list http://www.spout.com/ Recent community activity around Dazed and Confused on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Dazed_and_Confused/82266/default.aspx Title: Dazed and Confused
Year: 1993
Director: Richard Linklater
Plot: Like George Lucas' American Graffiti, Richard Linklater's Dazed and Confused is an affectionate look at the youth culture of a bygone era. While Lucas took aim at the conservative 1950's, Linklater jumps ahead a generation to the bicentennial year of 1976 to celebrate the joys of beer blasts, pot smoking and Frampton Comes Alive. Set on the last day of the academic year, the film follows the random activities of a sprawling group of Texas high schoolers as they celebrate the arrival of summer, their paths variously intersecting at a freshmen hazing, a local pool parlor and finally at a keg party. ~ Jason Ankeny, All Movie Guide
Times Tagged: 74
Number of Lists: 80
Number of blog posts: 11
Number of discussion threads: 11
SpoutRating: 3
]]>Wed, 01 Jul 2009 05:58:43 GMTDazed and Confused1993Richard LinklaterLike <a href="/players/P___100308/default.aspx" style='text-decoration:underline'>George Lucas</a>' <a href=/films/1157/default.aspx style='text-decoration:underline'>American Graffiti</a>, <a href="/players/P____99850/default.aspx" style='text-decoration:underline'>Richard Linklater</a>'s Dazed and Confused is an affectionate look at the youth culture of a bygone era. While Lucas took aim at the conservative 1950's, Linklater jumps ahead a generation to the bicentennial year of 1976 to celebrate the joys of beer blasts, pot smoking and Frampton Comes Alive. Set on the last day of the academic year, the film follows the random activities of a sprawling group of Texas high schoolers as they celebrate the arrival of summer, their paths variously intersecting at a freshmen hazing, a local pool parlor and finally at a keg party. ~ Jason Ankeny, All Movie Guide74Tag Target (>10)8011113http://www.spout.com/ProductImages/t84262gok63.jpghttp://www.spout.com/films/Dazed_and_Confused/82266/default.aspxFilm http://www.spout.com/groups/Weekly_Theme/Re_Weekly_Theme_for_June_29_Summertime/625/42883/1/ShowPost.aspx Post By: leeroy711
Post To: Weekly Theme
Post Date: 7/1/2009 1:58:43 AM
Body: [quote user="mercurial"] I feel honored to post this week's theme as it will mark Weekly Theme's One Year Anniversary! Time has sure passed by quickly as it doesn't seem all that long ago that Emery asked me if I wanted to co-moderate this little brainchild of his. Anyways, here's to another year of weekly themes! Currently I'm sitting outside at my local coffeeshop where I come for the tasty caffeinated beverages and free Wi-Fi and am drenched from head to toe thanks to the blistering heat wave that is peaking now at 110 degress. Thusly I felt this week we should talk about all those movies about summer. Not just those movies that take place during the summer months, but the movies that might have been released during the summer or for whatever reason makes us reminisce about all the ups and downs associated with the season. There are those staples of summertime cinema that make everyone (kids and adults alike) think about how exciting the idea of summer was as a kid. The Sandlot, Now and Then, My Girl and White Water Summer all remind me of how much time I spent thinking about summer during the school year and couldn't wait until that last day of school so that I could toss away my school books and spend three months doing absolutely nothing. Getting a little older, Dazed and Confused became a start of summer ritual viewing for me as it perfectly captures those feelings of anticipation and all the possibilities that the summer months can hold. Some other films have tried to capture those same feelings with mediocre results. The Wackness was an interesting coming of age during the summer flick about a lackluster teenage drug dealer coping with the heat in New York after graduating high school. Adventureland had its moments with its colorful cast of outcasts running amuck at a summer amusement park as did Wet Hot American Summer but transplanted to a summer camp. My guilty pleasure summer flick is definitely Psycho Beach Party. Set in a 1950's Beach Blanket Bingo-like setting, this campy horror comedy gets me laughing every time (and a completely nude Amy Adams doesn't hurt either). But ultimately there are two movies that getting me thinking summer without a doubt. The first being one of the first summer blockbusters I saw and the other being because it takes place during summer. I vividly recall lining up to buy tickets for Jurassic Park and how amazed I was at how many people there were and how packed the theater was. Packed in a small hot theater, I was mesmerized by the movie and it still to this day makes me think of how great a summer movie can be. The other film is of course Jaws. I've gone into great detail in other discussions about how this film has pretty much ruined any summer trips to the beach for me (or any body of water for that matter) and I will forever love it for doing that. Any movie that can make a grown man go into hysterics when his friends joke around and push him over the side of a boat into a small lake during an afternoon of drinking deserves some major points. So break out the sun block and lets get talking! [/quote] Hooray for US!!!!!!!!!!!!!!!!!!!!!!!!!!!... I've never really thought of this group as a brainchild but whatever works..............maybe like an adopted brainchild that Chris & I decided to raise together in spite of constant adversity and redicule from our friends and family. We named that child Weekly Theme and raised him with all the love his "traditional family structure" never gave him. I'll never forget the day Daddy Chris took off Weekly's training wheels and ran along side of him as Daddy Emery cheerfully snapped photo after photo until he crashed into Mr. Woodril's hedges and skinned his knee. That child grew and grew, everyday becoming more and more of his own man............................. And that child's name was C. Thomas Howell....... And NOOOW you know...... the RESSST of the story... Anyway..... Summer movies are great. Evertime I hear that phrase I recall the time my family and I were standing outside in line for Jurassic Park and a 15 year old girl passed out in front of us from the heat.. I think it was about 117 that day but the lines were packed. I would also mention a couple films that come to mind that I think are great examples of portrayels of the summer heat. Burtolucci's La Commare Secca takes place durring a particularly sweaty Italian summer.... Also, Chinatown is one of my alltime favorite films and it does a great job of showing a hot summer in LA.
