Dawn of the Dead's Recent Activity - Spout

Film:Dawn of the Dead

Mon, 13 Jul 2009 06:40:24 GMT

Title: Dawn of the Dead
Year: 1979
Director: George A. Romero
Plot: Director George A. Romero's epic sequel to his legendary Night of the Living Dead has firmly established itself as the equal of its ground-breaking predecessor. Though shot in 1978 -- ten years after the first films' release -- Dawn's story begins as if the events in Night had happened only a few months before: after shambling armies of the recently-dead take over every major city -- seeking warm human flesh for food -- the U.S. government imposes a state of martial law, sending in special National Guard units to attack and destroy zombie infestation where they find it. Two members of one such unit, Peter (Ken Foree) and Roger (Scott Reiniger) have been tasked to overthrow a nest of zombies in a Pittsburgh housing project (one of the film's most explicitly gory scenes). When the job turns ugly and Peter is forced to terminate his own berserk, racist commanding officer, the pair decide to split the outfit with the help of his friend Stephen (David Emge), a traffic pilot for WGON-TV, and the station's floor manager, Stephen's girlfriend Frances (Gaylen Ross). Together they steal the station's helicopter and head for less-populated areas, but after some narrow scrapes with flesh-hungry redneck ghouls in the country outside Harrisburg, they opt for a more secure hideout. Eventually they find the perfect solution: a massive, sprawling shopping mall. After the lengthy process of purging the building of zombies is complete, the four secure themselves snugly in the miniature city, consigned to live out their lives in a dull but cushy consumer's paradise... but the arrival of a menacing gang of nomadic bikers proves that this is not to be. With their survival instincts weakened by a mallful of toys and trinkets, the crew are again forced to face grim reality as they face both living and undead foes in a final battle. Romero's excellent, multi-layered story combines high-adventure heroics, three-dimensional characters and explicit gore (by the always masterful Tom Savini, who plays a small role as a leering biker) to excellent effect. The subtext comparing the glassy-eyed behavior patterns of the ghouls to those of American consumers is clear, but not overdone: "It's some kind of instinct," Stephen comments, observing the zombies' attraction to the mall; "This was an important place in their lives." Despite the glimmer of hope offered by the film's closing scene, the outlook for humankind is grim. Perhaps it is Frannie who best expresses Dawn's outlook for humanity: "We're not gonna make it, are we?" Several versions of this film are available on video, including a faster-paced European version edited by overseas distributor Dario Argento and a "Director's Cut" with a great deal of exposition restored (though Romero is quoted as having preferred the unrated cut released initially to U.S. theaters). The shooting script also contains a more downbeat ending, which was never filmed. ~ Cavett Binion, All Movie Guide
Times Tagged: 45
Number of Lists: 84
Number of blog posts: 10
Number of discussion threads: 27
SpoutRating: 3

Spout Post: Re:Weekly Theme for October 05: Killer Kill Scenes

Mon, 19 Oct 2009 16:40:24 GMT

Post By: leeroy711
Post To: Weekly Theme
Post Date: 10/19/2009 12:40:24 PM
Body: [quote user="Dr_Gor"] Leeroy711, I noticed that you have recently watched Fulci's Zombie and enjoyed it. There might be hope for you yet. There are a couple REALLY spectacular death scenes in that one. The hot babe getting her throat ripped out is one of the high-lights. The "eye-poking" scene is nothing short of legendary. This is just a great movie all the way around and it is a pity that some of our younger members have never seen this gem. < GOR > [/quote] Maybe this will get thier attention. ____________________________________________________________ ___________________________________________________________ Yeah, I was really into this film that scene in particular was really well done but as far as I'm concerned, tiger shark vs. zombie vs topless scuba girl... Well, it doesn't really get any better than that does it? I honestly had to watch and rewatch that scene a few times. I'm gonna have to find out how they shot that one. I can only imagine that it had to be one of the most dangerous scenes I've ever seen captured. I mean... you can't really train a shark not to attack. I've been gaining an affinity for 70's horror in general lately. I rewatched Romero's Dawn of the Dead last night (speaking of great kill scenes): ___________________________________________________________ ___________________________________________________________ and I picked up Argento's The BIrd With the Crystal Plumage at this unbelievable second hand store I've recently found. I've never seen an Argento flick but I'm a big fan of the cinematographer, Vittorio Storaro so I'm pretty damn excited.

