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    <title>The Conformist's Recent Activity - Spout</title>
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      <title>Film:The Conformist</title>
      <link>http://www.spout.com/films/The_Conformist/6936/default.aspx</link><description><![CDATA[<table width='100%' style='font:10px/10px Helvetica, Arial, sans-serif;'><tr><td><img align='left' src='http://www.spout.com/ProductImages/t90581xwrl7.jpg' hspace='10' style='height:80px;' /></td>
<td>
<strong>Title:</strong> The Conformist<br/>
<strong>Year:</strong> 1970<br/>
<strong>Director:</strong> Bernardo Bertolucci<br/>
<strong>Plot:</strong> The conformist is 1930s Italian Marcello Clerici (<a href="/players/P____71810/default.aspx" style='text-decoration:underline'>Jean-Louis Trintignant</a>), a coward who has spent his life accommodating others so that he can "belong." Marcello agrees to kill a political refugee, on orders from the Fascist government, even though the victim-to-be is his college mentor. The film is a character study of the kind of person who willingly "conforms" to the ideological fashions of his day. In this case, director <a href="/players/P____81701/default.aspx" style='text-decoration:underline'>Bernardo Bertolucci</a> suggests that Marcello's desire to conform is rooted in his latent homosexuality. In addition to its strong storyline, the film is critically revered for the astonishing production design by Nedo Azzini, which, together with <a href="/players/P___112513/default.aspx" style='text-decoration:underline'>Vittorio Storaro</a>'s camerawork, recreates the atmosphere of Fascist Italy with some of the most complex visual compositions ever seen on film, filled with highly stylized uses of angles, shapes, and shadows. The Conformist was cut by five crucial minutes when first released in the US; those missing moments were restored in the 1994 reissue. ~ Hal Erickson, All Movie Guide<br/>
<strong>Times Tagged:</strong> 11<br/>
<strong>Number of Lists:</strong> 19<br/>
<strong>Number of blog posts:</strong> 4<br/>
<strong>Number of discussion threads:</strong> 4<br/>
<strong>SpoutRating:</strong> 4<br/>
</td></tr></table>]]></description><pubDate>Fri, 19 Jun 2009 22:45:16 GMT</pubDate><spout:Title>The Conformist</spout:Title><spout:Year>1970</spout:Year><spout:Director>Bernardo Bertolucci</spout:Director><spout:Plot>The conformist is 1930s Italian Marcello Clerici (&lt;a href="/players/P____71810/default.aspx" style='text-decoration:underline'&gt;Jean-Louis Trintignant&lt;/a&gt;), a coward who has spent his life accommodating others so that he can "belong." Marcello agrees to kill a political refugee, on orders from the Fascist government, even though the victim-to-be is his college mentor. The film is a character study of the kind of person who willingly "conforms" to the ideological fashions of his day. In this case, director &lt;a href="/players/P____81701/default.aspx" style='text-decoration:underline'&gt;Bernardo Bertolucci&lt;/a&gt; suggests that Marcello's desire to conform is rooted in his latent homosexuality. In addition to its strong storyline, the film is critically revered for the astonishing production design by Nedo Azzini, which, together with &lt;a href="/players/P___112513/default.aspx" style='text-decoration:underline'&gt;Vittorio Storaro&lt;/a&gt;'s camerawork, recreates the atmosphere of Fascist Italy with some of the most complex visual compositions ever seen on film, filled with highly stylized uses of angles, shapes, and shadows. The Conformist was cut by five crucial minutes when first released in the US; those missing moments were restored in the 1994 reissue. ~ Hal Erickson, All Movie Guide</spout:Plot><spout:TimesTagged>11</spout:TimesTagged><spout:taglevel>Tag Target (&gt;10)</spout:taglevel><spout:Numberoflists>19</spout:Numberoflists><spout:NumberOfBlogPosts>4</spout:NumberOfBlogPosts><spout:NumberOfDiscussionThreads>4</spout:NumberOfDiscussionThreads><spout:SpoutRating>4</spout:SpoutRating><spout:FilmCoverURL>http://www.spout.com/ProductImages/t90581xwrl7.jpg</spout:FilmCoverURL><spout:SpoutFilmDetailURL>http://www.spout.com/films/The_Conformist/6936/default.aspx</spout:SpoutFilmDetailURL><spout:type>Film</spout:type></item>
    <item>
      <title>Spout Post: Re:Great Cinematography!</title>
      <link>http://www.spout.com/groups/Best_Cinematography_In_Film/Re_Great_Cinematography/275/32782/1/ShowPost.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/t90581xwrl7.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/121669/default.aspx'>leeroy711</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/groups/Best_Cinematography_In_Film/275/discussions.aspx'>Best Cinematography In Film</a><br/>
<strong>Post Date:</strong> 7/20/2008 1:45:08 AM<br/>
<strong>Body:</strong> I got into photography when I was in the junior high. I joined a couple of groups, took assigned artistic shots, learned about lighting, color, shutter speed etc.. I really loved still photography as an art and throughout high-school, I was on the newspaper and yearbook staff as a photographer. I think this is the reason that cinematography has always been the one aspect of motion pictures that has held the most weight for me. Well, I could talk about a lot of different shots and films. (Here's my list of good stuff) But, for my money, the discussion of my favorite example of great cinematography starts and ends with Apocalypse Now. This was probably the first film I ever fell in love with on an artistic level and it's unique in the fact that throughout the years, I have maintained a love for this movie. I can't really think of any movies that I first saw when I was in high-school and I still feel the same way about. The cinematographer in that film was Vittorio Storaro, who's had his share of great shots with Bernardo Bertolucci's The Conformist and  The Last Emperor. But the one shot of his that has been the most influential in my life had to be when Capt. Willard (Sheen) pops his head out of the water towards the "end" of Apocalypse Now. The combo of dim light and the brilliant moon reflecting off of the water created a perfect and completely unforgettable moment that captured beautifully by the camera.  <br/>
