list http://www.spout.com/ Recent community activity around Nixon on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Nixon/92747/default.aspx Title: Nixon
Year: 1995
Director: Oliver Stone
Plot: Oliver Stone, the most outspokenly political American filmmaker of the 1980s and '90s, directs this epic-length biography of Richard Nixon, the 37th President of the U.S., who was re-elected by a landslide in 1972, only to resign in disgrace two years later. Taking a non-linear approach, Nixon jumps back and forth between many different periods and events, from Nixon's strict upbringing at the hands of his Quaker mother, through the many peaks and valleys of his political career, to his downfall in the wake of the Watergate scandal. The facts of his life are blended with supposition and speculation to create a portrait that is often critical of the man's policies but displays an unexpected compassion toward his failings as a human being. Anthony Hopkins stars as Nixon, Joan Allen plays his long-suffering wife Pat, Mary Steenburgen portrays his mother Hannah, Bob Hoskins is cast as J. Edgar Hoover, Powers Boothe plays Alexander Haig, Paul Sorvino portrays Henry Kisinger, and Ed Harris plays E. Howard Hunt. ~ Mark Deming, All Movie Guide
Times Tagged: 1
Number of Lists: 10
Number of blog posts: 7
SpoutRating: 3
]]>Fri, 19 Dec 2008 19:00:53 GMTNixon1995Oliver Stone<a href="/players/P___112907/default.aspx" style='text-decoration:underline'>Oliver Stone</a>, the most outspokenly political American filmmaker of the 1980s and '90s, directs this epic-length biography of Richard Nixon, the 37th President of the U.S., who was re-elected by a landslide in 1972, only to resign in disgrace two years later. Taking a non-linear approach, Nixon jumps back and forth between many different periods and events, from Nixon's strict upbringing at the hands of his Quaker mother, through the many peaks and valleys of his political career, to his downfall in the wake of the Watergate scandal. The facts of his life are blended with supposition and speculation to create a portrait that is often critical of the man's policies but displays an unexpected compassion toward his failings as a human being. <a href="/players/P____94812/default.aspx" style='text-decoration:underline'>Anthony Hopkins</a> stars as Nixon, <a href="/players/P_____1026/default.aspx" style='text-decoration:underline'>Joan Allen</a> plays his long-suffering wife Pat, <a href="/players/P____67856/default.aspx" style='text-decoration:underline'>Mary Steenburgen</a> portrays his mother Hannah, <a href="/players/P____33185/default.aspx" style='text-decoration:underline'>Bob Hoskins</a> is cast as J. Edgar Hoover, <a href="/players/P_____7388/default.aspx" style='text-decoration:underline'>Powers Boothe</a> plays Alexander Haig, <a href="/players/P____66963/default.aspx" style='text-decoration:underline'>Paul Sorvino</a> portrays Henry Kisinger, and <a href="/players/P____30614/default.aspx" style='text-decoration:underline'>Ed Harris</a> plays E. Howard Hunt. ~ Mark Deming, All Movie Guide1Slightly Tagged (1-5)1073http://www.spout.com/ProductImages/t18041zdz7z.jpghttp://www.spout.com/films/Nixon/92747/default.aspxFilm http://www.spout.com/blogs/spoutblog/archive/2008/12/19/38614.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 12/19/2008 2:00:53 PM
Body: Because there’s nothing like waiting until the last minute to do some holiday shopping, we’ve compiled this handy-dandy shopping guide to the best DVDs of 2008 that you can use now, or wait until the dust settles and clean up with any cash that Santa or Hanukkah Harry happened to leave you. It’s broken down by the person you’ll be shopping for to make things easier, even if that person happens to be yourself. When noted, we’ve picked the Blu-ray version over the standard definition, because we try to be all about 1080p and other technical terms whenever possible. But, the regular versions are just fine as well. Still, it’s true what they say: once you go HD you’ll never go back. The Superhero Fan Iron Man: In my opinion, this was a much better movie than The Dark Knight. Why? Because it nailed the whole comic book formula so well. This literally made me feel like I was back on my grandma’s summer porch reading a huge stack of comic books. Hancock: It was darker than the commercials let on, and Will Smith didn’t make his “concerned face” nearly as much as he does in Seven Pounds. That’s a plus that’s definitely not listed on the back of the DVD box. The Blu-ray version includes both the unrated and normal cuts of the flick, and also has producer Michael Mann popping up from time to time in the commentary. The Dark Knight: Even though I didn’t go bananas for it, this recently became the first Blu-ray DVD to sell a million copies. The best thing about the movie is Heath Ledger’s lip-smacking performance, and although the DVD lacks commentary from Christopher Nolan, it’s packed with enough extras to make you forget that. The Dreamer The Fall: This goes down as the most under-appreciated movie of the year. It’s part Princess Bride and part The Wizard of Oz, and is just incredibly gorgeous. Catinca Untaru, the little girl in the film, will charm your socks off, and the cinematography is stunning. It even features underwater shots of swimming elephants. Son of Rambow: This appeals to the filmmaker inside of all of us. It’s about a boy who has never seen movies before trying to make his own home video version of First Blood. It’s also a good way to jumpstart your own under-utilized imagination. Wall-E: Disney/Pixar’s robot-in-love story won’t just please any kids who happen to be within viewing range, adults will love it too. Plus you’ll be humming “Put on Your Sunday Clothes” from Hello, Dolly the rest of the day. The Drama Queen (or King) Juno: While I wouldn’t have thought that a movie about teenage pregnancy would end up being one of my favorite dramatic films from 2008, here it is. It retains all its charm on DVD, and adds a ton of special features like blog posts, screen tests, and the “Diablo Cody is Totally Boss” featurette. There Will Be Blood: I just watched this again last night, and I’m still amazed by what Paul Thomas Anderson can do with so little. There are scant few extra features on the DVD unfortunately, but there’s a great extended scene in the restaurant with Daniel and H.W. where Daniel Day Lewis cracks up at the end. That’s pure gold. How The West Was Won: Henry Fonda, Gregory Peck, Debbie Reynolds, James Stewart and John Wayne star in this sweeping Western epic. The first disc contains the movie formatted for regular television screens, but the second disc features the full three-camera Cinerama process, and they’ve digitally erased the lines between each image. While this really needs to be seen on a giant screen to be appreciated, it will look pretty darn good in your living room too. The Space and Fantasy Crowd CJ7: Stephen Chow’s slapstick comedy version of E.T. didn’t really connect with audiences over here, but it’s a really fun movie that deserves a second chance. Spielberg meets Wile E. Coyote is about the best way to describe this, with the touching story of a little boy (who is played by a girl) and her down on his luck father. Southland Tales: Yes, this movie is still a trainwreck, but what I can’t figure out is why it’s such a watchable trainwreck. With the new edition of the DVD out, writer/director Richard Kelly actually offers up a commentary track that leaves you even more perplexed. But for some reason, it’s impossible to turn this off and walk away. MirrorMask: Full disclosure: I actually did notes on the early drafts of scripts for this when I worked at Henson. It’s truly spectacular that Dave McKean was able to pull this off on a shoestring budget, and it’s a fantasy written by Neil Gaiman. Pure escapism and gorgeous visuals. The Election Buff JFK: New to Blu-ray this year was a special edition of Oliver Stone’s JFK in Warner’s “digibook” format that features the disc along with a slim book in one package. This director’s cut added 17 minutes of unused footage, a lot of special features, and it’s the perfect movie to herald the dawn of new hope with our new President-elect. While the film focuses on the assassination of Kennedy, it also shows the impact his presidency meant to people, and what drove one man to pursue justice to the brink. Nixon: Also new to Blu-ray in the hopes of capitalizing on an election year was Oliver Stone’s Nixon. Even the case for it shouts Election Year Edition on the front cover. But it adds more than a half hour of footage to the movie and includes great extras, like the documentary made by Stone’s son Sean called Beyond Nixon. I missed this in the theaters, and saw it this year for the first time and it did not disappoint. Recount: It’s hard to watch this HBO Films movie and not get angry while doing so. Yes, it’s been eight years since the election, but seeing this is like tearing the band-aid off a wound that’s almost closed. Kevin Spacey is really great in this, but it’s Laura Dern, as former Secretary of State for Florida Katherine Harris, who you’ll find yourself loving to hate . The Documentary Addict The Unforseen: This documentary screened at the 2007 Sundance Film Festival, and it’s an extremely impressive (and scary) look at the effects of land development on the watershed in an area of Austin, Texas. It’s both tragic and hopeful, and it’s coming out on DVD during the start of the U.S. recession, which can be blamed on poor real estate planning and development. Eerily timely. John Adams: This HBO miniseries is based on the David McCullough book of the same name and produced by HBO Films. While it might take a few liberties with creating historical dialogue, it’s a great way to learn about our nation’s history. Paul Giamatti really hits all the notes as Adams, and Tom Wilkinson is surprisingly perfect as Benjamin Franklin. Also includes a nice documentary about the author called Painting With Words. This American Life: This Showtime series based on the long-running radio show falls between entertainment and documentary. All of the stories are real, and they’re some of the most hilarious and moving things you’ll ever see. Episode four’s animated Chris Ware piece is worth the cost of the whole set alone. The Gamer WarGames: Yes, it’s an oldie. But the 25th (god, I’m old!) anniversary edition of this came out this year, and it’s bargain priced. It’s also been beautifully restore, and has never looked better. Toss in the fact that both Ally Sheedy and Matthew Broderick came back to do new interviews for this version, and it’s a perfect stocking stuffer. Tilt: The Battle To Save Pinball: I’ve written about this movie previously, but I can’t say enough good things about it. If you or someone you know loves pinball machines, you really can’t go wrong with this one. Just don’t complain when they ask for a full-sized machine of their very own next year. The King of Kong: A Fistful of Quarters: Despite the controversy that swirls around it, this movie is so entertaining that I’ll usually end up watching the whole thing when I flip past it on cable, even though it’s sitting on a shelf a few feet away. It also cements Steve Wiebe in place as probably the nicest guy in the entire known universe. The Boxed Set Obsessetarian Casablanca: The Ultimate Collector’s Edition: Casablanca is probably one of my favorite films, and this edition is the ultimate for any movie