]]>Wed, 01 Jul 2009 05:58:43 GMTleeroy711Weekly Theme7/1/2009 1:58:43 AM[quote user="mercurial"] I feel honored to post this week's theme as it will mark Weekly Theme's One Year Anniversary! Time has sure passed by quickly as it doesn't seem all that long ago that Emery asked me if I wanted to co-moderate this little brainchild of his. Anyways, here's to another year of weekly themes! Currently I'm sitting outside at my local coffeeshop where I come for the tasty caffeinated beverages and free Wi-Fi and am drenched from head to toe thanks to the blistering heat wave that is peaking now at 110 degress. Thusly I felt this week we should talk about all those movies about summer. Not just those movies that take place during the summer months, but the movies that might have been released during the summer or for whatever reason makes us reminisce about all the ups and downs associated with the season. There are those staples of summertime cinema that make everyone (kids and adults alike) think about how exciting the idea of summer was as a kid. The Sandlot, Now and Then, My Girl and White Water Summer all remind me of how much time I spent thinking about summer during the school year and couldn't wait until that last day of school so that I could toss away my school books and spend three months doing absolutely nothing. Getting a little older, Dazed and Confused became a start of summer ritual viewing for me as it perfectly captures those feelings of anticipation and all the possibilities that the summer months can hold. Some other films have tried to capture those same feelings with mediocre results. The Wackness was an interesting coming of age during the summer flick about a lackluster teenage drug dealer coping with the heat in New York after graduating high school. Adventureland had its moments with its colorful cast of outcasts running amuck at a summer amusement park as did Wet Hot American Summer but transplanted to a summer camp. My guilty pleasure summer flick is definitely Psycho Beach Party. Set in a 1950's Beach Blanket Bingo-like setting, this campy horror comedy gets me laughing every time (and a completely nude Amy Adams doesn't hurt either). But ultimately there are two movies that getting me thinking summer without a doubt. The first being one of the first summer blockbusters I saw and the other being because it takes place during summer. I vividly recall lining up to buy tickets for Jurassic Park and how amazed I was at how many people there were and how packed the theater was. Packed in a small hot theater, I was mesmerized by the movie and it still to this day makes me think of how great a summer movie can be. The other film is of course Jaws. I've gone into great detail in other discussions about how this film has pretty much ruined any summer trips to the beach for me (or any body of water for that matter) and I will forever love it for doing that. Any movie that can make a grown man go into hysterics when his friends joke around and push him over the side of a boat into a small lake during an afternoon of drinking deserves some major points. So break out the sun block and lets get talking! [/quote] Hooray for US!!!!!!!!!!!!!!!!!!!!!!!!!!!... I've never really thought of this group as a brainchild but whatever works..............maybe like an adopted brainchild that Chris &amp; I decided to raise together in spite of constant adversity and redicule from our friends and family. We named that child Weekly Theme and raised him with all the love his "traditional family structure" never gave him. I'll never forget the day Daddy Chris took off Weekly's training wheels and ran along side of him as Daddy Emery cheerfully snapped photo after photo until he crashed into Mr. Woodril's hedges and skinned his knee. That child grew and grew, everyday becoming more and more of his own man............................. And that child's name was C. Thomas Howell....... And NOOOW you know...... the RESSST of the story... Anyway..... Summer movies are great. Evertime I hear that phrase I recall the time my family and I were standing outside in line for Jurassic Park and a 15 year old girl passed out in front of us from the heat.. I think it was about 117 that day but the lines were packed. I would also mention a couple films that come to mind that I think are great examples of portrayels of the summer heat. Burtolucci's La Commare Secca takes place durring a particularly sweaty Italian summer.... Also, Chinatown is one of my alltime favorite films and it does a great job of showing a hot summer in LA. http://www.spout.com/groups/Weekly_Theme/Weekly_Theme_for_June_29_Summertime/625/42867/1/ShowPost.aspx Post By: mercurial
Post To: Weekly Theme
Post Date: 6/29/2009 9:38:41 PM
Body: I feel honored to post this week's theme as it will mark Weekly Theme's One Year Anniversary! Time has sure passed by quickly as it doesn't seem all that long ago that Emery asked me if I wanted to co-moderate this little brainchild of his. Anyways, here's to another year of weekly themes! Currently I'm sitting outside at my local coffeeshop where I come for the tasty caffeinated beverages and free Wi-Fi and am drenched from head to toe thanks to the blistering heat wave that is peaking now at 110 degress. Thusly I felt this week we should talk about all those movies about summer. Not just those movies that take place during the summer months, but the movies that might have been released during the summer or for whatever reason makes us reminisce about all the ups and downs associated with the season. There are those staples of summertime cinema that make everyone (kids and adults alike) think