</div>]]></description><pubDate>Sun, 20 Jul 2008 05:45:08 GMT</pubDate><spout:postby>leeroy711</spout:postby><spout:postto>Best Cinematography In Film</spout:postto><spout:postdate>7/20/2008 1:45:08 AM</spout:postdate><spout:body>I got into photography when I was in the junior high. I joined a couple of groups, took assigned artistic shots, learned about lighting, color, shutter speed etc.. I really loved still photography as an art and throughout high-school, I was on the newspaper and yearbook staff as a photographer. I think this is the reason that cinematography has always been the one aspect of motion pictures that has held the most weight for me. Well, I could talk about a lot of different shots and films. (Here's my list of good stuff) But, for my money, the discussion of my favorite example of great cinematography starts and ends with Apocalypse Now. This was probably the first film I ever fell in love with on an artistic level and it's unique in the fact that throughout the years, I have maintained a love for this movie. I can't really think of any movies that I first saw when I was in high-school and I still feel the same way about. The cinematographer in that film was Vittorio Storaro, who's had his share of great shots with Bernardo Bertolucci's The Conformist and  The Last Emperor. But the one shot of his that has been the most influential in my life had to be when Capt. Willard (Sheen) pops his head out of the water towards the "end" of Apocalypse Now. The combo of dim light and the brilliant moon reflecting off of the water created a perfect and completely unforgettable moment that captured beautifully by the camera.  </spout:body></item>
    <item>
      <title>Spout Post: Re: Recommended movies that you hate, hate, hate</title>
      <link>http://www.spout.com/groups/Viewing_with_a_purpose/Re_Recommended_movies_that_you_hate_hate_hate/288/27200/1/ShowPost.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/t90581xwrl7.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/5889/default.aspx'>Jymkata</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/groups/Viewing_with_a_purpose/288/discussions.aspx'>Viewing with a purpose</a><br/>
<strong>Post Date:</strong> 4/10/2008 10:10:50 PM<br/>
<strong>Body:</strong> [quote user="leeroy711"][quote user="Risselada"] I would like to add Bertolucci&#39;s The Conformist to this list.  I&#39;d never seen one of his movies and based on ratings from various sites, this seemed like one of the best ones to start with.I&#39;ll admit that the composition and cinematography of many of the shots was absolutly stunning.  There were a few images I never could have even imagined, they were so amazing.But I cared nothing for any of the characters.  Maybe if I had lived in Italy in that time and place it would have affected me, but really I couldn&#39;t have cared less for most of the movie.Anyone else who agrees with me?Anyone want to recommend anything by Bertolucci that I might like even if I didn&#39;t like this?[/quote] I really liked The Conformist but I can see where you&#39;re coming from. I just have a thing for films with that particular backdrop.A few friends recommeded Children Of Heaven to me and for the life of me, I just couldn&#39;t really stand it. I thought it was dry and a little too strait forward in it&#39;s approach to story-telling.  [/quote]I also liked The Conformist the best out of all my Bertolucci experiences. If you are a Sopranos fan you can see a lot of inspiration for Adriana&#39;s death from this movie. I always respect Bertolucci&#39;s eye for cinema but his characters are always too messed up for me  - psychologically, emotionally, and especially sexually. He also doesn&#39;t seem to get that less is sometimes more. However, I will always respect him for his writing contribution to one of my favorite cinematic masterpieces - Once Upon a Time in The West. <br/>
</div>]]></description><pubDate>Fri, 11 Apr 2008 02:10:50 GMT</pubDate><spout:postby>Jymkata</spout:postby><spout:postto>Viewing with a purpose</spout:postto><spout:postdate>4/10/2008 10:10:50 PM</spout:postdate><spout:body>[quote user="leeroy711"][quote user="Risselada"] I would like to add Bertolucci&amp;#39;s The Conformist to this list.  I&amp;#39;d never seen one of his movies and based on ratings from various sites, this seemed like one of the best ones to start with.I&amp;#39;ll admit that the composition and cinematography of many of the shots was absolutly stunning.  There were a few images I never could have even imagined, they were so amazing.But I cared nothing for any of the characters.  Maybe if I had lived in Italy in that time and place it would have affected me, but really I couldn&amp;#39;t have cared less for most of the movie.Anyone else who agrees with me?Anyone want to recommend anything by Bertolucci that I might like even if I didn&amp;#39;t like this?[/quote] I really liked The Conformist but I can see where you&amp;#39;re coming from. I just have a thing for films with that particular backdrop.A few friends recommeded Children Of Heaven to me and for the life of me, I just couldn&amp;#39;t really stand it. I thought it was dry and a little too strait forward in it&amp;#39;s approach to story-telling.  [/quote]I also liked The Conformist the best out of all my Bertolucci experiences. If you are a Sopranos fan you can see a lot of inspiration for Adriana&amp;#39;s death from this movie. I always respect Bertolucci&amp;#39;s eye for cinema but his characters are always too messed up for me  - psychologically, emotionally, and especially sexually. He also doesn&amp;#39;t seem to get that less is sometimes more. However, I will always respect him for his writing contribution to one of my favorite cinematic masterpieces - Once Upon a Time in The West. </spout:body></item>