geek. Not because the transfer is excellent and the sound pristine: it’s because it comes with a replica of the Letters of Transit! Now you too can pretend to be Peter Lorre and wheeze “Hide me, Reek!” to people. Okay, the movie is also gorgeous, too, and it’s been given the Blu-ray treatment. There’s also a great documentary here called Jack Warner: The Last Mogul. This is some good stuff. The Godfather Trilogy: The Coppola Restoration: The Godfather films have been released before on DVD, but this new set runs rings around it. Coppola called up Steven Spielberg when Viacom acquired Dreamworks, and asked him to let them release money for a Godfather restoration project. This is the end result, and it has been digitally restored and packed with amazing extras. A real gem. Mystery Science Theater 3000: 20th Anniversary Edition: This boxed set features four of the best MST3K episodes, along with a 3-part documentary about the history of the show, as well as video coverage of the MST3K reunion panel from this year’s Comic-Con. Plus if you can find the limited edition version of this set in a collectible tin, it comes with a little Crow figurine. Rad. The Non-Tivo Owning TV Watcher Mad Men: If you think it’s impossible to like this show, then you need to head out and pick up the first season on DVD. It will definitely change your mind. You’ll either want to be Don Draper, or have sex with him. Just stay away from my Joan Holloway. The first season DVD includes commentary on all 13 episodes, and a nifty “Advertising and the American Dream” documentary. Dexter: Michael C. Hall made the near-impossible jump from one highly successful series to another, only now he’s playing a lovable serial killer instead of a gay undertaker. This is one of those shows I hate to miss, and the new Blu-ray of the first season looks great and is packed with nifty features, including the first two episodes of the Steven Spielberg / Diablo Cody tv show The United States of Tara. I Dream of Jeannie: The Complete Series: Earlier this year Sony released a boxed set of I Dream of Jeannie, and it comes in a big purple bottle carrying case. That’s almost reason alone to pick this up. It’s the complete series, and features commentary from Barbara Eden, Larry Hagman, and Bill Daily. This is one of my true guilty pleasures, and this is the first time I’m publically admitting it. Originally posted on:SpoutBlog
]]>Fri, 19 Dec 2008 19:00:53 GMTSpoutBlogSpoutBlog on spout.com12/19/2008 2:00:53 PMBecause there’s nothing like waiting until the last minute to do some holiday shopping, we’ve compiled this handy-dandy shopping guide to the best DVDs of 2008 that you can use now, or wait until the dust settles and clean up with any cash that Santa or Hanukkah Harry happened to leave you. It’s broken down by the person you’ll be shopping for to make things easier, even if that person happens to be yourself. When noted, we’ve picked the Blu-ray version over the standard definition, because we try to be all about 1080p and other technical terms whenever possible. But, the regular versions are just fine as well. Still, it’s true what they say: once you go HD you’ll never go back. The Superhero Fan Iron Man: In my opinion, this was a much better movie than The Dark Knight. Why? Because it nailed the whole comic book formula so well. This literally made me feel like I was back on my grandma’s summer porch reading a huge stack of comic books. Hancock: It was darker than the commercials let on, and Will Smith didn’t make his “concerned face” nearly as much as he does in Seven Pounds. That’s a plus that’s definitely not listed on the back of the DVD box. The Blu-ray version includes both the unrated and normal cuts of the flick, and also has producer Michael Mann popping up from time to time in the commentary. The Dark Knight: Even though I didn’t go bananas for it, this recently became the first Blu-ray DVD to sell a million copies. The best thing about the movie is Heath Ledger’s lip-smacking performance, and although the DVD lacks commentary from Christopher Nolan, it’s packed with enough extras to make you forget that. The Dreamer The Fall: This goes down as the most under-appreciated movie of the year. It’s part Princess Bride and part The Wizard of Oz, and is just incredibly gorgeous. Catinca Untaru, the little girl in the film, will charm your socks off, and the cinematography is stunning. It even features underwater shots of swimming elephants. Son of Rambow: This appeals to the filmmaker inside of all of us. It’s about a boy who has never seen movies before trying to make his own home video version of First Blood. It’s also a good way to jumpstart your own under-utilized imagination. Wall-E: Disney/Pixar’s robot-in-love story won’t just please any kids who happen to be within viewing range, adults will love it too. Plus you’ll be humming “Put on Your Sunday Clothes” from Hello, Dolly the rest of the day. The Drama Queen (or King) Juno: While I wouldn’t have thought that a movie about teenage pregnancy would end up being one of my favorite dramatic films from 2008, here it is. It retains all its charm on DVD, and adds a ton of special features like blog posts, screen tests, and the “Diablo Cody is Totally Boss” featurette. There Will Be Blood: I just watched this again last night, and I’m still amazed by what Paul Thomas Anderson can do with so little. There are scant few extra features on the DVD unfortunately, but there’s a great extended scene in the restaurant with Daniel and H.W. where Daniel Day Lewis cracks up at the end. That’s pure gold. How The West Was Won: Henry Fonda, Gregory Peck, Debbie Reynolds, James Stewart and John Wayne star in this sweeping Western epic. The first disc contains the movie formatted for regular television screens, but the second disc features the full three-camera Cinerama process, and they’ve digitally erased the lines between each image. While this really needs to be seen on a giant screen to be appreciated, it will look pretty darn good in your living room too. The Space and Fantasy Crowd CJ7: Stephen Chow’s slapstick comedy version of E.T. didn’t really connect with audiences over here, but it’s a really fun movie that deserves a second chance. Spielberg meets Wile E. Coyote is about the best way to describe this, with the touching story of a little boy (who is played by a girl) and her down on his luck father. Southland Tales: Yes, this movie is still a trainwreck, but what I can’t figure out is why it’s such a watchable trainwreck. With the new edition of the DVD out, writer/director Richard Kelly actually offers up a commentary track that leaves you even more perplexed. But for some reason, it’s impossible to turn this off and walk away. MirrorMask: Full disclosure: I actually did notes on the early drafts of scripts for this when I worked at Henson. It’s truly spectacular that Dave McKean was able to pull this off on a shoestring budget, and it’s a fantasy written by Neil Gaiman. Pure escapism and gorgeous visuals. The Election Buff JFK: New to Blu-ray this year was a special edition of Oliver Stone’s JFK in Warner’s “digibook” format that features the disc along with a slim book in one package. This director’s cut added 17 minutes of unused footage, a lot of special features, and it’s the perfect movie to herald the dawn of new hope with our new President-elect. While the film focuses on the assassination of Kennedy, it also shows the impact his presidency meant to people, and what drove one man to pursue justice to the brink. Nixon: Also new to Blu-ray in the hopes of capitalizing on an election year was Oliver Stone’s Nixon. Even the case for it shouts Election Year Edition on the front cover. But it adds more than a half hour of footage to the movie and includes great extras, like the documentary made by Stone’s son Sean called Beyond Nixon. I missed this in the theaters, and saw it this year for the first time and it did not disappoint. Recount: It’s hard to watch this HBO Films movie and not get angry while doing so. Yes, it’s been eight years since the election, but seeing this is like tearing the band-aid off a wound that’s almost closed. Kevin Spacey is really great in this, but it’s Laura Dern, as former Secretary of State for Florida Katherine Harris, who you’ll find yourself loving to hate . The Documentary Addict The Unforseen: This documentary screened at the 2007 Sundance Film Festival, and it’s an extremely impressive (and scary) look at the effects of land development on the watershed in an area of Austin, Texas. It’s both tragic and hopeful, and it’s coming out on DVD during the start of the U.S. recession, which can be blamed on poor real estate planning and development. Eerily timely. John Adams: This HBO miniseries is based on the David McCullough book of the same name and produced by HBO Films. While it might take a few liberties with creating historical dialogue, it’s a great way to learn about our nation’s history. Paul Giamatti really hits all the notes as Adams, and Tom Wilkinson is surprisingly perfect as Benjamin Franklin. Also includes a nice documentary about the author called Painting With Words. This American Life: This Showtime series based on the long-running radio show falls between entertainment and documentary. All of the stories are real, and they’re some of the most hilarious and moving things you’ll ever see. Episode four’s animated Chris Ware piece is worth the cost of the whole set alone. The Gamer WarGames: Yes, it’s an oldie. But the 25th (god, I’m old!) anniversary edition of this came out this year, and it’s bargain priced. It’s also been beautifully restore, and has never looked better. Toss in the fact that both Ally Sheedy and Matthew Broderick came back to do new interviews for this version, and it’s a perfect stocking stuffer. Tilt: The Battle To Save Pinball: I’ve written about this movie previously, but I can’t say enough good things about it. If you or someone you know loves pinball machines, you really can’t go wrong with this one. Just don’t complain when they ask for a full-sized machine of their very own next year. The King of Kong: A Fistful of Quarters: Despite the controversy that swirls around it, this movie is so entertaining that I’ll usually end up watching the whole thing when I flip past it on cable, even though it’s sitting on a shelf a few feet away. It also cements Steve Wiebe in place as probably the nicest guy in the entire known universe. The Boxed Set Obsessetarian Casablanca: The Ultimate Collector’s Edition: Casablanca is probably one of my favorite films, and this edition is the ultimate for any movie geek. Not because the transfer is excellent and the sound pristine: it’s because it comes with a replica of the Letters of Transit! Now you too can pretend to be Peter Lorre and wheeze “Hide me, Reek!” to people. Okay, the movie is also gorgeous, too, and it’s been given the Blu-ray treatment. There’s also a great documentary here called Jack Warner: The Last Mogul. This is some good stuff. The Godfather Trilogy: The Coppola Restoration: The Godfather films have been released before on DVD, but this new set runs rings around it. Coppola called up Steven Spielberg when Viacom acquired Dreamworks, and asked him to let them release money for a Godfather restoration project. This is the end result, and it has been digitally restored and packed with amazing extras. A real gem. Mystery Science Theater 3000: 20th Anniversary Edition: This boxed set features four of the best MST3K episodes, along with a 3-part documentary about the history of the show, as well as video coverage of the MST3K reunion panel from this year’s Comic-Con. Plus if you can find the limited edition version of this set in a collectible tin, it comes with a little Crow figurine. Rad. The Non-Tivo Owning TV Watcher Mad Men: If you think it’s impossible to like this show, then you need to head out and pick up the first season on DVD. It will definitely change your mind. You’ll either want to be Don Draper, or have sex with him. Just stay away from my Joan Holloway. The first season DVD includes commentary on all 13 episodes, and a nifty “Advertising and the American Dream” documentary. Dexter: Michael C. Hall made the near-impossible jump from one highly successful series to another, only now he’s playing a lovable serial killer instead of a gay undertaker. This is one of those shows I hate to miss, and the new Blu-ray of the first season looks great and is packed with nifty features, including the first two episodes of the Steven Spielberg / Diablo Cody tv show The United States of Tara. I Dream of Jeannie: The Complete Series: Earlier this year Sony released a boxed set of I Dream of Jeannie, and it comes in a big purple bottle carrying case. That’s almost reason alone to pick this up. It’s the complete series, and features commentary from Barbara Eden, Larry Hagman, and Bill Daily. This is one of my true guilty pleasures, and this is the first time I’m publically admitting it. Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/12/3/37896.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 12/3/2008 3:00:52 PM
