list http://www.spout.com/ Recent community activity around The Toxic Avenger on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/The_Toxic_Avenger/35645/default.aspx Title: The Toxic Avenger
Year: 1985
Director: Lloyd Kaufman, Michael Herz
Plot: In a crazy spoof of heroic monster movies that spawned two sequels, The Toxic Avenger is about the transformation of a mild-mannered, scrawny janitor into a thundering, muscular hero out for justice, morality, and in one case, a bit of sex. Melvin (Mark Torgl) has a job as a custodian at a work-out club where his humiliating treatment by the musclebound reaches an ugly climax in which Melvin is forced to jump out of a window. He lands in a toxic waste truck, and by some miracle of modern pollution he is transformed into a pumped-up monster, heretofore known as the Toxic Avenger (Mitchell Cohen). From that moment on, TA saves damsels and others in distress by some pretty gory mauling and maiming but finds his moment of fulfillment too. ~ Eleanor Mannikka, All Movie Guide
Times Tagged: 5
Number of Lists: 12
Number of blog posts: 2
Number of discussion threads: 1
SpoutRating: 3
]]>Fri, 09 Jan 2009 17:29:37 GMTThe Toxic Avenger1985Lloyd Kaufman, Michael HerzIn a crazy spoof of heroic monster movies that spawned two sequels, The Toxic Avenger is about the transformation of a mild-mannered, scrawny janitor into a thundering, muscular hero out for justice, morality, and in one case, a bit of sex. Melvin (Mark Torgl) has a job as a custodian at a work-out club where his humiliating treatment by the musclebound reaches an ugly climax in which Melvin is forced to jump out of a window. He lands in a toxic waste truck, and by some miracle of modern pollution he is transformed into a pumped-up monster, heretofore known as the Toxic Avenger (Mitchell Cohen). From that moment on, TA saves damsels and others in distress by some pretty gory mauling and maiming but finds his moment of fulfillment too. ~ Eleanor Mannikka, All Movie Guide5Slightly Tagged (1-5)12213http://www.spout.com/ProductImages/t77038d9ont.jpghttp://www.spout.com/films/The_Toxic_Avenger/35645/default.aspxFilm http://www.spout.com/blogs/spoutblog/archive/2008/8/13/33965.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 8/13/2008 3:01:08 PM
Body: From what I hear, Star Wars: The Clone Wars is really bad. Bad enough for the king of the fanboys, Harry Knowles, to reportedly write, “I hated the film. HATED IT. REALLY HATED IT.” Bad enough that Warner Bros. had the review removed from Aint it Cool News due to a review embargo — though probably it had more to do with it being so damaging to the studio’s marketing of the film (apparently Warners had no issue with Variety publishing its so-so review on the same day). I’m not in the least bit surprised. Most people I know who used to be big Star Wars fans won’t be bothering to see the film. But if it bombs at the box office this weekend, what will that mean for Lucasfilm’s upcoming Clone Wars animated series, which is set to spin off from the movie? The show will probably do OK, thanks to the few geeks who still worship the franchise, but it’s not likely to make my list of best animated series spun off from movies: Muppet Babies - The cute infant versions of Kermit, Miss Piggy, Fozzie and (most of) the others officially debuted in The Muppets Take Manhattan, so this cartoon series counts. Even though my brother disagrees (”the Muppets are a whole entity outside of the movies”). And it’s so good that I’d almost say it’s the best Muppet project ever. It’s at least better than the movie it spun off from. Plus, it was especially entertaining for movie fans. Long before Family Guy did it, the Muppet Babies had their own brilliant animated take on the Star Wars films. Star Wars: Droids - When I was a kid, I definitely preferred the cuter, longer-running Star Wars: Ewoks (both cartoons were later united as Ewoks & Droids Adventure Hour), but looking back, Droids was the cooler series because it retained Anthony Daniels as the voice of C-3PO (R2-D2 was humorously credited as himself) and featured characters like Boba Fett and IG-88. As a bonus, it also featured an awesome theme song co-written and performed by Stewart Copeland. The only theme that might top it is the Fat Boys’ rap for Police Academy: The Series. Back to the Future - I’m a sucker for cartoon spin-offs that feature voices from the original movies, and this one had both Mary Steenburgen (Clara Brown) and Thomas F. Wilson (Biff Tannen) reprising their roles. Strangely enough, the animated Doc Brown was voiced by Dan Castellaneta (also the voice of Homer Simpson), while the live-action Doc Brown, who introduced and closed each episode, was actually played by the movies’ Christopher Lloyd. Someone please put this show on DVD already. Bill & Ted’s Excellent Adventures - Even better than BTTF, this cartoon initially featured the voices of the three original stars of Bill & Ted’s Excellent Adventure, Keanu Reeves, Alex Winter and George Carlin. Unfortunately, the bogus second season of the series screwed everything