a huge breath of fresh air after a number of unwatchable (even with Paul Rudd) Halloween sequels. This film did the Superman Returns thing, too (and first), where it jumped back and ignored all the terrible installments, treating them as having never happened. It wasn’t great, but it was better, and for the first time, a Halloween sequel grossed more money than the original (since that time, the remake has replaced H20 at the top). Harry Potter and the Prisoner of Azkaban (2004) Following two adequate but not great Harry Potter adaptations from Chris Columbus, the series got a huge makeover and new life when Alfonso Cuaron took on the third film. Though some of us may think it a tad overrated and not actually as great as the fourth film, Goblet of Fire, Prisoner of Azkaban was undeniably important in showing that the franchise could (and would) mature along with its characters. A Nightmare on Elm Street 3: Dream Warriors (1987) It wasn’t necessarily because Heather Langenkamp returned to the series, and it wasn’t necessarily that this second sequel took in so much money (A Nightmare on Elm Street 2: Freddy’s Revenge had already out-grossed the original). After a darkly shot and depressingly non-scary sequel, Dream Warriors did the best thing a horror franchise can do (in our opinion): it turned it into a fantasy film that combined the likes of Dungeons and Dragons and superhero movies. Without this refreshing installment, we children of the ‘80s might not have continued following the franchise so enthusiastically. Mission: Impossible III (2006) This J.J. Abrams-directed installment may have been the lowest grossing of the franchise, but it is the best of the three. Coming off the sloppy and confusing disasters that were Brian De Palma’s original and John Woo’s sequel, that may not be saying much, but shockingly it is an exceptional action film. Part of its favor is of course Philip Seymour Hoffman as the villain (and as Ethan Hunt disguised as the villain wearing a Philip Seymour Hoffman mask), but overall the film was more critically lauded than the first two films, and in spite of its being a box office disappointment, M:iI:III may have saved the franchise simply on the merit of its reviews (or, is a fourth installment merely being made because Hollywood has nothing better to do?). Star Trek IV: The Voyage Home (1986) and Star Trek: First Contact (1996) Many Trekkies would note that every other installment in the Star Trek franchise saves the series, and it’s generally understood that even-numbered films are always better than odd-numbered. Many Trekkies would also argue therefore that Star Trek II: The Wrath of Khan should be on this list for initially saving the series following a relatively weak start. But we non-Trek fans have to point to The Voyage Home for bringing in us kids who cared more about humpback whales than space battles. Or, at least that seems to be how this installment managed to become the (still) highest-grossing Trek movie. Unfortunately, there were no sea mammals in any of the subsequent sequels and it wasn’t until the Next Generation TV cast got their own movie (as in, not shared with the original crew) that another installment, First Contact, out-grossed all other sequels (except the always-reigning whale-filled one, of course) and appeared to temporarily save the franchise once again. Later this year, we’ll get to see if J.J. Abrams’ reboot, Star Trek, has any ocean life and/or what it takes to jumpstart the series, too. Star Wars: Episode II – Attack of the Clones (2002) It made the least amount of money of the three Star Wars prequels, but Attack of the Clones was the trilogy’s saving grace, because after the “George Lucas ruined my childhood!” disappointments of The Phantom Menace, this second (or fifth?) installment of the franchise got the old fans excited again by alluding to (and leading in the direction of) more characters and events of the original movies, while overall featuring a better plot and more satisfying action. It helped, of course, that Jake Lloyd isn’t in it and that Jar-Jar isn’t quite as prominent. If it hadn’t been so good, many of us would have never bothered with Revenge of the Sith. In a way, it’s to the other two prequels what Empire Strikes Back was to the other films of the first trilogy, though it’s not quite worthy of such a favorable comparison. Originally posted on:SpoutBlog