Body: It’s more difficult to be convincing as a real person when acting on film than on the stage. The camera can get closer and your image ends up projected many times larger than life size. So, despite giving a Tony Award-winning performance as Richard Nixon in the theater version of Frost/Nixon, Frank Langella was not initially thought of as worthy to reprise the role in Ron Howard’s movie adaptation of the play. Part of it was that he’s not a big name, but another reason was that he looks nothing like Tricky Dick. Ultimately, Langella did get the part, and while he doesn’t resemble the former president, he apparently does a bang up job in the role. But the transition could easily have been as awkward as Ralph Bellamy’s reprisal of his Tony-winning portrayal of Franklin Roosevelt in Sunrise at Campobello. In the film version of that play, Bellamy’s vocal impersonation comes off more like a Scottish brogue (he sounds exactly like Sean Connery, in fact) than FDR’s signature “Locust Valley lockjaw.”  Instead, Langella is on track for an Oscar nomination, and is sure to join the following actors who also gave convincing performances as world leaders. As a handicap, SpoutBlog has limited the selections to modern era leaders whose real persona exists on film/tape and are therefore more easily comparable to actors’ representations. 10. Anthony Hopkins as President Richard Nixon in Nixon (1995) The performance is exaggerated almost to the point of out-doing Dan Hedaya’s comedic portrayal in Dick, but Hopkins’ Nixon isn’t the failure that many reviews criticized it as. The art of a convincing portrait is not so much about presenting an exact likeness as it is about expressing a perspective, and Oliver Stone’s employment of Hannibal Lecter as the (then) most hated president brought the viewpoint across right away. It may not be Hopkins’ best Oscar-nominated presidential performance (that would be his John Quincy Adams in Amistad), but it is one of his most spectacular accomplishments. 9. Josh Brolin as President George W. Bush in W. (2008) Stone surprisingly went a different way with his latest presidential biopic (which was not, as has been claimed, the first film about a sitting president; see #6). Brolin is much less a caricature than was expected, and the actor even welcomes sympathy from Bush-haters. It’s not necessarily an exact impersonation; it’s better. Brolin makes the role his own while also doing some requisite aping, and it’s a performance that should garner him an Oscar nomination next month. 8. James Brolin as President Ronald Reagan in The Reagans (2003) Like son, like father, though instead of appropriately portraying the elder Bush (he might have done as well as James Cromwell in W.), Josh Brolin’s father plays that president’s predecessor in this made-for-TV biopic. He looks a little silly in the role, but James Brolin does an excellent job with the voice and the overall execution of the actor-turned-leader’s public persona. The conservatives may have hated the movie, but the Academy of Television Arts and Sciences were convinced enough to nominate Brolin for an Emmy Award. 7. Jerry Haleva as Saddam Hussein in The Big Lebowski (1998) Sometimes professional impersonators are the most perfect people to play figures on the big screen. Unfortunately, people like Queen Elizabeth look-alike Jeannette Charles (The Naked Gun; European Vacation, Austin Powers in Goldmember) aren’t famous enough or talented enough actors to carry a whole film like The Queen. The late Haleva made a career out of portraying the Iraqi dictator, appearing prominently in such comedies as Hot Shots!, Hot Shots! Part Deux and Jane Austen’s Mafia! But it’s his silent performance in The Big Lebowski that works best (though his lisped Hussein in the Hot Shots! sequel is hilarious). Even Hussein’s own sons could have made the mistake of thinking it was the real dictator up there on the screen. 6. Bruce Greenwood as President John F. Kennedy in Thirteen Days (2000) Back in the 1960s, President Kennedy got to be part of the casting process for Warner Bros.’ depiction of him in the WWII drama PT 109. His selection of Cliff Robertson was fine, but if he’d been alive long enough to also assist the production of Thirteen Days, he would have surely agreed with the casting of Bruce Greenwood. The actor doesn’t look much like JFK in this non-biopic about the Cuban Missile Crisis, but to agree with Kevin Costner, Greenwood is Kennedy in the film, only bettered by Steven Culp as RFK. Too bad Costner has to be in there at all. As usual his talent for accents is atrocious, but at least he didn’t bother attempting to play the president. Greenwood was definitely deserving of an Oscar nod for his portrayal, but apparently only one presidential role (Jeff Bridges in The Contender) was enough for the 2001 Supporting Actor race. 5. Gary Sinise as President Harry S. Truman in Truman (1995) The problem with famous actors portraying well-known real-life figures is that the audience more than likely sees the actor first. It’s a problem with most of the portrayals on this list, and it’s certainly true for Gary Sinise in the role of Truman. He looks just like Gary Sinise with some necessary prosthetics. And his voice is distinctly his own, too, despite an attempt at the accent. Yet the performance is engaging enough to make the viewer forget all that and become adequately convinced enough to accept Sinise as the president with the difficult task of ending World War II through drastic measures. 4. Bruno Ganz as Adolph Hitler in Downfall (2004) It’s easy to play Hitler; just don the signature mustache and you’re good to go. Ganz went above and beyond, though, to not just convincingly represent the Nazi dictator but also to capture his thought-non-existent humanity. His voice is perfection and his overall performance is astounding. Had the three-dimensionality of the portrayal not been so controversial, Ganz could have garnered an Academy Award nomination. 3. Edward Hermann as President Franklin Roosevelt in Annie (1982) A lot of actors have attempted FDR, from Bellamy in Sunrise at Campobello to Kenneth Branagh in Warm Springs (and let’s not forget Jon Voight’s laughable turn in Pearl Harbor), but nobody else is as good as Hermann, who played the four-term president in two TV movies prior to reprising the role in this screen version of the lovable Broadway musical. The only reason he deserves more credit here than for his two Emmy-nominated portrayals is because in Annie he joins in to sing “Tomorrow” with the li’l titular orphan, and that’s believably something the real FDR would have taken much pleasure in. 2. Michael Sheen as Prime Minister Tony Blair in The Queen (2006) Langella and his Frost/Nixon costar, Michael Sheen, are equally being recognized for their performances in that film. But a couple of years ago, Sheen was upstaged by the Oscar-winning Helen Mirren in The Queen. Still, despite his lack of a deserved nod from the Academy, he was highly acclaimed for his portrayal of Tony Blair, a role he’d already perfected in the British TV movie The Deal (from the same writer-director pair as The Queen). And the performance rushed him to the top ranks of acting talent, allowing him to be unquestionably worthy of reprising his stage role as David Frost and easily thought of as a front-runner for the Oscars this time around. 1. Martin Sheen as President John F. Kennedy in Kennedy (1983) Sheen was so good as JFK in this TV miniseries that in The Goonies “Mouth” (Corey Feldman) confuses the president for the actor on a 50-cent piece. And well, Mouth, as Cyndi Lauper sings on the soundtrack, “What’s good enough for you is good enough for me. It’s good enough. It’s good enough for me. Yeah, yeah, yeah, yeah, yeah.” Originally posted on:SpoutBlog
]]>Wed, 03 Dec 2008 20:00:52 GMTSpoutBlogSpoutBlog on spout.com12/3/2008 3:00:52 PMIt’s more difficult to be convincing as a real person when acting on film than on the stage. The camera can get closer and your image ends up projected many times larger than life size. So, despite giving a Tony Award-winning performance as Richard Nixon in the theater version of Frost/Nixon, Frank Langella was not initially thought of as worthy to reprise the role in Ron Howard’s movie adaptation of the play. Part of it was that he’s not a big name, but another reason was that he looks nothing like Tricky Dick. Ultimately, Langella did get the part, and while he doesn’t resemble the former president, he apparently does a bang up job in the role. But the transition could easily have been as awkward as Ralph Bellamy’s reprisal of his Tony-winning portrayal of Franklin Roosevelt in Sunrise at Campobello. In the film version of that play, Bellamy’s vocal impersonation comes off more like a Scottish brogue (he sounds exactly like Sean Connery, in fact) than FDR’s signature “Locust Valley lockjaw.”  Instead, Langella is on track for an Oscar nomination, and is sure to join the following actors who also gave convincing performances as world leaders. As a handicap, SpoutBlog has limited the selections to modern era leaders whose real persona exists on film/tape and are therefore more easily comparable to actors’ representations. 10. Anthony Hopkins as President Richard Nixon in Nixon (1995) The performance is exaggerated almost to the point of out-doing Dan Hedaya’s comedic portrayal in Dick, but Hopkins’ Nixon isn’t the failure that many reviews criticized it as. The art of a convincing portrait is not so much about presenting an exact likeness as it is about expressing a perspective, and Oliver Stone’s employment of Hannibal Lecter as the (then) most hated president brought the viewpoint across right away. It may not be Hopkins’ best Oscar-nominated presidential performance (that would be his John Quincy Adams in Amistad), but it is one of his most spectacular accomplishments. 