up with a different production company (DiC instead of Hanna-Barbera), new actors (Evan Richards and Christopher Kennedy, stars of the live-action Bill & Ted series) and a broader premise (the dudes could now travel into literature, TV shows and the human body). At least for awhile, the series was most triumphant. Beetlejuice - Talk about changing the premise. I don’t know what the creators were thinking when they decided to suddenly make Beetlejuice and Lydia best friends, but somehow it works. And, as much as I’d have loved for Winona Ryder to reprise her role, I’m glad Lydia was voiced by one of my favorites, Alyson Court (Jubilee in X-Men: The Animated Series and Veronica in The New Archies). I don’t understand how it really fits with the plot of Tim Burton’s movie anymore than I get why Daniel and Mr Miyagi were suddenly adventurers in the Karate Kid cartoon, but I was at least a big fan of the imaginative Netherworld setting of the Beetlejuice series. The Real Ghostbusters - Like Beetlejuice, this animated version of Ghostbusters turned enemies into friends by making Slimer a cute mascot. In fact, the series was eventually retitled Slimer! and the Real Ghostbusters because of how kids responded to the green guy, with Slimer receiving his own half-hour storylines. This despite the initial attraction of the series having a darker tone than most Saturday morning cartoons. TaleSpin - Forget all the later Disney cartoon series based on animated features, this was the best and most inspired. Maybe because it’s another example in which the premise of the series is completely different than the premise of the films. Aside from starring the characters Baloo, Louie and Shere Khan, it has nothing at all to do with The Jungle Book. And except for the lack of songs performed by Louis Prima, the series is much cooler than the movie. She-Ra: Princess of Power - I’m counting this even though the movie it’s spun off from, The Secret of the Sword, is also the first four episodes of the series. It was released theatrically, though. Besides, including it on the list means I don’t have to choose a best of the three lame Jim Carrey movie spin offs (The Mask; Dumb and Dumber; Ace Ventura), nor do I have to familiarize myself with The Animatrix, which I’m sure has it’s fans, or attempt to justify the cool in theory but terrible in reality Teen Wolf cartoon. Toxic Crusaders - Among all the R-rated movies that were turned into cartoons for kids — including First Blood (Rambo), Highlander, RoboCop and Police Academy – the decision to make an animated series out of The Toxic Avenger is the most questionable and therefore the most ingenious. I doubt something like this could be created today; we kids of the ’80s were just more exposed to inappropriate material and also had room for more sanitized versions. I saw the original, extremely violent movie when I was 8 years old and would have also loved this cartoon back then, despite it’s lack of head-crushings and nudity. Unfortunately, it didn’t debut until I was in my teens, when I was typically sleeping in on Saturday mornings and napping on weekday afternoons. Clerks - I’ve honestly never seen this cartoon, but I have a good reason to include it. While taking a film studies course titled American Film Comedy in college, I had a classmate who literally finished each session — having just watched The Circus, The General, Sherlock Jr., Duck Soup, The Palm Beach Story, It, Trouble in Paradise, Mr. Deeds Goes to Town, His Girl Friday, It Should Happen to You, Tootsie or some other classic — by saying, in all seriousness, “I guess I don’t have the right sense of humor for these movies. I prefer smart comedies like Chasing Amy.” A devout Kevin Smith fan, he also continuously would reference the animated Clerks series, despite the fact that nobody else seemed to have any familiarity with it. For a cartoon spin-off to so completely appease the biggest fan of the movie, it has to be considered a success. Originally posted on:SpoutBlog
]]>Wed, 13 Aug 2008 19:01:08 GMTSpoutBlogSpoutBlog on spout.com8/13/2008 3:01:08 PM From what I hear, Star Wars: The Clone Wars is really bad. Bad enough for the king of the fanboys, Harry Knowles, to reportedly write, “I hated the film. HATED IT. REALLY HATED IT.” Bad enough that Warner Bros. had the review removed from Aint it Cool News due to a review embargo — though probably it had more to do with it being so damaging to the studio’s marketing of the film (apparently Warners had no issue with Variety publishing its so-so review on the same day). I’m not in the least bit surprised. Most people I know who used to be big Star Wars fans won’t be bothering to see the film. But if it bombs at the box office this weekend, what will that mean for Lucasfilm’s upcoming Clone Wars animated series, which is set to spin off from the movie? The show will probably do OK, thanks to the few geeks who still worship the franchise, but it’s not likely to make my list of best animated series spun off from movies: Muppet Babies - The cute infant versions of Kermit, Miss