list http://www.spout.com/ Recent community activity around The Big Picture on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/The_Big_Picture/3214/default.aspx Title: The Big Picture
Year: 1989
Director: Christopher Guest
Plot: Another "get even with Hollywood" satire in the tradition of SOB and Movers and Shakers, The Big Picture is an elongated inside joke complete with un-billed celebrity cameos. In this first feature-film directorial effort by actor/writer Christopher Guest, Kevin Bacon plays a "boy wonder" director whose willingness to compromise his ideals allows him to keep afloat in Tinseltown. Bacon's corruption begins when his first Hollywood project, a black-and-white experimental film about an over-40 menage a trois, is distorted beyond recognition into a color, big-budget "youth trip". Bacon hasn't really sold out; he's merely waiting to accrue enough industry clout to strike back at the Philistines in charge. ~ Hal Erickson, All Movie Guide
Number of Lists: 2
Number of blog posts: 3
SpoutRating: 2
]]>Mon, 12 Jan 2009 21:01:03 GMTThe Big Picture1989Christopher GuestAnother "get even with Hollywood" satire in the tradition of <a href=/films/271419/default.aspx style='text-decoration:underline'>SOB</a> and <a href=/films/42152/default.aspx style='text-decoration:underline'>Movers and Shakers</a>, The Big Picture is an elongated inside joke complete with un-billed celebrity cameos. In this first feature-film directorial effort by actor/writer <a href="/players/P____92825/default.aspx" style='text-decoration:underline'>Christopher Guest</a>, <a href="/players/P_____3164/default.aspx" style='text-decoration:underline'>Kevin Bacon</a> plays a "boy wonder" director whose willingness to compromise his ideals allows him to keep afloat in Tinseltown. Bacon's corruption begins when his first Hollywood project, a black-and-white experimental film about an over-40 menage a trois, is distorted beyond recognition into a color, big-budget "youth trip". Bacon hasn't really sold out; he's merely waiting to accrue enough industry clout to strike back at the Philistines in charge. ~ Hal Erickson, All Movie Guide232http://www.spout.com/ProductImages/t23466kob0d.jpghttp://www.spout.com/films/The_Big_Picture/3214/default.aspxFilm http://www.spout.com/blogs/spoutblog/archive/2009/1/12/39422.aspx Post By: SpoutBlog
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Post Date: 1/12/2009 4:01:03 PM
Body: What better way to get in the mood for the double-barrelled shotgun blast of Sundance and Slamdance than by entering to win one of five copies of The Deal on DVD. Here’s what the movie is all about: A struggling film producer (William H. Macy) teams up with a beleaguered studio executive (Meg Ryan) who is forced to make a doomed action movie with him in which their mercurial star (LL Cool J) seems determined to finish their careers. When their action hero is kidnapped and the studio abruptly shuts down the movie, the mismatched pair conspire to keep the cameras rolling at the studio’s expense – and reluctantly fall in love in the process. Visit the movie’s official website to find out more and watch the trailer as well as clips from the film. Getting your copy is pretty easy. Since The Deal is all about the inner-machinations of Hollywood, we want to know what your favorite movie set in Hollywood is 1. Bowfinger (Trailer) 2. The Player (Trailer) 3. Sunset Boulevard 4. The Big Picture (Trailer) 5. Ed Wood 6. Something I’m forgetting Send your choice to filmcouch@spout.com with the subject line “The Deal.” The winners will be announced during Episode 104 of FilmCouch, coming to a computer near you this Friday, January 16th. –Chris Thilk, Director of Marketing Originally posted on:SpoutBlog
]]>Mon, 12 Jan 2009 21:01:03 GMTSpoutBlogSpoutBlog on spout.com1/12/2009 4:01:03 PMWhat better way to get in the mood for the double-barrelled shotgun blast of Sundance and Slamdance than by entering to win one of five copies of The Deal on DVD. Here’s what the movie is all about: A struggling film producer (William H. Macy) teams up with a beleaguered studio executive (Meg Ryan) who is forced to make a doomed action movie with him in which their mercurial star (LL Cool J) seems determined to finish their careers. When their action hero is kidnapped and the studio abruptly shuts down the movie, the mismatched pair conspire to keep the cameras rolling at the studio’s expense – and reluctantly fall in love in the process. Visit the movie’s official website to find out more and watch the trailer as well as clips from the film. Getting your copy is pretty easy. Since The Deal is all about the inner-machinations of Hollywood, we want to know what your favorite movie set in Hollywood is 1. Bowfinger (Trailer) 2. The Player (Trailer) 3. Sunset Boulevard 4. The Big Picture (Trailer) 5. Ed Wood 6. Something I’m forgetting Send your choice to filmcouch@spout.com with the subject line “The Deal.” The winners will be announced during Episode 104 of FilmCouch, coming to a computer near you this Friday, January 16th. –Chris Thilk, Director of Marketing Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/8/21/34239.aspx Post By: SpoutBlog