about how exciting the idea of summer was as a kid. The Sandlot, Now and Then, My Girl and White Water Summer all remind me of how much time I spent thinking about summer during the school year and couldn't wait until that last day of school so that I could toss away my school books and spend three months doing absolutely nothing. Getting a little older, Dazed and Confused became a start of summer ritual viewing for me as it perfectly captures those feelings of anticipation and all the possibilities that the summer months can hold. Some other films have tried to capture those same feelings with mediocre results. The Wackness was an interesting coming of age during the summer flick about a lackluster teenage drug dealer coping with the heat in New York after graduating high school. Adventureland had its moments with its colorful cast of outcasts running amuck at a summer amusement park as did Wet Hot American Summer but transplanted to a summer camp. My guilty pleasure summer flick is definitely Psycho Beach Party. Set in a 1950's Beach Blanket Bingo-like setting, this campy horror comedy gets me laughing every time (and a completely nude Amy Adams doesn't hurt either). But ultimately there are two movies that getting me thinking summer without a doubt. The first being one of the first summer blockbusters I saw and the other being because it takes place during summer. I vividly recall lining up to buy tickets for Jurassic Park and how amazed I was at how many people there were and how packed the theater was. Packed in a small hot theater, I was mesmerized by the movie and it still to this day makes me think of how great a summer movie can be. The other film is of course Jaws. I've gone into great detail in other discussions about how this film has pretty much ruined any summer trips to the beach for me (or any body of water for that matter) and I will forever love it for doing that. Any movie that can make a grown man go into hysterics when his friends joke around and push him over the side of a boat into a small lake during an afternoon of drinking deserves some major points. So break out the sun block and lets get talking!
]]>Tue, 30 Jun 2009 01:38:41 GMTmercurialWeekly Theme6/29/2009 9:38:41 PMI feel honored to post this week's theme as it will mark Weekly Theme's One Year Anniversary! Time has sure passed by quickly as it doesn't seem all that long ago that Emery asked me if I wanted to co-moderate this little brainchild of his. Anyways, here's to another year of weekly themes! Currently I'm sitting outside at my local coffeeshop where I come for the tasty caffeinated beverages and free Wi-Fi and am drenched from head to toe thanks to the blistering heat wave that is peaking now at 110 degress. Thusly I felt this week we should talk about all those movies about summer. Not just those movies that take place during the summer months, but the movies that might have been released during the summer or for whatever reason makes us reminisce about all the ups and downs associated with the season. There are those staples of summertime cinema that make everyone (kids and adults alike) think about how exciting the idea of summer was as a kid. The Sandlot, Now and Then, My Girl and White Water Summer all remind me of how much time I spent thinking about summer during the school year and couldn't wait until that last day of school so that I could toss away my school books and spend three months doing absolutely nothing. Getting a little older, Dazed and Confused became a start of summer ritual viewing for me as it perfectly captures those feelings of anticipation and all the possibilities that the summer months can hold. Some other films have tried to capture those same feelings with mediocre results. The Wackness was an interesting coming of age during the summer flick about a lackluster teenage drug dealer coping with the heat in New York after graduating high school. Adventureland had its moments with its colorful cast of outcasts running amuck at a summer amusement park as did Wet Hot American Summer but transplanted to a summer camp. My guilty pleasure summer flick is definitely Psycho Beach Party. Set in a 1950's Beach Blanket Bingo-like setting, this campy horror comedy gets me laughing every time (and a completely nude Amy Adams doesn't hurt either). But ultimately there are two movies that getting me thinking summer without a doubt. The first being one of the first summer blockbusters I saw and the other being because it takes place during summer. I vividly recall lining up to buy tickets for Jurassic Park and how amazed I was at how many people there were and how packed the theater was. Packed in a small hot theater, I was mesmerized by the movie and it still to this day makes me think of how great a summer movie can be. The other film is of course Jaws. I've gone into great detail in other discussions about how this film has pretty much ruined any summer trips to the beach for me (or any body of water for that matter) and I will forever love it for doing that. Any movie that can make a grown man go into hysterics when his friends joke around and push him over the side of a boat into a small lake during an afternoon of drinking deserves some major points. So break out the sun block and lets get talking! http://www.spout.com/groups/Filmgaming/Re_PINEAPPLE_EXPRESS_DVD_Giveaway/563/39131/1/ShowPost.aspx Post By: mercurial
Post To: Filmgaming
Post Date: 1/5/2009 9:06:48 PM
Body: Dazed and Confused always made me want to get high. Requiem for a Dream made me never want to get high. Prometheus' Garden was such a bizarre claymation film that I actually felt high.
