list http://www.spout.com/ Recent community activity around Gomorrah on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Gomorrah/370977/default.aspx Title: Gomorrah
Year: 2009
Director: Matteo Garrone
Plot: Five stories weave together to form director Matteo Garrone's Gomorra, a violent look at the cruel reality endured by the residents of the Province of Naples. ~ Jason Buchanan, All Movie Guide
Times Tagged: 8
Number of Lists: 6
Number of blog posts: 4
Number of discussion threads: 1
SpoutRating: 3
]]>Fri, 27 Feb 2009 23:02:38 GMTGomorrah2009Matteo GarroneFive stories weave together to form director Matteo Garrone's <a href="http://www.spout.com/films/370977/detail.aspx" style='text-decoration:underline'>Gomorra</a>, a violent look at the cruel reality endured by the residents of the Province of Naples. ~ Jason Buchanan, All Movie Guide8Taggedy Taggged (6-10)6413http://www.spout.com/ProductImages/s370977.jpghttp://www.spout.com/films/Gomorrah/370977/default.aspxFilm http://www.spout.com/blogs/karina/archive/2009/2/27/40735.aspx Post By: Karina
Post To: Karina on SpoutBlog
Post Date: 2/27/2009 6:02:38 PM
Body: Matteo Garrone’s Italian mob film Gomorrah found the highest per-theatre-average debut of 2009 this President’s Day weekend, according to four-day estimates provided this afternoon by Rentrak. On 5 screens, the IFC release grossed $102,702 for a $20,540 average. That even topped overall box office leader Friday The 13th’s $14,56- PTA. It also set a record for the biggest opening weekend ever at the IFC Center in New York City, grossing an estimated $32,000. Gomorrah played to sold-out houses all weekend-long, with hundreds of would-be movie patrons turned away. The strong numbers for Gomorrah helped lead the IFC Center complex to its highest grossing weekend of all-time with an estimated take of $53,870, beating the previous record weekend by nearly $10,000. The previous highest grossing weekend for the IFC Center was $43,337 from January 25-27, 2008 in conjunction with the opening of “4 Months, 3 Weeks and 2 Days.” On Sunday, February 15th, the IFC Center broke the record for its biggest one-day gross, taking in more than $20,167 in a single day. The indie box office boom in the face of otherwise total economi despair continues.. Via indieWIRE. Originally posted on:SpoutBlog » Karina Longworth
]]>Fri, 27 Feb 2009 23:02:38 GMTKarinaKarina on SpoutBlog2/27/2009 6:02:38 PMMatteo Garrone’s Italian mob film Gomorrah found the highest per-theatre-average debut of 2009 this President’s Day weekend, according to four-day estimates provided this afternoon by Rentrak. On 5 screens, the IFC release grossed $102,702 for a $20,540 average. That even topped overall box office leader Friday The 13th’s $14,56- PTA. It also set a record for the biggest opening weekend ever at the IFC Center in New York City, grossing an estimated $32,000. Gomorrah played to sold-out houses all weekend-long, with hundreds of would-be movie patrons turned away. The strong numbers for Gomorrah helped lead the IFC Center complex to its highest grossing weekend of all-time with an estimated take of $53,870, beating the previous record weekend by nearly $10,000. The previous highest grossing weekend for the IFC Center was $43,337 from January 25-27, 2008 in conjunction with the opening of “4 Months, 3 Weeks and 2 Days.” On Sunday, February 15th, the IFC Center broke the record for its biggest one-day gross, taking in more than $20,167 in a single day. The indie box office boom in the face of otherwise total economi despair continues.. Via indieWIRE. Originally posted on:SpoutBlog » Karina Longworth http://www.spout.com/blogs/spoutblog/archive/2009/2/27/40688.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 2/27/2009 6:01:28 PM
Body: Gomorrah is brutal. That much goes without saying, given the genre. But unlike the more glamorous American gangster movies, which tend to elevate their anti-heroes to aspirational role models, Gomorrah turns that brutality against its subject — the widespread operations of Italy’s Camorrah clan. Like the bestselling exposé that inspired it, Gomorrah is more outraged than impressed by the corrupt world it reveals. To that end, director Matteo Garrone cast coarse, physically revolting adults and shot the film in an almost nauseating handheld style, fleshing out the authentic hell-on-earth locations with the sound of screams and harsh urban noise. These are not characters