]]>Fri, 27 Mar 2009 13:00:44 GMTSpoutBlogSpoutBlog on spout.com3/27/2009 9:00:44 AMThough the third Fast and the Furious installment, Tokyo Drift, wasn’t a huge box office disappointment with its $63 million domestic gross, it was significantly less successful than its predecessors, The Fast and the Furious ($145 million) and 2 Fast 2 Furious ($127 million). A fourth film would normally see an even bigger drop in box office receipts, but next week’s Fast & Furious has a good chance of actually being the highest-grossing film in the series yet, due to the return of original cast members Paul Walker, Michelle Rodriguez, Jordanna Brewster and, most importantly, Vin Diesel. With the expectation that Fast & Furious will be enough of a hit to save the franchise, we take a look at ten other films that similarly kept their respective series going, either because of an increase in profits or a surprising increase in quality, following one or many disappointing installments. Batman Begins (2005) It’s appropriate to begin with the film that has “begins” in the title. Also, this is one of the more obvious examples (it’s also the first in alphabetical order), but it almost seems to count the least, because while it did lift the Batman franchise back up, both in terms of box office and quality, after Batman & Robin, Christopher Nolan’s reboot of the character isn’t much in line with the previous installments. For all the difference between Burton’s and Schumacher’s pairs of films, they are of the same continuity, for the most part. Still, compared to attempted reboots like Superman Returns and Punisher: War Zone, Batman Begins is a real savior; just imagine if it had failed, and we’d never have gotten The Dark Knight. Goldeneye (1995) and Casino Royale (2006) While Casino Royale is another obvious choice and could very well have been the only James Bond film on this list, it’s worth including Goldeneye, too, because after the disappointing 007 films starring Timothy Dalton, this installment boosted the franchise’s profits way back up and thankfully knocked Moonraker off the highest-grossing-Bond movie throne. Beginning a more action-packed run with new lead Pierce Brosnan, Goldeneye was a terrific addition to the series even if it led to a subsequent drop in quality where spectacle took precedence over story. Fortunately, a decade later Casino Royale came in and saved the franchise once again. Halloween H20 (1998) Thanks in part to the return of Jamie Lee Curtis, who was joined by a crop of young, likable stars including Michelle Williams, Josh Hartnett and Joseph Gordon-Levitt (not to mention LL Cool J), Halloween H20 was a huge success and a huge breath of fresh air after a number of unwatchable (even with Paul Rudd) Halloween sequels. This film did the Superman Returns thing, too (and first), where it jumped back and ignored all the terrible installments, treating them as having never happened. It wasn’t great, but it was better, and for the first time, a Halloween sequel grossed more money than the original (since that time, the remake has replaced H20 at the top). Harry Potter and the Prisoner of Azkaban (2004) Following two adequate but not great Harry Potter adaptations from Chris Columbus, the series got a huge makeover and new life when Alfonso Cuaron took on the third film. Though some of us may think it a tad overrated and not actually as great as the fourth film, Goblet of Fire, Prisoner of Azkaban was undeniably important in showing that the franchise could (and would) mature along with its characters. A Nightmare on Elm Street 3: Dream Warriors (1987) It wasn’t necessarily because Heather Langenkamp returned to the series, and it wasn’t necessarily that this second sequel took in so much money (A Nightmare on Elm Street 2: Freddy’s Revenge had already out-grossed the original). After a darkly shot and depressingly non-scary sequel, Dream Warriors did the best thing a horror franchise can do (in our opinion): it turned it into a fantasy film that combined the likes of Dungeons and Dragons and superhero movies. Without this refreshing installment, we children of the ‘80s might not have continued following the franchise so enthusiastically. Mission: Impossible III (2006) This J.J. Abrams-directed installment may have been the lowest grossing of the franchise, but it is the best of the three. Coming off the sloppy and confusing disasters that were Brian De Palma’s original and John Woo’s sequel, that may not be saying much, but shockingly it is an exceptional action film. Part of its favor is of course Philip Seymour Hoffman as the villain (and as Ethan Hunt disguised as the