Spout Post: 10 Craziest Shopping Scenes

Wed, 26 Nov 2008 22:01:30 GMT

Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 11/26/2008 5:01:30 PM
Body: Black Friday is a scary time for shoppers in any given year. The crowds, the lines, the difficulty finding parking — all these and more are common annoyances on the day after Thanksgiving, as millions upon millions of Americans begin the Christmas season by making a run for the shopping malls and department stores in hopes of finding the best bargains. This year, of course, the economic downturn will make the day even worse than usual. The stores may be desperately holding the biggest sales we’ll ever witness, but lowest prices aren’t quite low enough for those who are broke or bankrupt. So, you may stay home this Friday. Perhaps you’ll at least make some minor online purchases, because you’re a patriotic, consuming American and it’s kind of like an unofficial holiday in our capitalist democracy. But don’t not go out to the mall simply because of the craziness potentially happening on its many floors of fashion and furnishings. You mustn’t be frightened of the crowds. Just recall any or all of the following ten movie scenes and by comparison you’ll think your Black Friday errands are like a stroll in the park. 10. Arnold Schwarzenegger vs. Sinbad in Jingle All the Way (1996) Maybe in the past there were physical fights for Cabbage Patch Kids or Mighty Morphin Power Rangers, but in the age of the Internet, there are easier ways of tracking down hot items on your kid’s wish list. So, while this sequence depicting two fathers’ desperate attempts to locate a Turbo Man toy is ridiculously exaggerated and despicably malicious for its time, it’s now even farther from likelihood and even less possible to sympathize with or relate to. 9. Beethoven shops for keyboards, Genghis Khan tries out baseball bats and other historical figures experience 1980s mall culture in Bill & Ted’s Excellent Adventure (1988) Obviously you don’t think you’ll be running into such oldies as Abraham Lincoln, Joan of Arc or Billy the Kid, but there could be some relatively ancient folks out and about Friday. And they may not be familiar with such newfangled presents as iPods and Blu-ray. But give the Grannies a break, because they haven’t yet mastered Amazon.com and its not like they’re causing too much ruckus. Unlike Joan and Genghis. 8. Madison learns English at Bloomingdales in Splash (1984) Maybe it is plausible for a mermaid to pick up the local language by watching a few hours of television. How are we to prove otherwise? But wouldn’t she have some kind of an accent if she were used to communicating with high-pitched shrieks? Whatever, it’s obviously not the movie for such questions regarding believabilty. Here’s the more important thing to consider: of all the yelling and screaming going on at the shops this Friday, nothing will be as bad as Madison’s pronunciation of her real name. Also, I bet modern TV screens aren’t as easily shattered. 7. Neo-Nazi salesman at the Army Surplus store in Falling Down (1993) It’s true that many salespersons and cashiers are slow, rude, incompetent or all of the above. But thank goodness there aren’t actually a lot of sexist, homophobic neo-Nazis helping you as you buy shoes. As much as you think you’ve experienced the worst employee ever hired by a retail chain, chances are it wasn’t as much of an inconvenience as it was for William Foster (Michael Douglas) to have to deal with this “sick asshole.” 6. Technicolor fashion show in The Women (1939) This scene is so unnecessary to the film’s plot that it was easily removed for some modern screenings. Mostly it seems just to serve as a showcase for costume designer Adrian, whose fashions are displayed in Technicolor, while the rest of the film is presented in black and white. For the film’s characters to wear any of those outfits, they would have appeared too bold and sexy for their time (it would be like in Pleasantville). Imagine shopping in a store where the clothes aren’t even in the same color spectrum as the world you live in? Okay, in some stores it does seem like that’s the case, but nowhere near as bad as this. 5. Bizarre fashion show in True Stories (1986) And despite its dismissal of physics, the parade in The Women is nowhere near as bad as the fashion show in this bizarre film from Talking Heads frontman David Byrne. There’s not even anything that can be said for this scene other than that we should all be thankful the kids aren’t wearing anything quite so ridiculous. Even some of the stuff at Hot Topic seems more normal in comparison. 4. After hours shopping spree in Modern Times (1936) One great fantasy for all good, consumerist Americans is the empty-store scenario. Whether it’s the end of the world (a la Night of the Comet and 28 Days Later) or simply after hours (Mannequin; El Crimen Ferpecto), the dream is somewhat the same: free reign on all the goods in the store, from food to fashion to roller skates. And for a poor little gamin in Modern Times, it’s like a heavenly shopping spree, even if none of the items are to leave the department store when the fun is over. However, as much as you might hope you had the stores all to yourself on Friday, be thankful that you’re obeying the rules and laws and therefore won’t be arrested when the shopping’s done. 3. Mall car chase in The Blues Brothers (1980) Good thing there’s a quick shot of a Toys “R” Us customer asking a cashier for a Miss Piggy doll or this scene wouldn’t really have anything to do with shopping. It would just simply be a chaotic car chase through a shopping mall. Of course, the destruction could still read as a destroying of the idea of capitalism, just as a similar reading is made about the mall fight in Jackie Chan’s Police Story, as well as any other such mall-set action scene, of which there seemed to be plenty in the materialistic 1980s. As fun as it seems, and as frustrated you might get on Friday, please don’t drive your car into any stores. 2. Zombies go shopping in Dawn of the Dead (1978) This movie is not just some horror flick about people trapped in a mall, threatened by a terrorizing enemy. That’s Chopping Mall. Or the Dawn of the Dead remake. No, this is a satire of consumerism, and all those zombies are representative of the folks you’ll be encountering on Black Friday. But at least they won’t try and eat you. Probably. 1. Richard Pryor is reduced to property in The Toy (1982) Kids are really spoiled these days, even more than they were twenty-six years ago, but no matter how hard it is to imagine what to get the boy who has everything, don’t even think of asking an African-American man if you can buy him for your son. Originally posted on:SpoutBlog