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Post Date: 8/21/2008 4:01:18 PM
Body: This week, thanks to The Rocker, we can add another fictional band to the long list of music groups created solely for the movies. They’re called Vesuvius, and they’re an ‘80s hair band with a hit song titled “Promised Land.” As part of the film’s marketing, the track was offered as a free download for play on Rock Band (see the clip above). But if you ask me, the wrong tune was used in the promotion. Another song from the soundtrack, also credited to Vesuvius, is called “Pompeii Nights,” and it’s definitely the better of the two. I’m not surprised, though. While most people favor the songs of Spinal Tap, a once-fictional band that has become popular enough to evolve into a “semi-fictional” performing act, I’ve preferred such gems as “The Whites of Their Eyes” by PEZ® People, from The Big Picture. Also co-written by This is Spinal Tap’s Christopher Guest and Michael McKean, and sung by McKean, this song is apparently so underrated that I can’t even find an audio sample, let along a YouTube clip of the fake band’s music video, which was directed by fictional filmmaker Lydia Johnson (Jennifer Jason Leigh). Fortunately, for the benefit of this list, the rest of these under-appreciated tracks have a few fellow fans. “Howard the Duck” by Cherry Bomb, from Howard the Duck I’m still certain that I was this movie’s biggest fan. While growing up, I owned a VHS copy, the comic book adaptation and the novelization, and I still watched the edited version whenever it showed up on commercial television. Unfortunately, though, I never owned the soundtrack, which is, unsurprisingly, out of print (though available on eBay). It’s okay, because the catchy theme song has forever been lodged in my head. Performed diegetically by a fictional Runaways-inspired band, the Razzie-nominated “Howard the Duck” features vocals by actress Lea Thompson and funk legend George Clinton, plus Joe Walsh on guitar and Thomas Dolby, who co-wrote and produced all of Cherry Bomb’s songs, on synthesizer (off screen the song is credited to “Dolby Cube”). Cherry Bomb had four songs in the movie’s soundtrack, and some were definitely better than others. “Hunger City” is also kinda catchy, but that’s possibly only because it sounds reminiscent of Hall & Oats’ “Family Man.” Meanwhile, I absolutely love the slower “Don’t Turn Away,” which, unlike the title number, lacks Clinton’s vocals and Walsh’s guitar playing; yet it makes up for it with a little harmonica part performed by none other than Stevie Wonder. Perhaps its just my being a fan of ‘80s girl groups like The Go-Gos (check out Thompson doing a duet with Belinda Carlisle here) and The Bangles, but I could really have gone for a full album, and maybe a tour, a la Spinal Tap, from Cherry Bomb. “BBC” by Ming Tea, from Austin Powers: International Man of Mystery As far as fictional ‘60s bands go, Ming Tea is by far my favorite over such groups as The Oneders, aka The Wonders (from That Thing You Do!) and The Rutles (from All You Need is Cash), the latter of which is only as good as the Beatles tunes they spoof. Of course, I do like to think only of this poppy number from the first film, as well as the “psychedelic scene breaks” from the first and second films and ignore the relatively ‘90s-sounding “Daddy Wasn’t There” from Austin Powers in Goldmember, which seems like a reject from one of Matthew Sweet’s later albums (Sweet is a member of and co-songwriter for the fictional Ming Tea). Again, part of my love for Ming Tea could be due to my love for The Bangles, whose Susanna Hoffs was a member of the fake group (she is also the wife of Jay Roach, who directed all three Austin Powers movies). Someday I’d like to see another Nuggets box set featuring only fictional garage rock bands like Ming Tea, The Archies, etc. “Riverbottom Nightmare Band” by The Riverbottom Nightmare Band (or simply The Nightmare), from Emmet Otter’s Jug-Band Christmas Speaking of The Archies, if a fictional rock band from a cartoon can have a hit song continually played on oldies radio, why can’t this fictional rock band from a Muppet TV special get the same treatment? Is it because the vocals are actually pretty terrible? Is it because they’re the villains of the story? Maybe The Archies’ “Sugar Sugar” was the #1 pop song of 1969, but this eponymous tune was written by Oscar-winner Paul Williams, who also gave us such memorable songs as “(Just an) Old Fashioned Love Song,” “The Rainbow Connection” and The Carpenters’ “Rainy Days and Mondays” and “We’ve Only Just Begun.” Plus, if it’s any consolation, RNB’s keyboardist, a bear named Chuck, could totally kick Archie’s ass. Also worthy of radio play, though it’s probably not quite as underrated: “Can You Picture That” by Dr. Teeth and the Electric Mayhem, from The Muppet Movie (and also co-written by Williams). “Goodbye, Eddie, Goodbye” by The Juicy Fruits, from Phantom of the Paradise I’m not always a big fan of this doo-wop revival kind of glam rock, but I really like this