list http://www.spout.com/ Recent community activity around Critters 2: The Main Course on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Critters_2_The_Main_Course/7482/default.aspx Title: Critters 2: The Main Course
Year: 1988
Director: Mick Garris
Plot: Critters 2: The Main Course is the sequel to the highly enjoyable horror comedy Critters. The people of the Kansas town first menaced by the little, furry creatures find that they are not yet safe as they are again assaulted when the creatures reproduce. Charlie (Don Opper) is joined by Lee (Roxanne Kernohan) as all join forces to save the town. The special effects, particularly the ""critters" are again, superb, but the direction by Mick Garris is less self-assured than in the original feature. While still enjoyable, Critters 2 is not nearly as much fun as the original, but still well worth a view. ~ Linda Rasmussen, All Movie Guide
Number of blog posts: 3
SpoutRating: 2
]]>Wed, 12 Nov 2008 20:00:44 GMTCritters 2: The Main Course1988Mick GarrisCritters 2: The Main Course is the sequel to the highly enjoyable horror comedy <a href=/films/7481/default.aspx style='text-decoration:underline'>Critters</a>. The people of the Kansas town first menaced by the little, furry creatures find that they are not yet safe as they are again assaulted when the creatures reproduce. Charlie (<a href="/players/P___105111/default.aspx" style='text-decoration:underline'>Don Opper</a>) is joined by Lee (Roxanne Kernohan) as all join forces to save the town. The special effects, particularly the ""critters" are again, superb, but the direction by Mick Garris is less self-assured than in the original feature. While still enjoyable, <a href=/films/7482/default.aspx style='text-decoration:underline'>Critters 2</a> is not nearly as much fun as the original, but still well worth a view. ~ Linda Rasmussen, All Movie Guide32http://www.spout.com/ProductImages/t32226gpyfe.jpghttp://www.spout.com/films/Critters_2_The_Main_Course/7482/default.aspxFilm http://www.spout.com/blogs/spoutblog/archive/2008/11/12/37255.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 11/12/2008 3:00:44 PM
Body: I saw Christmas decorations in a storefront Sunday, so I guess it’s already time to break out the holiday movies. And it’s evidently time for distributors to release holiday fare to theaters, even if Desplechin’s A Christmas Tale (Un conte de Noël), which hits theaters this Friday, isn’t exactly the latest crowd-pleasing installment of the Santa Clause franchise. In fact, with such ingredients as estrangement, mental illness, alcoholism and cancer, it doesn’t seem like a very happy holidays kind of film. Even if it is actually a comedy. But then how many holiday movies are completely void of depressing themes and scenes? I’m sure to have grown up thinking more about the homeless, suicide and family dysfunction from films set at Christmas and Thanksgiving than I did thinking about the happiness that comes with these holidays. One of the most tearjerking moments for me as a kid was certainly seeing Mickey Mouse crying over his dead son in Mickey’s Christmas Carol. It’s no wonder so many people get sad this time of year. Movies are influential, and for every bit of slapstick we see this season, there’s potentially room for thoughts of abandoned children to go along with it. Worse for our tearducts are the films that aren’t necessarily thought of as “holiday movies,” which are typically more honest about how much of a bummer holidays can truly be. So get out your hanky and check out our list of ten most depressing holidays in movies: Movie: Planes, Trains and Automobiles Depressing holiday: Thanksgiving It’s likely that John Hughes is a real drag on holidays. His scripts feature kids forgotten at Christmastime (Home Alone and its sequels), poor teens who get cartons of cigarettes as presents (The Breakfast Club) and yuletide kidnappings (Christmas Vacation). Thanksgiving seems to be the most melancholy for him, though, as is clear from the bittersweet road trip movies Dutch and Planes, Trains and Automobiles, the latter of which is up there with the saddest “comedies” ever made. Sure, it ultimately has a happy ending, but those last few minutes leave you bawling as you watch the montage and subsequent scene revealing John Candy’s true living situation. Film: The Apartment Depressing Holiday: Christmas It’s sad