list http://www.spout.com/ Recent community activity around Ocean's [Film Series] on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Ocean_s_Film_Series/344098/default.aspx Title: Ocean's [Film Series]
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]]>Tue, 27 Jan 2009 22:01:13 GMTOcean's [Film Series]215http://www.spout.com/images/no_image.jpghttp://www.spout.com/films/Ocean_s_Film_Series/344098/default.aspxFilm http://www.spout.com/blogs/spoutblog/archive/2009/1/27/39987.aspxPost By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 1/27/2009 5:01:13 PM
Body: Both are broadly classifiable as science fiction, but Alien is basically a horror flick and Aliens has all the conventions of a war film. That’s a pretty slick transition from one type of movie to another, especially since the switch was so immediate within the series. Most movie franchises don’t play with genre in such a way until they’ve gone through a number of sequels, and even then the series usually just simply takes its characters into outer space, a la Moonraker, Jason X and Leprechaun 4. Genre jumping isn’t that easy, though, unless a franchise inhabits a whole universe in which to expand through. Like Star Wars, for example. Originally a film series, the Star Wars franchise spread out into novels, which has allowed for dips into the romance genre and now horror. That’s right, an upcoming novel by horror author Joe Schreiber, titled Deathtroopers, takes the Star Wars universe into frightening territory described by Schreiber as “in the vein of The Shining and Alien, with a little dose of William Gibson mixed in.” So, if Star Wars can venture into the horror genre, what other movie franchises should attempt a genre jump? To toy with the idea, we’ve selected five film series in need of a change and suggested a possible redirection of genre for each. Franchise: Indiana Jones New Genre: Spy Film With Indiana Jones and the Kingdom of the Crystal Skull, the franchise already made a slight genre leap, turning an adventure series with minor fantasy elements into a lame science fiction tale. In a way, George Lucas pretty much did for Indy what past producers did with James Bond, Jason Voorhees and the Leprechaun. Only, this time, the outer space came to the characters instead of the other way around. That installment was quite a disappointment and now the only way to save the series is to head in a more serious direction and cut out all sci-fi/fantasy material altogether. Set in the 1960s, Indiana Jones and the Bay of Pigs will be more C.I.A. thriller than mystical archaeological adventure, but while Harrison Ford will get to bring a piece of his Jack Ryan portrayal into the franchise, it won’t completely abandon the elements that make it an Indiana Jones movie. He’ll still be in search of an ancient object, this one located in the Cuban rain forest, but he’ll also be battling Communists in more of a Jason Bourne and Daniel Craig as 007 style. No flying fridges, no swinging Shias and definitely no aliens. Just pure Cold War-era suspense. Franchise: Harry Potter New Genre: Teen Sex Comedy The Harry Potter series has evolved throughout its novels and films to darker and more mature themes, but the next step, if Warner Bros. decides to continue the franchise after the last J.K. Rowling adaptation, is to regress into a lighter and more immature genre. Along the lines of the teen sex classic Zapped!, as well as the hilarious fantasies/screenplays of actor Patrick Stewart (as depicted on Extras), Harry Potter and the Clothes That Magically Fall Off, would involve Harry’s days at university, during which he uses his powers to see female classmates naked and win basketball games (because it’s an American “Muggle” college and so there’s no Quidditch team). But in the end, he realizes that he doesn’t need to use magic to win the girl of his dreams (really just his college fling since he later settles down with someone else) or the championship game. Franchise: Ocean’s Eleven New Genre: Western There aren’t many places left for Steven Soderbergh to go with this series, which kicked off with a remake of the Rat Pack film Ocean’s 11. So, instead of moving ahead with Ocean’s Fourteen, he should move sideways and do a remake of Sergeants 3. Itself a loose remake of Gunga Din, the western comedy was the only other movie to feature all of the Rat Pack guys. Technically, this new version won’t be another sequel to Ocean’s Eleven, but it would