track from Brian DePalma’s musical, favoring it over such “real” tunes as Gary Glitter’s cover of Dion’s “The Wanderer” and “made-up” songs as those in The Rocky Horror Picture Show. Maybe it’s because this song is also penned by Paul Williams? Technically, because the movie bombed and is still hardly celebrated (at least compared to TRHPS), the whole soundtrack should be on this list. “Two-Way Romeo” by The Bang Bang, from Brothers of the Head I don’t think anyone else even saw this faux rock documentary (it’s not funny enough to be considered a mockumentary), let alone paid attention to its better-than-necessary soundtrack. Basically the song is by British pop-punk band Crackout (or members of the band, anyway), but it’s pretty authentic sounding for the film’s ‘70s setting. “Never Did No Wanderin’” by The Folksmen, from A Mighty Wind Part of my disappointment with this movie was that the songs are actually pretty good — and not necessarily funny. Silly, yes. Witty, yes. But not exactly over the top, laugh-out-loud funny, the way I prefer Christopher Guest movies to be. Yet I would actually go see The Folksmen before I would go see Spinal Tap, which features the same three actors (Guest, Michael McKean and Harry Shearer, who in fact opened for themselves by having The Folkmen and Spinal Tap tour together in 2001). If they didn’t perform their cover of The Rolling Stones’ “Start Me Up,” though, I would be very dissatisfied. Much of the non-Folksmen songs on the soundtrack are actually pretty lame, including the Oscar-nominated “A Kiss at the End of the Rainbow.” I believe that had it all been more upbeat, a la The Folksmen’s “Old Joe’s Place” (which, along with “Blood on the Coal,” was actually introduced on Saturday Night Live way back in 1984), “Corn Wine” and “Never Did No Wanderin’” it could have been as successful an album as the O Brother, Where Art Thou? CDs. “Sweat of My Balls” by CB4, from CB4 The more memorable song from this near-mockumentary might be “Straight Outta Locash,” yet like the songs by The Rutles, it’s too clear a redo of a preexisting song (N.W.A.’s “Straight Outta Compton”). I guess I’m not that knowledgeable about rap music, but I had always thought “Sweat of My Balls” was actually original. Turns out, it’s actually a parody of Kool G. Rap’s “Talk Like Sex.” Well, since that song is also underrated (enough that I’d never heard of it), I stand by my inclusion of the less familiar-sounding CB4 track. “My Peanuts” by N.W.H., from Fear of a Black Hat I am at least aware that this song, which comes from a film similar to — though much less successful than — CB4, is a redo of Run-DMC’s “My Addidas.” But it’s so damn ridiculous that I wasn’t able to make the connection between the songs until many years after first seeing the movie. Just imagine how popular peanuts would be if the National Peanut Board used this rap in advertisements. “(Just Around the Corner to the) Light of Day” by The Barbusters, from Light of Day It’s not uncommon for a song written for a movie to become a real-world hit. And when it’s written by Bruce Springsteen, as this one was, you almost expect it to be a success. Yet despite the fact that both Springsteen and Joan Jett, who stars in the film as a member of the fictional Barbusters, have made the tune a staple of their respective live concert sets, it still doesn’t get the kind of general attention paid to, say, “On the Dark Side” from that other ‘80s bar band movie, Eddie and the Cruisers. Why isn’t this played heavily on classic rock radio? And by “this” I of course mean the version featuring Michael J. Fox and, yes, Michael McKean (man, he loves the fictional bands). “It Don’t Worry Me” by Albuquerque, from Nashville This is just a solo singer (played by Barbara Harris) rather than a whole group, but she’s still fictional and the song was still written for the film. And it’s sung during what may be the best film ending of all time (hence its appropriate position at the end of the list). Somehow Keith Carradine won an Oscar for writing the most boring tune in this Robert Altman classic (“I’m Easy”), while this song, also written by Carradine, is clearly more enjoyable. Originally posted on:SpoutBlog
]]>Thu, 21 Aug 2008 20:01:18 GMTSpoutBlogSpoutBlog on spout.com8/21/2008 4:01:18 PM This week, thanks to The Rocker, we can add another fictional band to the long list of music groups created solely for the movies. They’re called Vesuvius, and they’re an ‘80s hair band with a hit song titled “Promised Land.” As part of the film’s marketing, the track was offered as a free download for play on Rock Band (see the clip above). But if you ask me, the wrong tune was used in the promotion. Another song from the soundtrack, also credited to Vesuvius, is called “Pompeii Nights,” and it’s definitely the better of the two. I’m not surprised, though. While most people favor the songs of Spinal Tap, a once-fictional band that has become popular enough to evolve into a “semi-fictional” performing act, I’ve preferred such gems as “The Whites of Their Eyes” by PEZ® People, from The Big Picture. Also co-written by This