or situations anyone would want to emulate, which was important to the director and his team. “Here in the south of Italy, we are living so close to this problem that we have to consider what kind of example a movie can have, especially on young people,” says Maurizio Braucci, who collaborated with Garrone, Roberto Saviano (author of the nonfiction bestseller on which Gomorrah is based) and three other writers. In his book, Saviano is openly critical of Hollywood’s impact on these criminals. He describes one boss who ordered a villa custom-built to the specifications of Tony Montana’s mansion in Scarface, then goes on to explain how The Godfather dictated their fashion sense (pinstriped suits and dark glasses) and Pulp Fiction made them sloppy (by holding their guns sideways, young killers sacrificed aim for style, making executions needlessly bloody and painful). “I think the problem is that audiences are generally attracted by stories about the obscure part of life,” says Braucci (the English speaker of the bunch). “Gomorrah tries to give a different representation of this world, including such a terrible representation of the criminals – their bodies, the way they walk, the way they talk — that they seem almost like monsters.” Like Saviano (who had to go under police protection a couple weeks into the screenwriting process), Braucci hails from the Camorrah-controlled Naples area, bringing his own research and experience to the adaptation. The book itself is an overwhelming litany of crime, murder and corruption, full of violent incidents but lacking in strong central characters or an organized dramatic structure. Much of the screenwriters’ work focused on refining Saviano’s sprawling exposé to half a dozen representative stories — a tailor who upsets the clan by assisting a rival Chinese outfit, a sanitation executive who hires children to illegally dump toxic waste, two drug-dealing teens (and Scarface fans) who conspire to usurp their bosses’ business — and establishing the psychology of those involved. “The movie was shot inside the territory of the Camorrah where these things happened,” Braucci explains. The run-down apartment building where much of the action takes place, including the dramatic execution of a woman in broad daylight, would normally be off-limits to outsiders, but Braucci had earned something of an all-access pass thanks to his work with a community theater project. To help disguise their true agenda, he says, “we called the movie ‘Six Short Stories’ because we were afraid the Camorrah would have a problem if they saw the title Gomorrah.” Though the subject matter can’t help but evoke the work of such Italian-American directors as Martin Scorsese and Francis Ford Coppola, Garrone’s true inspiration was his country’s rugged neorealist tradition. The actors may look like nonprofessionals, but most came from theater programs, carefully chosen for their faces — angelic, in the case of the kids (many of whom were cast from Braucci’s workshop), harsh and unpleasant for the older characters who exploit them. Some of the performers even had criminal connections: One actor had spent 10 years in jail, where he first studied theater, and three others were arrested after the film. The film is light on exposition and context, thrusting the audience directly into its (under)world and expecting them to read important backstory into the actors’ physical appearances. The action often feels raw and immediate enough that many audiences have mistaken the film for a documentary. “But you would not be able to watch a murder or a drug sale in a documentary, so Gomorrah is a fake documentary,” Braucci explains. Still, Garrone embraced improvisation and happy accidents, allowing the unpredictable to enrich the film’s sense of reality (another reason he kept Braucci on hand during production — so he could assist with frequent on-set rewrites). During the film’s most iconic scene, in which two Hollywood-obsessed teens stripped to their skivvies fire machine guns into the sea, a pyrotechnic glitch heightened the actors’ reactions: Both characters were supposed to shoot the boat before it exploded, but the blast came early. “If you watch the actor, you can see the expression on his face was real surprise,” Braucci says. Without turning the narrative into a heavy-handed morality tale, Garrone and his team see to it that consequences eventually catch up with characters. In