surely be considered part of the franchise, as it will still star Clooney, Pitt, Damon, Affleck, Caan, Jemison, Qin, Gould, Reiner and Cheadle (sadly, Bernie Mac can not join them). Who wouldn’t love to see that cast playing tongue-in-cheek in the old west? In any genre those actors together would make an enjoyable piece of blockbuster fluff. Franchise: Die Hard New Genre: Marital Drama Weren’t you disappointed to learn that John and Holly McClane are divorced by the fourth Die Hard installment, Live Free or Die Hard? After all, the original movie wouldn’t have happened were it not for the main character’s attempt to save their marriage. And the events of Die Hard 2 also pretty much revolve around the status of the relationship. So, let’s go back to the beginning and look into the cracks between the four action flicks. We know John can thwart terrorists in any given scenario, but how does he function on a normal day? How does he deal with the threats of separation and divorce when he doesn’t have the distraction of action and the benefit of coming off a hero? This prequel/concurrent drama, titled Die Slowly, would depict marital dysfunction and collapse similar to Who’s Afraid of Virginia Woolf? and Revolutionary Road, except that in this film, whenever the couple goes at it, the husband gets to shout, “I saved you from terrorists. Twice. Give me a f—ing break!” Franchise: Friday the 13th New Genre: Romantic Comedy We’ve seen Freddy Vs. Jason. Now it’s time for Jason , a romantic pairing of Jason Voorhees, of the Friday the 13th series, and Angela Baker, of Sleepaway Camp. The two meet-cute when they both attempt to kill the same camper, accidentally stabbing each other instead. Rather than uniting to kill more kids, the new lovers realize that they’ve only been slashing people because they’ve never been hit with Cupid’s arrow (Jason actually had encountered the little cherub once, but he mistakenly decapitated him, stole his arrow and used it to impale a naked teen). But the movie isn’t all happy lovey-dovey montages. Like all romantic comedies, this one features a misunderstanding, and here it comes about when Jason and Angela first become intimate and the former discovers that the latter is in fact a boy. The result, though, is tragically more Boys Don’t Cry than The Crying Game, and ends with Jason killing Angela and returning to his old murderous ways. It’s a harsh conclusion, sure, but some genre jumps must be expected to be only temporary. Originally posted on:SpoutBlog
]]>Tue, 27 Jan 2009 22:01:13 GMTSpoutBlogSpoutBlog on spout.com1/27/2009 5:01:13 PMBoth are broadly classifiable as science fiction, but Alien is basically a horror flick and Aliens has all the conventions of a war film. That’s a pretty slick transition from one type of movie to another, especially since the switch was so immediate within the series. Most movie franchises don’t play with genre in such a way until they’ve gone through a number of sequels, and even then the series usually just simply takes its characters into outer space, a la Moonraker, Jason X and Leprechaun 4. Genre jumping isn’t that easy, though, unless a franchise inhabits a whole universe in which to expand through. Like Star Wars, for example. Originally a film series, the Star Wars franchise spread out into novels, which has allowed for dips into the romance genre and now horror. That’s right, an upcoming novel by horror author Joe Schreiber, titled Deathtroopers, takes the Star Wars universe into frightening territory described by Schreiber as “in the vein of The Shining and Alien, with a little dose of William Gibson mixed in.” So, if Star Wars can venture into the horror genre, what other movie franchises should attempt a genre jump? To toy with the idea, we’ve selected five film series in need of a change and suggested a possible redirection of genre for each. Franchise: Indiana Jones New Genre: Spy Film With Indiana Jones and the Kingdom of the Crystal Skull, the franchise already made a slight genre leap, turning an adventure series with minor fantasy elements into a lame science fiction tale. In a way, George Lucas pretty much did for Indy what past producers did with James Bond, Jason Voorhees and the Leprechaun. Only, this time, the outer space came to the characters instead of the other way around. That installment was quite a disappointment and now the only way to save the series is to head in a more serious direction and cut out all