is Spinal Tap’s Christopher Guest and Michael McKean, and sung by McKean, this song is apparently so underrated that I can’t even find an audio sample, let along a YouTube clip of the fake band’s music video, which was directed by fictional filmmaker Lydia Johnson (Jennifer Jason Leigh). Fortunately, for the benefit of this list, the rest of these under-appreciated tracks have a few fellow fans. “Howard the Duck” by Cherry Bomb, from Howard the Duck I’m still certain that I was this movie’s biggest fan. While growing up, I owned a VHS copy, the comic book adaptation and the novelization, and I still watched the edited version whenever it showed up on commercial television. Unfortunately, though, I never owned the soundtrack, which is, unsurprisingly, out of print (though available on eBay). It’s okay, because the catchy theme song has forever been lodged in my head. Performed diegetically by a fictional Runaways-inspired band, the Razzie-nominated “Howard the Duck” features vocals by actress Lea Thompson and funk legend George Clinton, plus Joe Walsh on guitar and Thomas Dolby, who co-wrote and produced all of Cherry Bomb’s songs, on synthesizer (off screen the song is credited to “Dolby Cube”). Cherry Bomb had four songs in the movie’s soundtrack, and some were definitely better than others. “Hunger City” is also kinda catchy, but that’s possibly only because it sounds reminiscent of Hall & Oats’ “Family Man.” Meanwhile, I absolutely love the slower “Don’t Turn Away,” which, unlike the title number, lacks Clinton’s vocals and Walsh’s guitar playing; yet it makes up for it with a little harmonica part performed by none other than Stevie Wonder. Perhaps its just my being a fan of ‘80s girl groups like The Go-Gos (check out Thompson doing a duet with Belinda Carlisle here) and The Bangles, but I could really have gone for a full album, and maybe a tour, a la Spinal Tap, from Cherry Bomb. “BBC” by Ming Tea, from Austin Powers: International Man of Mystery As far as fictional ‘60s bands go, Ming Tea is by far my favorite over such groups as The Oneders, aka The Wonders (from That Thing You Do!) and The Rutles (from All You Need is Cash), the latter of which is only as good as the Beatles tunes they spoof. Of course, I do like to think only of this poppy number from the first film, as well as the “psychedelic scene breaks” from the first and second films and ignore the relatively ‘90s-sounding “Daddy Wasn’t There” from Austin Powers in Goldmember, which seems like a reject from one of Matthew Sweet’s later albums (Sweet is a member of and co-songwriter for the fictional Ming Tea). Again, part of my love for Ming Tea could be due to my love for The Bangles, whose Susanna Hoffs was a member of the fake group (she is also the wife of Jay Roach, who directed all three Austin Powers movies). Someday I’d like to see another Nuggets box set featuring only fictional garage rock bands like Ming Tea, The Archies, etc. “Riverbottom Nightmare Band” by The Riverbottom Nightmare Band (or simply The Nightmare), from Emmet Otter’s Jug-Band Christmas Speaking of The Archies, if a fictional rock band from a cartoon can have a hit song continually played on oldies radio, why can’t this fictional rock band from a Muppet TV special get the same treatment? Is it because the vocals are actually pretty terrible? Is it because they’re the villains of the story? Maybe The Archies’ “Sugar Sugar” was the #1 pop song of 1969, but this eponymous tune was written by Oscar-winner Paul Williams, who also gave us such memorable songs as “(Just an) Old Fashioned Love Song,” “The Rainbow Connection” and The Carpenters’ “Rainy Days and Mondays” and “We’ve Only Just Begun.” Plus, if it’s any consolation, RNB’s keyboardist, a bear named Chuck, could totally kick Archie’s ass. Also worthy of radio play, though it’s probably not quite as underrated: “Can You Picture That” by Dr. Teeth and the Electric Mayhem, from The Muppet Movie (and also co-written by Williams). “Goodbye, Eddie, Goodbye” by The Juicy Fruits, from Phantom of the Paradise I’m not always a big fan of this doo-wop revival kind of glam rock, but I really like this track from Brian DePalma’s musical, favoring it over such “real” tunes as Gary Glitter’s cover of Dion’s “The Wanderer” and “made-up” songs as those in The Rocky Horror Picture Show. Maybe it’s because this song is also penned by Paul Williams? Technically, because the movie bombed and is still hardly celebrated (at least compared to TRHPS), the whole soundtrack should be on this list. “Two-Way Romeo” by The Bang Bang, from Brothers of the Head I don’t think anyone else even saw this faux rock documentary (it’s not funny enough to be considered a mockumentary), let alone paid attention to its better-than-necessary soundtrack. Basically the song is by British pop-punk band Crackout (or members of the band, anyway), but it’s pretty authentic sounding for the film’s ‘70s setting. “Never Did No Wanderin’” by The Folksmen, from A Mighty Wind Part of my disappointment with this movie was that the songs are actually pretty good — and not necessarily funny. Silly, yes. Witty, yes. But