]]>Tue, 06 Jan 2009 02:06:48 GMTmercurialFilmgaming1/5/2009 9:06:48 PM Dazed and Confused always made me want to get high. Requiem for a Dream made me never want to get high. Prometheus' Garden was such a bizarre claymation film that I actually felt high. http://www.spout.com/groups/Weekly_Theme/Re_Weekly_Theme_for_October_13_Just_One_Day/625/36274/1/ShowPost.aspx Post By: Smooth_J
Post To: Weekly Theme
Post Date: 10/13/2008 9:53:56 PM
Body: Do the Right Thing instantly comes to mind, although the ending shows a bit of the aftermath of the previous days' events. The tension and immediacy of keeping the film within one day really helped to convey Spike Lee's sense of urgency and anger about modern racism, which made for a super-duper movie. I recently saw Dazed and Confused and was enlightened...and to think so much of the 70s was crammed into one day... La Haine, a powerful French movie by the guy that made the apparent abomination Babylon A.D. (Mathieu Kassovitz), takes place over the course of one day, chronicling the drug addled and frustratingly bleak lives of three teenagers in the Parisian suburbs. This one even has a ticking clock, helping you keep track of the day as it slides along. I know there's so many that I'm missing...
]]>Tue, 14 Oct 2008 01:53:56 GMTSmooth_JWeekly Theme10/13/2008 9:53:56 PMDo the Right Thing instantly comes to mind, although the ending shows a bit of the aftermath of the previous days' events. The tension and immediacy of keeping the film within one day really helped to convey Spike Lee's sense of urgency and anger about modern racism, which made for a super-duper movie. I recently saw Dazed and Confused and was enlightened...and to think so much of the 70s was crammed into one day... La Haine, a powerful French movie by the guy that made the apparent abomination Babylon A.D. (Mathieu Kassovitz), takes place over the course of one day, chronicling the drug addled and frustratingly bleak lives of three teenagers in the Parisian suburbs. This one even has a ticking clock, helping you keep track of the day as it slides along. I know there's so many that I'm missing... http://www.spout.com/groups/Weekly_Theme/Weekly_Theme_for_September_29_Gimme_Some_Drugs_Ma/625/35747/1/ShowPost.aspx Post By: mercurial
Post To: Weekly Theme
Post Date: 9/30/2008 10:30:15 PM
Body: Upon viewing Requiem for a Dream before entering my freshman year of college, I found myself a strict adherent to the law and only indulged in those drugs (nicotine, caffeine and alcohol) deemed legal by the government. That's my story and I'm sticking to it! This week we shall discuss those films depicting drugs (legal and not so much) which will of course spiral into a violent argument about the legalization of said drugs. Other films that have helped me stay away from chasing the dragon and toking the ganga are: Fear and Loathing in Las Vegas Trainspotting Traffic The Rules of Attraction The Walll 28 Days On the other hand, there have been those films that make it seem like so much fun that you find yourself asking, "I'm strong, I won't get addicted if I try it just once . . . right?" Dazed and Confused London Go Smiley Face Nowhere So relax, turn on some Marley, break out the black lights and reminisce about those addicting drug flicks.
]]>Wed, 01 Oct 2008 02:30:15 GMTmercurialWeekly Theme9/30/2008 10:30:15 PMUpon viewing Requiem for a Dream before entering my freshman year of college, I found myself a strict adherent to the law and only indulged in those drugs (nicotine, caffeine and alcohol) deemed legal by the government. That's my story and I'm sticking to it! This week we shall discuss those films depicting drugs (legal and not so much) which will of course spiral into a violent argument about the legalization of said drugs. Other films that have helped me stay away from chasing the dragon and toking the ganga are: Fear and Loathing in Las Vegas Trainspotting Traffic The Rules of Attraction The Walll 28 Days On the other hand, there have been those films that make it seem like so much fun that you find yourself asking, "I'm strong, I won't get addicted if I try it just once . . . right?" Dazed and Confused London Go Smiley Face Nowhere So relax, turn on some Marley, break out the black lights and reminisce about those addicting drug flicks. http://www.spout.com/groups/sci_fi/Re_Tough_Chicks_of_Sci_Fi/4/34053/1/ShowPost.aspx Post By: csprague
Post To: sci-fi
Post Date: 8/15/2008 2:24:53 PM
Body: [quote user="SkyPilot"] Claire Danes? Haha, you mean the T-3000, right? [/quote] Kristanna Loken Yeah, she was pretty ass-kicking. I know I bring this movie up a lot, but some one else already mentioned it in here so I don't feel so bad saying it again: I was a huge fan of Milla Jovavich in The Fifth Element. Evidently she was in Dazed and Confused , but I am trying to remember her in it (?) totally blank.
