list http://www.spout.com/ Recent community activity around Nerdcore Rising on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Nerdcore_Rising/365106/default.aspx Title: Nerdcore Rising
Year: 2008
Director: Negin Farsad
Plot: Born out of the internet, nerdcore hip-hop is a genre of music created by computer-obsessed geeks. In this documentary, filmmaker Negin Farsad explores the musical phenomenon in which rappers boast not about money and cars, but Magic: The Gathering and internet porn addiction. With appearances by such nerdcore mainstays as MC Frontalot and MC Chris, this film offers an entertaining look at a rapidly expanding musical subculture. ~ Jason Buchanan, All Movie Guide
Times Tagged: 14
Number of Lists: 2
Number of blog posts: 5
SpoutRating: 4
]]>Mon, 15 Sep 2008 15:00:43 GMTNerdcore Rising2008Negin FarsadBorn out of the internet, nerdcore hip-hop is a genre of music created by computer-obsessed geeks. In this documentary, filmmaker Negin Farsad explores the musical phenomenon in which rappers boast not about money and cars, but Magic: The Gathering and internet porn addiction. With appearances by such nerdcore mainstays as MC Frontalot and MC Chris, this film offers an entertaining look at a rapidly expanding musical subculture. ~ Jason Buchanan, All Movie Guide14Tag Target (>10)254http://www.spout.com/ProductImages/s365106.jpghttp://www.spout.com/films/Nerdcore_Rising/365106/default.aspxFilm http://www.spout.com/blogs/spoutblog/archive/2008/9/15/35145.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 9/15/2008 11:00:43 AM
Body: One of my favorite things about film festivals is the chance you’ll have at seeing something that you’d probably never come across otherwise when you visit the multiplex or browse your rental queue. When the Toronto International Film Festival schedule was released last month and I saw Keven McMcAlester’s documentary about Dungeons & Dragons gamemasters, The Dungeon Masters, listed, I knew I had to see it. It wasn’t that I’d seen Keven’s earlier documentary about Roky Erickson, You’re Gonna Miss Me, and wanted to see this, nor did I want to see what fine cinematography Lee Daniel had crafted for the movie. No, I wanted to see this one for the geek in me. Heck, it even made Karina’s list of Films We’re Betting On for TIFF, and she doesn’t dole out the nerd love lightly. Although Dungeons & Dragons came out in 1974, the game is still played across the world, and has directly contributed to the creation and success of online sword and sorcery games like World of Warcraft and EverQuest. Almost everyone you as about the game knows that there’s a certain nerdy/geeky vibe associated with it, although most people probably couldn’t tell you anything else about it. The Dungeons Masters attempts to show you the personalities behind the dice-rolling by taking intimate looks inside the lives of three different dungeon masters who, in effect, become the game themselves. Dungeons & Dragons isn’t like Monopoly or Scrabble in the way that you play until you win. The game relies on a clever dungeon master to create roles, make up stories, plan encounters, and basically run the game as long as people want to keep playing. At face value, you’re role-playing in this game, telling the dungeon master what your character is doing at each step along the way. I’ll never forget when I was in junior high school and my best friend handed me a set of poorly photocopied instruction manuals for the game. I was instantly hooked in the lore of the game, but never became much of a player. Keven McAlester was lucky enough to find people who make running these games a big part of their lives. The three subjects of the film are Richard, Scott, and Elizabeth and at face value, they all seem to be cut from the stereotypical images of D&D players. Richard and Scott seem like clones of the Comic Book Guy on The Simpsons, while Elizabeth is bit closer to Thora Birch in Ghost World with a few extra doses of geek thrown into the mix. Although they are spread out in California, Lousiana and Florida, they share similar experiences. If you break them down to the simplest levels, Elizabeth is the heroine of the story, going from an abusive relationship to one that doesn’t work, to yet another one by the end of the film. By her own admission, “I don’t want to date children anymore, I just want to be happy.” She uses gaming as an outlet by playing (and dressing up as) a female Drow elf, because in their society women have all the power and can have men executed if they desire. Besides dungeon mastering, she also LARPs (live action role plays) as her elf character Richard portrays the antagonist’s role, and even has a villainous mustache to match. He relishes destroying and killing his players, and you can see the naked glee on his face as he begins picking them apart. He’s also serving