    <item>
      <title>Spout Post: Re: Recommended movies that you hate, hate, hate</title>
      <link>http://www.spout.com/groups/Viewing_with_a_purpose/Re_Recommended_movies_that_you_hate_hate_hate/288/27192/1/ShowPost.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/t90581xwrl7.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/121669/default.aspx'>leeroy711</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/groups/Viewing_with_a_purpose/288/discussions.aspx'>Viewing with a purpose</a><br/>
<strong>Post Date:</strong> 4/10/2008 5:47:10 PM<br/>
<strong>Body:</strong> [quote user="Risselada"]I would like to add Bertolucci&#39;s The Conformist to this list.  I&#39;d never seen one of his movies and based on ratings from various sites, this seemed like one of the best ones to start with.I&#39;ll admit that the composition and cinematography of many of the shots was absolutly stunning.  There were a few images I never could have even imagined, they were so amazing.But I cared nothing for any of the characters.  Maybe if I had lived in Italy in that time and place it would have affected me, but really I couldn&#39;t have cared less for most of the movie.Anyone else who agrees with me?Anyone want to recommend anything by Bertolucci that I might like even if I didn&#39;t like this?[/quote] I really liked The Conformist but I can see where you&#39;re coming from. I just have a thing for films with that particular backdrop.A few friends recommeded Children Of Heaven to me and for the life of me, I just couldn&#39;t really stand it. I thought it was dry and a little too strait forward in it&#39;s approach to story-telling.  <br/>
</div>]]></description><pubDate>Thu, 10 Apr 2008 21:47:10 GMT</pubDate><spout:postby>leeroy711</spout:postby><spout:postto>Viewing with a purpose</spout:postto><spout:postdate>4/10/2008 5:47:10 PM</spout:postdate><spout:body>[quote user="Risselada"]I would like to add Bertolucci&amp;#39;s The Conformist to this list.  I&amp;#39;d never seen one of his movies and based on ratings from various sites, this seemed like one of the best ones to start with.I&amp;#39;ll admit that the composition and cinematography of many of the shots was absolutly stunning.  There were a few images I never could have even imagined, they were so amazing.But I cared nothing for any of the characters.  Maybe if I had lived in Italy in that time and place it would have affected me, but really I couldn&amp;#39;t have cared less for most of the movie.Anyone else who agrees with me?Anyone want to recommend anything by Bertolucci that I might like even if I didn&amp;#39;t like this?[/quote] I really liked The Conformist but I can see where you&amp;#39;re coming from. I just have a thing for films with that particular backdrop.A few friends recommeded Children Of Heaven to me and for the life of me, I just couldn&amp;#39;t really stand it. I thought it was dry and a little too strait forward in it&amp;#39;s approach to story-telling.  </spout:body></item>
    <item>
      <title>Spout Post: The Conformist review</title>
      <link>http://www.spout.com/blogs/leeroy711/archive/2008/3/6/25932.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/t90581xwrl7.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/121669/default.aspx'>leeroy711</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/blogs/leeroy711/default.aspx'>leeroy711 Blog</a><br/>
<strong>Post Date:</strong> 3/6/2008 3:38:47 PM<br/>
<strong>Body:</strong> **** out of 5 stars    Directed By: Bernardo Bertolucci Starring: Jean-Louise Trintignant, Stefania Sandrelli and Gaston MoschinLanguage: Italian with English subtitles  Released: 1970  Synopsis:  The backdrop of this movie is Mussolini&rsquo;s Italy in the 1930s. This is the story of Marcello (Trintignant), a man who has a life long affliction with sticking out in a crowd and is desperately trying to find normality in his life. Every action he is taking is an effort to blend in and be accepted. He is constantly regarded as an oddball because of his general demeanor and lack of emotion. He joins a group of secret fascist police, assigned to carry out assassinations and other dark deeds to individuals that are hurting their political cause. He even goes so far as to marry someone he regards as an unintelligent and mediocre young woman, Giulia (Sandrelli) in an attempt to further his ability not to attract unwanted attention.  He is taking his new bride on their honeymoon in France when he is given his assignment. A former professor has defected from fascist Italy and is now considered an intellectual dissident. It is Marcello&rsquo;s job to eliminate him.  Soon, we learn from flashback scenes why Marcello has lived his life in constant fear of being noticed and why his life has been anything but ordinary.   Review:  This film is one of the best I&rsquo;ve seen in a long time, although I may be partial to the philosophically charged theme the setting. I couldn&rsquo;t help but compare this film to Costa-Gavras&rsquo; Z (1969), another European film with a similar feel and subject matter. While I don&rsquo;t regard this film as the same level of masterpiece as Z, it did prove to be superior in a few areas. One of these areas was the cinematography. This film had some awing and very beautiful shots along with a variety of camera angles that gave it a more artsy edge. Watching it, definitely gives the impression that the filmmakers were ahead of their time and put forth an extra effort to keep the audience intrigued.  The only character we really get to know throughout the story is Marcello and although Jean-Louise Trintignant&rsquo;s performance was great, I felt as though the development of him as a personality was a little lost. I thought the filmmakers could have done more to clue the audience in as to why he turned out the way he did and why he was an interesting candidate for the job selected.     As I said before, I am typically biased for any film that deals with this subject matter. I am especially biased when the film takes a philosophical approach to convey the story. That being said, I still think this was a very powerful and important film that should be watched by anyone who has an interest in this important piece of the world&rsquo;s history.<br/>
