list http://www.spout.com/ Recent community activity around Sugar on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Sugar/358662/default.aspx Title: Sugar
Year: 2009
Director: Anna Boden, Ryan Fleck
Plot: Filmmakers Ryan Fleck and Anna Boden (Half Nelson) weave this introspective sports drama concerning a talented Dominican baseball player who longs to break into the American big league and earn the money needed to support his impoverished family. Miguel Santos is a talented pitcher who might just have what it takes to earn a prized spot on a Major League Baseball team, but before that happens he'll have to prove his worth in the minor leagues. Advancing into the United States' minor league system at the tender age of 19, Miguel is warmly welcomed into the small-town Iowa home of his host family, but can't help but struggle with language and cultural barriers despite the kindness of strangers. Subsequently forced to reevaluate his life's ambition after his once-trusty arm becomes unreliable, the previously single-minded pitcher gradually begins to question both the world he lives in and the role he has chosen to play in it. ~ Jason Buchanan, All Movie Guide
Times Tagged: 5
Number of Lists: 4
Number of blog posts: 3
SpoutRating: 4
]]>Mon, 27 Jul 2009 23:01:02 GMTSugar2009Anna Boden, Ryan FleckFilmmakers Ryan Fleck and Anna Boden (<a href="http://www.spout.com/films/274146/detail.aspx" style='text-decoration:underline'>Half Nelson</a>) weave this introspective sports drama concerning a talented Dominican baseball player who longs to break into the American big league and earn the money needed to support his impoverished family. Miguel Santos is a talented pitcher who might just have what it takes to earn a prized spot on a Major League Baseball team, but before that happens he'll have to prove his worth in the minor leagues. Advancing into the United States' minor league system at the tender age of 19, Miguel is warmly welcomed into the small-town Iowa home of his host family, but can't help but struggle with language and cultural barriers despite the kindness of strangers. Subsequently forced to reevaluate his life's ambition after his once-trusty arm becomes unreliable, the previously single-minded pitcher gradually begins to question both the world he lives in and the role he has chosen to play in it. ~ Jason Buchanan, All Movie Guide5Slightly Tagged (1-5)434http://www.spout.com/ProductImages/s358662.jpghttp://www.spout.com/films/Sugar/358662/default.aspxFilm http://www.spout.com/blogs/shaunhuston/archive/2009/7/27/43279.aspx Post By: ShaunHuston
Post To: ShaunHuston filmblog
Post Date: 7/27/2009 7:01:02 PM
Body: Picking up more pieces from this summer of non-blogging. Now, summer films. Star Trek. Like, well, pretty much everybody, I found the new Trek film to be well-cast and thoroughly entertaining. Structurally, I think that the intro for Kirk could have been tighter – the joyride scene in no way needs to be as drawn out as it is, especially not when followed by the bar fight. For me, the movie really gets started when Spock shows up. And yet, I do agree with Chris Wisniewski at Reverse Shot about the lack of philosophical ambition in JJ Abrams' reboot. Trek's creators have always strived to make the franchise about something, and while this hasn't always led to good film or TV, it does, I think, help explain the durability of the storyworld. The new movie is not only the first installment that seems to have been made purely for thrill and spectacle, but allows horrific genocide to go by with hardly more than a nod in the direction of the profundity of such an event. I still enjoyed the movie, but after the fact, I felt myself missing the typical moral and intellectual earnestness of the series. Sugar. An interesting and sometimes beautiful film, particularly in its handling of cultural juxtapositions and the deftness with which it wraps an immigration story in a sports movie. I need to watch it again though to fully develop my thoughts; my expectations were pretty high going in and sometimes it helps to see a movie like that once, with those burdens, and then again later, without them to gain some perspective. The Brothers Bloom. Another film I was looking forward to, and enjoyed, but need to see again. I mentally composed, but never wrote, a post on the movie's production design, which I think works well to shift the core cast into their own version of reality, one where Stephen's elaborate and literary cons might actually work. Motivated quirkiness of this kind, which is probably most often associated today with Wes Anderson's movies, works better for me than unmotivated oddness, as in Juno (2007), where the quirks are pretty much their own arguments, and not in the service of anything of consequence. The Girlfriend Experience. Not sure what to write here; a film I'm glad I saw, but can't say that it left much of a lasting impression. Public Enemies. This is a movie I like and appreciate more now than when I first saw it. I am compelled by the use of HD for a period piece like this, a device that clearly announces itself as a product of now, a movie about the 1930s, not of or from the period, which is the more conventional way of approaching historical material. Harry Potter & the Half-Blood Prince. As the film franchise has progressed, I am less enthused about seeing these movies. In part, this is because the films are becoming more what they should have been to begin with, which is directed at fans and readers of the books, which I am not. Moon. The best film I've seen this summer, easily. Beautiful, cool, provocative, anchored by a surprisingly understated lead, almost one-person show, performance from Sam Rockwell. Love the way the film quietly and cleverly plays with the memory of 2001: A Space Odyssey (1968). Originally posted on:Short-Circuit Signs
]]>Mon, 27 Jul 2009 23:01:02 GMTShaunHustonShaunHuston filmblog7/27/2009 7:01:02 PMPicking up more pieces from this summer of non-blogging. Now, summer films. Star Trek. Like, well, pretty much everybody, I found the new Trek film to be well-cast and thoroughly entertaining. Structurally, I think that the intro for Kirk could have been tighter – the joyride scene in no way needs to be as drawn out as it is, especially not when followed by the bar fight. For me, the movie really gets started when Spock shows up. And yet, I do agree with Chris Wisniewski at Reverse Shot about the lack of philosophical ambition in JJ Abrams' reboot. Trek's creators have always strived to make the franchise about something, and while this hasn't always led to good film or TV, it does, I think, help explain the durability of the storyworld. The new movie is not only the first installment that seems to have been made purely for thrill and spectacle, but allows horrific genocide to go by with hardly more than a nod in the direction of the profundity of such an event. I still enjoyed the movie, but after the fact, I felt myself missing the typical moral and intellectual earnestness of the series. Sugar. An interesting and sometimes beautiful film, particularly in its handling of cultural juxtapositions and the deftness with which it wraps an immigration story in a sports movie. I need to watch it again