Spout Post: World Record Zombie Walk, Grand Rapids, MI

Fri, 31 Oct 2008 06:00:22 GMT

Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 10/31/2008 2:00:22 AM
Body: Thursday, October 30, Grand Rapids, Michigan. A seemingly average midwestern city. Until the zombies invade. A throng of at least 3,370 zombies flowed through the downtown streets (it’s very likely it was over 4,000) to try and break the world record for the largest zombie walk. The event, organized by college sophomore Rob Bliss, shattered the previous record of 1,375, set just a few days earlier in the Pittsburgh suburb of Monroeville. If Monroeville sounds familiar to zombie fans, it should. The Monroeville Mall was the setting of George Romero’s Dawn of the Dead. While Grand Rapids may not have the zombie pedigree of Monroeville, it’s no less qualified for an invasion of the living dead. Annalee Newitz recently wrote a post on io9 charting the correlation between civil unrest and zombie movie production. The results are surprisingly revealing. Given the current economic downturn, it’s no surprise that struggling post-industrial areas like Pittsburgh, and the whole state of Michigan, would see an increase in zombie invasions. If Michigan’s unemployment rate cracks 10%, I predict a complete state-wide zombie apocalypse by Halloween 2009. For more ghoulish goodness on Spout.com, check out The Zombie Group and Horror Movies 101. Photo gallery after the jump of the Grand Rapids Zombie Walk: photos: Vince Dudzinski Originally posted on:SpoutBlog

Spout Post: Frankenstein movie marathon, banned movie posters

Thu, 30 Oct 2008 20:11:53 GMT

Post By: SkyPilot
Post To: Top 5
Post Date: 10/30/2008 4:11:53 PM
Body: 1. HALLOWEEN MOVIE MARATHON Karina posted her Ultimate Frankenstein Film Festival. I think all six of these films look great. 2. CONTROVERSIAL MOVIE POSTERS Kevin Kelly presents controversial movie posters. Some seem harmless--and others make my skin crawl. 3. JUDY BLUME DREAM CASTS Remember the Judy Blume books like Tales of a Fourth Grade Nothing? Kevin posts the top 5 dream casts for movies based on her books. 4. Kevin also posted the top movies that happen in Philadelphia. I didn't know Dawn of the Dead happened there! Wow, I can't believe Mannequin and National Treasure made it, but not A History of Violence.