9. Josh Brolin as President George W. Bush in W. (2008) Stone surprisingly went a different way with his latest presidential biopic (which was not, as has been claimed, the first film about a sitting president; see #6). Brolin is much less a caricature than was expected, and the actor even welcomes sympathy from Bush-haters. It’s not necessarily an exact impersonation; it’s better. Brolin makes the role his own while also doing some requisite aping, and it’s a performance that should garner him an Oscar nomination next month. 8. James Brolin as President Ronald Reagan in The Reagans (2003) Like son, like father, though instead of appropriately portraying the elder Bush (he might have done as well as James Cromwell in W.), Josh Brolin’s father plays that president’s predecessor in this made-for-TV biopic. He looks a little silly in the role, but James Brolin does an excellent job with the voice and the overall execution of the actor-turned-leader’s public persona. The conservatives may have hated the movie, but the Academy of Television Arts and Sciences were convinced enough to nominate Brolin for an Emmy Award. 7. Jerry Haleva as Saddam Hussein in The Big Lebowski (1998) Sometimes professional impersonators are the most perfect people to play figures on the big screen. Unfortunately, people like Queen Elizabeth look-alike Jeannette Charles (The Naked Gun; European Vacation, Austin Powers in Goldmember) aren’t famous enough or talented enough actors to carry a whole film like The Queen. The late Haleva made a career out of portraying the Iraqi dictator, appearing prominently in such comedies as Hot Shots!, Hot Shots! Part Deux and Jane Austen’s Mafia! But it’s his silent performance in The Big Lebowski that works best (though his lisped Hussein in the Hot Shots! sequel is hilarious). Even Hussein’s own sons could have made the mistake of thinking it was the real dictator up there on the screen. 6. Bruce Greenwood as President John F. Kennedy in Thirteen Days (2000) Back in the 1960s, President Kennedy got to be part of the casting process for Warner Bros.’ depiction of him in the WWII drama PT 109. His selection of Cliff Robertson was fine, but if he’d been alive long enough to also assist the production of Thirteen Days, he would have surely agreed with the casting of Bruce Greenwood. The actor doesn’t look much like JFK in this non-biopic about the Cuban Missile Crisis, but to agree with Kevin Costner, Greenwood is Kennedy in the film, only bettered by Steven Culp as RFK. Too bad Costner has to be in there at all. As usual his talent for accents is atrocious, but at least he didn’t bother attempting to play the president. Greenwood was definitely deserving of an Oscar nod for his portrayal, but apparently only one presidential role (Jeff Bridges in The Contender) was enough for the 2001 Supporting Actor race. 5. Gary Sinise as President Harry S. Truman in Truman (1995) The problem with famous actors portraying well-known real-life figures is that the audience more than likely sees the actor first. It’s a problem with most of the portrayals on this list, and it’s certainly true for Gary Sinise in the role of Truman. He looks just like Gary Sinise with some necessary prosthetics. And his voice is distinctly his own, too, despite an attempt at the accent. Yet the performance is engaging enough to make the viewer forget all that and become adequately convinced enough to accept Sinise as the president with the difficult task of ending World War II through drastic measures. 4. Bruno Ganz as Adolph Hitler in Downfall (2004) It’s easy to play Hitler; just don the signature mustache and you’re good to go. Ganz went above and beyond, though, to not just convincingly represent the Nazi dictator but also to capture his thought-non-existent humanity. His voice is perfection and his overall performance is astounding. Had the three-dimensionality of the portrayal not been so controversial, Ganz could have garnered an Academy Award nomination. 3. Edward Hermann as President Franklin Roosevelt in Annie (1982) A lot of actors have attempted FDR, from Bellamy in Sunrise at Campobello to Kenneth Branagh in Warm Springs (and let’s not forget Jon Voight’s laughable turn in Pearl Harbor), but nobody else is as good as Hermann, who played the four-term president in two TV movies prior to reprising the role in this screen version of the lovable Broadway musical. The only reason he deserves more credit here than for his two Emmy-nominated portrayals is because in Annie he joins in to sing “Tomorrow” with the li’l titular orphan, and that’s believably something the real FDR would have taken much pleasure in. 2. Michael Sheen as Prime Minister Tony Blair in The Queen (2006) Langella and his Frost/Nixon costar, Michael Sheen, are equally being recognized for their performances in that film. But a couple of years ago, Sheen was upstaged by the Oscar-winning Helen Mirren in The Queen. Still, despite his lack of a deserved nod from the Academy, he was highly acclaimed for his portrayal of Tony Blair, a role he’d already perfected in the British TV movie The Deal (from the same writer-director pair as The Queen). And the performance rushed him to the top ranks of acting talent, allowing him to be unquestionably worthy of reprising his stage role as David Frost and easily thought of as a front-runner for the Oscars this time around. 1. Martin Sheen as President John F. Kennedy in Kennedy (1983) Sheen was so good as JFK in this TV miniseries that in The Goonies “Mouth” (Corey Feldman) confuses the president for the actor on a 50-cent piece. And well, Mouth, as Cyndi Lauper sings on the soundtrack, “What’s good enough for you is good enough for me. It’s good enough. It’s good enough for me. Yeah, yeah, yeah, yeah, yeah.” Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/11/10/37156.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 11/10/2008 4:01:13 PM
Body: It happened last year for Cate Blanchett. The actress starred in a biopic that critics ripped to shreds, a film that basically bombed at the (American) box office, and yet she managed to score a Best Actress nomination for her reprised performance as the titular monarch of Elizabeth: The Golden Age. Additionally, Blanchett earned another nomination for Best Supporting Actress the same year, for her portrayal of Bob Dylan in I’m Not There. Now Josh Brolin could achieve a similar feat this year, not just by earning separate nominations for playing the titular president of W. and portraying politician-turned-assassin Dan White in Milk, but also by overcoming the difficulty of earning recognition in a lead category for a film that otherwise is not very well regarded. Are Brolin’s hurdles higher than Blanchett’s, though? With all the praise he’s received for W., he’s still far from being considered a sure thing candidate, regardless of his worthiness or the Academy’s history of oftentimes ignoring the critics and the grosses when nominating dependable, standout actors. And boy, does Brolin stand out. Despite giving a strong, surprisingly grounded performance in W., the actor is almost in a world of his own in the film. The supporting players mostly miss their marks, whether through overshot caricature (Thandie Newton’s stroke-faced, alien-voiced Condoleeza Rice) or an apparent lack of effort (Scott Glenn looks bored and unrecognizable as Rumsfeld, while Toby Jones for some reason offers a Karl Rove who’s more huggable than slimy). Both problems may have been due to an unclear decision on the film’s intended tone, but regardless, the script is way too simpleminded, as if adapted from the sitting president’s Wikipedia page. Brolin is the only person who keeps the film interesting and engrossing by making the character his own rather than going for total impersonation. Some of his movements and inflections consist of outright aping, but his personalization allows for unpredictability in much of his execution. Certainly it’s a performance as good as Joaquin Phoenix’s in Walk the Line and Jamie Foxx’s in Ray. Perhaps if W. were about a musician-turned-president, with Brolin offering his own singing voice, his nomination would be more assured? So far it seems he’s hardly being considered. Sites ranking the actor’s chances in chart form include And the Winner Is…, which places him tenth in the running, Entertainment Weekly, which puts him alphabetically somewhere between ninth and thirteenth while calling him a long shot, Movie City News, which lists him seventh with a comment that he deserves the nom “111%”, and In Contention, which also puts him at seventh place. Hollywood Elsewhere’s Jeff Wells merely includes him as one of eight contenders for the lead actor category, which is at least more of an approval than the others. So what are those hurdles that are keeping him out of the fortunate five? As of this past weekend, W. is down to 17th place in its fourth weekend at the box office, and it hasn’t yet even passed the $25 million mark domestically. Not that a film needs to be a hit with moviegoers to make a difference with the Academy, though, right? This time last year, Elizabeth: The Golden Age was similarly fading from the interests of ticket buyers in its fifth week, having made a meager $16 million. And of the ten Best Actor nominees of the last two years, half came from films that grossed less than W. Then there are the film’s poor reviews, which have earned W. a Metacritic score of 56. Compared to Elizabeth: The Golden Age’s score of 45, that’s not actually too much of a drawback. And if the Academy can nominate Sean Penn for I Am Sam in spite of that movie’s reception (Metacritic score of 28!), it shouldn’t have any problem with a performance from a picture that at least somewhat pleased more than 50% of critics. Of course, Penn was and is an Oscar vet. So was Blanchett, who had already been nominated for the same role in the first Elizabeth. It wouldn’t be surprising if some Academy members voted for her Elizabeth: The Golden Age performance without even having seen the movie. Meanwhile, Brolin’s greatest film honor as of yet is being one-seventh of the SAG Award-winning ensemble cast of No Country for Old Men. Last year he may have deserved a double nomination for his lead performance in that film and his supporting bit in American Gangster, but he failed to garner the Academy’s notice. Though some people see Brolin garnering two nominations this year as a way of making up for his prior snubs, the actor’s lack of past favor shall also be a disadvantage for him. The best way for him to be locked for a nomination is to receive some tremendous love from the early determining critics circle awards. Unfortunately, that’s not likely to happen, because actors like Penn and Mickey Rourke are bound to fill the hearts of those awards’ voters. Another hurdle seems to be the role Brolin plays, though not necessarily due to the focal figure being so contemporary. The portrait of President Bush is indeed one of the most present-minded biopics in years. However, with a retrospective window of only five years in its most recent setting, W. is hardly any different than The Queen, a not-quite-biopic film that presents an Oscar-winning portrayal of Queen Elizabeth II set only nine years in the past. W. deals with a more touchy subject for Academy members, though, it being about a more disliked and derided leader who has actually been the president of most voters for the past eight years. And the same factors that are keeping audiences away from the film in theaters, regardless of what their politics may be, will probably similarly affect Academy voters’ hesitance to put on that screener DVD. If Academy voters aren’t willing to watch the performance now, though, perhaps they can give it the same twenty years they had between Nixon’s presidency and Oliver Stone’s biopic of that other unlikable president. Maybe in 2028 W. could be the innaugural film nominated in a much-needed future category that retroactively honors should-have-been-awarded performances? Originally posted on:SpoutBlog