though to fully develop my thoughts; my expectations were pretty high going in and sometimes it helps to see a movie like that once, with those burdens, and then again later, without them to gain some perspective. The Brothers Bloom. Another film I was looking forward to, and enjoyed, but need to see again. I mentally composed, but never wrote, a post on the movie's production design, which I think works well to shift the core cast into their own version of reality, one where Stephen's elaborate and literary cons might actually work. Motivated quirkiness of this kind, which is probably most often associated today with Wes Anderson's movies, works better for me than unmotivated oddness, as in Juno (2007), where the quirks are pretty much their own arguments, and not in the service of anything of consequence. The Girlfriend Experience. Not sure what to write here; a film I'm glad I saw, but can't say that it left much of a lasting impression. Public Enemies. This is a movie I like and appreciate more now than when I first saw it. I am compelled by the use of HD for a period piece like this, a device that clearly announces itself as a product of now, a movie about the 1930s, not of or from the period, which is the more conventional way of approaching historical material. Harry Potter & the Half-Blood Prince. As the film franchise has progressed, I am less enthused about seeing these movies. In part, this is because the films are becoming more what they should have been to begin with, which is directed at fans and readers of the books, which I am not. Moon. The best film I've seen this summer, easily. Beautiful, cool, provocative, anchored by a surprisingly understated lead, almost one-person show, performance from Sam Rockwell. Love the way the film quietly and cleverly plays with the memory of 2001: A Space Odyssey (1968). Originally posted on:Short-Circuit Signs http://www.spout.com/blogs/karina/archive/2008/2/12/25064.aspx Post By: Karina
Post To: Karina on SpoutBlog
Post Date: 2/12/2008 6:01:14 PM
Body: Anthony Kaufman investigates the “little mini-studio” of producer Paul Mezey, the man behind a host of notable recent indies, including Sugar and Momma’s Man. What’s Mezey’s secret? Location. Says the Pennsylvania-based producer, “I would have sunk long ago if I had to raise a family in New York.” Future of Classic points to Classic Cinema Online, a site which offers almost full-screen streams of public domain classics and foreign films. Like the 1936 version of Sweeney Todd, for starters. Lady Wakasa informs us that the Film Society of Lincoln Center will be screening a new print of one of Louise Brooks’ early films, Beggars of Life. This is where we start getting smutty: Tilda Swinton took her 29-year-old boyfriend to the BAFTAs whilst “68-year-old John Byrne, her partner of 18 years, stayed at home in the north of Scotland, looking after the couple’s ten-year-old twins Xavier and Honor.” Why can’t she have a reality show? Finally, “in honor of Valentine’s Day,” i09 has “started asking random people to tell us about their science fiction sex experiences.” I guess I’ve never had a “science fiction sex experience”, because I have no idea what that means. Originally posted on:SpoutBlog » karina
]]>Tue, 12 Feb 2008 23:01:14 GMTKarinaKarina on SpoutBlog2/12/2008 6:01:14 PM Anthony Kaufman investigates the “little mini-studio” of producer Paul Mezey, the man behind a host of notable recent indies, including Sugar and Momma’s Man. What’s Mezey’s secret? Location. Says the Pennsylvania-based producer, “I would have sunk long ago if I had to raise a family in New York.” Future of Classic points to Classic Cinema Online, a site which offers almost full-screen streams of public domain classics and foreign films. Like the 1936 version of Sweeney Todd, for starters. Lady Wakasa informs us that the Film Society of Lincoln Center will be screening a new print of one of Louise Brooks’ early films, Beggars of Life. This is where we start getting smutty: Tilda Swinton took her 29-year-old boyfriend to the BAFTAs whilst “68-year-old John Byrne, her partner of 18 years, stayed at home in the north of Scotland, looking after the couple’s ten-year-old twins Xavier and Honor.” Why can’t she have a reality show? Finally, “in honor of Valentine’s Day,” i09 has “started asking random people to tell us about their science fiction sex experiences.” I guess I’ve never had a “science fiction sex experience”, because I have no idea what that means. Originally posted on:SpoutBlog » karina http://www.spout.com/blogs/spoutblog/archive/2008/2/12/25063.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 2/12/2008 6:01:03 PM
Body: Anthony Kaufman investigates the “little mini-studio” of producer Paul Mezey, the man behind a host of notable recent indies, including Sugar and Momma’s Man. What’s Mezey’s secret? Location. Says the Pennsylvania-based producer, “I would have sunk long ago if I had to raise a family in New York.” Future of Classic points to Classic Cinema Online, a site which offers almost full-screen streams of public domain classics and foreign films. Like the 1936 version of Sweeney Todd, for starters. Lady Wakasa informs us that the Film Society of Lincoln Center will be screening a new print of one of Louise Brooks’ early films, Beggars of Life. This is where we start getting smutty: Tilda Swinton took her 29-year-old boyfriend to the BAFTAs whilst “68-year-old John Byrne, her partner of 18 years, stayed at home in the north of Scotland, looking after the couple’s ten-year-old twins Xavier and Honor.” Why can’t she have a reality show? Finally, “in honor of Valentine’s Day,” i09 has “started asking random people to tell us about their science fiction sex experiences.” I guess I’ve never had a “science fiction sex experience”, because I have no idea what that means. Originally posted on:SpoutBlog
]]>Tue, 12 Feb 2008 23:01:03 GMTSpoutBlogSpoutBlog on spout.com2/12/2008 6:01:03 PM Anthony Kaufman investigates the “little mini-studio” of producer Paul Mezey, the man behind a host of notable recent indies, including Sugar and Momma’s Man. What’s Mezey’s secret? Location. Says the Pennsylvania-based producer, “I would have sunk long ago if I had to raise a family in New York.” Future of Classic points to Classic Cinema Online, a site which offers almost full-screen streams of public domain classics and foreign films. Like the 1936 version of Sweeney Todd, for starters. Lady Wakasa informs us that the Film Society of Lincoln Center will be screening a new print of one of Louise Brooks’ early films, Beggars of Life. This is where we start getting smutty: Tilda Swinton took her 29-year-old boyfriend to the BAFTAs whilst “68-year-old John Byrne, her partner of 18 years, stayed at home in the north of Scotland, looking after the couple’s ten-year-old twins Xavier and Honor.” Why can’t she have a reality show? Finally, “in honor of Valentine’s Day,” i09 has “started asking random people to tell us about their science fiction sex experiences.” I guess I’ve never had a “science fiction sex experience”, because I have no idea what that means. Originally posted on:SpoutBlog http://www.spout.com/members/0/tags/family/MemberTagFilms.aspxfamily
Number of films tagged: 6289