Spout Post: Philadelphia in the Movies

Mon, 27 Oct 2008 23:00:43 GMT

Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 10/27/2008 7:00:43 PM
Body: It’s been more than 100 years since the Philadelphia Quakers changed their name to the Philadelphia Philadelphians, which was thankfully shortened to “Phillies” very quickly, probably by printers who were afraid of using up all of their ‘P’s in the printing press. Since being founded in 1883, they’ve been one of the most tenacious teams in baseball, winning six pennants, and the World Series in 1980. In fact, in all of American sports (not just baseball), the Phillies are the team that’s been in one city with one name for the longest time. They’re one game away from another World Series win tonight, despite being the Major League team with the most losses in history. We celebrate their scrappiness with a list of quintessential Philadelphia movies. Check them out after the break. Rocky When most people think about Philadelphia and movies, the first thing that springs to mind is the iconic shot of Rocky Balboa running up the stairs to the Philadelphia Museum of Art and triumphantly pumping his fists to the sky from Rocky. City Commerce Director Dick Doran said Sylvester Stallone and the movie did more for Philadelphia’s image than Ben Franklin, and that scene has probably been recreated by thousands of people that visit the city. In fact, the closing credits of Rocky Balboa is a long montage of images of people imitating his famous run, and there are countless fan recreations on YouTube. The Philadelphia Story Even though it’s set entirely on a Hollywood soundstage, this 1940 film skewers Philadelphia high society in a comedy of errors. It also features Katherine Hepburn, Jimmy Stewart, and Cary Grant at the top of their game, with Stewart winning an Oscar for Best Actor for his role. Katherine Hepburn had previously starred in the Broadway play the film is based on, and eccentric billionaire Howard Hughes bought the film rights for the play and gave them to her as a gift. Which was somewhat ironic, since Philip Barry had written the play for her in an effort to bring her back to Broadway. It’s still one of the best-written romantic comedies of all time, and the city of brotherly love is probably proud of the fact that its name is in the title. Mannequin Set in the famous Wanamaker’s department store in downtown Philadelphia, this is one of those quintessential 1980s movies that critics hated, but audiences adored. Although this story about window display mannequin come to life might not hold up well today, it has grossed over $42 million dollars and was considered such a success that they made a sequel in 1991 called Mannequin Too: On The Move. That one didn’t do quite so well. The original featured both Andrew McCarthy during his rise in the Brat Pack, and Kim Cattrall in her pre-pre-pre Sex and the City days. Besides giving us Starship’s “Nothing’s Gonna Stop Us Now,” the film has become iconically linked with Philadelphia through Wanamaker’s, now a Macy’s, which was the first department store in Philly and one of the first in the United States in 1876. Philadelphia This movie provided the one-two punch of a powerful performance from Tom Hanks along with Bruce Springsteen’s “Streets of Philadelphia” song, both of which netted Oscars. This film not only addressed AIDS and gay issues in a straightforward manner that was extremely new for Hollywood, it helped open the door for future films and even television series in the sexually conservative (at least in gay and lesbian terms) entertainment industry. It also was shot in key locations around the city, including the courtroom scenes which were filmed in an actual court in Philadelphia. Ironically, Denzel Washington’s character says he prays that the Phillies will win the pennant, and when this film came out in 1993 they did just that. The Sixth Sense M. Night Shyamalan famously shoots all of his movies in or around Philadelphia, and this is easily his most famous. Shymalan goes out of his way to show that the film is set in his hometown, including in the opening