]]>Fri, 15 Aug 2008 18:24:53 GMTcspraguesci-fi8/15/2008 2:24:53 PM[quote user="SkyPilot"] Claire Danes? Haha, you mean the T-3000, right? [/quote] Kristanna Loken Yeah, she was pretty ass-kicking. I know I bring this movie up a lot, but some one else already mentioned it in here so I don't feel so bad saying it again: I was a huge fan of Milla Jovavich in The Fifth Element. Evidently she was in Dazed and Confused , but I am trying to remember her in it (?) totally blank. http://www.spout.com/blogs/usesoap/archive/2008/8/11/33835.aspx Post By: usesoap
Post To: usesoap Blog
Post Date: 8/11/2008 8:16:46 AM
Body: A friend with weed is a friend indeed. That is the lesson to be extracted from the latest comedy off the Judd Apatow assembly line, “Pineapple Express.” While it may get anti-marijuana advocates abuzz with consternation, it's a sweet little trip until a dramatic shift to violence quite literally calls the cops to this feel-good party. “Express” is laced with guffaws and gunplay, and while not as startlingly schizophrenic as this summer's “Hancock,” it still feels as though its personalities are squished together in such a forced fashion, it threatens to disrupt the good vibes it garners through much of the film. And, like all of Apartow's blockbuster comedies before it (“Knocked Up,” Superbad,” “The 40-Year-Old Virgin”), it overstays its welcome by at least 30 minutes. Imagine, if you will, an entire film devoted to the ganja-clouded escapades of Brad Pitt's Floyd, the moviewestoner he portrayed in Tony Scott's “True Romance (one of Pitt's best, albeit brief, performances on screen). James Franco channels Floyd, but successfully layers him with empathy and a hint of sadness. Franco is perhaps best known as Peter Parker's frenemy in the “Spider-Man” trilogy, as well as generic junk like “Annapolis” and “Flyboys,” which focused more on his Abercrombe and Fitch good looks than his acting chops. In “Express” he hides his sculptured silhouette behind a mop of greasy hair and clothes even a college hamper would reject. As Saul, he's a well-connected dealer who, despite his numerous contacts, remains rather friendless, reduced to surface conversations with his quasi-anonymous clientèle whose illegal purchases makes them more than a tad jittery to hang out for deeper disucssions. When Dale (played by co-writer Seth Rogan) pops by for his weekly fix, Saul reaches out by not only introducing him to the headlining herb, but shares his beloved concoction, a triple-ended joint that apparently induces a supreme high. Dale, reluctant at first, humors Saul and doesn't pass up the chance for a token toke. A tiny connection is made before Dale darts off to his thankless gig as a process server that at least provides him the opportunity to blaze up between deliveries. During one seemingly routine stop, Dale witnesses a murder and, in his drug-clouded escape, manages to smash a couple cars and attract the attention of the killers (Gary Cole and Rosie Perez). When he seeks the aid of Saul in a panic, it sets off a series of successively darker detours into pot-fueled paranoia that, were it not for the comic chops of its supporting cast, would otherwise derail this ride. Rogan does his best Rogan, meaning he coasts along with his standard understated charm and his proclivity to cling to the bliss of adolescence. It's Franco who brings out the best of the film, operating under the haze of his trade and letting humanity bubble to the surface at all the right (high) times. But Franco alone could not buoy the picture as it slowly descends into its bloody conclusion. He's helped by the go-to guy for straight-faced snickers Danny McBride, as the link between Saul and the local drug kingpin, as well as Craig Robinson (from “The Office”) and Kevin Corrigan as two henchmen dispatched to extinguish the leads. Throughout there are throwaway bits that could have easily tightened the two-hour escapade, most notably the romance between Rogan's Dale and his high school girlfriend (yes, she is technically “of age,” but that makes it no less icky). We get that this guy's unable to motivate into adulthood, but the real relationship here is the one he strikes with Saul. Stylistically, the film breaks free from the relatively staid comedic efforts of recent past, credited to director David Gordon Green, an indie filmmaker whose known more for his dramatic muscle and given the film more flourish than it deserves. The stoner comedy is one that's typically made on a shoestring and relies heavily on its hazy humor than on plot or artistry (Cheech and Chong, Harold and Kumar, “Half Baked”), and occasionally it will be elevated into headier territory (“Dazed and Confused,” “The Big Lebowski,” “The Wonder Boys”). But this may be the first stoner action film ever made, perhaps because the two adjectives are so diametrically opposed. “Pineapple Express” would be much easier to inhale if the aftertaste was not so bitter.