in the U.S. Army reserves, has a family he served as a father figure for that he’s now somewhat alienated from, and is married to a woman who doesn’t have a problem with his gaming, as long as she doesn’t know anything about it. “That’s just one of the things we do… separately.” Scott serves as the tragic figure: an unemployed self-described writer who can’t find work as a hypnotherapist, and who realized you had to have money to make money as a financial advisor. He suffered a blow when he was a geeky kid at a new school and realized he could reinvent himself, and told the teacher he wanted to be called Sherlock. “My social life didn’t recover for a very long time.” Although he seemingly lays around the house all day, sometimes tinkering with his novel and playing video games rather than looking for work or helping his wife with their apartment manager position, you still pull for him to succeed. Each time Scott meets with his literary agent, you hope she’ll tell him the book has sold, and when Scott starts writing and starring in a public cable access show called “Uncle Drac’s Magical Clubhouse,” you actually want something to happen with it. Despite everything else, Scott’s a gifted storyteller in search of an outlet, which is why he says “If I could do anything, I’d want to be a paid game master.” The film could have easily taken these characters and just made fun of them, but once you get past the geek factor, it remains a portrait of three very different individuals, and you get an intimate look into their lives. The gaming almost becomes peripheral as you find out who these people are and what drives they are like at home, at work, and in their own worlds. The cinematography by Lee Daniel is, as expected, extremely beautiful. Blonde Redhead provides a musical score that is at times sad and melancholy, and other times is grand and cinematic, which is often juxtaposed by what you see on screen. Coming on the heels of a year of geek films behind Second Skin, Nerdcore Rising, Reformat the Planet, and We Are Wizards, The Dungeon Masters is a well-crafted film that peeks behind the curtain of role-playing games and gives you an unflinching look at three people who have made gaming one of their creative outlets. Originally posted on:SpoutBlog
]]>Mon, 15 Sep 2008 15:00:43 GMTSpoutBlogSpoutBlog on spout.com9/15/2008 11:00:43 AM One of my favorite things about film festivals is the chance you’ll have at seeing something that you’d probably never come across otherwise when you visit the multiplex or browse your rental queue. When the Toronto International Film Festival schedule was released last month and I saw Keven McMcAlester’s documentary about Dungeons & Dragons gamemasters, The Dungeon Masters, listed, I knew I had to see it. It wasn’t that I’d seen Keven’s earlier documentary about Roky Erickson, You’re Gonna Miss Me, and wanted to see this, nor did I want to see what fine cinematography Lee Daniel had crafted for the movie. No, I wanted to see this one for the geek in me. Heck, it even made Karina’s list of Films We’re Betting On for TIFF, and she doesn’t dole out the nerd love lightly. Although Dungeons & Dragons came out in 1974, the game is still played across the world, and has directly contributed to the creation and success of online sword and sorcery games like World of Warcraft and EverQuest. Almost everyone you as about the game knows that there’s a certain nerdy/geeky vibe associated with it, although most people probably couldn’t tell you anything else about it. The Dungeons Masters attempts to show you the personalities behind the dice-rolling by taking intimate looks inside the lives of three different dungeon masters who, in effect, become the game themselves. Dungeons & Dragons isn’t like Monopoly or Scrabble in the way that you play until you win. The game relies on a clever dungeon master to create roles, make up stories, plan encounters, and basically run the game as long as people want to keep playing. At face value, you’re role-playing in this game, telling the dungeon master what your character is doing at each step along the way. I’ll never forget when I was in junior high school and my best friend handed me a set of poorly photocopied instruction manuals for the game. I was instantly hooked in the lore of the game, but never became much of a player. Keven McAlester was lucky enough to find people who make running these games a big part of their lives. The three subjects of the film are Richard, Scott, and Elizabeth and at face value, they all seem to be cut from the stereotypical images of D&D players. Richard and Scott seem like clones of the Comic Book Guy on The Simpsons, while Elizabeth is bit closer to Thora Birch in Ghost World with a few extra doses of geek thrown into the mix. Although they are spread out in California, Lousiana and Florida, they