scene where Bruce Willis and Olivia Williams are looking at a citation Willis has just received from the mayor. The camera pans all the way down to show the words “of Philadelphia.” The film also features several key locations in South Philadelphia. The filmmaker has continued to show love for the city, although audiences haven’t been loving his movies. The Sixth Sense grossed over $600 million at the worldwide box office, but his latest, The Happening, has only pulled in $163 million. Dawn of the Dead Although most of this film takes place in a shopping mall in Monroeville, PA, the action starts in Philadelphia with the main characters fleeing from pandemonium in the city via helicopter. The entire city has become overrun with zombies, which is probably high time to leave any city. The Philadelphia S.W.A.T. team responds to an apartment building full of zombies, which doesn’t turn out so well for them since zombie attack from your reanimated dead loved one probably isn’t in the training manual. Romero shot the film in and around Philadelphia for around $650,000 dollars in 1978, and it still stands as one of the best horror movies of all time and the strongest in his zombie trilogy which includes Night of the Living Dead and Day of the Dead. National Treasure Right on the heels of the success of The Da Vinci Code came this Nicolas Cage starrer with historic clues to lost treasure hidden in Philadelphia. The central clue in the film is the Declaration of Independence, which leads the main characters to Independence Hall (where the Declaration was signed) in Philadelphia where they find a pair of special glasses hidden by Philadelphia’s most famous historical resident, Benjamin Franklin. Although the treasure ends up being underneath an old church in Boston, the scenes in Philadelphia with the secret brick and Franklin’s glasses are one of the most interesting homages to Indiana Jones’ headpiece to the Staff of Ra in Raiders of the Lost Ark. Nicolas Cage’s character is also named Benjamin Franklin Gates, so they had to show some Philly love. Trading Places This comedic version of the prince and the pauper tale is set in an affluent neighborhood in Philadelphia, and in the offices of a commodity brokerage downtown. It’s a double rags to riches tale, with Winthorpe and Billy Ray (Dan Ackroyd and Eddie Murphy) swapping places before they turn the tables on the Duke brothers and bankrupt them as well. Winthorpe’s mansion is actually a real location in a ritzy part of town, and many of the downtown scenes key Philadelphia locations and even local television reporters as extras. Although Randolph and Mortimer return briefly in Murphy’s Coming to America, they’re seen as bums in New York, and not Philadelphia. Witness Ironically, most of this key Philadelphia movie doesn’t take place in the city at all, but rather in the Amish communities of nearby rural Lancaster County. The film opens with a very young Lukas Haas witnessing a murder, which leads to a conspiracy within the city’s police department. Police Captain John Book, played by Harrison Ford, is shot while discovering this, and takes Haas back home to protect him. However, he collapses from his bullet wound, and is nursed back to health by a bonnet-wearing Kelly McGillis. He stays on to protect the boy, and is eventually accepted by the community before offing the bad guys and returning to the big city. 12 Monkeys While this Terry Gilliam post-apocalyptic film is set mostly in modern-day Baltimore and Philadelphia, it’s the shots of the virus ravaged Philly that are the most haunting. Bruce Willis roams the future devastated landscape in his steampunk environmental suit while encountering wild animals and looking for clues that can help the human race repopulate and return to the surface. The iconic ending sequence in the airport was actually shot inside the Philadelphia Convention Center, and the asylum where Willis is a patient is the Eastern State Penitentiary, which is the one of two things Charles Dickens wanted to see when he visited the U.S. The other was Niagara Falls. Originally posted on:SpoutBlog