enough to be a lonely bachelor on Christmas Eve. It’s even sadder to be loaning out your home as a lover’s hideaway on such a night. Saddest of all, though, has to be returning to said apartment to find a half-dead woman in your bed who has attempted suicide with your sleeping pills (bonus points for her being your crush). The Apartment also has one of the more depressing New Year’s Eves on film, even if it does kind of figure into a “happy” ending. Film: Lethal Weapon Depressing Holiday: Christmas Sgt. Martin Riggs (Mel Gibson) is also a lonely man on Christmas Eve dealing with suicide, but here it’s the contemplation of his own. While watching Bugs Bunny’s Christmas Carol on TV and thinking about his dead wife, he loads up his gun and wrestles with his demons. It’s one of the most heart-wrenching scenes to ever be included in an action movie. Film: The War at Home Depressing Holiday: Thanksgiving Like Martin Riggs, Jeremy Collier (Emilio Estevez) is a Vietnam vet, and also like Riggs, he has trouble putting his gun away during the holidays. Unlike Riggs, though, Jeremy’s weapon is directed at his father (Martin Sheen) rather than himself, and that leads to a less-depressing but no less disheartening situation. Film: A Midnight Clear Depressing Holiday: Christmas One of the most bittersweet war films ever made, A Midnight Clear is set during Christmas, 1944, in the middle of WWII and involves an intended holiday truce between American and German troops. Unfortunately, things go wrong. Not only does the film remind us currently that so many soldiers are away from home and potentially fighting on Christmas, it also displays some depressing truths about humanity and war that are saddening regardless of the season. Film: The Ice Storm Depressing Holiday: Thanksgiving This movie (which could also qualify for yesterday’s list of best dysfunctional families) reminds us of how sad Thanksgiving can be on an historical level thanks to the sardonic pre-dinne grace said by Wendy (Christina Ricci) regarding both America’s tradition of killing and robbing the Indians and its gluttonous disregard for the starving people around the world (didn’t we all go through that holiday protest phase?). Oh, and it features one of the most unsettling death-by-electrocution scenes ever. Film: Gremlins Depressing Holiday: Christmas The present holiday of this horror comedy classic is pretty sad considering all the death and destruction being caused by little green monsters, but the real depressing Christmas is the one from the past that Kate (Phoebe Cates) tells about. You know, the one where her father broke his neck and died on Christmas Eve while playing Santa Claus. And by recalling the details so slowly and in depth (she could have just simply said that her dad died on Christmas), she makes it even more somber a story than is welcome at such an already fearsome occasion. Film: Critters 2: The Main Course Depressing Holiday: Easter Obviously taking a cue from Gremlins, this sequel similarly involves little creatures terrorizing a small town during a holiday. And while not quite as gloomy for a young viewer as the earlier, better film, Critters 2 does feature a relatively upsetting scene in which “the Easter Bunny” is attacked by Crites and then crashes through a church window, ultimately bleeding from the mouth, dead. Film: Groundhog Day Depressing Holiday: Groundhog Day Not that anyone really celebrates this “holiday” (neither school nor post office is closed), but whatever. Though treated as black comedy, there is something quite depressing about all those suicide attempts made by Phil Connors (Bill Murray). It’s enough to cast a shadow (yuk yuk) on all the happiness that otherwise would come from Groundhog Day if it actually involved celebratory activities. Film: Roger & Me Depressing Holiday: Christmas Documentaries have the ability to make for the most depressing holidays, because they feature real life events — like a family being evicted from their home on Christmas day. This one is especially grim this year, as it’s possible that with the economy and mortgage crisis what they are that some families across America will be experiencing such a fate this December 25. Originally posted on:SpoutBlog