villain wearing a Philip Seymour Hoffman mask), but overall the film was more critically lauded than the first two films, and in spite of its being a box office disappointment, M:iI:III may have saved the franchise simply on the merit of its reviews (or, is a fourth installment merely being made because Hollywood has nothing better to do?). Star Trek IV: The Voyage Home (1986) and Star Trek: First Contact (1996) Many Trekkies would note that every other installment in the Star Trek franchise saves the series, and it’s generally understood that even-numbered films are always better than odd-numbered. Many Trekkies would also argue therefore that Star Trek II: The Wrath of Khan should be on this list for initially saving the series following a relatively weak start. But we non-Trek fans have to point to The Voyage Home for bringing in us kids who cared more about humpback whales than space battles. Or, at least that seems to be how this installment managed to become the (still) highest-grossing Trek movie. Unfortunately, there were no sea mammals in any of the subsequent sequels and it wasn’t until the Next Generation TV cast got their own movie (as in, not shared with the original crew) that another installment, First Contact, out-grossed all other sequels (except the always-reigning whale-filled one, of course) and appeared to temporarily save the franchise once again. Later this year, we’ll get to see if J.J. Abrams’ reboot, Star Trek, has any ocean life and/or what it takes to jumpstart the series, too. Star Wars: Episode II – Attack of the Clones (2002) It made the least amount of money of the three Star Wars prequels, but Attack of the Clones was the trilogy’s saving grace, because after the “George Lucas ruined my childhood!” disappointments of The Phantom Menace, this second (or fifth?) installment of the franchise got the old fans excited again by alluding to (and leading in the direction of) more characters and events of the original movies, while overall featuring a better plot and more satisfying action. It helped, of course, that Jake Lloyd isn’t in it and that Jar-Jar isn’t quite as prominent. If it hadn’t been so good, many of us would have never bothered with Revenge of the Sith. In a way, it’s to the other two prequels what Empire Strikes Back was to the other films of the first trilogy, though it’s not quite worthy of such a favorable comparison. Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/9/22/35408.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 9/22/2008 9:01:18 PM
Body: Happy autumn! Today marked the fall equinox for the Northern hemisphere, and while the season can be a depressing one for mainstream moviegoers (at least until Thanksgiving ushers in the holiday blockbusters and Oscar-bait releases), it is otherwise a wonderful time of the year. Having grown up in New England, I’ve always had a great appreciation for the changing leaves, the brisk weather, the pumpkin and apple picking and the foodie holidays (as a rather chunky kid, I really only liked Halloween for the candy and Thanksgiving for the stuffing of my face). I even looked forward to going back to school every September. But autumn can be a great season for cinephiles, too, despite the significant lack of worthwhile theatrical releases. For one thing, the colder weather, particularly the colder nights, keeps us indoors more often for DVD watching. For another thing, the season has lent itself nominally and spirtually to some great films by the likes of Ozu, Bergman and Rohmer, among others. Personally, I think movies set in the fall tend to look the most beautiful, although I recognize that part of my aesthetic appreciation comes with my general love for autumnal landscapes and activities. To get myself in the mood, and share the spirit with fellow fans of the fall, I’ve found ten scenes that will help us to welcome the season: 1. Opening sequence  - from Monster House (2006) I shouldn’t have to explain why this is on here, but I guess there are a ton of you who unfortunately skipped this animated film when it was out in theaters (when you could have seen it properly in 3-D). Hopefully, the beginning will entice you to watch the rest, although I admit the rest of the film isn’t quite as good as its opening. The falling leaf may remind you of the beginning of Forrest Gump, which could have been intentional since Robert Zemeckis was a producer on this film, but I much prefer this sequence, mostly because director Gil Kenan manages to make me believe it was shot by an actual camera and not just set up to look that way with a computer. 