Spout Post: 10 Best Movie Titles of the Past 10 Years

Fri, 19 Sep 2008 21:01:43 GMT

Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 9/19/2008 5:01:43 PM
Body: Sometimes I really wish David Bordwell’s blog permitted comments. Mostly it’s better that it doesn’t, but the man’s last post has made me want to discuss the art of movie titles for a whole week now. And it didn’t help that coinciding in time with Bordwell’s post was another one of those sidebars in Entertainment Weekly pointing out some new movies with misleading titles. Yes, Lakeview Terrace does sound like a period romance, as do many other badly titled films (Elizabethtown and Wicker Park come to mind). This weekend also sees two new movies employing the method of borrowing song titles, which are typically not appropriate (Ghost Town seems more like a horror western hybrid, while My Best Friend’s Girl actually fits its plot). Well, fortunately for me (and hopefully you), I can bring the discussion over to SpoutBlog, though not quite as in depth as Bordwell. I’ll be more than happy to have a conversation in the comments section regarding the more general topic of movie titling, but for now I’ll kick things off with a list of what I find to be the most interesting movie titles of the past decade. It’s been a time when studios and filmmakers have been very loose with ill-fitting and overlong titles, as well as some that are too plainly literal (Snakes on a Plane), but the following selections have the benefit of featuring clever, well-chosen and more meaningful monikers. All About My Mother (Todo sobre mi madre) (1999) This Pedro Almodóvar film has a very telling title, one that goes along with Bordwell’s acknowledgment of titles that speak for the character. Yet the character spoken for here is Esteban, the kid who dies in the beginning. Or does he? The title actually refers to a story Esteban has written for school and is inspired by the film All About Eve, which he has just watched. Esteban doesn’t so much die in the film as he does in his own story, which is depicted within the film. Also, the word “Mother” in the title doesn’t so much refer to his actual mother, Manuela, as it does his (made-up) transvestite “father”, Lola, who we learn all about. Amores Perros (2000) Although improperly translated as “Love’s a Bitch,” that phrase does at least apply on some level to Alejandro González Iñárritu’s film. As does the more acceptable translation of “Love is Dogs,” which references the film’s canine companions, each of which parallels its owner. But there is also another translation that’s more like “Goodness Wretchedness,” referring to a phrase on the film’s website that basically translates as “If your story turned out well, put it down to ‘amores.’ If bad, put it to ‘perros.’” The fact that you can interpret the meaning of the title multiple ways, and therefore you can interpret its meaning to the film multiple ways, is the reason that it was so important to release the film in the U.S. with its original Mexican title. The Perfect Storm (2000) Although the title comes from Sebastian Junger’s book, the name took on a whole new meaning for the film, which is, in my opinion, completely about the attempt to perfectly create a storm on a computer. Sure, there’s a plot within the film, too, but nothing more attended to than the perfectly rendered storm. In fact, the film’s storm may have been too perfect-looking, as the film lost the Visual Effects Oscar to Gladiator. While the title was clearly not intended for such purpose, and I had planned to ignore titles that inadvertently become more ironically meaningful upon release (Expelled: No Intelligence Allowed; Disaster Movie), I think the filmmakers at least meant to produce a spectacular storm more than a good story, so I believe it more qualifiable for the list at hand. Shanghai Noon (2000) This title doesn’t necessarily add anything to the meaning of the film nor does it really have multiple layers of meaning by itself. But it features the most cleverly punned title of the last ten years, in my opinion. The sequel’s title, Shanghai Knights, isn’t too bad, either. But just as the movie isn’t nearly as good as the original, neither is the title. Adaptation (2002) This title may actually be my favorite of all time due to its consisting of only a single word, which can be lent to the film in a multitude of ways. The title refers to the adaptation of a book to a film, the adaptation of a plant to its environment, the adaptation of a screenwriter character to his assignment, the adaptation of the same character to the events of his environment and, finally, the adaptation of the film itself to fit the mold of a certain kind of film that fares well in the present environment of the movie biz (ironically it’s this adaptation in the end from a smart film to a silly action movie that fails in execution, even though the joke more fittingly works perfectly on paper). Bad Company (2002) Even awful movies can have titles with multiple meanings, and this lame Joel Schumacher effort is a good example of such. Because “Company” means the CIA in addition to companionship, the title may refer to any of the following: an incapable member of the CIA (Chris Rock’s character); an incapable CIA in general (this was a time when the organization was called into question); a defective spy or untrustworthy spy; or simply the bad buddy team-up of Anthony Hopkins and Chris Rock (diegetically and extradiegetically). The same title had been used previously for a bad 1995 movie dealing with the CIA, so its multilayered usage here was not that inspired, but it is nevertheless a good title, in my opinion, and perhaps it will one day be put to better use. National Treasure (2004) The same goes for this movie, which should have and could have been a lot better. The title, which is a well-played mix of figurative and literal meaning and seems more thoughtful than most blockbuster Hollywood titles, would have you believe there was once some smarter writing to be found within the film itself. Shaun of the Dead (2004) For a short while, I thought the title of this comedy didn’t really appropriately fit the film’s story. Shaun isn’t of the dead, I reasoned, because he never “dies.” I accepted the title, though, because it was a nice play on the title Dawn of the Dead. Eventually I decided that it does indeed fit, because the general theme of the movie is that Shaun has been living his life as if he were a zombie. Before the real zombies show up, the “dead” of the title refers to all the people living in this spiritless way, Shaun included. Yet while the rest of these “dead” become undead creatures, Shaun proves that he is capable of living more fully and is able to survive the (allegorical) outbreak. 2046 (2004) Wong Kar-Wai loves to play with the idea of Hong Kong’s transition from British territory to Chinese (which occurred in 1997), and the title partly refers to the final year in which Hong Kong is allowed self-regulation before becoming fully integrated into mainland China in 2047. In the film, the numerical title literally references both a hotel room and the future year, which is employed in a science fiction story being written by the main character. Some people also like to interpret the title as reading “two-oh-four-six” meaning “to owe for sex.” Though there are prostitute characters in the film, this meaning is less likely the intention of Wong. But the additional interpretation makes for a richer title anyway. There Will Be Blood (2007) Why not retain the title of Upton Sinclair’s source novel, “Oil!”? Well, besides all the changes made to the story, it could be because Paul Thomas Anderson’s new title has more possible meanings. The word “Blood” in the title may refer to the actual oil, or the blood shed for the oil (as in drilling accidents then and wars now), or family, especially actual blood relatives (of which there aren’t actually many in the film). Mostly, though, the title allows for and acknowledges a connection between the film’s setting and the current events it appears to be commenting on. Originally posted on:SpoutBlog