share similar experiences. If you break them down to the simplest levels, Elizabeth is the heroine of the story, going from an abusive relationship to one that doesn’t work, to yet another one by the end of the film. By her own admission, “I don’t want to date children anymore, I just want to be happy.” She uses gaming as an outlet by playing (and dressing up as) a female Drow elf, because in their society women have all the power and can have men executed if they desire. Besides dungeon mastering, she also LARPs (live action role plays) as her elf character Richard portrays the antagonist’s role, and even has a villainous mustache to match. He relishes destroying and killing his players, and you can see the naked glee on his face as he begins picking them apart. He’s also serving in the U.S. Army reserves, has a family he served as a father figure for that he’s now somewhat alienated from, and is married to a woman who doesn’t have a problem with his gaming, as long as she doesn’t know anything about it. “That’s just one of the things we do… separately.” Scott serves as the tragic figure: an unemployed self-described writer who can’t find work as a hypnotherapist, and who realized you had to have money to make money as a financial advisor. He suffered a blow when he was a geeky kid at a new school and realized he could reinvent himself, and told the teacher he wanted to be called Sherlock. “My social life didn’t recover for a very long time.” Although he seemingly lays around the house all day, sometimes tinkering with his novel and playing video games rather than looking for work or helping his wife with their apartment manager position, you still pull for him to succeed. Each time Scott meets with his literary agent, you hope she’ll tell him the book has sold, and when Scott starts writing and starring in a public cable access show called “Uncle Drac’s Magical Clubhouse,” you actually want something to happen with it. Despite everything else, Scott’s a gifted storyteller in search of an outlet, which is why he says “If I could do anything, I’d want to be a paid game master.” The film could have easily taken these characters and just made fun of them, but once you get past the geek factor, it remains a portrait of three very different individuals, and you get an intimate look into their lives. The gaming almost becomes peripheral as you find out who these people are and what drives they are like at home, at work, and in their own worlds. The cinematography by Lee Daniel is, as expected, extremely beautiful. Blonde Redhead provides a musical score that is at times sad and melancholy, and other times is grand and cinematic, which is often juxtaposed by what you see on screen. Coming on the heels of a year of geek films behind Second Skin, Nerdcore Rising, Reformat the Planet, and We Are Wizards, The Dungeon Masters is a well-crafted film that peeks behind the curtain of role-playing games and gives you an unflinching look at three people who have made gaming one of their creative outlets. Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/8/28/34502.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 8/28/2008 2:00:41 PM
Body: When your film is without official distribution, yet you continue to have screenings, it’s worth your while to make distinctly new trailers that advertise specific shows. This is apparently what the makers of Nerdcore Rising have done. The above promo was posted to YouTube this week in order to announce the music doc’s west coast premiere, happening this Saturday, August 30th, at the 2008 Penny Arcade Expo in Seattle. Nerdcore Rising is one of the most entertaining films I saw at SXSW this year; in my review, I particularly applauded the attention paid to the hilarious fanbase of nerdcore hip-hop. Both the music genre and the documentary are as much about the fans as they are about the artists, which include nerdcore “godfather” MC Frontalot (seen in the promo with Nerdcore director Negin Farsad). If you’re already planning to attend PAX this weekend, do yourself a favor and check out this movie at 4pm on Saturday. I’m sure there’s a lot of gaming to be had, too, but Nerdcore Rising is a big part of PAX. Not only has Frontalot been a staple of the expo since the beginning (he’ll be performing once again this Saturday at 8pm), the film prominently features PAX at its climax. Besides, one fan in the film describes the music genre as being “like playing Halo while getting a blow job from Hello Kitty.” No gamer could possibly ignore such praise as that. Originally posted on:SpoutBlog