2. Cathy and Raymond walk in the woods - from Far From Heaven (2002) The opening shot from Monster House initially reminded me of the opening shot from this Todd Haynes film (yes, I have since become aware that it goes back to Douglas Sirk’s All That Heaven Allows opening). But I can’t find that sequence online, plus it would possibly be redundant to include it, so here’s another scene displaying the gorgeous fall colors as shot by cinematographer Edward Lachman. Perfectly evoking Sirk’s films, there isn’t another modern film that better recreates the Connecticut autumn foliage as well as I know it. 3. Opening sequence - from Written on the Wind (1956) More blowing leaves. With much less grace than the one from Monster House, of course. But as much as I love the falling leaves that come with this time of year, I do get frustrated with all the dry, brown ones that slip through your door later on in the season. In any event, I had to include something from Sirk, despite an apparent lack of clips from his films available on YouTube. 4. Moon vs. Flying Snow - from Hero (2002) If you want evidence that YouTube isn’t the proper format with which to watch film clips, check out the above sequence from Zhang Yimou’s historical spectacle. Still, you should be able to tell that those colorful blurs are leaves. If there’s anything I’d like to do more than jumping into a pile of leaves right now, it’s flying through a flurry of blowing leaves, with or without a blade. 5. Paul Rudd scares a little kid - from Halloween: The Curse of Michael Myers (1995) Enough blowing leaves. Let’s move on to the first big holiday of the season: Halloween. But to make things interesting, I’m not including any favorite scenes from It’s the Great Pumpkin, Charlie Brown or even from the original Halloween. Save those for another month or so. Instead, take a look some scenes from one of the Halloween movies you probably haven’t seen, or at least don’t like as much. Why? Because Paul Rudd is in it. I don’t know about you, but I find no better way to celebrate the beginning of autumn than to ritually put my copy of Wet Hot American Summer back on the shelf and then rent Halloween 6 and let Rudd link the seasons together. He’s not as funny here as in WHAS, but he still unintentionally has me laughing in the scene where he explains the origin of Michael Myers’ powers and in an earlier bit where he inadvertently makes a kid drop his pumpkin (fast forward the above clip to 8:01). 6. Cary Grant gets horny in a graveyard - from Arsenic and Old Lace (1944) Here’s another great Halloween movie that isn’t too Halloweeny, so it’ll hopefully get you more in the mood for the fall than for trick or treating. Though it’s clearly a set, I’ll always love the autumnal outdoor scenes from this adaptation of the high school drama staple. In particular, I like the bit above (fast forward to 6:00), where Cary Grant lecherously chases his new bride around a tree. I so wish autumn in Brooklyn still looked so quaint. And I so wish I could have married Priscilla Lane. 7. Jim Morrison ruins another Thanksgiving - from The Doors (1991) And now we move on to the other big holiday with a look at my favorite Thanksgiving scene in all of cinema. Maybe it’s because I’ve had many a dysfunctional turkey day myself, and watching Pam throw the sweet potatoes and Jim stomp on the duck, let alone the other awkward moments involving sex partners and murder attempts, always makes me realize that I could have experienced worse. By the way, The Doors are also a good band to think of in terms of the transition from summer to autumn because of their songs “Summer’s Almost Gone” and “Indian Summer.” 8. Sam Raimi evokes Buster Keaton - from Indian Summer (1993) Speaking of Indian Summer, that wonderfully warm spell that comes later in the season following the first frost and before it really starts to get cold, here is one of its many cinematic namesakes. It may not even be the best of the films with this title, but some of the visuals are good for celebrating the seasonal cusp. Also, Sam Raimi is hilariously memorable as the camp maintenance man. In one great scene in the above montage, he reminds me of Buster Keaton as he attempts to pull fallen luggage out of the lake. 9. India-shaped harvest - from Mother India (1957) No list of autumn-themed movies would be complete without something related to a harvest, though I’m certain that I’m veering off season a bit by using Mother India as my choice of such a film. I’m pretty sure the harvesting of wheat in India occurs in the Spring. Regardless, it’s the film that first pops into mind when I think of harvest, likely because of the incredible India-shaped crop set piece seen above. (Click on the image to get the un-embeddable clip). 