Spout Post: Top 10

Thu, 31 Jul 2008 00:24:25 GMT

Post By: Dr_Gor
Post To: Horror_Movie_Freaks_4Life
Post Date: 7/30/2008 8:24:25 PM
Body: I would like to challenge everybody to list their top ten favorite Horror Movies! This is not as easy as it sounds! My top ten list changes from week to week and even day to day... Here is how my list would stand today, 7/30/08 ... 1) The Exorcist 2) Zombie 3) Night Of The Living Dead 4) Dawn Of The Dead 5) Day Of The Dead 6) Frankenstein 7) The Hunchback Of Notre Dame 8) Dracula 9) The Howling 10) The Texas Chainsaw Massacre

Spout Post: Re:Little Bundles of ZOMBIE!

Sat, 19 Jul 2008 17:19:47 GMT

Post By: Dr_Gor
Post To: Zombie Obsession
Post Date: 7/19/2008 1:19:47 PM
Body: [quote user="FroggyBaBe15876"] When I was in Latin class, our teacher told us that the worst possible ghost was a baby ghost, since they were all pissed that their lives just started and then ended so quickly. But what about baby ZOMBIES? Gage in Pet Semetary was pretty scary. And those weird little baby zombies in Silent Hill were creepy as hell. There's also the one in the Dawn of the Dead remake...that was just wrong, though. Ew. Anyway, what other movies have had baby (or little kid) zombies? I can't think of any...oh! Dead Alive, duh. Yeah. Gotta love the baby zombie in that one. [/quote] As long as we're on this subject let us not forget 'Karen Cooper' - the little girl zombie who kills her mother with a trowel and then eats her - in Romero's original NOTLD ... (the little girl in Savini's remake was not so lttle... more of a teenager) ... By the way, if any of you haven't seen one of the 'colorized' versions of this movie you should check it out for this scene alone... the blood is bright red instead of black and it is EVERY-FREAKING-WHERE! Also, in Romero's original Dawn Of The Dead there a couple of small zombie children who attack Ken Foree in the deserted gas station. He flings them across the room onto a couch and then sprays them with fully automatic fire from his M-16 in VERY graphic detail... fun stuff! And speaking of Romero's 'Dawn Of The Dead' , I just read in the most recent Fangoria that that one is being re-released theatrically next year... in 3-D! I think I might have to make one of my rare excursions to the theater to check this one out! I have heard that the modern 3-D technology is far superior to the old kind with the paper 'glasses' with one red lens and one blue one... I just may have to check this out for myself... < GOR >