]]>Thu, 28 Aug 2008 18:00:41 GMTSpoutBlogSpoutBlog on spout.com8/28/2008 2:00:41 PM When your film is without official distribution, yet you continue to have screenings, it’s worth your while to make distinctly new trailers that advertise specific shows. This is apparently what the makers of Nerdcore Rising have done. The above promo was posted to YouTube this week in order to announce the music doc’s west coast premiere, happening this Saturday, August 30th, at the 2008 Penny Arcade Expo in Seattle. Nerdcore Rising is one of the most entertaining films I saw at SXSW this year; in my review, I particularly applauded the attention paid to the hilarious fanbase of nerdcore hip-hop. Both the music genre and the documentary are as much about the fans as they are about the artists, which include nerdcore “godfather” MC Frontalot (seen in the promo with Nerdcore director Negin Farsad). If you’re already planning to attend PAX this weekend, do yourself a favor and check out this movie at 4pm on Saturday. I’m sure there’s a lot of gaming to be had, too, but Nerdcore Rising is a big part of PAX. Not only has Frontalot been a staple of the expo since the beginning (he’ll be performing once again this Saturday at 8pm), the film prominently features PAX at its climax. Besides, one fan in the film describes the music genre as being “like playing Halo while getting a blow job from Hello Kitty.” No gamer could possibly ignore such praise as that. Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/3/12/26139.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 3/12/2008 5:01:39 PM
Body: It’s fitting that the last film I saw at SXSW was Nerdcore Rising. I’d begun my experience of this year’s festival with a screener of We Are Wizards (review here), a documentary that mostly focuses on the Harry Potter-based “wizard rock”, which I’d then assumed was the nerdiest music genre in existence. And now I’d finished my experience with this doc, which is actually about the nerdiest music genre in existence, “nerdcore hip hop”. The proof is not in the artists, though. It’s in the fans, which director Negin Farsad is right to concentrate on and showcase so significantly here. The film may center on one specific nerdcore hip hop artist, MC Frontalot, and his band’s first tour, but Nerdcore Rising is really, ultimately, about the freaks and geeks who make up the audience at each show along the way. Not since the height of the ska scene ten years ago has there been a genre so well defined by the character of its fanbase. (more…) Originally posted on:SpoutBlog
]]>Wed, 12 Mar 2008 21:01:39 GMTSpoutBlogSpoutBlog on spout.com3/12/2008 5:01:39 PM It’s fitting that the last film I saw at SXSW was Nerdcore Rising. I’d begun my experience of this year’s festival with a screener of We Are Wizards (review here), a documentary that mostly focuses on the Harry Potter-based “wizard rock”, which I’d then assumed was the nerdiest music genre in existence. And now I’d finished my experience with this doc, which is actually about the nerdiest music genre in existence, “nerdcore hip hop”. The proof is not in the artists, though. It’s in the fans, which director Negin Farsad is right to concentrate on and showcase so significantly here. The film may center on one specific nerdcore hip hop artist, MC Frontalot, and his band’s first tour, but Nerdcore Rising is really, ultimately, about the freaks and geeks who make up the audience at each show along the way. Not since the height of the ska scene ten years ago has there been a genre so well defined by the character of its fanbase. (more…) Originally posted on:SpoutBlog http://www.spout.com/blogs/karina/archive/2008/3/5/25892.aspx Post By: Karina
Post To: Karina on SpoutBlog
Post Date: 3/5/2008 1:01:21 PM
Body: An administrivia note: we still have a couple of SXSW previews to push out over the next two days, but starting this afternoon we’re going to start posting full-fledged reviews of films in advance of the festival’s opening on Friday. Make sure to check our SXSW 2008 category for all the goodies. Now, for today’s preview. Probably the only documentary in recent memory featuring appearances from both Weird Al Yankovich and Jello Biafra, Nerdcore Rising (premiering at SXSW on Sunday as part of the 24 Beats Per Minute program) delves into a subgenre of hip hop that’s all about nerdery. The trailer for the doc can be found above, and director Negin Farsad answers the 4 Questions We’re Asking Everyone below. Tell us about your movie. Who did you work with, why did you make it? Give us the reductive, 25-word or less, “It’s like [pop culture reference a] meets [pop culture reference b]!” pitch, then explain what the quick and dirty sell leaves out. Nerdcore Rising is like Battlestar Galactica meets 8 Mile. Basically, its a documentary that explores a rapper who’s trying to make it – though in this instance the pseudo-fictionalized Eminem is being played by lovably geeky and lyrically speedy, MC Frontalot, the godfather of Nerdcore hip hop. And, like Eminem, before being a rapper Front’s life was hard – though that hardship was less financial and more