not exactly over the top, laugh-out-loud funny, the way I prefer Christopher Guest movies to be. Yet I would actually go see The Folksmen before I would go see Spinal Tap, which features the same three actors (Guest, Michael McKean and Harry Shearer, who in fact opened for themselves by having The Folkmen and Spinal Tap tour together in 2001). If they didn’t perform their cover of The Rolling Stones’ “Start Me Up,” though, I would be very dissatisfied. Much of the non-Folksmen songs on the soundtrack are actually pretty lame, including the Oscar-nominated “A Kiss at the End of the Rainbow.” I believe that had it all been more upbeat, a la The Folksmen’s “Old Joe’s Place” (which, along with “Blood on the Coal,” was actually introduced on Saturday Night Live way back in 1984), “Corn Wine” and “Never Did No Wanderin’” it could have been as successful an album as the O Brother, Where Art Thou? CDs. “Sweat of My Balls” by CB4, from CB4 The more memorable song from this near-mockumentary might be “Straight Outta Locash,” yet like the songs by The Rutles, it’s too clear a redo of a preexisting song (N.W.A.’s “Straight Outta Compton”). I guess I’m not that knowledgeable about rap music, but I had always thought “Sweat of My Balls” was actually original. Turns out, it’s actually a parody of Kool G. Rap’s “Talk Like Sex.” Well, since that song is also underrated (enough that I’d never heard of it), I stand by my inclusion of the less familiar-sounding CB4 track. “My Peanuts” by N.W.H., from Fear of a Black Hat I am at least aware that this song, which comes from a film similar to — though much less successful than — CB4, is a redo of Run-DMC’s “My Addidas.” But it’s so damn ridiculous that I wasn’t able to make the connection between the songs until many years after first seeing the movie. Just imagine how popular peanuts would be if the National Peanut Board used this rap in advertisements. “(Just Around the Corner to the) Light of Day” by The Barbusters, from Light of Day It’s not uncommon for a song written for a movie to become a real-world hit. And when it’s written by Bruce Springsteen, as this one was, you almost expect it to be a success. Yet despite the fact that both Springsteen and Joan Jett, who stars in the film as a member of the fictional Barbusters, have made the tune a staple of their respective live concert sets, it still doesn’t get the kind of general attention paid to, say, “On the Dark Side” from that other ‘80s bar band movie, Eddie and the Cruisers. Why isn’t this played heavily on classic rock radio? And by “this” I of course mean the version featuring Michael J. Fox and, yes, Michael McKean (man, he loves the fictional bands). “It Don’t Worry Me” by Albuquerque, from Nashville This is just a solo singer (played by Barbara Harris) rather than a whole group, but she’s still fictional and the song was still written for the film. And it’s sung during what may be the best film ending of all time (hence its appropriate position at the end of the list). Somehow Keith Carradine won an Oscar for writing the most boring tune in this Robert Altman classic (“I’m Easy”), while this song, also written by Carradine, is clearly more enjoyable. Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/8/11/33867.aspx Post By: SpoutBlog
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Post Date: 8/11/2008 4:00:43 PM
Body: Lists of movies within movies are fairly common on the internet, enough that I now realize I need to finally see Bowfinger simply because I’ve counted about a million list makers in love with something titled “Chubby Rain.” And the lists are likely to keep on coming thanks to this week’s hot release, Tropic Thunder, which actually features two movies within (the Vietnam War film “Tropic Thunder” and the festival-winning making-of documentary “Rain of Madness”), as well as the upcoming How to Lose Friends and Alienate People, which has spawned a popular fake movie trailer for an NC-17 film titled “Mother Theresa: The Making of a Saint” (previewed above). Yet until someone makes a Wikipedia page for “List of Fictional Films,” these blogged and forumed lists are necessary to keep us movie fans remembering those non-existent movies we wish existed. Narrowing down to ten seemed to be difficult — fictional films have been at least nominally been created for tons of films about filmmaking, otherwise reflexive films, sketch comedies, spoofs, etc. — until I realized that a lot of these films within films are appropriately nominal or trailer- or clip-sized gags and would in reality be terrible (imagine actually watching the entirety of “Asses of Fire” from South Park: Bigger, Longer & Uncut). Even “Je Vous Présente Paméla” (”Meet Pamela”) from Day for Night and the sci-fi film being made in 8½ would probably be major disappointments in actuality if you expected from them the work of Truffaut and Fellini, respectively. So, I went mostly with fictional films that would probably be bad, but would at least be amusingly bad — though I purposefully avoided fictional porns, including those from Boogie Nights and The Big Lebowski, of which