sci-fi/fantasy material altogether. Set in the 1960s, Indiana Jones and the Bay of Pigs will be more C.I.A. thriller than mystical archaeological adventure, but while Harrison Ford will get to bring a piece of his Jack Ryan portrayal into the franchise, it won’t completely abandon the elements that make it an Indiana Jones movie. He’ll still be in search of an ancient object, this one located in the Cuban rain forest, but he’ll also be battling Communists in more of a Jason Bourne and Daniel Craig as 007 style. No flying fridges, no swinging Shias and definitely no aliens. Just pure Cold War-era suspense. Franchise: Harry Potter New Genre: Teen Sex Comedy The Harry Potter series has evolved throughout its novels and films to darker and more mature themes, but the next step, if Warner Bros. decides to continue the franchise after the last J.K. Rowling adaptation, is to regress into a lighter and more immature genre. Along the lines of the teen sex classic Zapped!, as well as the hilarious fantasies/screenplays of actor Patrick Stewart (as depicted on Extras), Harry Potter and the Clothes That Magically Fall Off, would involve Harry’s days at university, during which he uses his powers to see female classmates naked and win basketball games (because it’s an American “Muggle” college and so there’s no Quidditch team). But in the end, he realizes that he doesn’t need to use magic to win the girl of his dreams (really just his college fling since he later settles down with someone else) or the championship game. Franchise: Ocean’s Eleven New Genre: Western There aren’t many places left for Steven Soderbergh to go with this series, which kicked off with a remake of the Rat Pack film Ocean’s 11. So, instead of moving ahead with Ocean’s Fourteen, he should move sideways and do a remake of Sergeants 3. Itself a loose remake of Gunga Din, the western comedy was the only other movie to feature all of the Rat Pack guys. Technically, this new version won’t be another sequel to Ocean’s Eleven, but it would surely be considered part of the franchise, as it will still star Clooney, Pitt, Damon, Affleck, Caan, Jemison, Qin, Gould, Reiner and Cheadle (sadly, Bernie Mac can not join them). Who wouldn’t love to see that cast playing tongue-in-cheek in the old west? In any genre those actors together would make an enjoyable piece of blockbuster fluff. Franchise: Die Hard New Genre: Marital Drama Weren’t you disappointed to learn that John and Holly McClane are divorced by the fourth Die Hard installment, Live Free or Die Hard? After all, the original movie wouldn’t have happened were it not for the main character’s attempt to save their marriage. And the events of Die Hard 2 also pretty much revolve around the status of the relationship. So, let’s go back to the beginning and look into the cracks between the four action flicks. We know John can thwart terrorists in any given scenario, but how does he function on a normal day? How does he deal with the threats of separation and divorce when he doesn’t have the distraction of action and the benefit of coming off a hero? This prequel/concurrent drama, titled Die Slowly, would depict marital dysfunction and collapse similar to Who’s Afraid of Virginia Woolf? and Revolutionary Road, except that in this film, whenever the couple goes at it, the husband gets to shout, “I saved you from terrorists. Twice. Give me a f—ing break!” Franchise: Friday the 13th New Genre: Romantic Comedy We’ve seen Freddy Vs. Jason. Now it’s time for Jason , a romantic pairing of Jason Voorhees, of the Friday the 13th series, and Angela Baker, of Sleepaway Camp. The two meet-cute when they both attempt to kill the same camper, accidentally stabbing each other instead. Rather than uniting to kill more kids, the new lovers realize that they’ve only been slashing people because they’ve never been hit with Cupid’s arrow (Jason actually had encountered the little cherub once, but he mistakenly decapitated him, stole his arrow and used it to impale a naked teen). But the movie isn’t all happy lovey-dovey montages. Like all romantic comedies, this one features a misunderstanding, and here it comes about when Jason and Angela first become intimate and the former discovers that the latter is in fact a boy. The result, though, is tragically more Boys Don’t Cry than The Crying Game, and ends with Jason killing Angela and returning to his old murderous ways. It’s a harsh conclusion, sure, but some genre jumps must be expected to be only temporary. Originally posted on:SpoutBlog http://www.spout.com/groups/Movie_Games/Re_More_than_one_trilogy/598/29752/1/ShowPost.aspxPost By: usesoap