]]>Mon, 10 Nov 2008 21:01:13 GMTSpoutBlogSpoutBlog on spout.com11/10/2008 4:01:13 PMIt happened last year for Cate Blanchett. The actress starred in a biopic that critics ripped to shreds, a film that basically bombed at the (American) box office, and yet she managed to score a Best Actress nomination for her reprised performance as the titular monarch of Elizabeth: The Golden Age. Additionally, Blanchett earned another nomination for Best Supporting Actress the same year, for her portrayal of Bob Dylan in I’m Not There. Now Josh Brolin could achieve a similar feat this year, not just by earning separate nominations for playing the titular president of W. and portraying politician-turned-assassin Dan White in Milk, but also by overcoming the difficulty of earning recognition in a lead category for a film that otherwise is not very well regarded. Are Brolin’s hurdles higher than Blanchett’s, though? With all the praise he’s received for W., he’s still far from being considered a sure thing candidate, regardless of his worthiness or the Academy’s history of oftentimes ignoring the critics and the grosses when nominating dependable, standout actors. And boy, does Brolin stand out. Despite giving a strong, surprisingly grounded performance in W., the actor is almost in a world of his own in the film. The supporting players mostly miss their marks, whether through overshot caricature (Thandie Newton’s stroke-faced, alien-voiced Condoleeza Rice) or an apparent lack of effort (Scott Glenn looks bored and unrecognizable as Rumsfeld, while Toby Jones for some reason offers a Karl Rove who’s more huggable than slimy). Both problems may have been due to an unclear decision on the film’s intended tone, but regardless, the script is way too simpleminded, as if adapted from the sitting president’s Wikipedia page. Brolin is the only person who keeps the film interesting and engrossing by making the character his own rather than going for total impersonation. Some of his movements and inflections consist of outright aping, but his personalization allows for unpredictability in much of his execution. Certainly it’s a performance as good as Joaquin Phoenix’s in Walk the Line and Jamie Foxx’s in Ray. Perhaps if W. were about a musician-turned-president, with Brolin offering his own singing voice, his nomination would be more assured? So far it seems he’s hardly being considered. Sites ranking the actor’s chances in chart form include And the Winner Is…, which places him tenth in the running, Entertainment Weekly, which puts him alphabetically somewhere between ninth and thirteenth while calling him a long shot, Movie City News, which lists him seventh with a comment that he deserves the nom “111%”, and In Contention, which also puts him at seventh place. Hollywood Elsewhere’s Jeff Wells merely includes him as one of eight contenders for the lead actor category, which is at least more of an approval than the others. So what are those hurdles that are keeping him out of the fortunate five? As of this past weekend, W. is down to 17th place in its fourth weekend at the box office, and it hasn’t yet even passed the $25 million mark domestically. Not that a film needs to be a hit with moviegoers to make a difference with the Academy, though, right? This time last year, Elizabeth: The Golden Age was similarly fading from the interests of ticket buyers in its fifth week, having made a meager $16 million. And of the ten Best Actor nominees of the last two years, half came from films that grossed less than W. Then there are the film’s poor reviews, which have earned W. a Metacritic score of 56. Compared to Elizabeth: The Golden Age’s score of 45, that’s not actually too much of a drawback. And if the Academy can nominate Sean Penn for I Am Sam in spite of that movie’s reception (Metacritic score of 28!), it shouldn’t have any problem with a performance from a picture that at least somewhat pleased more than 50% of critics. Of course, Penn was and is an Oscar vet. So was Blanchett, who had already been nominated for the same role in the first Elizabeth. It wouldn’t be surprising if some Academy members voted for her Elizabeth: The Golden Age performance without even having seen the movie. Meanwhile, Brolin’s greatest film honor as of yet is being one-seventh of the SAG Award-winning ensemble cast of No Country for Old Men. Last year he may have deserved a double nomination for his lead performance in that film and his supporting bit in American Gangster, but he failed to garner the Academy’s notice. Though some people see Brolin garnering two nominations this year as a way of making up for his prior snubs, the actor’s lack of past favor shall also be a disadvantage for him. The best way for him to be locked for a nomination is to receive some tremendous love from the early determining critics circle awards. Unfortunately, that’s not likely to happen, because actors like Penn and Mickey Rourke are bound to fill the hearts of those awards’ voters. Another hurdle seems to be the role Brolin plays, though not necessarily due to the focal figure being so contemporary. The portrait of President Bush is indeed one of the most present-minded biopics in years. However, with a retrospective window of only five years in its most recent setting, W. is hardly any different than The Queen, a not-quite-biopic film that presents an Oscar-winning portrayal of Queen Elizabeth II set only nine years in the past. W. deals with a more touchy subject for Academy members, though, it being about a more disliked and derided leader who has actually been the president of most voters for the past eight years. And the same factors that are keeping audiences away from the film in theaters, regardless of what their politics may be, will probably similarly affect Academy voters’ hesitance to put on that screener DVD. If Academy voters aren’t willing to watch the performance now, though, perhaps they can give it the same twenty years they had between Nixon’s presidency and Oliver Stone’s biopic of that other unlikable president. Maybe in 2028 W. could be the innaugural film nominated in a much-needed future category that retroactively honors should-have-been-awarded performances? Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/11/4/36971.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 11/4/2008 6:01:24 PM
Body: Are you walking around with your “I Voted!” sticker proudly adhered to your chest? If not, get out there and do some lever pulling, chad punching, and ballot dropping. Then take the rest ofthe day off and watch one of these movies that’ll get you through the rest of election day and away from the nail-biting edge of election return coverage. There are a few minor spoilers inside, but don’t view that as me messing with the ballot box. You’ll still love the movies more than CNN’s infographics. Citizen Kane Yes, it’s the grandaddy at the top of every “best of” list, but people don’t really think of it as an election film. However, there’s an election right in the heart of it. Charles Foster Kane runs for the governorship of New York, and has a good chance of winning until he’s at the heart of a scandal involving a woman and the incumbent governor, Boss Jim W. Gettys. His campaign speech in front of the enormous poster of himself is one of the most iconic images from the film, and also the turning point for his ultimate fall from grace in the film. The Candidate Robert Redford’s darkly comic film about a race for one of the California senate seats shows how volatile and tupsy-turvy politics can be. Peter Boyle is supposed to find someone to unseat a popular Republican Senator, but know that they are so far ahead it won’t matter who he gets. Eventually he goes after the extremely unlike candidate Bill McKay, played by Redford, and tells him it doesn’t matter what he does, he’s going to lose. So he’s free to do what he wants on the campaign trail. However, he finally decides he doesn’t want to go down by a landslide and fights back, eventually even winning the race. In the famous scene at the end, Redford finds Boyle and asks, “What do we do now?” America might very well be asking that question tomorrow. The Contender Joan Allen has had a couple of brushes with the White House. She played first lady Pat Nixon in Oliver Stone’s Nixon, for which she received an Academy Award nomination, and inThe Contender she plays a Democratic senator from Ohio who becomes the new Vice-Presidential nominee when the President (Jeff Bridges) has his own VP die while in office. It’s a well-acted exploration of sexual politics, and revolves around an event that may or may not have happened to Allen’s character in college. Gary Oldman vamps it up as a congressman who blocks Allen’s appointment, Jeff Bridges make a terrific president and Sam Elliot is a wonderfully hardassed Chief of Staff, but it’s really Joan Allen who amazes in this film. Bob Roberts Tim Robbins’ film about a folksy Pennsylvania senate candidate who learns how to manipulate the system was actually based on a Saturday Night Live sketch from 1986 featuring Robbins as the same character. It’s full of twangy music, borrows heavily from Bob Dylan, and turns sinister towards the end with a possibly faked assassination attempt that puts Roberts in office. The songs are the most memorable part of the film, although the soundtrack was never released because Tim Robbins didn’t want the songs to be played out of context. Like… as a John McCain rally song, which would have sent Robbins into fits of apoplexy. Election It might take place in the halls of high school, but it’s a snapshot not just of the formative years of teenager, but of the entire political process as well. Easily Reese Witherspoon’s best film, her evil and vindictive Tracy Flick isn’t someone you want to cross, or even run against. Although if your opponent is the sickly sweet Chris Klein (who even votes for Tracy), then you don’t really have to worry about competition. Matthew Broderick desperately tries to stop her rise to power, which provides some of the funniest moments in the film, including a recount scandal that rivals the Bush/Gore election. Mr. Smith Goes To Washington They don’t make films like this anymore, and Washington would certainly never give us an ending this neat and clean, but it’s one of Jimmy Stewart’s most endearing roles and it’s still inspirational some 50 years later. It has the best filibuster ever on film, although the confessional moment at the end would never happen in today’s political climate. Stewart’s Smith is still the kind of character you can get behind and root for today, and should probably be required viewing upon assuming any office in D.C. Primary Colors Based on the book that was inspired by Bill Clinton’s first presidential campaign in 1992, John Travolta actually does