the world of the Camorrah, no one can outrun his fate, and when executions do happen, the victims aren’t canonized in the operatic fashion of Scarface, but rather treated like so much garbage in need of disposing. “This is the first big movie about the Camorrah in Italy,” Braucci says. “It’s like a dark fable about how innocence and youth are destroyed by this dehumanizing process of modernity. In this case, criminal organizations are the source of this destructive energy, but it is a metaphor for any part of this world that is under the oppression of the dark or evil.” Gomorrrah, currently in theaters in New York and LA, premieres on VOD today. Its theatrical release expands later this month. Originally posted on:SpoutBlog
]]>Fri, 27 Feb 2009 23:01:28 GMTSpoutBlogSpoutBlog on spout.com2/27/2009 6:01:28 PM Gomorrah is brutal. That much goes without saying, given the genre. But unlike the more glamorous American gangster movies, which tend to elevate their anti-heroes to aspirational role models, Gomorrah turns that brutality against its subject — the widespread operations of Italy’s Camorrah clan. Like the bestselling exposé that inspired it, Gomorrah is more outraged than impressed by the corrupt world it reveals. To that end, director Matteo Garrone cast coarse, physically revolting adults and shot the film in an almost nauseating handheld style, fleshing out the authentic hell-on-earth locations with the sound of screams and harsh urban noise. These are not characters or situations anyone would want to emulate, which was important to the director and his team. “Here in the south of Italy, we are living so close to this problem that we have to consider what kind of example a movie can have, especially on young people,” says Maurizio Braucci, who collaborated with Garrone, Roberto Saviano (author of the nonfiction bestseller on which Gomorrah is based) and three other writers. In his book, Saviano is openly critical of Hollywood’s impact on these criminals. He describes one boss who ordered a villa custom-built to the specifications of Tony Montana’s mansion in Scarface, then goes on to explain how The Godfather dictated their fashion sense (pinstriped suits and dark glasses) and Pulp Fiction made them sloppy (by holding their guns sideways, young killers sacrificed aim for style, making executions needlessly bloody and painful). “I think the problem is that audiences are generally attracted by stories about the obscure part of life,” says Braucci (the English speaker of the bunch). “Gomorrah tries to give a different representation of this world, including such a terrible representation of the criminals – their bodies, the way they walk, the way they talk — that they seem almost like monsters.” Like Saviano (who had to go under police protection a couple weeks into the screenwriting process), Braucci hails from the Camorrah-controlled Naples area, bringing his own research and experience to the adaptation. The book itself is an overwhelming litany of crime, murder and corruption, full of violent incidents but lacking in strong central characters or an organized dramatic structure. Much of the screenwriters’ work focused on refining Saviano’s sprawling exposé to half a dozen representative stories — a tailor who upsets the clan by assisting a rival Chinese outfit, a sanitation executive who hires children to illegally dump toxic waste, two drug-dealing teens (and Scarface fans) who conspire to usurp their bosses’ business — and establishing the psychology of those involved. “The movie was shot inside the territory of the Camorrah where these things happened,” Braucci explains. The run-down apartment building where much of the action takes place, including the dramatic execution of a woman in broad daylight, would normally be off-limits to outsiders, but Braucci had earned something of an all-access pass thanks to his work with a community theater project. To help disguise their true agenda, he says, “we called the movie ‘Six Short Stories’ because we were afraid the Camorrah would have a problem if they saw the title Gomorrah.” Though the subject matter can’t help but evoke the work of such Italian-American directors as Martin Scorsese and Francis Ford Coppola, Garrone’s true inspiration was his country’s rugged neorealist tradition. The actors may look like nonprofessionals, but most came from theater programs, carefully chosen for their faces — angelic, in the case of