</div>]]></description><pubDate>Thu, 06 Mar 2008 20:38:47 GMT</pubDate><spout:postby>leeroy711</spout:postby><spout:postto>leeroy711 Blog</spout:postto><spout:postdate>3/6/2008 3:38:47 PM</spout:postdate><spout:body>**** out of 5 stars    Directed By: Bernardo Bertolucci Starring: Jean-Louise Trintignant, Stefania Sandrelli and Gaston MoschinLanguage: Italian with English subtitles  Released: 1970  Synopsis:  The backdrop of this movie is Mussolini&amp;rsquo;s Italy in the 1930s. This is the story of Marcello (Trintignant), a man who has a life long affliction with sticking out in a crowd and is desperately trying to find normality in his life. Every action he is taking is an effort to blend in and be accepted. He is constantly regarded as an oddball because of his general demeanor and lack of emotion. He joins a group of secret fascist police, assigned to carry out assassinations and other dark deeds to individuals that are hurting their political cause. He even goes so far as to marry someone he regards as an unintelligent and mediocre young woman, Giulia (Sandrelli) in an attempt to further his ability not to attract unwanted attention.  He is taking his new bride on their honeymoon in France when he is given his assignment. A former professor has defected from fascist Italy and is now considered an intellectual dissident. It is Marcello&amp;rsquo;s job to eliminate him.  Soon, we learn from flashback scenes why Marcello has lived his life in constant fear of being noticed and why his life has been anything but ordinary.   Review:  This film is one of the best I&amp;rsquo;ve seen in a long time, although I may be partial to the philosophically charged theme the setting. I couldn&amp;rsquo;t help but compare this film to Costa-Gavras&amp;rsquo; Z (1969), another European film with a similar feel and subject matter. While I don&amp;rsquo;t regard this film as the same level of masterpiece as Z, it did prove to be superior in a few areas. One of these areas was the cinematography. This film had some awing and very beautiful shots along with a variety of camera angles that gave it a more artsy edge. Watching it, definitely gives the impression that the filmmakers were ahead of their time and put forth an extra effort to keep the audience intrigued.  The only character we really get to know throughout the story is Marcello and although Jean-Louise Trintignant&amp;rsquo;s performance was great, I felt as though the development of him as a personality was a little lost. I thought the filmmakers could have done more to clue the audience in as to why he turned out the way he did and why he was an interesting candidate for the job selected.     As I said before, I am typically biased for any film that deals with this subject matter. I am especially biased when the film takes a philosophical approach to convey the story. That being said, I still think this was a very powerful and important film that should be watched by anyone who has an interest in this important piece of the world&amp;rsquo;s history.</spout:body></item>
    <item>
      <title>Spout Post: movie year countdown #37 - 1970 - Il Conformista (The Conformist)</title>
      <link>http://www.spout.com/blogs/risselada/archive/2007/11/7/21507.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/t90581xwrl7.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/5353/default.aspx'>Risselada</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/blogs/risselada/default.aspx'>Risselada Blog</a><br/>
<strong>Post Date:</strong> 11/7/2007 12:16:39 PM<br/>
<strong>Body:</strong> This blog entry is part of my &ldquo;movie year countdown&rdquo;.  To read more about that check out my first Spout filmblog entry.Il Conformista (The Conformist)There is some amazing cinematography and composition in this movie.  I am still completely baffled by the scene where they are making love on the train with the sunset in the background.  I have never seen anything like that in a movie before.  Even with CGI now, it&#39;s just a composition of colors that just seems unattainable.  I don&#39;t know how they did it.Apart from a number of absolutely stunning images like this, the rest of the movie was largely dull and alienating to me.  I cared nothing from pretty much all of the characters.  They all seemed distant to me.The movie seems so entrenched in a certain time and place and maybe even stuck in the mind of the filmmakers that perhaps I would have appreciated it more if my history was closer to that context.  I do also understand that the Marcello is supposed to be sort of without peresonality.  He&#39;s the CONFORMIST.  But I still feel like I was missing something.  I&#39;m not going to speculate on it for too long though.Rating: 4/10<br/>
