list http://www.spout.com/ Recent community activity around Super Fuzz on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Super_Fuzz/33583/default.aspx Title: Super Fuzz
Year: 1981
Director: Sergio Corbucci
Plot: Dave Speed is no ordinary Miami cop--he is an irradiated Miami cop who has developed super powers. Unfortunately, he doesn't quite know how to use them and this gets him in trouble with his long-suffering partner. The film was also known as Supersnooper. ~ Sandra Brennan, All Movie Guide
Times Tagged: 2
Number of blog posts: 1
SpoutRating: 3
]]>Tue, 01 Jul 2008 15:00:51 GMTSuper Fuzz1981Sergio CorbucciDave Speed is no ordinary Miami cop--he is an irradiated Miami cop who has developed super powers. Unfortunately, he doesn't quite know how to use them and this gets him in trouble with his long-suffering partner. The film was also known as Supersnooper. ~ Sandra Brennan, All Movie Guide2Slightly Tagged (1-5)13http://www.spout.com/ProductImages/t90900m6var.jpghttp://www.spout.com/films/Super_Fuzz/33583/default.aspxFilm http://www.spout.com/blogs/spoutblog/archive/2008/7/1/31952.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 7/1/2008 11:00:51 AM
Body: Will Smith’s new superhero movie, Hancock, may be receiving terrible reviews, but it’s sure to make a lot of money. It is a Will Smith movie, after all. The fact that it’s an original superhero title (meaning not adapted from a comic book or other source material), however, means that if it is a success, it will be the rare movie of its kind to be such. Superhero movies may be huge right now, but really only the pre-sold properties, those with a build-in audience, make the big bucks. A number of original superhero movies are just as worthy of your attention as the Spider-Mans, the Iron Mans, the Batmans and the X-Mens. Sure, much of the time, non-adapted superheroes are lame, as in the cases of Blankman and My Super Ex-Girlfriend. But just check out any of the following ten titles and see why it sometimes pays off to put your trust in an unfamiliar hero. The Incredibles - This one did it all: won an Oscar; received favorable reviews across the board; did blockbuster business in theaters and ancillaries (its the sole original superhero movie to break $100 million, domestically, a feat it far surpassed by actually grossing more than $260 million); and featured the single greatest superhero gag (above) ever seen. So there’s proof that a superhero movie can be good and do well without being based on another property. Unbreakable - The only film by M. Night Shyamalan I can enjoy repeatedly and perhaps the only superhero movie besides Batman Begins that audiences can kind of believe might be plausible in the real world. Also, it is perhaps the one origin-story superhero tale that doesn’t necessitate a sequel. The ending may have been anticlimactic, but the scene shown above (I wish the clip began earlier, from the train station scene forward) is one of the greatest superhero fight sequences ever put on film. The Matrix - Meanwhile, this is one origin-story superhero movie that shouldn’t have received a sequel, despite it’s needing one. Or maybe it just shouldn’t have been given the sequels it was given. In a way, the first installment is the perfect superhero movie for the age of video games, because Neo really only has powers in the virtual world. Unfortunately, the subsequent installments ruin this concept. Sky High - It looks really cheesy, but this Harry Potter for the superhero set is actually really clever and consistently entertaining. The common high school plot, in which an unpopular kid becomes popular and ends up screwing over his old friends, is ingeniously lent to the superteen subgenre. It may not hold a candle to the teen metaphors of X2: X-Men United, but it makes those initial Xavier School scenes from the first X-Men look wasteful. Darkman - Long before he sold his soul to the Spider-Man franchise, Sam Raimi created this original superhero tale. I wasn’t really a fan when it came out, but I’d now take it over any of the Spidey movies — even Spider-Man 2. RoboCop - The best superhero tales are really about humanity, not superhumanity, and this satirical sci-fi actioner certainly fits that qualification. It’s not surprising that for the sequel to RoboCop, comic book legend Frank Miller was brought in as a screenwriter, nor is it surprising that the franchise spawned multiple comic book series. Super Fuzz - This one is purely a guilty pleasure, as it was one of my favorite movies as a kid. It’s kind of like Police Academy meets Superman meets Ernest Borgnine. Supah Supah! The Toxic Avenger - Another guilty pleasure, but also a great idea for a superhero movie. These days it’s uncommon to see such a ruthlessly violent superhero, but in his time, Toxie was like a parallel to supervillain protagonists of horror movies, like Jason Vorhees and Freddy Krueger, for who we continually rooted. Mr. Freedom - Change the communist villains to terrorists, and this would have been ripe for a remake a few years back. The Bush Administration was actually referring to this 1969 superhero farce, about a costumed crusader single-handedly battling the Cold War, whenever it uttered the phrase “enemies of freedom.” Special - I haven’t actually seen this movie, and I’ve been told it’s not quite as great as I expect it to be, but the trailer alone is good enough for me. Originally posted on:SpoutBlog