Piggy, Fozzie and (most of) the others officially debuted in The Muppets Take Manhattan, so this cartoon series counts. Even though my brother disagrees (”the Muppets are a whole entity outside of the movies”). And it’s so good that I’d almost say it’s the best Muppet project ever. It’s at least better than the movie it spun off from. Plus, it was especially entertaining for movie fans. Long before Family Guy did it, the Muppet Babies had their own brilliant animated take on the Star Wars films. Star Wars: Droids - When I was a kid, I definitely preferred the cuter, longer-running Star Wars: Ewoks (both cartoons were later united as Ewoks & Droids Adventure Hour), but looking back, Droids was the cooler series because it retained Anthony Daniels as the voice of C-3PO (R2-D2 was humorously credited as himself) and featured characters like Boba Fett and IG-88. As a bonus, it also featured an awesome theme song co-written and performed by Stewart Copeland. The only theme that might top it is the Fat Boys’ rap for Police Academy: The Series. Back to the Future - I’m a sucker for cartoon spin-offs that feature voices from the original movies, and this one had both Mary Steenburgen (Clara Brown) and Thomas F. Wilson (Biff Tannen) reprising their roles. Strangely enough, the animated Doc Brown was voiced by Dan Castellaneta (also the voice of Homer Simpson), while the live-action Doc Brown, who introduced and closed each episode, was actually played by the movies’ Christopher Lloyd. Someone please put this show on DVD already. Bill & Ted’s Excellent Adventures - Even better than BTTF, this cartoon initially featured the voices of the three original stars of Bill & Ted’s Excellent Adventure, Keanu Reeves, Alex Winter and George Carlin. Unfortunately, the bogus second season of the series screwed everything up with a different production company (DiC instead of Hanna-Barbera), new actors (Evan Richards and Christopher Kennedy, stars of the live-action Bill & Ted series) and a broader premise (the dudes could now travel into literature, TV shows and the human body). At least for awhile, the series was most triumphant. Beetlejuice - Talk about changing the premise. I don’t know what the creators were thinking when they decided to suddenly make Beetlejuice and Lydia best friends, but somehow it works. And, as much as I’d have loved for Winona Ryder to reprise her role, I’m glad Lydia was voiced by one of my favorites, Alyson Court (Jubilee in X-Men: The Animated Series and Veronica in The New Archies). I don’t understand how it really fits with the plot of Tim Burton’s movie anymore than I get why Daniel and Mr Miyagi were suddenly adventurers in the Karate Kid cartoon, but I was at least a big fan of the imaginative Netherworld setting of the Beetlejuice series. The Real Ghostbusters - Like Beetlejuice, this animated version of Ghostbusters turned enemies into friends by making Slimer a cute mascot. In fact, the series was eventually retitled Slimer! and the Real Ghostbusters because of how kids responded to the green guy, with Slimer receiving his own half-hour storylines. This despite the initial attraction of the series having a darker tone than most Saturday morning cartoons. TaleSpin - Forget all the later Disney cartoon series based on animated features, this was the best and most inspired. Maybe because it’s another example in which the premise of the series is completely different than the premise of the films. Aside from starring the characters Baloo, Louie and Shere Khan, it has nothing at all to do with The Jungle Book. And except for the lack of songs performed by Louis Prima, the series is much cooler than the movie. She-Ra: Princess of Power - I’m counting this even though the movie it’s spun off from, The Secret of the Sword, is also the first four episodes of the series. It was released theatrically, though. Besides, including it on the list means I don’t have to choose a best of the three lame Jim Carrey movie spin offs (The Mask; Dumb and Dumber; Ace Ventura), nor do I have to familiarize myself with The Animatrix, which I’m sure has it’s fans, or attempt to justify the cool in theory but terrible in reality Teen Wolf cartoon. Toxic Crusaders - Among all the R-rated movies that were turned into cartoons for kids — including First Blood (Rambo), Highlander, RoboCop and Police Academy – the decision to make an animated series out of The Toxic Avenger is the most questionable and therefore the most ingenious. I doubt something like this could be created today; we kids of the ’80s were just more exposed to inappropriate material and also had room for more sanitized versions. I saw the original, extremely violent movie when I was 8 years old and would have also loved this cartoon back then, despite it’s lack of head-crushings and nudity. Unfortunately, it didn’t debut until I was in my teens, when I was typically sleeping in on Saturday mornings and napping on weekday afternoons. Clerks - I’ve honestly never seen this cartoon, but I have a good reason to include it. While taking a film studies course titled American Film Comedy in college, I had a classmate who literally finished each session — having just watched The Circus, The General, Sherlock Jr., Duck Soup, The Palm Beach Story, It, Trouble in Paradise, Mr. Deeds Goes to Town, His Girl Friday, It Should Happen to You, Tootsie or some other classic — by saying, in all seriousness, “I guess I don’t have the right sense of humor for these movies. I prefer smart comedies like Chasing Amy.” A devout Kevin Smith fan, he also continuously would reference the animated Clerks series, despite the fact that nobody else seemed to have any familiarity with it. For a cartoon spin-off to so completely appease the biggest fan of the movie, it has to be considered a success. Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/7/1/31952.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 7/1/2008 11:00:51 AM
Body: Will Smith’s new superhero movie, Hancock, may be receiving terrible reviews, but it’s sure to make a lot of money. It is a Will Smith movie, after all. The fact that it’s an original superhero title (meaning not adapted from a comic book or other source material), however, means that if it is a success, it will be the rare movie of its kind to be such. Superhero movies may be huge right now, but really only the pre-sold properties, those with a build-in audience, make the big bucks. A number of original superhero movies are just as worthy of your attention as the Spider-Mans, the Iron Mans, the Batmans and the X-Mens. Sure, much of the time, non-adapted superheroes are lame, as in the cases of Blankman and My Super Ex-Girlfriend. But just check out any of the following ten titles and see why it sometimes pays off to put your trust in an unfamiliar hero. The Incredibles - This one did it all: won an Oscar; received favorable reviews across the board; did blockbuster business in theaters and ancillaries (its the sole original superhero movie to break $100 million, domestically, a feat it far surpassed by actually grossing more than $260 million); and featured the single greatest superhero gag (above) ever seen. So there’s proof that a superhero movie can be good and do well without being based on another property. Unbreakable - The only film by M. Night Shyamalan I can enjoy repeatedly and perhaps the only superhero movie besides Batman Begins that audiences can kind of believe might be plausible in the real world. Also, it is perhaps the one origin-story superhero tale that doesn’t necessitate a sequel. The ending may have been anticlimactic, but the scene shown above (I wish the clip began earlier, from the train station scene forward) is one of the greatest superhero fight sequences ever put on film. The Matrix - Meanwhile, this is one origin-story superhero movie that shouldn’t have received a sequel, despite it’s needing one. Or maybe it just shouldn’t have been given the sequels it was given. In a way, the first installment is the perfect superhero movie for the age of video games, because Neo really only has powers in the virtual world. Unfortunately, the subsequent installments ruin this concept. Sky High - It looks really cheesy, but this Harry Potter for the superhero set is actually really clever and consistently entertaining. The common high school plot, in which an unpopular kid becomes popular and ends up screwing over his old friends, is ingeniously lent to the superteen subgenre. It may not hold a candle to the teen metaphors of X2: X-Men United, but it makes those initial Xavier School scenes from the first X-Men look wasteful. Darkman - Long before he sold his soul to the Spider-Man franchise, Sam Raimi created this original superhero tale. I wasn’t really a fan when it came out, but I’d now take it over any of the Spidey movies — even Spider-Man 2. RoboCop - The best superhero tales are really about humanity, not superhumanity, and this satirical sci-fi actioner certainly fits that qualification. It’s not surprising that for the sequel to RoboCop, comic book legend Frank Miller was brought in as a screenwriter, nor is it surprising that the franchise spawned multiple comic book series. Super Fuzz - This one is purely a guilty pleasure, as it was one of my favorite movies as a kid. It’s kind of like Police Academy meets Superman meets Ernest Borgnine. Supah Supah! The Toxic Avenger - Another guilty pleasure, but also a great idea for a superhero movie. These days it’s uncommon to see such a ruthlessly violent superhero, but in his time, Toxie was like a parallel to supervillain protagonists of horror movies, like Jason Vorhees and Freddy Krueger, for who we continually rooted. Mr. Freedom - Change the communist villains to terrorists, and this would have been ripe for a remake a few years back. The Bush Administration was actually referring to this 1969 superhero farce, about a costumed crusader single-handedly battling the Cold War, whenever it uttered the phrase “enemies of freedom.” Special - I haven’t actually seen this movie, and I’ve been told it’s not quite as great as I expect it to be, but the trailer alone is good enough for me. Originally posted on:SpoutBlog