</div>]]></description><pubDate>Wed, 07 Nov 2007 17:16:39 GMT</pubDate><spout:postby>Risselada</spout:postby><spout:postto>Risselada Blog</spout:postto><spout:postdate>11/7/2007 12:16:39 PM</spout:postdate><spout:body>This blog entry is part of my &amp;ldquo;movie year countdown&amp;rdquo;.  To read more about that check out my first Spout filmblog entry.Il Conformista (The Conformist)There is some amazing cinematography and composition in this movie.  I am still completely baffled by the scene where they are making love on the train with the sunset in the background.  I have never seen anything like that in a movie before.  Even with CGI now, it&amp;#39;s just a composition of colors that just seems unattainable.  I don&amp;#39;t know how they did it.Apart from a number of absolutely stunning images like this, the rest of the movie was largely dull and alienating to me.  I cared nothing from pretty much all of the characters.  They all seemed distant to me.The movie seems so entrenched in a certain time and place and maybe even stuck in the mind of the filmmakers that perhaps I would have appreciated it more if my history was closer to that context.  I do also understand that the Marcello is supposed to be sort of without peresonality.  He&amp;#39;s the CONFORMIST.  But I still feel like I was missing something.  I&amp;#39;m not going to speculate on it for too long though.Rating: 4/10</spout:body></item>
    <item>
      <title>Spout Post: Re: Recommended movies that you hate, hate, hate</title>
      <link>http://www.spout.com/groups/Viewing_with_a_purpose/Re_Recommended_movies_that_you_hate_hate_hate/288/15650/1/ShowPost.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/t90581xwrl7.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/5353/default.aspx'>Risselada</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/groups/Viewing_with_a_purpose/288/discussions.aspx'>Viewing with a purpose</a><br/>
<strong>Post Date:</strong> 7/23/2007 7:51:47 PM<br/>
<strong>Body:</strong> I would like to add Bertolucci&#39;s The Conformist to this list.  I&#39;d never seen one of his movies and based on ratings from various sites, this seemed like one of the best ones to start with.I&#39;ll admit that the composition and cinematography of many of the shots was absolutly stunning.  There were a few images I never could have even imagined, they were so amazing.But I cared nothing for any of the characters.  Maybe if I had lived in Italy in that time and place it would have affected me, but really I couldn&#39;t have cared less for most of the movie.Anyone else who agrees with me?Anyone want to recommend anything by Bertolucci that I might like even if I didn&#39;t like this?<br/>
</div>]]></description><pubDate>Mon, 23 Jul 2007 23:51:47 GMT</pubDate><spout:postby>Risselada</spout:postby><spout:postto>Viewing with a purpose</spout:postto><spout:postdate>7/23/2007 7:51:47 PM</spout:postdate><spout:body>I would like to add Bertolucci&amp;#39;s The Conformist to this list.  I&amp;#39;d never seen one of his movies and based on ratings from various sites, this seemed like one of the best ones to start with.I&amp;#39;ll admit that the composition and cinematography of many of the shots was absolutly stunning.  There were a few images I never could have even imagined, they were so amazing.But I cared nothing for any of the characters.  Maybe if I had lived in Italy in that time and place it would have affected me, but really I couldn&amp;#39;t have cared less for most of the movie.Anyone else who agrees with me?Anyone want to recommend anything by Bertolucci that I might like even if I didn&amp;#39;t like this?</spout:body></item>
    <item>
      <title>Spout Post: Movie year countdown viewing project</title>
      <link>http://www.spout.com/blogs/risselada/archive/2007/2/17/5581.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/t90581xwrl7.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/5353/default.aspx'>Risselada</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/blogs/risselada/default.aspx'>Risselada Blog</a><br/>
<strong>Post Date:</strong> 2/17/2007 11:57:00 AM<br/>
<strong>Body:</strong> Here&rsquo;s the dilemma.  I have a list of well over three thousand movies I want to see saved on IMDB.  I have a subscription to Netflix and recently every time I return a DVD it has been an extremely arduous task to make the decision as to which movie I should see next.  In an effort to narrow down my choices and make the process of choosing slightly less overwhelming I have devised a system, almost a bit of a game for me.  Here&rsquo;s how it goes.For my first film selection, I have narrowed the options down to only films that were released in the year 2006.  Then after I have watched that movie, my next selection would have to be a film released in 2005.  Then I would see a film from 2004, then 2003, etc.  The process of deciding is still laborious, but actually quite a bit more exciting.  (I&#39;m going by IMDB as my source for release years)I have already been making a list and have also already begun watching the films.  I decided this might be a good time to start fooling around with this spoutblog I have until now left unutilized.  So I&rsquo;ll try to start writing a little blurb or so about each movie I watch in this process.My only limitation here is of course movies that are available on Netflix.  Which sadly excludes several I know are available on DVD, and have been longing to see for a long time, but Netflix just doesn&rsquo;t seem to have available.  It&rsquo;d sort of annoying how they do list quite a few movies that that you can put in your queue under &ldquo;saved&rdquo;, yet they obviously do not have available.  I have countless movies in that unavailable but saved queue, and I&rsquo;m not sure that a single one has ever become available.  What&rsquo;s the point I wonder.But if anyone has any recommendations, I&#39;ll take that into consideration.  THANK YOU!---------------------------------------------------------------------------------New addition to this post:Today is Tuesday March 13, and I have completed a preliminary list of all of the movie I will be watching.  Unfortunately many of them were not available on Netflix.  I will hunt those down some day.  