]]>Wed, 12 Nov 2008 20:00:44 GMTSpoutBlogSpoutBlog on spout.com11/12/2008 3:00:44 PMI saw Christmas decorations in a storefront Sunday, so I guess it’s already time to break out the holiday movies. And it’s evidently time for distributors to release holiday fare to theaters, even if Desplechin’s A Christmas Tale (Un conte de Noël), which hits theaters this Friday, isn’t exactly the latest crowd-pleasing installment of the Santa Clause franchise. In fact, with such ingredients as estrangement, mental illness, alcoholism and cancer, it doesn’t seem like a very happy holidays kind of film. Even if it is actually a comedy. But then how many holiday movies are completely void of depressing themes and scenes? I’m sure to have grown up thinking more about the homeless, suicide and family dysfunction from films set at Christmas and Thanksgiving than I did thinking about the happiness that comes with these holidays. One of the most tearjerking moments for me as a kid was certainly seeing Mickey Mouse crying over his dead son in Mickey’s Christmas Carol. It’s no wonder so many people get sad this time of year. Movies are influential, and for every bit of slapstick we see this season, there’s potentially room for thoughts of abandoned children to go along with it. Worse for our tearducts are the films that aren’t necessarily thought of as “holiday movies,” which are typically more honest about how much of a bummer holidays can truly be. So get out your hanky and check out our list of ten most depressing holidays in movies: Movie: Planes, Trains and Automobiles Depressing holiday: Thanksgiving It’s likely that John Hughes is a real drag on holidays. His scripts feature kids forgotten at Christmastime (Home Alone and its sequels), poor teens who get cartons of cigarettes as presents (The Breakfast Club) and yuletide kidnappings (Christmas Vacation). Thanksgiving seems to be the most melancholy for him, though, as is clear from the bittersweet road trip movies Dutch and Planes, Trains and Automobiles, the latter of which is up there with the saddest “comedies” ever made. Sure, it ultimately has a happy ending, but those last few minutes leave you bawling as you watch the montage and subsequent scene revealing John Candy’s true living situation. Film: The Apartment Depressing Holiday: Christmas It’s sad enough to be a lonely bachelor on Christmas Eve. It’s even sadder to be loaning out your home as a lover’s hideaway on such a night. Saddest of all, though, has to be returning to said apartment to find a half-dead woman in your bed who has attempted suicide with your sleeping pills (bonus points for her being your crush). The Apartment also has one of the more depressing New Year’s Eves on film, even if it does kind of figure into a “happy” ending. Film: Lethal Weapon Depressing Holiday: Christmas Sgt. Martin Riggs (Mel Gibson) is also a lonely man on Christmas Eve dealing with suicide, but here it’s the contemplation of his own. While watching Bugs Bunny’s Christmas Carol on TV and thinking about his dead wife, he loads up his gun and wrestles with his demons. It’s one of the most heart-wrenching scenes to ever be included in an action movie. Film: The War at Home Depressing Holiday: Thanksgiving Like Martin Riggs, Jeremy Collier (Emilio Estevez) is a Vietnam vet, and also like Riggs, he has trouble putting his gun away during the holidays. Unlike Riggs, though, Jeremy’s weapon is directed at his father (Martin Sheen) rather than himself, and that leads to a less-depressing but no less disheartening situation. Film: A Midnight Clear Depressing Holiday: Christmas One of the most bittersweet war films ever made, A Midnight Clear is set during Christmas, 1944, in the middle of WWII and involves an intended holiday truce between American and German troops. Unfortunately, things go wrong. Not only does the film remind us currently that so many soldiers are away from home and potentially fighting on Christmas, it also displays some depressing truths about humanity and war that are saddening regardless of the season. Film: The Ice Storm Depressing Holiday: Thanksgiving This movie (which could also qualify for yesterday’s list of best dysfunctional families) reminds us of how sad Thanksgiving can be on an historical level thanks to the sardonic pre-dinne grace said by Wendy (Christina Ricci) regarding both America’s tradition of killing and robbing the Indians and its gluttonous disregard for the starving people around the world (didn’t we all go through that holiday protest