Spout Post: Re:"Before and After"

Fri, 04 Jul 2008 23:55:28 GMT

Post By: leeroy711
Post To: Movie Games
Post Date: 7/4/2008 7:55:28 PM
Body: [quote user="Dr_Gor"] Ok. I've got another easy one... African warriors battle zombies in a shopping mall...[/quote] Zulu Dawn of The Dead Zulu Dawn (1979) Dawn of the Dead (1978)

Spout Post: Dawn of the Dead (1978, USA, George A. Romero) ****

Mon, 12 May 2008 14:27:28 GMT

Post By: CinemaRian
Post To: CinemaRian Blog
Post Date: 5/12/2008 10:27:28 AM
Body: Dawn of the Dead is among the greatest of all horror films, and certainly the greatest zombie picture. Like the best fantastic fiction, it uses a premise that absolutely could not occur in real life to tell us truths about our own, real lives that are as relevant today as they were in 1978. Taking place an indeterminate amount of time after Night of the Living Dead (and featuring none of its characters), Dawn opens as a chaotic Philadelphia news station reports the United States and perhaps is overrun by a plague of re-animated zombies. No one knows how or why it started, but it is clear the society is on the verge of breaking down. The news anchor, Frances (Gaylene Ross) and her boyfriend Stephen (David Emge) have a secret plan to escape the city in the news helicopter that Stephen pilots. They are joined by two survivors from a National Guard assault on a zombie stronghold- Peter (Ken Foree) and Roger (Scott Reininger). The four make a stop at a shopping mall for supplies, but quickly are tempted to stay at the mall semi-permanently, as the zombies do not know how to get in, and more importantly, they begin to feel as if they are in a special, almost sacred, place. One of the hardest things to do with a film is to make an interesting intellectual statement without becoming overly pretentious or slowing down the story. It is rare for a picture to do this successfully, and even more rare when a movie is moving, scary and funny while doing it. A lot of critics have interpreted Dawn of the Dead as a critique of American capitalism, but I think it goes to an idea more basic than even that- the need to have at all. We are told that the zombies are drawn to the mall out of habit, as it is a place that is familiar to them. The four humans who make it their home have essentially the same response in a more sophisticated form. We watch as they are caught up in the thrill of being able to take whatever products they wish and sample as much money from the cash registers as they wish- even though said money is worthless as long as the world is run by the dead. It seems as if living in a mall is an endless vacation- imagine playing the arcade when you ever you like, or using the skating rink whenever the need suits you. It's almost enough to make you ignore the army of dead people outside of the door waiting to eat your flesh. There are no big stars in this film and indeed, I did not recognize a single actor from their performance in another movie, but the three principals are all very good at creating realistic, non-clichéd characters who we really care about an feel sympathy for. Frances and Stephen do not look like a normal movie couple, but that's make us realize how rarely we see real couples in movie dramas, let alone horror films. At the end of this stunning film, I began to ponder the meaning of the title. Perhaps the dead of the title is not the army of zombies but us- wasting so much time and effort working for dreaming of things we do not need and can not have, somehow thinking that a better dishwasher or bigger TV will make us truly happy. Dawn of the Dead (1978)

Spout Tag:comedy

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comedy
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Great
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trapped
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