I&#39;m don&#39;t doubt that as I make my way through the list I will make a few more changes depending on my mood and other factors, but for now, here it is:1.  Art School Confidential (2006)2.  The Comedians of Comedy (2005)3.  The Passion of the Christ (2004)4.  Ruang rak noi nid mahasan (Last Life in the Universe) (2003)5.  Im toten Winkel - Hitlers Sekret&auml;rin (Blind Spot. Hitler&#39;s Secretary) (2002)6.  El Espinazo del diablo (The Devil&#39;s Backbone) (2001)7.  Werckmeister harm&oacute;ni&aacute;k (Werckmeister Harmonies) (2000)8.  The Virgin Suicides (1999)9.  Buffalo &#39;66 (1998)10.  In the Company of Men (1997)11.  Hard Core Logo (1996)12.  Welcome to the Dollhouse (1995)13.  Hoop Dreams (1994)14.  Short Cuts (1993)15.  In the Soup (1992)16.  Surviving Desire (1991)17.  Misery (1990)18.  Der Siebente Kontinent (The Seventh Continent) (1989)19.  Topio stin omichli (Landscape in the Mist) (1988)20.  Evil Dead II (1987)21.  Ying hung boon sik (1986)22.  Sans toit ni loi (Vagabond) (1985)23.  Sixteen Candles (1984)24.  Videodrome (1983)25.  Chan Is Missing (1982)26.  Coup de torchon (1981)27.  The Ninth Configuration (1980)28.  Hardcore (1979)29.  Halloween (1978)30.  Pumping Iron (1977)31.  Logan&#39;s Run (1976)32.  Tommy (1975)33.  The Taking of Pelham One Two Three (1974)34.  The Exorcist (1973)35.  Kozure &Ocirc;kami: Kowokashi udekashi tsukamatsuru (Lone Wolf and Cub: Sword of Vengeance) (1972)36.  Get Carter (1971)37.  Il Conformista (The Conformist) (1970)38.  Hsia nu (A Touch of Zen) (1969)39.  Fando y Lis (1968)40.  Dutchman (1967)41.  Kenka erejii (Fighting Elegy) (1966)42.  Rekopis znaleziony w Saragossie (The Saragossa Manuscript) (1965)43.  Sei donne per l&#39;assassino (Blood and Black Lace) (1964)44.  The Great Escape (1963)45.  Cape Fear (1962)46.  Yojimbo (1961)47.  Plein soleil (Purple Noon) (1960)48.  Some Like It Hot (1959)49.  Mon oncle (1958)50.  Sweet Smell of Success (1957)51.  Biruma no tategoto (The Burmese Harp) (1956)52.  Rebel Without a Cause (1955)53.  Gojira (Godzilla) (1954)54.  Ugetsu monogatari (1953)55.  Ikiru (1952)56.  A Streetcar Named Desire (1951)57.  D.O.A. (1950)58.  White Heat (1949)59.  Rope (1948)60.  Born to Kill (1947)61.  Black Narcissus (1946)62.  And Then There Were None (1945)63.  The Miracle of Morgan&#39;s Creek (1944)64.  Le Corbeau (1943)65.  Cat People (1942)66.  The Wolf Man (1941)67.  Road to Singapore (1940)68.  Gone with the Wind (1939)69.  The Adventures of Robin Hood (1938)70.  Dr&ocirc;le de drame ou L&#39;&eacute;trange aventure de Docteur Molyneux (1937)71.  Flash Gordon (1936/I)72.  Triumph des Willens (Triumph of the Will) (1935)73.  The Thin Man (1934)74.  The Invisible Man (1933)75.  Trouble in Paradise (1932)76.  City Lights (1931)77.  Der Blaue Engel (The Blue Angel) (1930)78.  Chelovek s kino-apparatom (The Man with a Movie Camera) (1929)79.  La Chute de la maison Usher (The Fall of the House of Usher) (1928)80.  The King of Kings (1927)81.  Die Abenteuer des Prinzen Achmed (The Adventures of Prince Achmed) (1926)82.  Stachka (Strike) (1925)83.  The Thief of Bagdad (1924)84.  The Hunchback of Notre Dame (1923)85.  H&auml;xan (1922)86.  Seven Years Bad Luck (1921)87.  Der Golem, wie er in die Welt kam (1920)88.  Blind Husbands (1919)<br/>
</div>]]></description><pubDate>Sat, 17 Feb 2007 16:57:00 GMT</pubDate><spout:postby>Risselada</spout:postby><spout:postto>Risselada Blog</spout:postto><spout:postdate>2/17/2007 11:57:00 AM</spout:postdate><spout:body>Here&amp;rsquo;s the dilemma.  I have a list of well over three thousand movies I want to see saved on IMDB.  I have a subscription to Netflix and recently every time I return a DVD it has been an extremely arduous task to make the decision as to which movie I should see next.  In an effort to narrow down my choices and make the process of choosing slightly less overwhelming I have devised a system, almost a bit of a game for me.  Here&amp;rsquo;s how it goes.For my first film selection, I have narrowed the options down to only films that were released in the year 2006.  Then after I have watched that movie, my next selection would have to be a film released in 2005.  Then I would see a film from 2004, then 2003, etc.  The process of deciding is still laborious, but actually quite a bit more exciting.  (I&amp;#39;m going by IMDB as my source for release years)I have already been making a list and have also already begun watching the films.  I decided this might be a good time to start fooling around with this spoutblog I have until now left unutilized.  So I&amp;rsquo;ll try to start writing a little blurb or so about each movie I watch in this process.My only limitation here is of course movies that are available on Netflix.  Which sadly excludes several I know are available on DVD, and have been longing to see for a long time, but Netflix just doesn&amp;rsquo;t seem to have available.  It&amp;rsquo;d sort of annoying how they do list quite a few movies that that you can put in your queue under &amp;ldquo;saved&amp;rdquo;, yet they obviously do not have available.  I have countless movies in that unavailable but saved queue, and I&amp;rsquo;m not sure that a single one has ever become available.  What&amp;rsquo;s the point I wonder.But if anyone has any recommendations, I&amp;#39;ll take that into consideration.  THANK YOU!---------------------------------------------------------------------------------New addition to this post:Today is Tuesday March 13, and I have completed a preliminary list of all of the movie I will be watching.  Unfortunately many of them were not available on Netflix.  I will hunt those down some day.  I&amp;#39;m don&amp;#39;t doubt that as I make my way through the list I will make a few more changes depending on my mood and other factors, but for now, here it is:1.  Art School Confidential (2006)2.  The Comedians of Comedy (2005)3.  The Passion of the Christ (2004)4.  