algorithm-related. Frontalot used to be a web coder/designer but decided to invent a new genre of hip hop, drop all the bandwidth, and form a band (puns!). Also, I’d like to note that Eminem and MC Frontalot happen to share exactly the same skin color though I believe their similarities end there. But, other similarities pick up with Battlestar Galactica because Frontalot is a Cylon. Kidding. Because the film takes place in outerspace. Kidding. Because Frontalot is a big geek and he really loves fictional space odysseys as do his fans. In fact, his fans are the real stars of the movie because throughout the film they share with us their love of video games, their obsession with Star Wars, their weakness for table-top gaming, and, of course, an unabashed belief in the Nerdcore hip hop. They provide the proof that Nerdcore isn’t simply about one nerdy guy with “thick-ass birth control glasses” (as someone in the film describes them) but it’s really about a movement, complete with die-hard fans. Fans that have been looking for a space to bob their heads to strident hip hop beats with lyrics that mean something to them. Nerdcore is that space and Frontalot is making their heads bob. (more…) Originally posted on:SpoutBlog » karina
]]>Wed, 05 Mar 2008 18:01:21 GMTKarinaKarina on SpoutBlog3/5/2008 1:01:21 PM An administrivia note: we still have a couple of SXSW previews to push out over the next two days, but starting this afternoon we’re going to start posting full-fledged reviews of films in advance of the festival’s opening on Friday. Make sure to check our SXSW 2008 category for all the goodies. Now, for today’s preview. Probably the only documentary in recent memory featuring appearances from both Weird Al Yankovich and Jello Biafra, Nerdcore Rising (premiering at SXSW on Sunday as part of the 24 Beats Per Minute program) delves into a subgenre of hip hop that’s all about nerdery. The trailer for the doc can be found above, and director Negin Farsad answers the 4 Questions We’re Asking Everyone below. Tell us about your movie. Who did you work with, why did you make it? Give us the reductive, 25-word or less, “It’s like [pop culture reference a] meets [pop culture reference b]!” pitch, then explain what the quick and dirty sell leaves out. Nerdcore Rising is like Battlestar Galactica meets 8 Mile. Basically, its a documentary that explores a rapper who’s trying to make it – though in this instance the pseudo-fictionalized Eminem is being played by lovably geeky and lyrically speedy, MC Frontalot, the godfather of Nerdcore hip hop. And, like Eminem, before being a rapper Front’s life was hard – though that hardship was less financial and more algorithm-related. Frontalot used to be a web coder/designer but decided to invent a new genre of hip hop, drop all the bandwidth, and form a band (puns!). Also, I’d like to note that Eminem and MC Frontalot happen to share exactly the same skin color though I believe their similarities end there. But, other similarities pick up with Battlestar Galactica because Frontalot is a Cylon. Kidding. Because the film takes place in outerspace. Kidding. Because Frontalot is a big geek and he really loves fictional space odysseys as do his fans. In fact, his fans are the real stars of the movie because throughout the film they share with us their love of video games, their obsession with Star Wars, their weakness for table-top gaming, and, of course, an unabashed belief in the Nerdcore hip hop. They provide the proof that Nerdcore isn’t simply about one nerdy guy with “thick-ass birth control glasses” (as someone in the film describes them) but it’s really about a movement, complete with die-hard fans. Fans that have been looking for a space to bob their heads to strident hip hop beats with lyrics that mean something to them. Nerdcore is that space and Frontalot is making their heads bob. (more…) Originally posted on:SpoutBlog » karina http://www.spout.com/blogs/spoutblog/archive/2008/3/5/25890.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 3/5/2008 1:01:13 PM
Body: An administrivia note: we still have a couple of SXSW previews to push out over the next two days, but starting this afternoon we’re going to start posting full-fledged reviews of films in advance of the festival’s opening on Friday. Make sure to check our SXSW 2008 category for all the goodies. Now, for today’s preview. Probably the only documentary in recent memory featuring appearances from both Weird Al Yankovich and Jello Biafra, Nerdcore Rising (premiering at SXSW on Sunday as part of the 24 Beats Per Minute program) delves into a subgenre of hip hop that’s all about nerdery. The trailer for the doc can be found above, and director Negin Farsad answers the 4 Questions We’re Asking Everyone below. Tell us about your movie. Who did you work with, why did you make it? Give us the reductive, 