the kids (many of whom were cast from Braucci’s workshop), harsh and unpleasant for the older characters who exploit them. Some of the performers even had criminal connections: One actor had spent 10 years in jail, where he first studied theater, and three others were arrested after the film. The film is light on exposition and context, thrusting the audience directly into its (under)world and expecting them to read important backstory into the actors’ physical appearances. The action often feels raw and immediate enough that many audiences have mistaken the film for a documentary. “But you would not be able to watch a murder or a drug sale in a documentary, so Gomorrah is a fake documentary,” Braucci explains. Still, Garrone embraced improvisation and happy accidents, allowing the unpredictable to enrich the film’s sense of reality (another reason he kept Braucci on hand during production — so he could assist with frequent on-set rewrites). During the film’s most iconic scene, in which two Hollywood-obsessed teens stripped to their skivvies fire machine guns into the sea, a pyrotechnic glitch heightened the actors’ reactions: Both characters were supposed to shoot the boat before it exploded, but the blast came early. “If you watch the actor, you can see the expression on his face was real surprise,” Braucci says. Without turning the narrative into a heavy-handed morality tale, Garrone and his team see to it that consequences eventually catch up with characters. In the world of the Camorrah, no one can outrun his fate, and when executions do happen, the victims aren’t canonized in the operatic fashion of Scarface, but rather treated like so much garbage in need of disposing. “This is the first big movie about the Camorrah in Italy,” Braucci says. “It’s like a dark fable about how innocence and youth are destroyed by this dehumanizing process of modernity. In this case, criminal organizations are the source of this destructive energy, but it is a metaphor for any part of this world that is under the oppression of the dark or evil.” Gomorrrah, currently in theaters in New York and LA, premieres on VOD today. Its theatrical release expands later this month. Originally posted on:SpoutBlog http://www.spout.com/groups/Coming_Soon/New_Movies_2_13_Get_your_date_movie_on/216/40390/1/ShowPost.aspx Post By: spout
Post To: Coming Soon
Post Date: 2/10/2009 10:29:01 PM
Body: NEW TO THEATERS 2/13 Friday the 13th -- Watch the trailer. Did you know that hospitals are busiest on full moons? Yeah, weird but true. Do you know what buildings are busiest on Friday the 13th? Tents and cabins in the wilderness. Weird, huh? The International -- Watch the trailer. I've heard some rumors that this is suprisingly good. I'm intrigued by the premise, that a large multi-national bank would use its (our) funds to support terrorists and other criminals. And hey, two winners heading the show: Naomi Watts and Clive Owen. Confessions of a Shopaholic -- Watch the trailer. Hmm. I haven't read the book, but I have bought it several times. Anyone looking forward to this? Two Lovers (limited) -- Watch the trailer. Did you know that Joaquin Phoenix has retired from acting? It's true. And now for something that's not true: Two Lovers is the first installment in a teen-fantasy-based trilogy, completed by I Beat Up the Bully In Front of Everyone and I Win The Talent Show With My Own Power Ballad. Gomorrah (limited) -- Watch the trailer. This mafia movie set in modern-day Naples won the Grand Jury Prize at Cannes, and its American release is sponsored by Martin Scorsese. This movie looks like it can boast authenticity from its head to its toes...three of the actors are tied to mob activity, and the author of Gomorrah (the book this is based on) has been living under 24-hour protection since the book's release. NEW TO DVD 2/10 Blindness -- Watch the trailer. Sort of like Children of Men, but is it as good? Listen to Filmcouch. Burn After Reading -- Watch the trailer. Foot Fist Way -- Watch the trailer. I liked this one a lot. Listen to the review. Frozen River -- Watch the trailer. Won Grand Jury Prize for Best Dramatic Feature at Sundance 2008. Miracle at St. Anna -- Watch the trailer. Just a heads-up, I haven't heard one good thing about this movie. Son of Rambow -- Watch the trailer. Soul Men -- Watch the trailer. The final film performances of Isaak Hayes and Bernie Mac. W. -- Watch the trailer. Eh, it was so-so.