a decent job as a southern governor running for office in this Mike Nichols film. It’s hard to believe that it’s been 10 years since this movie came out, although it was a bit too late to ride on the coattails of the book two years earlier. When the novel came out by “Anonymous” (later revealed to be journalist Joe Klein) it was on everyone’s lips. Besides Travolta’s Clinton impersonation, the movie didn’t generate nearly as many waves. Still, it’s worth watcing on this Election Tuesday, if nothing other than to tweak your nostalgia circuit. Wag the Dog This movie is mostly terrific for Dustin Hoffman’s excellent Robert Evans impersonation throughout the movie. He plays a Hollywood producer brought in by De Niro’s political spin doctor character to create a fake war in order to distract from the President’s ongoing sex scandal. It proves to be ridiculously successful, and is loosely based on Larry Beinhart’s novel American Hero. Although in the book the president is George H.W. Bush, and the war Opeation Desert Storm. Still, it works a bit better as a dark comedy rather than being based on actual events, although Beinhart’s book is well worth reading. Nixon I wasn’t originally a fan of this Oliver Stone movie, but it’s been playing on cable a lot the past month, and I usually end up watching it whenever I flip channels. Anthony Hopkins’ portrayal of Nixon is incredibly intricate, showing both his paranoid side, and his detached loneliness. As Paul Sorvino’s Henry Kissinger in the film says, “Can you imagine what this man would be like had anyone ever loved him?” It’s also a slap the the face to W, which doesn’t even feel like an Oliver Stone movie. Nixon has teeth, W is a softball. Probably one of Hopkins’ meatiest roles as an actor, and the DVD version with 28 minutes of extra footage will get you through the entire night. Recount When HBO announced this film, I remember cringing and thinking “Won’t the controversy ever go away? It’s like pouring salt in an open wound!” Then I saw the movie, and I loved it. However, I can’t watch it all the way through because I get incredibly angry whenever I see it. Forget about what would have happened if Nixon was loved. What about what our country would be like now if Gore had been elected. How different would things be now? Would we be at war? Would the economy be in the toilet? We’ll never know, but this film really gives you a hard look at the process that put Bush in office, and how full of holes (and dangling chads) it really is. Originally posted on:SpoutBlog
]]>Tue, 04 Nov 2008 23:01:24 GMTSpoutBlogSpoutBlog on spout.com11/4/2008 6:01:24 PMAre you walking around with your “I Voted!” sticker proudly adhered to your chest? If not, get out there and do some lever pulling, chad punching, and ballot dropping. Then take the rest ofthe day off and watch one of these movies that’ll get you through the rest of election day and away from the nail-biting edge of election return coverage. There are a few minor spoilers inside, but don’t view that as me messing with the ballot box. You’ll still love the movies more than CNN’s infographics. Citizen Kane Yes, it’s the grandaddy at the top of every “best of” list, but people don’t really think of it as an election film. However, there’s an election right in the heart of it. Charles Foster Kane runs for the governorship of New York, and has a good chance of winning until he’s at the heart of a scandal involving a woman and the incumbent governor, Boss Jim W. Gettys. His campaign speech in front of the enormous poster of himself is one of the most iconic images from the film, and also the turning point for his ultimate fall from grace in the film. The Candidate Robert Redford’s darkly comic film about a race for one of the California senate seats shows how volatile and tupsy-turvy politics can be. Peter Boyle is supposed to find someone to unseat a popular Republican Senator, but know that they are so far ahead it won’t matter who he gets. Eventually he goes after the extremely unlike candidate Bill McKay, played by Redford, and tells him it doesn’t matter what he does, he’s going to lose. So he’s free to do what he wants on the campaign trail. However, he finally decides he doesn’t want to go down by a landslide and fights back, eventually even winning the race. In the famous scene at the end, Redford finds Boyle and asks, “What do we do now?” America might very well be asking that question tomorrow. The Contender Joan Allen has had a couple of brushes with the White House. She played first lady Pat Nixon in Oliver Stone’s Nixon, for which she received an Academy Award nomination, and inThe Contender she plays a Democratic senator from Ohio who becomes the new Vice-Presidential nominee when the President (Jeff Bridges) has his own VP die while in office. It’s a well-acted exploration of sexual politics, and revolves around an event that may or may not have happened to Allen’s character in college. Gary Oldman vamps it up as a congressman who blocks Allen’s appointment, Jeff Bridges make a terrific president and Sam Elliot is a wonderfully hardassed Chief of Staff, but it’s really Joan Allen who amazes in this film. Bob Roberts Tim Robbins’ film about a folksy Pennsylvania senate candidate who learns how to manipulate the system was actually based on a Saturday Night Live sketch from 1986 featuring Robbins as the same character. It’s full of twangy music, borrows heavily from Bob Dylan, and turns sinister towards the end with a possibly faked assassination attempt that puts Roberts in office. The songs are the most memorable part of the film, although the soundtrack was never released because Tim Robbins didn’t want the songs to be played out of context. Like… as a John McCain rally song, which would have sent Robbins into fits of apoplexy. Election It might take place in the halls of high school, but it’s a snapshot not just of the formative years of teenager, but of the entire political process as well. Easily Reese Witherspoon’s best film, her evil and vindictive Tracy Flick isn’t someone you want to cross, or even run against. Although if your opponent is the sickly sweet Chris Klein (who even votes for Tracy), then you don’t really have to worry about competition. Matthew Broderick desperately tries to stop her rise to power, which provides some of the funniest moments in the film, including a recount scandal that rivals the Bush/Gore election. Mr. Smith Goes To Washington They don’t make films like this anymore, and Washington would certainly never give us an ending this neat and clean, but it’s one of Jimmy Stewart’s most endearing roles and it’s still inspirational some 50 years later. It has the best filibuster ever on film, although the confessional moment at the end would never happen in today’s political climate. Stewart’s Smith is still the kind of character you can get behind and root for today, and should probably be required viewing upon assuming any office in D.C. Primary Colors Based on the book that was inspired by Bill Clinton’s first presidential campaign in 1992, John Travolta actually does a decent job as a southern governor running for office in this Mike Nichols film. It’s hard to believe that it’s been 10 years since this movie came out, although it was a bit too late to ride on the coattails of the book two years earlier. When the novel came out by “Anonymous” (later revealed to be journalist Joe Klein) it was on everyone’s lips. Besides Travolta’s Clinton impersonation, the movie didn’t generate nearly as many waves. Still, it’s worth watcing on this Election Tuesday, if nothing other than to tweak your nostalgia circuit. Wag the Dog This movie is mostly terrific for Dustin Hoffman’s excellent Robert Evans impersonation throughout the movie. He plays a Hollywood producer brought in by De Niro’s political spin doctor character to create a fake war in order to distract from the President’s ongoing sex scandal. It proves to be ridiculously successful, and is loosely based on Larry Beinhart’s novel American Hero. Although in the book the president is George H.W. Bush, and the war Opeation Desert Storm. Still, it works a bit better as a dark comedy rather than being based on actual events, although Beinhart’s book is well worth reading. Nixon I wasn’t originally a fan of this Oliver Stone movie, but it’s been playing on cable a lot the past month, and I usually end up watching it whenever I flip channels. Anthony Hopkins’ portrayal of Nixon is incredibly intricate, showing both his paranoid side, and his detached loneliness. As Paul Sorvino’s Henry Kissinger in the film says, “Can you imagine what this man would be like had anyone ever loved him?” It’s also a slap the the face to W, which doesn’t even feel like an Oliver Stone movie. Nixon has teeth, W is a softball. Probably one of Hopkins’ meatiest roles as an actor, and the DVD version with 28 minutes of extra footage will get you through the entire night. Recount When HBO announced this film, I remember cringing and thinking “Won’t the controversy ever go away? It’s like pouring salt in an open wound!” Then I saw the movie, and I loved it. However, I can’t watch it all the way through because I get incredibly angry whenever I see it. Forget about what would have happened if Nixon was loved. What about what our country would be like now if Gore had been elected. How different would things be now? Would we be at war? Would the economy be in the toilet? We’ll never know, but this film really gives you a hard look at the process that put Bush in office, and how full of holes (and dangling chads) it really is. Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/9/2/34658.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 9/2/2008 4:00:50 PM
Body: The Democratic National Convention is over, and all the ecstatic party members have left Denver to go back to their zombie-esque lives (Bob Hope said it, not me). But after four days of celebrating what it means to be a Democrat, some may not wish to settle down and calmly wait out the next two months until Obama’s (possible) win, let alone the next five months waiting for the candidate to (possibly) be sworn in as President, participating in the normal non-specifically-Democratic, non-self-congratulatory activities that most of us are content with. So, one thing excited Democrats can do is watch movies that will continue to inspire and encourage their beliefs and politics. As Karina already wrote, The American President is one movie that just barely may allow Obama fans to relive his DNC speech. Also, beginning yesterday, the Oscar-nominated documentary No End in Sight will be available in full on YouTube through till Election Day. Of course, there’s always other anti-war and anti-Bush docs for free viewing online, at such sites as SnagFilms and FreeDocumentaries.org. And since there are so many docs out there that can make a Democrat giddy with the want for change, I’ve decided to limit today’s list to fictions and dramatizations, because they are more about feelings than facts, and that’s all you really need for political inspiration these days. As usual, I’m leaving out a lot of picks, both obvious and obscure, so feel free to tell us what movie make you feel most proud to be a Democrat. Mr. Deeds Goes to Town - Never mind that Frank Capra voted Republican or that ultimately this film has rather conservative messages regarding traditionalism, privatization and self-sufficiency; all the allusions to the New Deal