phase?). Oh, and it features one of the most unsettling death-by-electrocution scenes ever. Film: Gremlins Depressing Holiday: Christmas The present holiday of this horror comedy classic is pretty sad considering all the death and destruction being caused by little green monsters, but the real depressing Christmas is the one from the past that Kate (Phoebe Cates) tells about. You know, the one where her father broke his neck and died on Christmas Eve while playing Santa Claus. And by recalling the details so slowly and in depth (she could have just simply said that her dad died on Christmas), she makes it even more somber a story than is welcome at such an already fearsome occasion. Film: Critters 2: The Main Course Depressing Holiday: Easter Obviously taking a cue from Gremlins, this sequel similarly involves little creatures terrorizing a small town during a holiday. And while not quite as gloomy for a young viewer as the earlier, better film, Critters 2 does feature a relatively upsetting scene in which “the Easter Bunny” is attacked by Crites and then crashes through a church window, ultimately bleeding from the mouth, dead. Film: Groundhog Day Depressing Holiday: Groundhog Day Not that anyone really celebrates this “holiday” (neither school nor post office is closed), but whatever. Though treated as black comedy, there is something quite depressing about all those suicide attempts made by Phil Connors (Bill Murray). It’s enough to cast a shadow (yuk yuk) on all the happiness that otherwise would come from Groundhog Day if it actually involved celebratory activities. Film: Roger & Me Depressing Holiday: Christmas Documentaries have the ability to make for the most depressing holidays, because they feature real life events — like a family being evicted from their home on Christmas day. This one is especially grim this year, as it’s possible that with the economy and mortgage crisis what they are that some families across America will be experiencing such a fate this December 25. Originally posted on:SpoutBlog http://www.spout.com/blogs/diabolical_shadow/archive/2008/9/14/35123.aspx Post By: Diabolical_Shadow
Post To: Diabolical_Shadow Blog
Post Date: 9/14/2008 3:19:43 AM
Body: CRITTERS 2: THE MAIN COURSE (1988) 1988 – PG-13 – 92 Min. D: Mick Garris S: Scott Grimes – Don Opper – Terrence Mann – Liane Alexandra Curtis – Barry Corbin Available on New Line Home Entertainment DVD Anamorphic Widescreen / Dolby Digital 5.1 Extras: Trailers for the Critters series A batch of Crite eggs left over from the first film are discovered, traded for generic beer and a couple of Playboy’s, purchased by a church, used for their Easter egg hunt, and inadvertently hatched. Wow. As expected, Critters hit the ground hungry and prove it by instantly eating a dog, a grumpy old fart, and a cop in a bunny outfit. It only gets worse from there. That statement could be taken two ways… and both are right. Brad (still Grimes but now with earring) is returning to town for a visit with his Grandmother; the family moved away after the events of the original. Charlie (still Opper) has joined up with his bounty hunting buddies and is busy battling creatures in deep space when word comes down that the job hasn’t been completed yet. Harv the sheriff (Corbin replacing Walsh) has moved to the outskirts of town and would really rather not be bothered with any of it, too bad Harv. There are a lot more Critters this time and the whole place is in danger of becoming one big redneck buffet so the old group gets together, rallies the townspeople to fight, and we’re off and running. The battles are bigger, the body count is higher, and the effects are significantly grislier. Even so, Critters 2 falls remarkably short of its predecessor in directing, plot, script, editing, viewer involvement, characterization, heck, essentially everything that matters. The F/X are still great, and the man-eating Critterball is indeed a sight to behold, but it’s just not a satisfying good time like the original. This is often the case with sequels, true, but you get the sense that this could have been, not just should have been, much better. Critters 2: The Main Course is watchable, even likeable, but ultimately disappointing. Best tactic? See this by itself and as far removed from the first as possible. Followed by Critters 3 and Critters 4, both direct to video, both best avoided.