]]>Wed, 11 Feb 2009 03:29:01 GMTspoutComing Soon2/10/2009 10:29:01 PMNEW TO THEATERS 2/13 Friday the 13th -- Watch the trailer. Did you know that hospitals are busiest on full moons? Yeah, weird but true. Do you know what buildings are busiest on Friday the 13th? Tents and cabins in the wilderness. Weird, huh? The International -- Watch the trailer. I've heard some rumors that this is suprisingly good. I'm intrigued by the premise, that a large multi-national bank would use its (our) funds to support terrorists and other criminals. And hey, two winners heading the show: Naomi Watts and Clive Owen. Confessions of a Shopaholic -- Watch the trailer. Hmm. I haven't read the book, but I have bought it several times. Anyone looking forward to this? Two Lovers (limited) -- Watch the trailer. Did you know that Joaquin Phoenix has retired from acting? It's true. And now for something that's not true: Two Lovers is the first installment in a teen-fantasy-based trilogy, completed by I Beat Up the Bully In Front of Everyone and I Win The Talent Show With My Own Power Ballad. Gomorrah (limited) -- Watch the trailer. This mafia movie set in modern-day Naples won the Grand Jury Prize at Cannes, and its American release is sponsored by Martin Scorsese. This movie looks like it can boast authenticity from its head to its toes...three of the actors are tied to mob activity, and the author of Gomorrah (the book this is based on) has been living under 24-hour protection since the book's release. NEW TO DVD 2/10 Blindness -- Watch the trailer. Sort of like Children of Men, but is it as good? Listen to Filmcouch. Burn After Reading -- Watch the trailer. Foot Fist Way -- Watch the trailer. I liked this one a lot. Listen to the review. Frozen River -- Watch the trailer. Won Grand Jury Prize for Best Dramatic Feature at Sundance 2008. Miracle at St. Anna -- Watch the trailer. Just a heads-up, I haven't heard one good thing about this movie. Son of Rambow -- Watch the trailer. Soul Men -- Watch the trailer. The final film performances of Isaak Hayes and Bernie Mac. W. -- Watch the trailer. Eh, it was so-so. http://www.spout.com/blogs/spoutblog/archive/2008/8/29/34517.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 8/29/2008 9:01:07 AM
Body: The 2008 Telluride Film Festival list of movies was revealed this afternoon. Our team on the ground is going to be back with more commentary on the selections but it looks to be an exciting and eclectic festival this year as usual. You can also stay up to date here on SpoutBlog or join in the conversation that develops around these movies on our Telluride Film Festival Group page. The full lineup is after the jump. A New Land (Nybyggarna) Adam Resurrected American Violet An Italian Straw Hat (Un Chapeau de Paille d’Italie) Daddy and Lili Marlene Elmer Gantry Everlasting Moments Firaaq Flame & Citron Gomorrah Happy-Go-Lucky Helen Here Is Your Life (Haer Har Du Ditt Liv) Hunger I’ve Loved You So Long… Innocence Unprotected(Nevinost bez Zastite) Kisses Learning Gravity Lola Montès Low Level Flight Meet You in Denver Nightmare Alley O’Horten On Dangerous Ground Philanthropy Pirate for the Sea Pirosmani Private Century Revanche Seconds The Emigrants The Fall of Berlin (Padeniye Berlina) The Good, the Bad and the Weird The Great Sacrifice (Opfergang) The Rest is Silence (Restul e Tacere) Tulpan Waltz With Bashir With a Little Help From Myself (Aide-toi le ciel t’aidera) You Must Remember This: The Warner Bros. Story Youssou Ndour: I Bring What I Love Zodiac Originally posted on:SpoutBlog