there are literally thousands: “Gandhi II” from UHF - There’s just something about watching good people gone bad. But while the idea of the Good Will Hunting sequel, subtitled “Hunting Season”, thought up for Jay and Silent Bob Strike Back is pretty ingenious, it just doesn’t have the same level of ludicrous exaggeration that a bloodletting follow-up to the Oscar-winning Gandhi has. Dude drives a Ferrari, can punch completely through a guy’s abdomen, and of course he knows how to party. He even eats meat, now. It’s not only funny because it’s the antithesis of what the Indian leader was all about, it’s also funny because it reminds me of all those straight-edge and vegetarian kids you knew in high school who now drink way too much (oh, yeah, I’m one of them). “Odyssey” from Contempt - When Fritz Lang showed up as himself in Jean-Luc Godard’s Contempt, he’d already given the world his final film as a director (The 1,000 Eyes of Dr. Mabuse). If only he’d really given us this one additional adaptation of Homer’s epic poem. Either as an art film, as Lang originally intends, or as a more commercial picture, as desired by the American producer played by Jack Palance. “Ants in Your Pants 1938″ from Sullivan’s Travels - The other famously named film within this film, “O Brother, Where Art Thou?” was, at least in title, already made by the Coen brothers (see the side-by-side comparison in the video above — interestingly enough, their O Brother, Where Art Thou? is also an adaptation of Homer’s “Odyssey”, uniting #2 and #3 of this list). But I always try to imagine what a film titled “Ants in Your Pants 1938″ would have looked like. I always picture a cross between the Marx Brothers and Busby Berkeley, yet it’s got to be more shallow than that, according to how it’s referenced in Preston Sturges’ movie. “Pee-Wee’s Big Adventure” from Pee-Wee’s Big Adventure - What fan of the real Big Adventure wouldn’t like to watch it all over again as an action picture starring James Brolin and Morgan Fairchild? Maybe it wouldn’t be as good, but it does have ninjas. Anyway, because I love to relate seemingly unrelated movies via lists, let it be known that an episode of Pee-Wee’s Playhouse was titled “Ants in Your Pants”. And now that I think about it, that show was kinda like a cross between the Marx Brothers and Busby Berkeley. Kinda. “Habeas Corpus” from The Player - It’s a common staple for lists like this, and pretty much all Bruce Willis movies from the first half of the ’90s were awful (obviously Pulp Fiction is an exception), but I’d definitely watch the whole of this fake film, even though I’ve already seen how it ends. As with Fritz Lang’s “Odyssey”, I’d be curious to see both the originally planned version and the commercialized final version. “Crossed Sabres of Truth” from The Big Picture - Forget “Home for Purim”, that lame movie within a movie from Christopher Guest’s For Your Consideration. This earlier satire of Hollywood from Guest had far greater fake films, most of them fake student films, such as this one, made by the full-of-himself character played by Dan Schneider. It may not have starred Elliott Gould (as does “The Trial of Janet Kingsley”), or been an overly avant-garde work titled “Afterbirth of a Notion” (which reminds me of the opening to Pee-Wee’s Playhouse), or the actual winner of the National Film Institute’s student film award (that would be Kevin Bacon’s character’s “First Date”), but it has the fat kid from Head of the Class and Better Off Dead riding a horse in a 19th century war movie. How could you not want to see more? “See You Next Wednesday” from The Kentucky Fried Movie - I’m probably a bigger fan of weird movie theater gimmicks than the average moviegoer, but that’s probably because I didn’t get a chance to live through things like Smell-O-Vision, which sound neat in theory but which were reportedly very obnoxious in reality (I recently wrote elsewhere about how the return of Smell-O-Vision in pre-show advertising sounds terrible). The joke about “See You Next Wednesday” (a fake movie title referenced in most of John Landis’ films) is that it’s in “feel-around”, a gimmick that’s clearly annoying to experience. I’d definitely be willing to try it out once, though. Especially if it’s the closest thing I could get to one of the Feelies (tactual motion pictures) from Huxley’s “Brave New World”. “MANT” from Matinee - Movie theater gimmicks also have me curious about experiencing the schlock horror film shown in Atomo-Vision and Rumble-Rama. This is one of those film within a films that you get to see more than enough footage of, but I want to actually suffer it as it’s intended to be seen. “Jews in Space” from History of the World, Part I - Mel Brooks eventually did make a Star Wars spoof, one that featured a lot of Jews in space (Spaceballs), but that doesn’t mean this earlier parody idea wouldn’t also be worth seeing. I’d even settle for seeing the apparently hilarious 2005 Argentine film Jews in Space Or Why Is This Night Different, which unfortunately doesn’t seem to actually take place in space nor, tragically, involve spaceships