]]>Sun, 14 Sep 2008 07:19:43 GMTDiabolical_ShadowDiabolical_Shadow Blog9/14/2008 3:19:43 AMCRITTERS 2: THE MAIN COURSE (1988) 1988 &ndash; PG-13 &ndash; 92 Min. D: Mick Garris S: Scott Grimes &ndash; Don Opper &ndash; Terrence Mann &ndash; Liane Alexandra Curtis &ndash; Barry Corbin Available on New Line Home Entertainment DVD Anamorphic Widescreen / Dolby Digital 5.1 Extras: Trailers for the Critters series A batch of Crite eggs left over from the first film are discovered, traded for generic beer and a couple of Playboy&rsquo;s, purchased by a church, used for their Easter egg hunt, and inadvertently hatched. Wow. As expected, Critters hit the ground hungry and prove it by instantly eating a dog, a grumpy old fart, and a cop in a bunny outfit. It only gets worse from there. That statement could be taken two ways&hellip; and both are right. Brad (still Grimes but now with earring) is returning to town for a visit with his Grandmother; the family moved away after the events of the original. Charlie (still Opper) has joined up with his bounty hunting buddies and is busy battling creatures in deep space when word comes down that the job hasn&rsquo;t been completed yet. Harv the sheriff (Corbin replacing Walsh) has moved to the outskirts of town and would really rather not be bothered with any of it, too bad Harv. There are a lot more Critters this time and the whole place is in danger of becoming one big redneck buffet so the old group gets together, rallies the townspeople to fight, and we&rsquo;re off and running. The battles are bigger, the body count is higher, and the effects are significantly grislier. Even so, Critters 2 falls remarkably short of its predecessor in directing, plot, script, editing, viewer involvement, characterization, heck, essentially everything that matters. The F/X are still great, and the man-eating Critterball is indeed a sight to behold, but it&rsquo;s just not a satisfying good time like the original. This is often the case with sequels, true, but you get the sense that this could have been, not just should have been, much better. Critters 2: The Main Course is watchable, even likeable, but ultimately disappointing. Best tactic? See this by itself and as far removed from the first as possible. Followed by Critters 3 and Critters 4, both direct to video, both best avoided. http://www.spout.com/blogs/spoutblog/archive/2008/5/20/29577.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 5/20/2008 3:01:01 PM
Body: By now I’m sure you’ve heard that former ’80s teen-movie star John Cusack will star in Roland Emmerich’s apocalypse spectacular 2012. Considering the blockbuster filmmaker has previously directed the likes of James Spader (in Stargate) and Matthew Broderick (in Godzilla), I figure it’s only a matter of time before he’s worked with all our favorite ’80s teen-movie actors. So, here’s a list of the next ten actors most appropriate for Emmerich to cast: Kirk Cameron - The former star of TV’s Growing Pains and the ’80s flick Like Father, Like Son has more recently starred in the Christian-targeted Left Behind movies, which, in dealing with the Rapture, fit in with Emmerich’s usual penchant for end-of-the-world scenarios. Considering his pro-creationist stance, he probably wasn’t a fan of Emmerich’s recent caveman epic and his Evangelical status means he probably disagrees with the climate change message of The Day After Tomorrow. Too bad, because seeing Mike Seaver in a big-budget action extravaganza would be awesome. Jason Bateman - He’s already in the midst of a comeback and has even played support in action movies such as The Kingdom and this summer’s Hancock (co-starring with former Emmerich-movie star Will Smith, who unfortunately just missed the cutoff to be considered an ’80s teen star). He’d make for a great lead in a silly sci-fi epic, though. He’s funny, would pass as an adventuring scientist or something and he’d give some extra cred to the typically ridiculous plots that Emmerich deals with. Rick Shroder - Bateman’s old Silver Spoons co-star is in need of another comeback, and after his upcoming performance in the TV-miniseries remake of The Andromeda Strain, he should be ripe for similar sci-fi fare. Alfonso Ribeiro - As long as we’re talking about Silver Spoons. Scott Grimes - He may be happy on E.R., but I miss the little Crite-killing redhead of