are strong enough to excite any Rooseveltian liberal. In its time it may have fooled the population by seeming pro-FDR, but today it can still be appreciated by Democrats for demonstrating the President’s Depression-era programs in a way that may be celebrated by those who believe in them. Just concentrate more on screenwriter Robert Riskin’s influence and contribution and ignore Capra’s underlying and conclusive ideology. Cradle Will Rock - Another Depression-era film, though this one was made 63 years later and is actually pro-New Deal, directed by the openly liberal actor/filmmaker Tim Robbins. In a way, it’s probably more left-wing than even some Democrats can agree with, but a general appreciation for government-funded and supported arts, as well as a hatred of conservative-pressured cuts to similar programs, should allow most in the party to enjoy the film. The People vs. Larry Flynt - You can’t have a Democratic film marathon without at least one title celebrating the First Amendment. Feel free to substitute with Lenny, or just add it to the list. Roe vs. Wade - A TV movie, sure, and not even a great one, but when it comes to films about women’s right to choose, you’ve either got great foreign films (Vera Drake; 4 Months, 3 Weeks and 2 Days), which don’t exactly represent U.S. politics, documentaries (which don’t qualify the list), and satires (Citizen Ruth would be a decent inclusion, maybe, but it kind of ridicules all sides). So, here’s the direct dramatization of the court case that made history. Thirteen Days - JFK’s presidency is well-enough renowned by the Democratic Party, but this specific portrayal of one of his greatest moments in office is also important viewing for fans of RFK and Adlai Stevenson. Dick - It’s possible to get excited while watching All the President’s Men and celebrating the outcome of Woodward and Bernstein’s investigation, but Dick is a little more anti-Nixon, at least in a lampooning manner. Plus, as great as Redford and Hoffman are in AtPM, I prefer Will Ferrell and Bruce McCullough as the journalists who helped to take down the corrupt Republican. Harold and Kumar Escape from Guantanamo Bay - And if you prefer Dan Hedaya’s humorous portrayal of Nixon in Dick to Anthony Hopkins in Nixon, you’ll likely enjoy James Adomian’s caricature of George W. Bush in this Harold & Kumar sequel. It’s a little jokingly apologetic, but it will tide you over until W. comes out — if you’re even eager to see a full biopic about your worst enemy, that is. Inherit the Wind - Based on the infamous 1925 trial of science teacher John T. Scopes, who was convicted for teaching evolution in a state allowing only creationism to be taught, this 1960 adaptation of Jerome Lawrence and Robert E. Lee’s play continues to be significant in the ongoing debate regarding science vs. religion and the division of Church and State. To Kill a Mockingbird - Since I can’t decide on any movies to include that directly deal with the Civil Rights Act, here’s the movie based on the book that inspired me most about civil rights when I was young. It should be required viewing (and the book should be required reading) for all kids of impressionable age. Three Kings - I certainly wouldn’t vote for somebody solely based on his or her movie tastes, but I will admit to liking Bill Clinton a little bit more, post-presidency, after learning from his guest appearance on Roger Ebert & the Movies that he loved Three Kings. And, the other way around, I had an even greater appreciation for the film after Clinton’s endorsement, which included a reading of the film, which goes as follows (thanks to Salon for the quote and lead-in): He saw the movie as an indication that we need to face up to society’s “oldest, most primitive problem, our tribalism, our tendency to go beyond a natural pride in our group, whether it’s a racial or ethnic or religious group or whatever,” which results in “fear and distrust and dehumanization and violence against ‘the other.’” Of course, just because Clinton liked Three Kings doesn’t mean other Democrats will. Or vice versa. Ronald Reagan was apparently a big fan of Mr. Deeds Goes to Town, which hasn’t made me any less of a fan. So, I’ll ask again, differently, since the Democratic Party is anything but completely united: what movies are most relevant to your politics as a Democrat? Originally posted on:SpoutBlog
]]>Tue, 02 Sep 2008 20:00:50 GMTSpoutBlogSpoutBlog on spout.com9/2/2008 4:00:50 PMThe Democratic National Convention is over, and all the ecstatic party members have left Denver to go back to their zombie-esque lives (Bob Hope said it, not me). But after four days of celebrating what it means to be a Democrat, some may not wish to settle down and calmly wait out the next two months until Obama’s (possible) win, let alone the next five months waiting for the candidate to (possibly) be sworn in as President, participating in the normal non-specifically-Democratic, non-self-congratulatory activities that most of us are content with. So, one thing excited Democrats can do is watch movies that will continue to inspire and encourage their beliefs and politics. As Karina already wrote, The American President is one movie that just barely may allow Obama fans to relive his DNC speech. Also, beginning yesterday, the Oscar-nominated documentary No End in Sight will be available in full on YouTube through till Election Day. Of course, there’s always other anti-war and anti-Bush docs for free viewing online, at such sites as SnagFilms and FreeDocumentaries.org. And since there are so many docs out there that can make a Democrat giddy with the want for change, I’ve decided to limit today’s list to fictions and dramatizations, because they are more about feelings than facts, and that’s all you really need for political inspiration these days. As usual, I’m leaving out a lot of picks, both obvious and obscure, so feel free to tell us what movie make you feel most proud to be a Democrat. Mr. Deeds Goes to Town - Never mind that Frank Capra voted Republican or that ultimately this film has rather conservative messages regarding traditionalism, privatization and self-sufficiency; all the allusions to the New Deal are strong enough to excite any Rooseveltian liberal. In its time it may have fooled the population by seeming pro-FDR, but today it can still be appreciated by Democrats for demonstrating the President’s Depression-era programs in a way that may be celebrated by those who believe in them. Just concentrate more on screenwriter Robert Riskin’s influence and contribution and ignore Capra’s underlying and conclusive ideology. Cradle Will Rock - Another Depression-era film, though this one was made 63 years later and is actually pro-New Deal, directed by the openly liberal actor/filmmaker Tim Robbins. In a way, it’s probably more left-wing than even some Democrats can agree with, but a general appreciation for government-funded and supported arts, as well as a hatred of conservative-pressured cuts to similar programs, should allow most in the party to enjoy the film. The People vs. Larry Flynt - You can’t have a Democratic film marathon without at least one title celebrating the First Amendment. Feel free to substitute with Lenny, or just add it to the list. Roe vs. Wade - A TV movie, sure, and not even a great one, but when it comes to films about women’s right to choose, you’ve either got great foreign films (Vera Drake; 4 Months, 3 Weeks and 2 Days), which don’t exactly represent U.S. politics, documentaries (which don’t qualify the list), and satires (Citizen Ruth would be a decent inclusion, maybe, but it kind of ridicules all sides). So, here’s the direct dramatization of the court case that made history. Thirteen Days - JFK’s presidency is well-enough renowned by the Democratic Party, but this specific portrayal of one of his greatest moments in office is also important viewing for fans of RFK and Adlai Stevenson. Dick - It’s possible to get excited while watching All the President’s Men and celebrating the outcome of Woodward and Bernstein’s investigation, but Dick is a little more anti-Nixon, at least in a lampooning manner. Plus, as great as Redford and Hoffman are in AtPM, I prefer Will Ferrell and Bruce McCullough as the journalists who helped to take down the corrupt Republican. Harold and Kumar Escape from Guantanamo Bay - And if you prefer Dan Hedaya’s humorous portrayal of Nixon in Dick to Anthony Hopkins in Nixon, you’ll likely enjoy James Adomian’s caricature of George W. Bush in this Harold & Kumar sequel. It’s a little jokingly apologetic, but it will tide you over until W. comes out — if you’re even eager to see a full biopic about your worst enemy, that is. Inherit the Wind - Based on the infamous 1925 trial of science teacher John T. Scopes, who was convicted for teaching evolution in a state allowing only creationism to be taught, this 1960 adaptation of Jerome Lawrence and Robert E. Lee’s play continues to be significant in the ongoing debate regarding science vs. religion and the division of Church and State. To Kill a Mockingbird - Since I can’t decide on any movies to include that directly deal with the Civil Rights Act, here’s the movie based on the book that inspired me most about civil rights when I was young. It should be required viewing (and the book should be required reading) for all kids of impressionable age. Three Kings - I certainly wouldn’t vote for somebody solely based on his or her movie tastes, but I will admit to liking Bill Clinton a little bit more, post-presidency, after learning from his guest appearance on Roger Ebert & the Movies that he loved Three Kings. And, the other way around, I had an even greater appreciation for the film after Clinton’s endorsement, which included a reading of the film, which goes as follows (thanks to Salon for the quote and lead-in): He saw the movie as an indication that we need to face up to society’s “oldest, most primitive problem, our tribalism, our tendency to go beyond a natural pride in our group, whether it’s a racial or ethnic or religious group or whatever,” which results in “fear and distrust and dehumanization and violence against ‘the other.’” Of course, just because Clinton liked Three Kings doesn’t mean other Democrats will. Or vice versa. Ronald Reagan was apparently a big fan of Mr. Deeds Goes to Town, which hasn’t made me any less of a fan. So, I’ll ask again, differently, since the Democratic Party is anything but completely united: what movies are most relevant to your politics as a Democrat? Originally posted on:SpoutBlog http://www.spout.com/blogs/cinemarian/archive/2008/5/12/28801.aspx Post By: CinemaRian
Post To: CinemaRian Blog
Post Date: 5/12/2008 11:21:21 PM