]]>Tue, 01 Jul 2008 15:00:51 GMTSpoutBlogSpoutBlog on spout.com7/1/2008 11:00:51 AM Will Smith’s new superhero movie, Hancock, may be receiving terrible reviews, but it’s sure to make a lot of money. It is a Will Smith movie, after all. The fact that it’s an original superhero title (meaning not adapted from a comic book or other source material), however, means that if it is a success, it will be the rare movie of its kind to be such. Superhero movies may be huge right now, but really only the pre-sold properties, those with a build-in audience, make the big bucks. A number of original superhero movies are just as worthy of your attention as the Spider-Mans, the Iron Mans, the Batmans and the X-Mens. Sure, much of the time, non-adapted superheroes are lame, as in the cases of Blankman and My Super Ex-Girlfriend. But just check out any of the following ten titles and see why it sometimes pays off to put your trust in an unfamiliar hero. The Incredibles - This one did it all: won an Oscar; received favorable reviews across the board; did blockbuster business in theaters and ancillaries (its the sole original superhero movie to break $100 million, domestically, a feat it far surpassed by actually grossing more than $260 million); and featured the single greatest superhero gag (above) ever seen. So there’s proof that a superhero movie can be good and do well without being based on another property. Unbreakable - The only film by M. Night Shyamalan I can enjoy repeatedly and perhaps the only superhero movie besides Batman Begins that audiences can kind of believe might be plausible in the real world. Also, it is perhaps the one origin-story superhero tale that doesn’t necessitate a sequel. The ending may have been anticlimactic, but the scene shown above (I wish the clip began earlier, from the train station scene forward) is one of the greatest superhero fight sequences ever put on film. The Matrix - Meanwhile, this is one origin-story superhero movie that shouldn’t have received a sequel, despite it’s needing one. Or maybe it just shouldn’t have been given the sequels it was given. In a way, the first installment is the perfect superhero movie for the age of video games, because Neo really only has powers in the virtual world. Unfortunately, the subsequent installments ruin this concept. Sky High - It looks really cheesy, but this Harry Potter for the superhero set is actually really clever and consistently entertaining. The common high school plot, in which an unpopular kid becomes popular and ends up screwing over his old friends, is ingeniously lent to the superteen subgenre. It may not hold a candle to the teen metaphors of X2: X-Men United, but it makes those initial Xavier School scenes from the first X-Men look wasteful. Darkman - Long before he sold his soul to the Spider-Man franchise, Sam Raimi created this original superhero tale. I wasn’t really a fan when it came out, but I’d now take it over any of the Spidey movies — even Spider-Man 2. RoboCop - The best superhero tales are really about humanity, not superhumanity, and this satirical sci-fi actioner certainly fits that qualification. It’s not surprising that for the sequel to RoboCop, comic book legend Frank Miller was brought in as a screenwriter, nor is it surprising that the franchise spawned multiple comic book series. Super Fuzz - This one is purely a guilty pleasure, as it was one of my favorite movies as a kid. It’s kind of like Police Academy meets Superman meets Ernest Borgnine. Supah Supah! The Toxic Avenger - Another guilty pleasure, but also a great idea for a superhero movie. These days it’s uncommon to see such a ruthlessly violent superhero, but in his time, Toxie was like a parallel to supervillain protagonists of horror movies, like Jason Vorhees and Freddy Krueger, for who we continually rooted. Mr. Freedom - Change the communist villains to terrorists, and this would have been ripe for a remake a few years back. The Bush Administration was actually referring to this 1969 superhero farce, about a costumed crusader single-handedly battling the Cold War, whenever it uttered the phrase “enemies of freedom.” Special - I haven’t actually seen this movie, and I’ve been told it’s not quite as great as I expect it to be, but the trailer alone is good enough for me. Originally posted on:SpoutBlog http://www.spout.com/groups/Top_5/Re_Top_5_Guilty_Pleasure_films/190/6090/1/ShowPost.aspx Post By: Windbreaker
Post To: Top 5
Post Date: 3/6/2007 10:13:20 PM
Body: Assassination Bureau... sweet!I have a rotating list, but here's mine as of tonight in alphabetical order.1. Above the Law2. Basic Instinct3. Marked for Death4. Point Break5. Toxic Avenger
]]>Wed, 07 Mar 2007 03:13:20 GMTWindbreakerTop 53/6/2007 10:13:20 PMAssassination Bureau... sweet!I have a rotating list, but here's mine as of tonight in alphabetical order.1. Above the Law2. Basic Instinct3. Marked for Death4. Point Break5. Toxic Avenger http://www.spout.com/members/0/tags/future/MemberTagFilms.aspxfuture
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