]]>Tue, 01 Jul 2008 15:00:51 GMTSpoutBlogSpoutBlog on spout.com7/1/2008 11:00:51 AM Will Smith’s new superhero movie, Hancock, may be receiving terrible reviews, but it’s sure to make a lot of money. It is a Will Smith movie, after all. The fact that it’s an original superhero title (meaning not adapted from a comic book or other source material), however, means that if it is a success, it will be the rare movie of its kind to be such. Superhero movies may be huge right now, but really only the pre-sold properties, those with a build-in audience, make the big bucks. A number of original superhero movies are just as worthy of your attention as the Spider-Mans, the Iron Mans, the Batmans and the X-Mens. Sure, much of the time, non-adapted superheroes are lame, as in the cases of Blankman and My Super Ex-Girlfriend. But just check out any of the following ten titles and see why it sometimes pays off to put your trust in an unfamiliar hero. The Incredibles - This one did it all: won an Oscar; received favorable reviews across the board; did blockbuster business in theaters and ancillaries (its the sole original superhero movie to break $100 million, domestically, a feat it far surpassed by actually grossing more than $260 million); and featured the single greatest superhero gag (above) ever seen. So there’s proof that a superhero movie can be good and do well without being based on another property. Unbreakable - The only film by M. Night Shyamalan I can enjoy repeatedly and perhaps the only superhero movie besides Batman Begins that audiences can kind of believe might be plausible in the real world. Also, it is perhaps the one origin-story superhero tale that doesn’t necessitate a sequel. The ending may have been anticlimactic, but the scene shown above (I wish the clip began earlier, from the train station scene forward) is one of the greatest superhero fight sequences ever put on film. The Matrix - Meanwhile, this is one origin-story superhero movie that shouldn’t have received a sequel, despite it’s needing one. Or maybe it just shouldn’t have been given the sequels it was given. In a way, the first installment is the perfect superhero movie for the age of video games, because Neo really only has powers in the virtual world. Unfortunately, the subsequent installments ruin this concept. Sky High - It looks really cheesy, but this Harry Potter for the superhero set is actually really clever and consistently entertaining. The common high school plot, in which an unpopular kid becomes popular and ends up screwing over his old friends, is ingeniously lent to the superteen subgenre. It may not hold a candle to the teen metaphors of X2: X-Men United, but it makes those initial Xavier School scenes from the first X-Men look wasteful. Darkman - Long before he sold his soul to the Spider-Man franchise, Sam Raimi created this original superhero tale. I wasn’t really a fan when it came out, but I’d now take it over any of the Spidey movies — even Spider-Man 2. RoboCop - The best superhero tales are really about humanity, not superhumanity, and this satirical sci-fi actioner certainly fits that qualification. It’s not surprising that for the sequel to RoboCop, comic book legend Frank Miller was brought in as a screenwriter, nor is it surprising that the franchise spawned multiple comic book series. Super Fuzz - This one is purely a guilty pleasure, as it was one of my favorite movies as a kid. It’s kind of like Police Academy meets Superman meets Ernest Borgnine. Supah Supah! The Toxic Avenger - Another guilty pleasure, but also a great idea for a superhero movie. These days it’s uncommon to see such a ruthlessly violent superhero, but in his time, Toxie was like a parallel to supervillain protagonists of horror movies, like Jason Vorhees and Freddy Krueger, for who we continually rooted. Mr. Freedom - Change the communist villains to terrorists, and this would have been ripe for a remake a few years back. The Bush Administration was actually referring to this 1969 superhero farce, about a costumed crusader single-handedly battling the Cold War, whenever it uttered the phrase “enemies of freedom.” Special - I haven’t actually seen this movie, and I’ve been told it’s not quite as great as I expect it to be, but the trailer alone is good enough for me. Originally posted on:SpoutBlog http://www.spout.com/members/0/tags/gangster/MemberTagFilms.aspxgangster
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