Body: Like the man it portrays, Nixon is endlessly ambitious. Oliver Stone is playing for big money here. It's significant that the movie begins with a homage to Citizen Kane and ends with what amounts to a blatant steal from The Godfather Part II, as Stone is clearly hoping that his magnum opus (the film runs three hours and eleven minuets) will enter into film history as one of the greatest movies ever made. That the film fails to live up to its admittantly high goals is not a surprise- Stone is trying too hard. He tries to make Nixon the definite biopic, and a study of power along the lines of the film mentioned above, and some kind of statement on the dark side of the American dream, and an expose on the inner workings of the government, AND a quasi-sequel to JFK, in which we learn even more conspiracy theories. The movie works best in its scenes of Richard Nixon, the man. Anthony Hopkins does not look much like the President and at times has trouble loosing his Welsh accent, but his performance carries the film. It is clear from the historical record that Nixon was an exceedingly complicated and troubled man. One article I read about him claims that most of his problems originated from his cold mother, who never gave her son the love he needed. As a result, Nixon was paranoid and untrusting, shying away from most personal relationships, and the same historian argued that his fall from grace might have been prevented if he had only one personal friend, instead on none. There is no way of knowing if Hopkins' psychological portrait is accurate, but it seems plausible and as drama is compelling. "Why do they hate me?" Hopkins Nixon asks his wife, and we feel sorry for him. Nixon can't understand why John F. Kennedy, whose rich father essentially bought him the Presidency, was so loved, while Nixon's own rise from a poor family was ignored. Like Charles Foster Kane, Nixon desperately wants to receive what he is unable to give- love. In fact, looking back on the film, the movie probably portrays Nixon as less ruthless and hateful than he actually was in real life. If the movie had just been content to be a biopic, this would be a four star review. Unfortunately, the movie goes wrong when it veers away from Nixon, the man, into Nixon- the Man of His Time. Stone begins the film with a title card that informs us that the film is closely based on historical fact, with "speculations" where no confirmed record exists. Actually, conspiracy theories. We get lots of them in this film- a cabal of businessmen that were associated with Nixon plotted Kennedy's assassination, the CIA was responsible for Vietnam, and of course, what was on the famous eighteen erased minuets on the taped recordings of his Oval Office conversations. As I said in response to JFK, I don't mind if filmmaker uses actual events for a fictionalized story (Jackson did it in one my favorite movies of all time, Heavenly Creatures) but I get really annoyed when they pass it off as real history. To be fair, there were actual conspiracies inn the Nixon White House (that's why he resigned) but I doubt there was anything like the comically exaggerated charges found in this film. Stone style gets in the way of the story, too. He uses a variety of techniques and styles, grainy 16mm, black and white, real historical footage, real historical footage with Hopkins inserted in (badly), quick editing. These cinematic tricks are distracting and somewhat amateurish, taking us out of the story. Stone rips off a lot from The Godfather, both thematically and visually, rich down to Gordon Willis style cinematography. In the end, what might have been a really extraordinarily biopic is thwarted by its own ambition. I am giving a the film a limited recommendation for Hopkins' and Joan Allen's exceptional performances and Stone's sympathic psychogenic portrayal, but the rest of the film is flawed and heavy handed. Ironically, a film that was impressive in its own right wears out it welcome due to its near obsessive need to be great- just like it's subject. Nixon (1995)
]]>Tue, 13 May 2008 03:21:21 GMTCinemaRianCinemaRian Blog5/12/2008 11:21:21 PMLike the man it portrays, Nixon is endlessly ambitious. Oliver Stone is playing for big money here. It's significant that the movie begins with a homage to Citizen Kane and ends with what amounts to a blatant steal from The Godfather Part II, as Stone is clearly hoping that his magnum opus (the film runs three hours and eleven minuets) will enter into film history as one of the greatest movies ever made. That the film fails to live up to its admittantly high goals is not a surprise- Stone is trying too hard. He tries to make Nixon the definite biopic, and a study of power along the lines of the film mentioned above, and some kind of statement on the dark side of the American dream, and an expose on the inner workings of the government, AND a quasi-sequel to JFK, in which we learn even more conspiracy theories. The movie works best in its scenes of Richard Nixon, the man. Anthony Hopkins does not look much like the President and at times has trouble loosing his Welsh accent, but his performance carries the film. It is clear from the historical record that Nixon was an exceedingly complicated and troubled man. One article I read about him claims that most of his problems originated from his cold mother, who never gave her son the love he needed. As a result, Nixon was paranoid and untrusting, shying away from most personal relationships, and the same historian argued that his fall from grace might have been prevented if he had only one personal friend, instead on none. There is no way of knowing if Hopkins' psychological portrait is accurate, but it seems plausible and as drama is compelling. "Why do they hate me?" Hopkins Nixon asks his wife, and we feel sorry for him. Nixon can't understand why John F. Kennedy, whose rich father essentially bought him the Presidency, was so loved, while Nixon's own rise from a poor family was ignored. Like Charles Foster Kane, Nixon desperately wants to receive what he is unable to give- love. In fact, looking back on the film, the movie probably portrays Nixon as less ruthless and hateful than he actually was in real life. If the movie had just been content to be a biopic, this would be a four star review. Unfortunately, the movie goes wrong when it veers away from Nixon, the man, into Nixon- the Man of His Time. Stone begins the film with a title card that informs us that the film is closely based on historical fact, with "speculations" where no confirmed record exists. Actually, conspiracy theories. We get lots of them in this film- a cabal of businessmen that were associated with Nixon plotted Kennedy's assassination, the CIA was responsible for Vietnam, and of course, what was on the famous eighteen erased minuets on the taped recordings of his Oval Office conversations. As I said in response to JFK, I don't mind if filmmaker uses actual events for a fictionalized story (Jackson did it in one my favorite movies of all time, Heavenly Creatures) but I get really annoyed when they pass it off as real history. To be fair, there were actual conspiracies inn the Nixon White House (that's why he resigned) but I doubt there was anything like the comically exaggerated charges found in this film. Stone style gets in the way of the story, too. He uses a variety of techniques and styles, grainy 16mm, black and white, real historical footage, real historical footage with Hopkins inserted in (badly), quick editing. These cinematic tricks are distracting and somewhat amateurish, taking us out of the story. Stone rips off a lot from The Godfather, both thematically and visually, rich down to Gordon Willis style cinematography. In the end, what might have been a really extraordinarily biopic is thwarted by its own ambition. I am giving a the film a limited recommendation for Hopkins' and Joan Allen's exceptional performances and Stone's sympathic psychogenic portrayal, but the rest of the film is flawed and heavy handed. Ironically, a film that was impressive in its own right wears out it welcome due to its near obsessive need to be great- just like it's subject. Nixon (1995) http://www.spout.com/blogs/spoutblog/archive/2008/1/21/24143.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 1/21/2008 9:01:20 AM
Body: This being a federal holiday and all, I figured there wouldn’t be much to report on from the trades. However, I was very, very wrong. Check out this doozy of an announcement: Oliver Stone is to direct a biopic about George W. Bush, which will be titled Bush and star Josh Brolin in the lead. Obviously, Stone had thought he was making a biopic about America’s worst President twelve years ago with Nixon, but then of course came along Bush the Second. And since he used an actor (Anthony Hopkins) for that film who looked nothing like the subject, this time he’s doing to the same. I only hope that James Brolin gets to play George H.W. Bush. The boys won the box office battle of the sexes as Cloverfield opened with $41 million, the best weekend bow ever for January. That’s almost as much money as Roland Emmerich’s Godzilla debuted with ten years ago. The difference is that it cost $130 million to make while Cloverfield cost only $25 million. And yet with all the crap given to the monster from the 1998 Godzilla, it still looked cooler than the monster in Cloverfield. In fact, 27 Dresses (#2 this weekend with $22.4 million) probably had a scarier monster than Cloverfield — not that I would have seen that movie to find out. Wait, I thought the Bush biopic was the oddest movie talked about in the trades today. Instead that honor should go to Cirque du Freak, to which Oscar nominee Ken Watanabe has just signed on. His role as a circus “barker” doesn’t sound that interesting, though, when compared to John C. Reilly as a vampire and Salma Hayek as … wait for it … a bearded lady. Meanwhile, another movie tries to be today’s strangest, and fails miserably. Tim Meadows has been cast in the Ashley Tisdale-starrer They Came From Upstairs, which is basically like Home Alone if Daniel Stern and Joe Pesci were aliens. Originally posted on:SpoutBlog
]]>Mon, 21 Jan 2008 14:01:20 GMTSpoutBlogSpoutBlog on spout.com1/21/2008 9:01:20 AM This being a federal holiday and all, I figured there wouldn’t be much to report on from the trades. However, I was very, very wrong. Check out this doozy of an announcement: Oliver Stone is to direct a biopic about George W. Bush, which will be titled Bush and star Josh Brolin in the lead. Obviously, Stone had thought he was making a biopic about America’s worst President twelve years ago with Nixon, but then of course came along Bush the Second. And since he used an actor (Anthony Hopkins) for that film who looked nothing like the subject, this time he’s doing to the same. I only hope that James Brolin gets to play George H.W. Bush. The boys won the box office battle of the sexes as Cloverfield opened with $41 million, the best weekend bow ever for January. That’s almost as much money as Roland Emmerich’s Godzilla debuted with ten years ago. The difference is that it cost $130 million to make while Cloverfield cost only $25 million. And yet with all the crap given to the monster from the 1998 Godzilla, it still looked cooler than the monster in Cloverfield. In fact, 27 Dresses (#2 this weekend with $22.4 million) probably had a scarier monster than Cloverfield — not that I would have seen that movie to find out. Wait, I thought the Bush biopic was the oddest movie talked about in the trades today. Instead that honor should go to Cirque du Freak, to which Oscar nominee Ken Watanabe has just signed on. His role as a circus “barker” doesn’t sound that interesting, though, when compared to John C. Reilly as a vampire and Salma Hayek as … wait for it … a bearded lady. Meanwhile, another movie tries to be today’s strangest, and fails miserably. Tim Meadows has been cast in the Ashley Tisdale-starrer They Came From Upstairs, which is basically like Home Alone if Daniel Stern and Joe Pesci were aliens. Originally posted on:SpoutBlog http://www.spout.com/members/0/tags/power/MemberTagFilms.aspxpower
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