shaped like the Star of David. “Those Darn Amigos” from ¡Three Amigos! - Because the synopsis of Tropic Thunder reminds me of the plot to Three Amigos, I feel it appropriate to include one of the fake films from the underrated comedy. At the beginning of the movie, we see one of the silent movies starring the Three Amigos (see the clip above), but I’m more interested in the trio’s flop, which diverted from the usual premise to be about three wealthy Spanish landowners who take a little vacation in Manhattan. If it didn’t appeal to the masses, I’ll probably love it. I’d also settle for seeing one of the early shorts featuring Ned Nederlander (Martin Short) known as “Little Neddy’s Knickers.” Considering ¡Three Amigos! is set in 1916, and Short was in his mid-30s, I believe it impossible that Ned could have been a child star of any younger than 30, so I’m pretty curious. BONUS: “The Man Who Killed Don Quixote” from Lost in La Mancha - It isn’t a fake film, but it is technically a film within a film. And it’s so far non-existent, really. Terry Gilliam’s attempted loose adaptation of Cervantes was actually being made, with Johnny Depp in the lead. However, due to multiple complications, the production was canceled after shooting had begun, and all that remained was Keith Fulton and Louis Pepe’s depressing documentary Lost in La Mancha. Because sometimes the gods are good to us Gilliam fans, though, it was recently announced that the film is on being attempted again, reportedly still with Depp and possibly also starring Michael Palin. Originally posted on:SpoutBlog
]]>Mon, 11 Aug 2008 20:00:43 GMTSpoutBlogSpoutBlog on spout.com8/11/2008 4:00:43 PM Lists of movies within movies are fairly common on the internet, enough that I now realize I need to finally see Bowfinger simply because I’ve counted about a million list makers in love with something titled “Chubby Rain.” And the lists are likely to keep on coming thanks to this week’s hot release, Tropic Thunder, which actually features two movies within (the Vietnam War film “Tropic Thunder” and the festival-winning making-of documentary “Rain of Madness”), as well as the upcoming How to Lose Friends and Alienate People, which has spawned a popular fake movie trailer for an NC-17 film titled “Mother Theresa: The Making of a Saint” (previewed above). Yet until someone makes a Wikipedia page for “List of Fictional Films,” these blogged and forumed lists are necessary to keep us movie fans remembering those non-existent movies we wish existed. Narrowing down to ten seemed to be difficult — fictional films have been at least nominally been created for tons of films about filmmaking, otherwise reflexive films, sketch comedies, spoofs, etc. — until I realized that a lot of these films within films are appropriately nominal or trailer- or clip-sized gags and would in reality be terrible (imagine actually watching the entirety of “Asses of Fire” from South Park: Bigger, Longer & Uncut). Even “Je Vous Présente Paméla” (”Meet Pamela”) from Day for Night and the sci-fi film being made in 8½ would probably be major disappointments in actuality if you expected from them the work of Truffaut and Fellini, respectively. So, I went mostly with fictional films that would probably be bad, but would at least be amusingly bad — though I purposefully avoided fictional porns, including those from Boogie Nights and The Big Lebowski, of which there are literally thousands: “Gandhi II” from UHF - There’s just something about watching good people gone bad. But while the idea of the Good Will Hunting sequel, subtitled “Hunting Season”, thought up for Jay and Silent Bob Strike Back is pretty ingenious, it just doesn’t have the same level of ludicrous exaggeration that a bloodletting follow-up to the Oscar-winning Gandhi has. Dude drives a Ferrari, can punch completely through a guy’s abdomen, and of course he knows how to party. He even eats meat, now. It’s not only funny because it’s the antithesis of what the Indian leader was all about, it’s also funny because it reminds me of all those straight-edge and vegetarian kids you knew in high school who now drink way too much (oh, yeah, I’m one of them). “Odyssey” from Contempt - When Fritz Lang showed up as himself in Jean-Luc Godard’s Contempt, he’d already given the world his final film as a director (The 1,000 Eyes of Dr. Mabuse). If only he’d really given us this one additional adaptation of Homer’s epic poem. Either as an art film, as Lang originally intends, or as a more commercial picture, as desired by the American producer played by Jack Palance. “Ants in Your Pants 1938″ from Sullivan’s Travels - The other famously named film within this film, “O Brother, Where Art Thou?” was, at least in title, already made by the Coen brothers (see the side-by-side comparison in the video above — interestingly enough, their O Brother, Where Art Thou? is also an adaptation of Homer’s “Odyssey”, uniting #2 and #3 of this list). But I always try to imagine what a film titled “Ants in Your Pants 1938″ would have looked like. I always picture a cross between the Marx Brothers and Busby