]]>Mon, 11 Aug 2008 12:16:46 GMTusesoapusesoap Blog8/11/2008 8:16:46 AMA friend with weed is a friend indeed. That is the lesson to be extracted from the latest comedy off the Judd Apatow assembly line, &ldquo;Pineapple Express.&rdquo; While it may get anti-marijuana advocates abuzz with consternation, it's a sweet little trip until a dramatic shift to violence quite literally calls the cops to this feel-good party. &ldquo;Express&rdquo; is laced with guffaws and gunplay, and while not as startlingly schizophrenic as this summer's &ldquo;Hancock,&rdquo; it still feels as though its personalities are squished together in such a forced fashion, it threatens to disrupt the good vibes it garners through much of the film. And, like all of Apartow's blockbuster comedies before it (&ldquo;Knocked Up,&rdquo; Superbad,&rdquo; &ldquo;The 40-Year-Old Virgin&rdquo;), it overstays its welcome by at least 30 minutes. Imagine, if you will, an entire film devoted to the ganja-clouded escapades of Brad Pitt's Floyd, the moviewestoner he portrayed in Tony Scott's &ldquo;True Romance (one of Pitt's best, albeit brief, performances on screen). James Franco channels Floyd, but successfully layers him with empathy and a hint of sadness. Franco is perhaps best known as Peter Parker's frenemy in the &ldquo;Spider-Man&rdquo; trilogy, as well as generic junk like &ldquo;Annapolis&rdquo; and &ldquo;Flyboys,&rdquo; which focused more on his Abercrombe and Fitch good looks than his acting chops. In &ldquo;Express&rdquo; he hides his sculptured silhouette behind a mop of greasy hair and clothes even a college hamper would reject. As Saul, he's a well-connected dealer who, despite his numerous contacts, remains rather friendless, reduced to surface conversations with his quasi-anonymous client&egrave;le whose illegal purchases makes them more than a tad jittery to hang out for deeper disucssions. When Dale (played by co-writer Seth Rogan) pops by for his weekly fix, Saul reaches out by not only introducing him to the headlining herb, but shares his beloved concoction, a triple-ended joint that apparently induces a supreme high. Dale, reluctant at first, humors Saul and doesn't pass up the chance for a token toke. A tiny connection is made before Dale darts off to his thankless gig as a process server that at least provides him the opportunity to blaze up between deliveries. During one seemingly routine stop, Dale witnesses a murder and, in his drug-clouded escape, manages to smash a couple cars and attract the attention of the killers (Gary Cole and Rosie Perez). When he seeks the aid of Saul in a panic, it sets off a series of successively darker detours into pot-fueled paranoia that, were it not for the comic chops of its supporting cast, would otherwise derail this ride. Rogan does his best Rogan, meaning he coasts along with his standard understated charm and his proclivity to cling to the bliss of adolescence. It's Franco who brings out the best of the film, operating under the haze of his trade and letting humanity bubble to the surface at all the right (high) times. But Franco alone could not buoy the picture as it slowly descends into its bloody conclusion. He's helped by the go-to guy for straight-faced snickers Danny McBride, as the link between Saul and the local drug kingpin, as well as Craig Robinson (from &ldquo;The Office&rdquo;) and Kevin Corrigan as two henchmen dispatched to extinguish the leads. Throughout there are throwaway bits that could have easily tightened the two-hour escapade, most notably the romance between Rogan's Dale and his high school girlfriend (yes, she is technically &ldquo;of age,&rdquo; but that makes it no less icky). We get that this guy's unable to motivate into adulthood, but the real relationship here is the one he strikes with Saul. Stylistically, the film breaks free from the relatively staid comedic efforts of recent past, credited to director David Gordon Green, an indie filmmaker whose known more for his dramatic muscle and given the film more flourish than it deserves. The stoner comedy is one that's typically made on a shoestring and relies heavily on its hazy humor than on plot or artistry (Cheech and Chong, Harold and Kumar, &ldquo;Half Baked&rdquo;), and occasionally it will be elevated into headier territory (&ldquo;Dazed and Confused,&rdquo; &ldquo;The Big Lebowski,&rdquo; &ldquo;The Wonder Boys&rdquo;). But this may be the first stoner action film ever made, perhaps because the two adjectives are so diametrically opposed. &ldquo;Pineapple Express&rdquo; would be much easier to inhale if the aftertaste was not so bitter. http://www.spout.com/blogs/captainryannn/archive/2008/8/8/33738.aspx Post By: CaptainRyannn
Post To: CaptainRyannn Blog
Post Date: 8/8/2008 5:01:23 AM