25-word or less, “It’s like [pop culture reference a] meets [pop culture reference b]!” pitch, then explain what the quick and dirty sell leaves out. Nerdcore Rising is like Battlestar Galactica meets 8 Mile. Basically, its a documentary that explores a rapper who’s trying to make it – though in this instance the pseudo-fictionalized Eminem is being played by lovably geeky and lyrically speedy, MC Frontalot, the godfather of Nerdcore hip hop. And, like Eminem, before being a rapper Front’s life was hard – though that hardship was less financial and more algorithm-related. Frontalot used to be a web coder/designer but decided to invent a new genre of hip hop, drop all the bandwidth, and form a band (puns!). Also, I’d like to note that Eminem and MC Frontalot happen to share exactly the same skin color though I believe their similarities end there. But, other similarities pick up with Battlestar Galactica because Frontalot is a Cylon. Kidding. Because the film takes place in outerspace. Kidding. Because Frontalot is a big geek and he really loves fictional space odysseys as do his fans. In fact, his fans are the real stars of the movie because throughout the film they share with us their love of video games, their obsession with Star Wars, their weakness for table-top gaming, and, of course, an unabashed belief in the Nerdcore hip hop. They provide the proof that Nerdcore isn’t simply about one nerdy guy with “thick-ass birth control glasses” (as someone in the film describes them) but it’s really about a movement, complete with die-hard fans. Fans that have been looking for a space to bob their heads to strident hip hop beats with lyrics that mean something to them. Nerdcore is that space and Frontalot is making their heads bob. (more…) Originally posted on:SpoutBlog
]]>Wed, 05 Mar 2008 18:01:13 GMTSpoutBlogSpoutBlog on spout.com3/5/2008 1:01:13 PM An administrivia note: we still have a couple of SXSW previews to push out over the next two days, but starting this afternoon we’re going to start posting full-fledged reviews of films in advance of the festival’s opening on Friday. Make sure to check our SXSW 2008 category for all the goodies. Now, for today’s preview. Probably the only documentary in recent memory featuring appearances from both Weird Al Yankovich and Jello Biafra, Nerdcore Rising (premiering at SXSW on Sunday as part of the 24 Beats Per Minute program) delves into a subgenre of hip hop that’s all about nerdery. The trailer for the doc can be found above, and director Negin Farsad answers the 4 Questions We’re Asking Everyone below. Tell us about your movie. Who did you work with, why did you make it? Give us the reductive, 25-word or less, “It’s like [pop culture reference a] meets [pop culture reference b]!” pitch, then explain what the quick and dirty sell leaves out. Nerdcore Rising is like Battlestar Galactica meets 8 Mile. Basically, its a documentary that explores a rapper who’s trying to make it – though in this instance the pseudo-fictionalized Eminem is being played by lovably geeky and lyrically speedy, MC Frontalot, the godfather of Nerdcore hip hop. And, like Eminem, before being a rapper Front’s life was hard – though that hardship was less financial and more algorithm-related. Frontalot used to be a web coder/designer but decided to invent a new genre of hip hop, drop all the bandwidth, and form a band (puns!). Also, I’d like to note that Eminem and MC Frontalot happen to share exactly the same skin color though I believe their similarities end there. But, other similarities pick up with Battlestar Galactica because Frontalot is a Cylon. Kidding. Because the film takes place in outerspace. Kidding. Because Frontalot is a big geek and he really loves fictional space odysseys as do his fans. In fact, his fans are the real stars of the movie because throughout the film they share with us their love of video games, their obsession with Star Wars, their weakness for table-top gaming, and, of course, an unabashed belief in the Nerdcore hip hop. They provide the proof that Nerdcore isn’t simply about one nerdy guy with “thick-ass birth control glasses” (as someone in the film describes them) but it’s really about a movement, complete with die-hard fans. Fans that have been looking for a space to bob their heads to strident hip hop beats with lyrics that mean something to them. Nerdcore is that space and Frontalot is making their heads bob. (more…) Originally posted on:SpoutBlog http://www.spout.com/members/0/tags/music/MemberTagFilms.aspxmusic
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]]>Fri, 17 Jul 2009 13:02:52 GMT14211Tag http://www.spout.com/members/0/tags/south-by-southwest/MemberTagFilms.aspxsouth-by-southwest
Number of films tagged: 52

Number of people who tagged: 1

Number of times used: 52

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