Ruang rak noi nid mahasan (Last Life in the Universe) (2003)5.  Im toten Winkel - Hitlers Sekret&amp;auml;rin (Blind Spot. Hitler&amp;#39;s Secretary) (2002)6.  El Espinazo del diablo (The Devil&amp;#39;s Backbone) (2001)7.  Werckmeister harm&amp;oacute;ni&amp;aacute;k (Werckmeister Harmonies) (2000)8.  The Virgin Suicides (1999)9.  Buffalo &amp;#39;66 (1998)10.  In the Company of Men (1997)11.  Hard Core Logo (1996)12.  Welcome to the Dollhouse (1995)13.  Hoop Dreams (1994)14.  Short Cuts (1993)15.  In the Soup (1992)16.  Surviving Desire (1991)17.  Misery (1990)18.  Der Siebente Kontinent (The Seventh Continent) (1989)19.  Topio stin omichli (Landscape in the Mist) (1988)20.  Evil Dead II (1987)21.  Ying hung boon sik (1986)22.  Sans toit ni loi (Vagabond) (1985)23.  Sixteen Candles (1984)24.  Videodrome (1983)25.  Chan Is Missing (1982)26.  Coup de torchon (1981)27.  The Ninth Configuration (1980)28.  Hardcore (1979)29.  Halloween (1978)30.  Pumping Iron (1977)31.  Logan&amp;#39;s Run (1976)32.  Tommy (1975)33.  The Taking of Pelham One Two Three (1974)34.  The Exorcist (1973)35.  Kozure &amp;Ocirc;kami: Kowokashi udekashi tsukamatsuru (Lone Wolf and Cub: Sword of Vengeance) (1972)36.  Get Carter (1971)37.  Il Conformista (The Conformist) (1970)38.  Hsia nu (A Touch of Zen) (1969)39.  Fando y Lis (1968)40.  Dutchman (1967)41.  Kenka erejii (Fighting Elegy) (1966)42.  Rekopis znaleziony w Saragossie (The Saragossa Manuscript) (1965)43.  Sei donne per l&amp;#39;assassino (Blood and Black Lace) (1964)44.  The Great Escape (1963)45.  Cape Fear (1962)46.  Yojimbo (1961)47.  Plein soleil (Purple Noon) (1960)48.  Some Like It Hot (1959)49.  Mon oncle (1958)50.  Sweet Smell of Success (1957)51.  Biruma no tategoto (The Burmese Harp) (1956)52.  Rebel Without a Cause (1955)53.  Gojira (Godzilla) (1954)54.  Ugetsu monogatari (1953)55.  Ikiru (1952)56.  A Streetcar Named Desire (1951)57.  D.O.A. (1950)58.  White Heat (1949)59.  Rope (1948)60.  Born to Kill (1947)61.  Black Narcissus (1946)62.  And Then There Were None (1945)63.  The Miracle of Morgan&amp;#39;s Creek (1944)64.  Le Corbeau (1943)65.  Cat People (1942)66.  The Wolf Man (1941)67.  Road to Singapore (1940)68.  Gone with the Wind (1939)69.  The Adventures of Robin Hood (1938)70.  Dr&amp;ocirc;le de drame ou L&amp;#39;&amp;eacute;trange aventure de Docteur Molyneux (1937)71.  Flash Gordon (1936/I)72.  Triumph des Willens (Triumph of the Will) (1935)73.  The Thin Man (1934)74.  The Invisible Man (1933)75.  Trouble in Paradise (1932)76.  City Lights (1931)77.  Der Blaue Engel (The Blue Angel) (1930)78.  Chelovek s kino-apparatom (The Man with a Movie Camera) (1929)79.  La Chute de la maison Usher (The Fall of the House of Usher) (1928)80.  The King of Kings (1927)81.  Die Abenteuer des Prinzen Achmed (The Adventures of Prince Achmed) (1926)82.  Stachka (Strike) (1925)83.  The Thief of Bagdad (1924)84.  The Hunchback of Notre Dame (1923)85.  H&amp;auml;xan (1922)86.  Seven Years Bad Luck (1921)87.  Der Golem, wie er in die Welt kam (1920)88.  Blind Husbands (1919)</spout:body></item>
    <item>
      <title>Spout Tag:love</title>
      <link>http://www.spout.com/members/0/tags/love/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/love/MemberTagFilms.aspx'>love</a>
<strong><br/> Number of films tagged:</strong> 12479</br><br/>
<strong>Number of people who tagged:</strong> 338</br><br/>
<strong>Number of times used:</strong> 1481</br><br/>
</div>]]></description><pubDate>Wed, 23 Dec 2009 05:51:34 GMT</pubDate><spout:numFilms>12479</spout:numFilms><spout:numPeople>338</spout:numPeople><spout:timesUsed>1481</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:friendship</title>
      <link>http://www.spout.com/members/0/tags/friendship/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/friendship/MemberTagFilms.aspx'>friendship</a>
<strong><br/> Number of films tagged:</strong> 6791</br><br/>
<strong>Number of people who tagged:</strong> 154</br><br/>
<strong>Number of times used:</strong> 980</br><br/>
</div>]]></description><pubDate>Mon, 14 Dec 2009 22:42:20 GMT</pubDate><spout:numFilms>6791</spout:numFilms><spout:numPeople>154</spout:numPeople><spout:timesUsed>980</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:dark</title>
      <link>http://www.spout.com/members/0/tags/dark/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/dark/MemberTagFilms.aspx'>dark</a>
<strong><br/> Number of films tagged:</strong> 223</br><br/>
<strong>Number of people who tagged:</strong> 137</br><br/>
<strong>Number of times used:</strong> 390</br><br/>
</div>]]></description><pubDate>Wed, 23 Sep 2009 22:40:47 GMT</pubDate><spout:numFilms>223</spout:numFilms><spout:numPeople>137</spout:numPeople><spout:timesUsed>390</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:masterpiece</title>
      <link>http://www.spout.com/members/0/tags/masterpiece/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/masterpiece/MemberTagFilms.aspx'>masterpiece</a>
<strong><br/> Number of films tagged:</strong> 226</br><br/>
<strong>Number of people who tagged:</strong> 101</br><br/>
<strong>Number of times used:</strong> 215</br><br/>
</div>]]></description><pubDate>Fri, 11 Dec 2009 01:28:28 GMT</pubDate><spout:numFilms>226</spout:numFilms><spout:numPeople>101</spout:numPeople><spout:timesUsed>215</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:italy</title>
      <link>http://www.spout.com/members/0/tags/italy/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/italy/MemberTagFilms.aspx'>italy</a>
<strong><br/> Number of films tagged:</strong> 527</br><br/>
<strong>Number of people who tagged:</strong> 46</br><br/>
<strong>Number of times used:</strong> 66</br><br/>
</div>]]></description><pubDate>Wed, 02 Dec 2009 23:13:42 GMT</pubDate><spout:numFilms>527</spout:numFilms><spout:numPeople>46</spout:numPeople><spout:timesUsed>66</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:assassination</title>