Berkeley, yet it’s got to be more shallow than that, according to how it’s referenced in Preston Sturges’ movie. “Pee-Wee’s Big Adventure” from Pee-Wee’s Big Adventure - What fan of the real Big Adventure wouldn’t like to watch it all over again as an action picture starring James Brolin and Morgan Fairchild? Maybe it wouldn’t be as good, but it does have ninjas. Anyway, because I love to relate seemingly unrelated movies via lists, let it be known that an episode of Pee-Wee’s Playhouse was titled “Ants in Your Pants”. And now that I think about it, that show was kinda like a cross between the Marx Brothers and Busby Berkeley. Kinda. “Habeas Corpus” from The Player - It’s a common staple for lists like this, and pretty much all Bruce Willis movies from the first half of the ’90s were awful (obviously Pulp Fiction is an exception), but I’d definitely watch the whole of this fake film, even though I’ve already seen how it ends. As with Fritz Lang’s “Odyssey”, I’d be curious to see both the originally planned version and the commercialized final version. “Crossed Sabres of Truth” from The Big Picture - Forget “Home for Purim”, that lame movie within a movie from Christopher Guest’s For Your Consideration. This earlier satire of Hollywood from Guest had far greater fake films, most of them fake student films, such as this one, made by the full-of-himself character played by Dan Schneider. It may not have starred Elliott Gould (as does “The Trial of Janet Kingsley”), or been an overly avant-garde work titled “Afterbirth of a Notion” (which reminds me of the opening to Pee-Wee’s Playhouse), or the actual winner of the National Film Institute’s student film award (that would be Kevin Bacon’s character’s “First Date”), but it has the fat kid from Head of the Class and Better Off Dead riding a horse in a 19th century war movie. How could you not want to see more? “See You Next Wednesday” from The Kentucky Fried Movie - I’m probably a bigger fan of weird movie theater gimmicks than the average moviegoer, but that’s probably because I didn’t get a chance to live through things like Smell-O-Vision, which sound neat in theory but which were reportedly very obnoxious in reality (I recently wrote elsewhere about how the return of Smell-O-Vision in pre-show advertising sounds terrible). The joke about “See You Next Wednesday” (a fake movie title referenced in most of John Landis’ films) is that it’s in “feel-around”, a gimmick that’s clearly annoying to experience. I’d definitely be willing to try it out once, though. Especially if it’s the closest thing I could get to one of the Feelies (tactual motion pictures) from Huxley’s “Brave New World”. “MANT” from Matinee - Movie theater gimmicks also have me curious about experiencing the schlock horror film shown in Atomo-Vision and Rumble-Rama. This is one of those film within a films that you get to see more than enough footage of, but I want to actually suffer it as it’s intended to be seen. “Jews in Space” from History of the World, Part I - Mel Brooks eventually did make a Star Wars spoof, one that featured a lot of Jews in space (Spaceballs), but that doesn’t mean this earlier parody idea wouldn’t also be worth seeing. I’d even settle for seeing the apparently hilarious 2005 Argentine film Jews in Space Or Why Is This Night Different, which unfortunately doesn’t seem to actually take place in space nor, tragically, involve spaceships shaped like the Star of David. “Those Darn Amigos” from ¡Three Amigos! - Because the synopsis of Tropic Thunder reminds me of the plot to Three Amigos, I feel it appropriate to include one of the fake films from the underrated comedy. At the beginning of the movie, we see one of the silent movies starring the Three Amigos (see the clip above), but I’m more interested in the trio’s flop, which diverted from the usual premise to be about three wealthy Spanish landowners who take a little vacation in Manhattan. If it didn’t appeal to the masses, I’ll probably love it. I’d also settle for seeing one of the early shorts featuring Ned Nederlander (Martin Short) known as “Little Neddy’s Knickers.” Considering ¡Three Amigos! is set in 1916, and Short was in his mid-30s, I believe it impossible that Ned could have been a child star of any younger than 30, so I’m pretty curious. BONUS: “The Man Who Killed Don Quixote” from Lost in La Mancha - It isn’t a fake film, but it is technically a film within a film. And it’s so far non-existent, really. Terry Gilliam’s attempted loose adaptation of Cervantes was actually being made, with Johnny Depp in the lead. However, due to multiple complications, the production was canceled after shooting had begun, and all that remained was Keith Fulton and Louis Pepe’s depressing documentary Lost in La Mancha. Because sometimes the gods are good to us Gilliam fans, though, it was recently announced that the film is on being attempted again, reportedly still with Depp and possibly also starring Michael Palin. Originally posted on:SpoutBlog http://www.spout.com/members/0/tags/corruption/MemberTagFilms.aspxcorruption
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