Post To: Movie Games
Post Date: 5/22/2008 2:04:05 PM
Body: Samuel L. Jackson: Star Wars and Jurassic Park Al Pacino: Godfather and Ocean's 13 Leslie Nielson: Naked Gun and Creepshow (even though the third was straight to DVD) Johnny Depp:Pirates of the Caribbean and Once Upon a Time in Mexico Bruce Willis Look Who's Talking, Die Hard\ Willem Dafoe: Once Upon a TIme in Mexico, Spider Man, Clear and Present Danger, My brain hurts now.
]]>Thu, 22 May 2008 18:04:05 GMTusesoapMovie Games5/22/2008 2:04:05 PMSamuel L. Jackson: Star Wars and Jurassic Park Al Pacino: Godfather and Ocean's 13 Leslie Nielson: Naked Gun and Creepshow (even though the third was straight to DVD) Johnny Depp:Pirates of the Caribbean and Once Upon a Time in Mexico Bruce Willis Look Who's Talking, Die Hard\ Willem Dafoe: Once Upon a TIme in Mexico, Spider Man, Clear and Present Danger, My brain hurts now. http://www.spout.com/blogs/spoutblog/archive/2008/5/12/28666.aspxPost By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 5/12/2008 4:00:39 PM
Body: It’s not always worthwhile to jump on rumors like this, but the idea that Brad Pitt could be cast as The Mighty Thor in Marvel’s upcoming movie adaptation (due June 4, 2010) is too good an idea to be left alone. The word comes from Latino Review that Marvel is simply tossing the actor’s name around, though apparently the role hasn’t even been suggested, let alone offered, to Pitt. Unfortunately, it’s hard to imagine that Pitt would be interested in playing a superhero. He’s still a big enough star and a talented enough actor that he might feel he’s above such a thing. However, if he wants to continue making great films like The Assassination of Jesse James by the Coward Robert Ford, which don’t make him much cash, he’s going to need some mainstream hits, and he could do much worse for a paycheck than wear a cape and helmet and fight evil as the Norse God of Thunder. So, I’ve come up with five reasons for Pitt to grab Thor’s hammer. Hopefully he’ll find the list convincing. Lucrative Franchise Potential - Without the security of more Ocean’s movies and the chance that your star power will wane (it’s happened to your friends and peers), now is the time to suit up for a comic book movie. It’s not like this would be that different from your only other recent hits, Troy and Mr. and Mrs. Smith, neither of which can be proven to have been successful because of you. Everyone Should Try it Once - Yes, it’s the cool thing to do for actors of your generation. Your Fight Club costar Ed Norton is The Incredible Hulk, and your Less Than Zero costar Robert Downey Jr. (OK, you weren’t a star then, you only had a bit part) is Iron Man. Sure, your buddy George Clooney and your Troy costar Eric Bana might have some bad words to say about playing a superhero, and it’s easy to see how it didn’t work for either Ben Affleck or his wife. But with your clout, you could make the movie worthwhile. Surely you have the power to make sure there’s a good script and a good director on board (too bad your Snatch producer just quit the gig). You could probably (hopefully) even bring your girlfriend aboard to play Enchantress. Wouldn’t that be fun? Do It For Your Kids - As Latino Review suggests, you’re probably going to want to make some movies that your children can watch, and what kid doesn’t want to see his or her dad play a superhero? Better to do something like Thor now than settle for some kind of awful male nanny part down the road. It Will Actually Be Good - Superhero movies may be a dime a dozen, and none will ever be as good as any film directed by Terence Malick, or the Coens or Andrew Dominik or any of the other amazing filmmakers you’ve worked with, but as Iron Man has shown, they can be decent. And Marvel Studios is the company that’s making the best effort to produce quality comic book adaptations. Supposedly Mark Protosevich (I Am Legend) has delivered a good script, and Avi Arad is probably going to hire someone respectable to take the helm now that Vaughn is gone (perhaps you could convince David Fincher!). You’re the Best Person for the Job - Don’t pass up the chance just because you might believe Marvel has a long list of actors who’d be good for Thor. Yes, they could hire any number of buff blonds, but there is nobody with the combination of looks, talent, charisma, intelligence or star power that you have. And like Downey has done with Iron Man, you can bring some of yourself to the character in order to make it fit more perfectly. Originally posted on:SpoutBlog