10. “Skunk” invades Oktoberfest - from Strange Brew (1983) Another great thing that happens in autumn, specifically the beginning of autumn, is Oktoberfest. And sure, I probably could have included a clip from Broken Lizard’s Beerfest, which actually takes place in Munich. However, nobody can deny that Strange Brew is a funnier film, and there’s no better Oktoberfest-set scene than the one in which Hosehead the dog flies into a Canadian celebration, is mistaken for a skunk and successfully saves hundreds of people from drinking contaminated beer. Hosehead is a true hero. Yet for some reason nobody has honored the beer-loving canine by putting a clip of the scene up on YouTube. So, we’ll have to make due with a montage from the film set to a song about beer, which has a few minimal flashes of the Oktoberfest part. Enjoy, eh? Originally posted on:SpoutBlog
]]>Tue, 23 Sep 2008 01:01:18 GMTSpoutBlogSpoutBlog on spout.com9/22/2008 9:01:18 PMHappy autumn! Today marked the fall equinox for the Northern hemisphere, and while the season can be a depressing one for mainstream moviegoers (at least until Thanksgiving ushers in the holiday blockbusters and Oscar-bait releases), it is otherwise a wonderful time of the year. Having grown up in New England, I’ve always had a great appreciation for the changing leaves, the brisk weather, the pumpkin and apple picking and the foodie holidays (as a rather chunky kid, I really only liked Halloween for the candy and Thanksgiving for the stuffing of my face). I even looked forward to going back to school every September. But autumn can be a great season for cinephiles, too, despite the significant lack of worthwhile theatrical releases. For one thing, the colder weather, particularly the colder nights, keeps us indoors more often for DVD watching. For another thing, the season has lent itself nominally and spirtually to some great films by the likes of Ozu, Bergman and Rohmer, among others. Personally, I think movies set in the fall tend to look the most beautiful, although I recognize that part of my aesthetic appreciation comes with my general love for autumnal landscapes and activities. To get myself in the mood, and share the spirit with fellow fans of the fall, I’ve found ten scenes that will help us to welcome the season: 1. Opening sequence  - from Monster House (2006) I shouldn’t have to explain why this is on here, but I guess there are a ton of you who unfortunately skipped this animated film when it was out in theaters (when you could have seen it properly in 3-D). Hopefully, the beginning will entice you to watch the rest, although I admit the rest of the film isn’t quite as good as its opening. The falling leaf may remind you of the beginning of Forrest Gump, which could have been intentional since Robert Zemeckis was a producer on this film, but I much prefer this sequence, mostly because director Gil Kenan manages to make me believe it was shot by an actual camera and not just set up to look that way with a computer. 2. Cathy and Raymond walk in the woods - from Far From Heaven (2002) The opening shot from Monster House initially reminded me of the opening shot from this Todd Haynes film (yes, I have since become aware that it goes back to Douglas Sirk’s All That Heaven Allows opening). But I can’t find that sequence online, plus it would possibly be redundant to include it, so here’s another scene displaying the gorgeous fall colors as shot by cinematographer Edward Lachman. Perfectly evoking Sirk’s films, there isn’t another modern film that better recreates the Connecticut autumn foliage as well as I know it. 3. Opening sequence - from Written on the Wind (1956) More blowing leaves. With much less grace than the one from Monster House, of course. But as much as I love the falling leaves that come with this time of year, I do get frustrated with all the dry, brown ones that slip through your door later on in the season. In any event, I had to include something from Sirk, despite an apparent lack of clips from his films available on YouTube. 