      <link>http://www.spout.com/members/0/tags/assassination/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/assassination/MemberTagFilms.aspx'>assassination</a>
<strong><br/> Number of films tagged:</strong> 1052</br><br/>
<strong>Number of people who tagged:</strong> 44</br><br/>
<strong>Number of times used:</strong> 90</br><br/>
</div>]]></description><pubDate>Wed, 26 Aug 2009 17:55:14 GMT</pubDate><spout:numFilms>1052</spout:numFilms><spout:numPeople>44</spout:numPeople><spout:timesUsed>90</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:killing</title>
      <link>http://www.spout.com/members/0/tags/killing/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/killing/MemberTagFilms.aspx'>killing</a>
<strong><br/> Number of films tagged:</strong> 7191</br><br/>
<strong>Number of people who tagged:</strong> 31</br><br/>
<strong>Number of times used:</strong> 96</br><br/>
</div>]]></description><pubDate>Fri, 07 Aug 2009 13:01:54 GMT</pubDate><spout:numFilms>7191</spout:numFilms><spout:numPeople>31</spout:numPeople><spout:timesUsed>96</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:homosexual</title>
      <link>http://www.spout.com/members/0/tags/homosexual/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/homosexual/MemberTagFilms.aspx'>homosexual</a>
<strong><br/> Number of films tagged:</strong> 1169</br><br/>
<strong>Number of people who tagged:</strong> 29</br><br/>
<strong>Number of times used:</strong> 58</br><br/>
</div>]]></description><pubDate>Thu, 12 Nov 2009 01:49:40 GMT</pubDate><spout:numFilms>1169</spout:numFilms><spout:numPeople>29</spout:numPeople><spout:timesUsed>58</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:professor</title>
      <link>http://www.spout.com/members/0/tags/professor/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/professor/MemberTagFilms.aspx'>professor</a>
<strong><br/> Number of films tagged:</strong> 742</br><br/>
<strong>Number of people who tagged:</strong> 22</br><br/>
<strong>Number of times used:</strong> 39</br><br/>
</div>]]></description><pubDate>Tue, 17 Nov 2009 18:30:14 GMT</pubDate><spout:numFilms>742</spout:numFilms><spout:numPeople>22</spout:numPeople><spout:timesUsed>39</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:fascism</title>
      <link>http://www.spout.com/members/0/tags/fascism/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/fascism/MemberTagFilms.aspx'>fascism</a>
<strong><br/> Number of films tagged:</strong> 122</br><br/>
<strong>Number of people who tagged:</strong> 13</br><br/>
<strong>Number of times used:</strong> 15</br><br/>
</div>]]></description><pubDate>Wed, 12 Aug 2009 13:02:59 GMT</pubDate><spout:numFilms>122</spout:numFilms><spout:numPeople>13</spout:numPeople><spout:timesUsed>15</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:doublelife</title>
      <link>http://www.spout.com/members/0/tags/doublelife/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/doublelife/MemberTagFilms.aspx'>doublelife</a>
<strong><br/> Number of films tagged:</strong> 110</br><br/>
<strong>Number of people who tagged:</strong> 8</br><br/>
<strong>Number of times used:</strong> 10</br><br/>
</div>]]></description><pubDate>Tue, 14 Apr 2009 13:12:44 GMT</pubDate><spout:numFilms>110</spout:numFilms><spout:numPeople>8</spout:numPeople><spout:timesUsed>10</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:repression</title>
      <link>http://www.spout.com/members/0/tags/repression/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/repression/MemberTagFilms.aspx'>repression</a>
<strong><br/> Number of films tagged:</strong> 138</br><br/>
<strong>Number of people who tagged:</strong> 8</br><br/>
<strong>Number of times used:</strong> 11</br><br/>
</div>]]></description><pubDate>Mon, 20 Apr 2009 19:45:28 GMT</pubDate><spout:numFilms>138</spout:numFilms><spout:numPeople>8</spout:numPeople><spout:timesUsed>11</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:brooding</title>
      <link>http://www.spout.com/members/0/tags/brooding/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/brooding/MemberTagFilms.aspx'>brooding</a>
<strong><br/> Number of films tagged:</strong> 5</br><br/>
<strong>Number of people who tagged:</strong> 5</br><br/>
<strong>Number of times used:</strong> 5</br><br/>
</div>]]></description><pubDate>Tue, 24 Nov 2009 18:43:54 GMT</pubDate><spout:numFilms>5</spout:numFilms><spout:numPeople>5</spout:numPeople><spout:timesUsed>5</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:influential</title>
      <link>http://www.spout.com/members/0/tags/influential/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/influential/MemberTagFilms.aspx'>influential</a>
<strong><br/> Number of films tagged:</strong> 7</br><br/>
<strong>Number of people who tagged:</strong> 5</br><br/>
<strong>Number of times used:</strong> 7</br><br/>
</div>]]></description><pubDate>Fri, 20 Feb 2009 20:07:33 GMT</pubDate><spout:numFilms>7</spout:numFilms><spout:numPeople>5</spout:numPeople><spout:timesUsed>7</spout:timesUsed><spout:type>Tag</spout:type></item>
    <item>
      <title>Spout Tag:sublime</title>
      <link>http://www.spout.com/members/0/tags/sublime/MemberTagFilms.aspx</link><description><![CDATA[<div style='display:block;height:120px;width:400px;font:10px/10px Helvetica, Arial, sans-serif;'><a href='/members/0/tags/sublime/MemberTagFilms.aspx'>sublime</a>
<strong><br/> Number of films tagged:</strong> 6</br><br/>
<strong>Number of people who tagged:</strong> 5</br><br/>
<strong>Number of times used:</strong> 6</br><br/>
</div>]]></description><pubDate>Thu, 20 Nov 2008 21:18:00 GMT</pubDate><spout:numFilms>6</spout:numFilms><spout:numPeople>5</spout:numPeople><spout:timesUsed>6</spout:timesUsed><spout:type>Tag</spout:type></item>
  </channel>
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