Body: Since January 1st, 2008, I've been keeping track of all the films I've watched. Because I don't feel like taking the time to highlight each movie up until this point, I will start at the previous week, Week 29 and continue from now on. 328. The Dark Knight (2008) -My second time seeing it. Such a great movie. Although not good enough to be considered 'best film of all time'. 329. Teeth (2007) -The storyline attracted me to it. Within the first 20 minutes I wanted it to be done. I hated this thing so much. 330. Heima (2007) -Such a beautiful documentary for such an amazing band; Sigur Ros. Check them out if you haven't yet. 331. La Haine / Hate (1995) -One of the best French films I've seen. If there's one thing I'll remember about this movie years from now, it'll be the ending and how shocked I was after it was all said and done. 332. À ma soeur! / Fat Girl (2001) -There was something sad in the way that the relationship between Anais and her older sister works out. I can't quite place my finger on it. The whole mood of the story is it's strongest part. Even a week after watching it, it still lingers with me. 333. C.R.A.Z.Y. (2005) -I had heard much about this before but now finally got around to watching it. I enjoyed this quite a bit. It deals with real people and real family issues. 334. Me and You and Everyone We Know (2005) - When I first saw this when it came out, I really liked it. After viewing it for a second time, I can't remember why. It's filled with unrealistic dialouge and characters I didn't care about. 335. À bout de souffle / Breathless (1960) -What had been hailed to be the 'crown jewel' of the French New Wave was also the last thing I saw before I feel asleep on Thursday. I think I'm going to have to give this another try. 336. Son of Rambow (2007) -After the rave reviews and catchy trailer, I had been looking forward to this. But after finally viewing it, I was left unfulfilled and wanting something more. 337. Phone Booth (2003) -Are there plot holes? Sure. Is the story likely? Nah. I mainly watched this for mere entertainment and nothing more. 338. Dazed and Confused (1993) -Immediately reminded me of American Graffiti except this took place in the 70's. I always fall for the movies that focus on how familar characters interact with one another. Although American Graffiti played this out much better, I thought this was pretty alright. 339. Batoru rowaiaru / Battle Royale (2001) -Although the dialouge seemed kind of cheesy, I can look past that because this was one hell of a ride. A group of 9th. graders put on an island and ordered to kill each other. Man, if only America had the balls to put something like that out. 340. Dazed and Confused (1993) -Yes, I watched it again. 341. Cool Hand Luke (1960) -My dad told me I would like this film. I did more than like it. Although many of us have never worked on a chain gang, the theme and spirit that this movie has is something that we can all relate to. 342. 21 (2008) -The only reason I watched this is so I could have an opinion about it when I hear kids talking about it in the hallways. I thought it was decent. Although it had many cliches, it was a little better than I expected it to be. 343. Vanishing Point (1971) -One of the first movies from the 70's that I fell in love with. Probably one of the best road chase movies out there, it's easy to tell why Quentin Tarantino decided to use it as his inspiration for Death Proof. 344. Casablanca (1942) -Classic, classic, classic. What else can I say? 345. The Breed (2006) -Such a horrible movie. Don't ever watch it.
]]>Fri, 08 Aug 2008 09:01:23 GMTCaptainRyannnCaptainRyannn Blog8/8/2008 5:01:23 AMSince January 1st, 2008, I've been keeping track of all the films I've watched. Because I don't feel like taking the time to highlight each movie up until this point, I will start at the previous week, Week 29 and continue from now on. 328. The Dark Knight (2008) -My second time seeing it. Such a great movie. Although not good enough to be considered 'best film of all time'. 329. Teeth (2007) -The storyline attracted me to it. Within the first 20 minutes I wanted it to be done. I hated this thing so much. 330. Heima (2007) -Such a beautiful documentary for such an amazing band; Sigur Ros. Check them out if you haven't yet. 331. La Haine / Hate (1995) -One of the best French films I've seen. If there's one thing I'll remember about this movie years from now, it'll be the ending and how shocked I was after it was all said and done. 332. &Agrave; ma soeur! / Fat Girl (2001) -There was something sad in the way that the relationship between Anais and her older sister works out. I can't quite place my finger on it. The whole mood of the story is it's strongest part. Even a week after watching it, it still lingers with me. 333. C.R.A.Z.Y. (2005) -I had heard much about this before but now finally got around to watching it. I enjoyed this quite a bit. It deals with real people and real family issues. 334. Me and You and Everyone We Know (2005) - When I first saw this when it came out, I really liked it. After viewing it for a second time, I can't remember why. It's filled with unrealistic dialouge and characters I didn't care about. 335. &Agrave; bout de souffle / Breathless (1960) -What had been hailed to be the 'crown jewel' of the French New Wave was also the last thing I saw before I feel asleep on Thursday. I think I'm going to have to give this another try. 336. Son of Rambow (2007) -After the rave reviews and catchy trailer, I had been looking forward to this. But after finally viewing it, I was left unfulfilled and wanting something more. 337. Phone Booth (2003) -Are there plot holes? Sure. Is the story likely? Nah. I mainly watched this for mere entertainment and nothing more. 338. Dazed and Confused (1993) -Immediately reminded me of American Graffiti except this took place in the 70's. I always fall for the movies that focus on how familar characters interact with one another. Although American Graffiti played this out much better, I thought this was pretty alright. 