Number of people who tagged: 227

Number of times used: 1139

]]>Sun, 20 Dec 2009 21:00:49 GMT62892271139Tag http://www.spout.com/members/0/tags/baseball/MemberTagFilms.aspxbaseball
Number of films tagged: 914

Number of people who tagged: 42

Number of times used: 84

]]>Tue, 06 Oct 2009 18:28:02 GMT9144284Tag http://www.spout.com/members/0/tags/smalltown/MemberTagFilms.aspxsmalltown
Number of films tagged: 913

Number of people who tagged: 37

Number of times used: 86

]]>Sat, 22 Aug 2009 10:20:15 GMT9133786Tag http://www.spout.com/members/0/tags/darkside/MemberTagFilms.aspxdarkside
Number of films tagged: 17

Number of people who tagged: 2

Number of times used: 17

]]>Sat, 20 Jun 2009 18:41:42 GMT17217Tag http://www.spout.com/members/0/tags/TIFF08/MemberTagFilms.aspxTIFF08
Number of films tagged: 252

Number of people who tagged: 2

Number of times used: 252

]]>Fri, 05 Sep 2008 17:48:32 GMT2522252Tag http://www.spout.com/members/0/tags/Toronto-Film-Fest-2008/MemberTagFilms.aspxToronto-Film-Fest-2008
Number of films tagged: 252

Number of people who tagged: 2

Number of times used: 252

]]>Fri, 05 Sep 2008 17:48:40 GMT2522252Tag http://www.spout.com/members/0/tags/dominicanrepublic/MemberTagFilms.aspxdominicanrepublic
Number of films tagged: 13

Number of people who tagged: 1

Number of times used: 1

]]>Wed, 11 Feb 2009 14:02:42 GMT1311Tag http://www.spout.com/members/0/tags/june/MemberTagFilms.aspxjune
Number of films tagged: 12

Number of people who tagged: 1

Number of times used: 12

]]>Mon, 29 Jun 2009 17:57:46 GMT12112Tag http://www.spout.com/members/0/tags/languagebarrier/MemberTagFilms.aspxlanguagebarrier
Number of films tagged: 11

Number of people who tagged: 1

Number of times used: 1

]]>Thu, 03 Jan 2008 14:00:58 GMT1111Tag