]]>Mon, 12 May 2008 20:00:39 GMTSpoutBlogSpoutBlog on spout.com5/12/2008 4:00:39 PMIt’s not always worthwhile to jump on rumors like this, but the idea that Brad Pitt could be cast as The Mighty Thor in Marvel’s upcoming movie adaptation (due June 4, 2010) is too good an idea to be left alone. The word comes from Latino Review that Marvel is simply tossing the actor’s name around, though apparently the role hasn’t even been suggested, let alone offered, to Pitt. Unfortunately, it’s hard to imagine that Pitt would be interested in playing a superhero. He’s still a big enough star and a talented enough actor that he might feel he’s above such a thing. However, if he wants to continue making great films like The Assassination of Jesse James by the Coward Robert Ford, which don’t make him much cash, he’s going to need some mainstream hits, and he could do much worse for a paycheck than wear a cape and helmet and fight evil as the Norse God of Thunder. So, I’ve come up with five reasons for Pitt to grab Thor’s hammer. Hopefully he’ll find the list convincing. Lucrative Franchise Potential - Without the security of more Ocean’s movies and the chance that your star power will wane (it’s happened to your friends and peers), now is the time to suit up for a comic book movie. It’s not like this would be that different from your only other recent hits, Troy and Mr. and Mrs. Smith, neither of which can be proven to have been successful because of you. Everyone Should Try it Once - Yes, it’s the cool thing to do for actors of your generation. Your Fight Club costar Ed Norton is The Incredible Hulk, and your Less Than Zero costar Robert Downey Jr. (OK, you weren’t a star then, you only had a bit part) is Iron Man. Sure, your buddy George Clooney and your Troy costar Eric Bana might have some bad words to say about playing a superhero, and it’s easy to see how it didn’t work for either Ben Affleck or his wife. But with your clout, you could make the movie worthwhile. Surely you have the power to make sure there’s a good script and a good director on board (too bad your Snatch producer just quit the gig). You could probably (hopefully) even bring your girlfriend aboard to play Enchantress. Wouldn’t that be fun? Do It For Your Kids - As Latino Review suggests, you’re probably going to want to make some movies that your children can watch, and what kid doesn’t want to see his or her dad play a superhero? Better to do something like Thor now than settle for some kind of awful male nanny part down the road. It Will Actually Be Good - Superhero movies may be a dime a dozen, and none will ever be as good as any film directed by Terence Malick, or the Coens or Andrew Dominik or any of the other amazing filmmakers you’ve worked with, but as Iron Man has shown, they can be decent. And Marvel Studios is the company that’s making the best effort to produce quality comic book adaptations. Supposedly Mark Protosevich (I Am Legend) has delivered a good script, and Avi Arad is probably going to hire someone respectable to take the helm now that Vaughn is gone (perhaps you could convince David Fincher!). You’re the Best Person for the Job - Don’t pass up the chance just because you might believe Marvel has a long list of actors who’d be good for Thor. Yes, they could hire any number of buff blonds, but there is nobody with the combination of looks, talent, charisma, intelligence or star power that you have. And like Downey has done with Iron Man, you can bring some of yourself to the character in order to make it fit more perfectly. Originally posted on:SpoutBlog http://www.spout.com/members/0/tags/heist/MemberTagFilms.aspxheist
Number of films tagged: 169

Number of people who tagged: 47

Number of times used: 109

]]>Wed, 12 Aug 2009 13:02:59 GMT16947109Tag http://www.spout.com/members/0/tags/thief/MemberTagFilms.aspxthief
Number of films tagged: 358

Number of people who tagged: 12

Number of times used: 20

]]>Fri, 31 Jul 2009 13:03:15 GMT3581220Tag http://www.spout.com/members/0/tags/exconvict/MemberTagFilms.aspxexconvict
Number of films tagged: 515

Number of people who tagged: 7

Number of times used: 12

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