339. Batoru rowaiaru / Battle Royale (2001) -Although the dialouge seemed kind of cheesy, I can look past that because this was one hell of a ride. A group of 9th. graders put on an island and ordered to kill each other. Man, if only America had the balls to put something like that out. 340. Dazed and Confused (1993) -Yes, I watched it again. 341. Cool Hand Luke (1960) -My dad told me I would like this film. I did more than like it. Although many of us have never worked on a chain gang, the theme and spirit that this movie has is something that we can all relate to. 342. 21 (2008) -The only reason I watched this is so I could have an opinion about it when I hear kids talking about it in the hallways. I thought it was decent. Although it had many cliches, it was a little better than I expected it to be. 343. Vanishing Point (1971) -One of the first movies from the 70's that I fell in love with. Probably one of the best road chase movies out there, it's easy to tell why Quentin Tarantino decided to use it as his inspiration for Death Proof. 344. Casablanca (1942) -Classic, classic, classic. What else can I say? 345. The Breed (2006) -Such a horrible movie. Don't ever watch it. http://www.spout.com/groups/Filmmakers_Forum/New_project_new_videos/435/31862/1/ShowPost.aspx Post By: ShaunHuston
Post To: Filmmakers Forum
Post Date: 6/29/2008 3:17:31 PM
Body: I've begun production on my first feature length project, a documentary on the comics, as in books, culture in Portland, Oregon, which is at least the second most siginificant location for comics wrtiters, artists, and publishers in the U.S. after NYC. As you might guess, it also home to excellent shops and the local library system has been innovative in adding comics to its collections. You can track the production here and here. Meanwhile, on lo-fi cinema I've posted the last two International Documentary Challenge films I've produced: "8veU" (Flash, Quicktime, and also on YouTube) "Visual Vitriol: The Art of Punk" (Flash, Quicktime). And I've added a fun, experimental re-presentation of a scene from Dazed and Confused (Flash, Quicktime, and also on YouTube).
]]>Sun, 29 Jun 2008 19:17:31 GMTShaunHustonFilmmakers Forum6/29/2008 3:17:31 PMI've begun production on my first feature length project, a documentary on the comics, as in books, culture in Portland, Oregon, which is at least the second most siginificant location for comics wrtiters, artists, and publishers in the U.S. after NYC. As you might guess, it also home to excellent shops and the local library system has been innovative in adding comics to its collections. You can track the production here and here. Meanwhile, on lo-fi cinema I've posted the last two International Documentary Challenge films I've produced: "8veU" (Flash, Quicktime, and also on YouTube) "Visual Vitriol: The Art of Punk" (Flash, Quicktime). And I've added a fun, experimental re-presentation of a scene from Dazed and Confused (Flash, Quicktime, and also on YouTube). http://www.spout.com/blogs/unclefestering/archive/2008/5/8/28344.aspx Post By: unclefestering
Post To: unclefestering Blog
Post Date: 5/8/2008 1:21:51 AM
Body: I have to admit that I think Richard Linklater’s work runs hot and cold for me. I loved his early works like Dazed and Confused (1993) and Before Sunrise (1995). I love some of his more experimental work like A Scanner Darkly (2006). But some of his movies just fall completely flat. Sadly, Fast Food Nation is in this last category. I think part of it is that the subject is just too big for a dramatic movie like this. He just didn’t find a way to get a plot in his polemic against the fast food industry. Also some poor casting choices like Greg Kinnear hamper the movie. It almost seems that Linklater agrees, since his character disappears in the second half of the movie. I wanted to like it. The subject of the movie is right up my alley. Unfortunately, the plodding pace and painful exposition just made me keep checking my watch. .
]]>Thu, 08 May 2008 05:21:51 GMTunclefesteringunclefestering Blog5/8/2008 1:21:51 AMI have to admit that I think Richard Linklater&rsquo;s work runs hot and cold for me. I loved his early works like Dazed and Confused (1993) and Before Sunrise (1995). I love some of his more experimental work like A Scanner Darkly (2006). But some of his movies just fall completely flat. Sadly, Fast Food Nation is in this last category. I think part of it is that the subject is just too big for a dramatic movie like this. He just didn&rsquo;t find a way to get a plot in his polemic against the fast food industry. Also some poor casting choices like Greg Kinnear hamper the movie. It almost seems that Linklater agrees, since his character disappears in the second half of the movie. I wanted to like it. The subject of the movie is right up my alley. Unfortunately, the plodding pace and painful exposition just made me keep checking my watch. . http://www.spout.com/members/0/tags/love/MemberTagFilms.aspxlove
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