Critters and Critters 2: The Main Course. Perhaps one day Emmerich can do the long-talked-about follow-up to Independence Day and hire Grimes to kick some more alien ass. Wil Wheaton - Emmerich’s Stargate has slowly evolved into a cult franchise, but it’s nothing compared to Star Trek (though really what is?). After the disappointing box office of 10,000 B.C., Emmerich could do well by casting Wil Wheaton, who will bring his sci-fi cred and fanbase, still strong from his TNG years. Anthony Michael Hall - He’s got a small part in The Dark Knight. Could it be his first step into blockbuster movies now that The Dead Zone is off the air? Let’s hope so … Andrew McCarthy - Just in case Lipstick Jungle doesn’t pan out. But even if it does, I’m still hoping for his substantial movie comeback. Corey Haim - Who wasn’t saddened by the thought that Haim was possibly left out of the new Lost Boys sequel? The guy isn’t nearly as cute as he was twenty years ago, but what’s the harm in casting him at least in a minor role? Corey Feldman - Like you’d want to watch a movie with only the lamer of the two Coreys. Originally posted on:SpoutBlog
]]>Tue, 20 May 2008 19:01:01 GMTSpoutBlogSpoutBlog on spout.com5/20/2008 3:01:01 PMBy now I’m sure you’ve heard that former ’80s teen-movie star John Cusack will star in Roland Emmerich’s apocalypse spectacular 2012. Considering the blockbuster filmmaker has previously directed the likes of James Spader (in Stargate) and Matthew Broderick (in Godzilla), I figure it’s only a matter of time before he’s worked with all our favorite ’80s teen-movie actors. So, here’s a list of the next ten actors most appropriate for Emmerich to cast: Kirk Cameron - The former star of TV’s Growing Pains and the ’80s flick Like Father, Like Son has more recently starred in the Christian-targeted Left Behind movies, which, in dealing with the Rapture, fit in with Emmerich’s usual penchant for end-of-the-world scenarios. Considering his pro-creationist stance, he probably wasn’t a fan of Emmerich’s recent caveman epic and his Evangelical status means he probably disagrees with the climate change message of The Day After Tomorrow. Too bad, because seeing Mike Seaver in a big-budget action extravaganza would be awesome. Jason Bateman - He’s already in the midst of a comeback and has even played support in action movies such as The Kingdom and this summer’s Hancock (co-starring with former Emmerich-movie star Will Smith, who unfortunately just missed the cutoff to be considered an ’80s teen star). He’d make for a great lead in a silly sci-fi epic, though. He’s funny, would pass as an adventuring scientist or something and he’d give some extra cred to the typically ridiculous plots that Emmerich deals with. Rick Shroder - Bateman’s old Silver Spoons co-star is in need of another comeback, and after his upcoming performance in the TV-miniseries remake of The Andromeda Strain, he should be ripe for similar sci-fi fare. Alfonso Ribeiro - As long as we’re talking about Silver Spoons. Scott Grimes - He may be happy on E.R., but I miss the little Crite-killing redhead of Critters and Critters 2: The Main Course. Perhaps one day Emmerich can do the long-talked-about follow-up to Independence Day and hire Grimes to kick some more alien ass. Wil Wheaton - Emmerich’s Stargate has slowly evolved into a cult franchise, but it’s nothing compared to Star Trek (though really what is?). After the disappointing box office of 10,000 B.C., Emmerich could do well by casting Wil Wheaton, who will bring his sci-fi cred and fanbase, still strong from his TNG years. Anthony Michael Hall - He’s got a small part in The Dark Knight. Could it be his first step into blockbuster movies now that The Dead Zone is off the air? Let’s hope so … Andrew McCarthy - Just in case Lipstick Jungle doesn’t pan out. But even if it does, I’m still hoping for his substantial movie comeback. Corey Haim - Who wasn’t saddened by the thought that Haim was possibly left out of the new Lost Boys sequel? The guy isn’t nearly as cute as he was twenty years ago, but what’s the harm in casting him at least in a minor role? Corey Feldman - Like you’d want to watch a movie with only the lamer of the two Coreys. Originally posted on:SpoutBlog http://www.spout.com/members/0/tags/monster/MemberTagFilms.aspxmonster
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