4. Moon vs. Flying Snow - from Hero (2002) If you want evidence that YouTube isn’t the proper format with which to watch film clips, check out the above sequence from Zhang Yimou’s historical spectacle. Still, you should be able to tell that those colorful blurs are leaves. If there’s anything I’d like to do more than jumping into a pile of leaves right now, it’s flying through a flurry of blowing leaves, with or without a blade. 5. Paul Rudd scares a little kid - from Halloween: The Curse of Michael Myers (1995) Enough blowing leaves. Let’s move on to the first big holiday of the season: Halloween. But to make things interesting, I’m not including any favorite scenes from It’s the Great Pumpkin, Charlie Brown or even from the original Halloween. Save those for another month or so. Instead, take a look some scenes from one of the Halloween movies you probably haven’t seen, or at least don’t like as much. Why? Because Paul Rudd is in it. I don’t know about you, but I find no better way to celebrate the beginning of autumn than to ritually put my copy of Wet Hot American Summer back on the shelf and then rent Halloween 6 and let Rudd link the seasons together. He’s not as funny here as in WHAS, but he still unintentionally has me laughing in the scene where he explains the origin of Michael Myers’ powers and in an earlier bit where he inadvertently makes a kid drop his pumpkin (fast forward the above clip to 8:01). 6. Cary Grant gets horny in a graveyard - from Arsenic and Old Lace (1944) Here’s another great Halloween movie that isn’t too Halloweeny, so it’ll hopefully get you more in the mood for the fall than for trick or treating. Though it’s clearly a set, I’ll always love the autumnal outdoor scenes from this adaptation of the high school drama staple. In particular, I like the bit above (fast forward to 6:00), where Cary Grant lecherously chases his new bride around a tree. I so wish autumn in Brooklyn still looked so quaint. And I so wish I could have married Priscilla Lane. 7. Jim Morrison ruins another Thanksgiving - from The Doors (1991) And now we move on to the other big holiday with a look at my favorite Thanksgiving scene in all of cinema. Maybe it’s because I’ve had many a dysfunctional turkey day myself, and watching Pam throw the sweet potatoes and Jim stomp on the duck, let alone the other awkward moments involving sex partners and murder attempts, always makes me realize that I could have experienced worse. By the way, The Doors are also a good band to think of in terms of the transition from summer to autumn because of their songs “Summer’s Almost Gone” and “Indian Summer.” 8. Sam Raimi evokes Buster Keaton - from Indian Summer (1993) Speaking of Indian Summer, that wonderfully warm spell that comes later in the season following the first frost and before it really starts to get cold, here is one of its many cinematic namesakes. It may not even be the best of the films with this title, but some of the visuals are good for celebrating the seasonal cusp. Also, Sam Raimi is hilariously memorable as the camp maintenance man. In one great scene in the above montage, he reminds me of Buster Keaton as he attempts to pull fallen luggage out of the lake. 9. India-shaped harvest - from Mother India (1957) No list of autumn-themed movies would be complete without something related to a harvest, though I’m certain that I’m veering off season a bit by using Mother India as my choice of such a film. I’m pretty sure the harvesting of wheat in India occurs in the Spring. Regardless, it’s the film that first pops into mind when I think of harvest, likely because of the incredible India-shaped crop set piece seen above. (Click on the image to get the un-embeddable clip). 10. “Skunk” invades Oktoberfest - from Strange Brew (1983) Another great thing that happens in autumn, specifically the beginning of autumn, is Oktoberfest. And sure, I probably could have included a clip from Broken Lizard’s Beerfest, which actually takes place in Munich. However, nobody can deny that Strange Brew is a funnier film, and there’s no better Oktoberfest-set scene than the one in which Hosehead the dog flies into a Canadian celebration, is mistaken for a skunk and successfully saves hundreds of people from drinking contaminated beer. Hosehead is a true hero. Yet for some reason nobody has honored the beer-loving canine by putting a clip of the scene up on YouTube. So, we’ll have to make due with a montage from the film set to a song about beer, which has a few minimal flashes of the Oktoberfest part. Enjoy, eh? Originally posted on:SpoutBlog http://www.spout.com/members/0/tags/the/MemberTagFilms.aspxthe
Number of films tagged: 124