]]>Fri, 29 Aug 2008 13:01:07 GMTSpoutBlogSpoutBlog on spout.com8/29/2008 9:01:07 AMThe 2008 Telluride Film Festival list of movies was revealed this afternoon. Our team on the ground is going to be back with more commentary on the selections but it looks to be an exciting and eclectic festival this year as usual. You can also stay up to date here on SpoutBlog or join in the conversation that develops around these movies on our Telluride Film Festival Group page. The full lineup is after the jump. A New Land (Nybyggarna) Adam Resurrected American Violet An Italian Straw Hat (Un Chapeau de Paille d’Italie) Daddy and Lili Marlene Elmer Gantry Everlasting Moments Firaaq Flame & Citron Gomorrah Happy-Go-Lucky Helen Here Is Your Life (Haer Har Du Ditt Liv) Hunger I’ve Loved You So Long… Innocence Unprotected(Nevinost bez Zastite) Kisses Learning Gravity Lola Montès Low Level Flight Meet You in Denver Nightmare Alley O’Horten On Dangerous Ground Philanthropy Pirate for the Sea Pirosmani Private Century Revanche Seconds The Emigrants The Fall of Berlin (Padeniye Berlina) The Good, the Bad and the Weird The Great Sacrifice (Opfergang) The Rest is Silence (Restul e Tacere) Tulpan Waltz With Bashir With a Little Help From Myself (Aide-toi le ciel t’aidera) You Must Remember This: The Warner Bros. Story Youssou Ndour: I Bring What I Love Zodiac Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/8/28/34511.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 8/28/2008 6:01:00 PM
Body: The 2008 Telluride Film Festival list of movies was revealed this afternoon. Our team on the ground is going to be back with more commentary on the selections but it looks to be an exciting and eclectic festival this year as usual. You can also stay up to date here on SpoutBlog or join in the conversation that develops around these movies on our Telluride Film Festival Group page. A New Land (Nybyggarna) Adam Resurrected American Violet An Italian Straw Hat (Un Chapeau de Paille d’Italie) Daddy and Lili Marlene Elmer Gantry Everlasting Moments Firaaq Flame & Citron Gomorrah Happy-Go-Lucky Helen Here Is Your Life (Haer Har Du Ditt Liv) Hunger I’ve Loved You So Long… Innocence Unprotected(Nevinost bez Zastite) Kisses Learning Gravity Lola Montès Low Level Flight Meet You in Denver Nightmare Alley O’Horten On Dangerous Ground Philanthropy Pirate for the Sea Pirosmani Private Century Revanche Seconds The Emigrants The Fall of Berlin (Padeniye Berlina) The Good, the Bad and the Weird The Great Sacrifice (Opfergang) The Rest is Silence (Restul e Tacere) Tulpan Waltz With Bashir With a Little Help From Myself (Aide-toi le ciel t’aidera) You Must Remember This: The Warner Bros. Story Youssou Ndour: I Bring What I Love Zodiac (The Director’s Cut) Originally posted on:SpoutBlog
]]>Thu, 28 Aug 2008 22:01:00 GMTSpoutBlogSpoutBlog on spout.com8/28/2008 6:01:00 PMThe 2008 Telluride Film Festival list of movies was revealed this afternoon. Our team on the ground is going to be back with more commentary on the selections but it looks to be an exciting and eclectic festival this year as usual. You can also stay up to date here on SpoutBlog or join in the conversation that develops around these movies on our Telluride Film Festival Group page. A New Land (Nybyggarna) Adam Resurrected American Violet An Italian Straw Hat (Un Chapeau de Paille d’Italie) Daddy and Lili Marlene Elmer Gantry Everlasting Moments Firaaq Flame & Citron Gomorrah Happy-Go-Lucky Helen Here Is Your Life (Haer Har Du Ditt Liv) Hunger I’ve Loved You So Long… Innocence Unprotected(Nevinost bez Zastite) Kisses Learning Gravity Lola Montès Low Level Flight Meet You in Denver Nightmare Alley O’Horten On Dangerous Ground Philanthropy Pirate for the Sea Pirosmani Private Century Revanche Seconds The Emigrants The Fall of Berlin (Padeniye Berlina) The Good, the Bad and the Weird The Great Sacrifice (Opfergang) The Rest is Silence (Restul e Tacere) Tulpan Waltz With Bashir With a Little Help From Myself (Aide-toi le ciel t’aidera) You Must Remember This: The Warner Bros. Story Youssou Ndour: I Bring What I Love Zodiac (The Director’s Cut) Originally posted on:SpoutBlog http://www.spout.com/members/0/tags/murder/MemberTagFilms.aspxmurder
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