Number of people who tagged: 131

Number of times used: 150

]]>Thu, 24 Sep 2009 02:01:38 GMT124131150Tag http://www.spout.com/members/0/tags/horror/MemberTagFilms.aspxhorror
Number of films tagged: 260

Number of people who tagged: 109

Number of times used: 344

]]>Wed, 09 Dec 2009 20:48:03 GMT260109344Tag http://www.spout.com/members/0/tags/scary/MemberTagFilms.aspxscary
Number of films tagged: 155

Number of people who tagged: 104

Number of times used: 197

]]>Thu, 19 Nov 2009 00:30:07 GMT155104197Tag http://www.spout.com/members/0/tags/baby/MemberTagFilms.aspxbaby
Number of films tagged: 418

Number of people who tagged: 38

Number of times used: 88

]]>Tue, 08 Dec 2009 22:39:51 GMT4183888Tag http://www.spout.com/members/0/tags/supernatural/MemberTagFilms.aspxsupernatural
Number of films tagged: 515

Number of people who tagged: 35

Number of times used: 55

]]>Thu, 18 Jun 2009 22:07:53 GMT5153555Tag http://www.spout.com/members/0/tags/slasher/MemberTagFilms.aspxslasher
Number of films tagged: 330

Number of people who tagged: 34

Number of times used: 91

]]>Sun, 05 Jul 2009 21:55:52 GMT3303491Tag http://www.spout.com/members/0/tags/serialkiller/MemberTagFilms.aspxserialkiller
Number of films tagged: 996

Number of people who tagged: 32

Number of times used: 64

]]>Fri, 31 Jul 2009 13:03:15 GMT9963264Tag http://www.spout.com/members/0/tags/curse/MemberTagFilms.aspxcurse
Number of films tagged: 398

Number of people who tagged: 17

Number of times used: 39

]]>Wed, 04 Nov 2009 21:30:07 GMT3981739Tag http://www.spout.com/members/0/tags/better/MemberTagFilms.aspxbetter
Number of films tagged: 14

Number of people who tagged: 15

Number of times used: 15

]]>Sun, 31 Aug 2008 03:10:00 GMT141515Tag http://www.spout.com/members/0/tags/than/MemberTagFilms.aspxthan
Number of films tagged: 11

Number of people who tagged: 12

Number of times used: 12

]]>Wed, 14 May 2008 13:06:26 GMT111212Tag http://www.spout.com/members/0/tags/psychiatrist/MemberTagFilms.aspxpsychiatrist
Number of films tagged: 218

Number of people who tagged: 11

Number of times used: 15

]]>Thu, 09 Jul 2009 13:13:22 GMT2181115Tag http://www.spout.com/members/0/tags/nice-mask/MemberTagFilms.aspxnice-mask
Number of films tagged: 8

Number of people who tagged: 4

Number of times used: 11

]]>Fri, 21 Dec 2007 01:02:13 GMT8411Tag http://www.spout.com/members/0/tags/niece/MemberTagFilms.aspxniece
Number of films tagged: 196

Number of people who tagged: 3

Number of times used: 3

]]>Fri, 26 Jun 2009 13:02:48 GMT19633Tag http://www.spout.com/members/0/tags/rest/MemberTagFilms.aspxrest
Number of films tagged: 2

Number of people who tagged: 2

Number of times used: 2

]]>Sun, 06 Jan 2008 01:24:03 GMT222Tag http://www.spout.com/members/0/tags/druid/MemberTagFilms.aspxdruid
Number of films tagged: 17

Number of people who tagged: 0

Number of times used: 0

]]>Mon, 10 Nov 2008 14:02:17 GMT1700Tag