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      <title>Film:I Served the King of England</title>
      <link>http://www.spout.com/films/I_Served_the_King_of_England/318580/default.aspx</link><description><![CDATA[<table width='100%' style='font:10px/10px Helvetica, Arial, sans-serif;'><tr><td><img align='left' src='http://www.spout.com/ProductImages/s318580.jpg' hspace='10' style='height:80px;' /></td>
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<strong>Title:</strong> I Served the King of England<br/>
<strong>Year:</strong> 2008<br/>
<strong>Director:</strong> Jirí Menzel<br/>
<strong>Plot:</strong> Despite the 1997 death of longtime friend and <a href=/films/6465/default.aspx style='text-decoration:underline'>Closely Watched Trains</a> collaborator <a href="/players/P___161461/default.aspx" style='text-decoration:underline'>Bohumil Hrabal</a>, 1960s-era Czech New Wave filmmaker Jiri Menzel enters into a post-mortem collaboration with the famed author in this pitch black comedy detailing the shrewd rise of an ambitious waiter. All diminutive manservant Jan Dite (Ivan Barnev) ever wanted was to be filthy rich and to preside over his very own hotel. As a young man coming of age in the 1930s, Jan was preoccupied by beautiful women and awe-stricken by the fact that anyone, be they rich or poor, would bend to their knees to pick up a coin. With World War II fast approaching and the Germans steadily taking occupation of Czech territory, the opportunistic servant begins his rapid ascent up the hospitality ladder by working for a number of high-profile figures. Though Jan was never a man to settle down with just one woman, his growing attraction to Aryan beauty Liza (Julia Jentsch) soon found the aspiring hotelier proposing marriage. Of course a blueblood Teuton like Liza could never wed a man unable to provide proof of his German heritage, but that doesn't stop Jan from doing his best to please her in the bedroom. Later, when Liza is killed retrieving a box of valuable stamps acquired during her stint at the Russian front, Jan uses the valuable collectors items to purchase the very hotel in which he used to work. Unfortunately for Jan good luck is always followed by bad news, and it's not long before his life's ambition comes crumbling down all around him. ~ Jason Buchanan, All Movie Guide<br/>
<strong>Number of Lists:</strong> 1<br/>
<strong>Number of blog posts:</strong> 3<br/>
<strong>SpoutRating:</strong> 1<br/>
</td></tr></table>]]></description><pubDate>Thu, 13 Nov 2008 22:00:46 GMT</pubDate><spout:Title>I Served the King of England</spout:Title><spout:Year>2008</spout:Year><spout:Director>Jirí Menzel</spout:Director><spout:Plot>Despite the 1997 death of longtime friend and &lt;a href=/films/6465/default.aspx style='text-decoration:underline'&gt;Closely Watched Trains&lt;/a&gt; collaborator &lt;a href="/players/P___161461/default.aspx" style='text-decoration:underline'&gt;Bohumil Hrabal&lt;/a&gt;, 1960s-era Czech New Wave filmmaker Jiri Menzel enters into a post-mortem collaboration with the famed author in this pitch black comedy detailing the shrewd rise of an ambitious waiter. All diminutive manservant Jan Dite (Ivan Barnev) ever wanted was to be filthy rich and to preside over his very own hotel. As a young man coming of age in the 1930s, Jan was preoccupied by beautiful women and awe-stricken by the fact that anyone, be they rich or poor, would bend to their knees to pick up a coin. With World War II fast approaching and the Germans steadily taking occupation of Czech territory, the opportunistic servant begins his rapid ascent up the hospitality ladder by working for a number of high-profile figures. Though Jan was never a man to settle down with just one woman, his growing attraction to Aryan beauty Liza (Julia Jentsch) soon found the aspiring hotelier proposing marriage. Of course a blueblood Teuton like Liza could never wed a man unable to provide proof of his German heritage, but that doesn't stop Jan from doing his best to please her in the bedroom. Later, when Liza is killed retrieving a box of valuable stamps acquired during her stint at the Russian front, Jan uses the valuable collectors items to purchase the very hotel in which he used to work. Unfortunately for Jan good luck is always followed by bad news, and it's not long before his life's ambition comes crumbling down all around him. ~ Jason Buchanan, All Movie Guide</spout:Plot><spout:Numberoflists>1</spout:Numberoflists><spout:NumberOfBlogPosts>3</spout:NumberOfBlogPosts><spout:SpoutRating>1</spout:SpoutRating><spout:FilmCoverURL>http://www.spout.com/ProductImages/s318580.jpg</spout:FilmCoverURL><spout:SpoutFilmDetailURL>http://www.spout.com/films/I_Served_the_King_of_England/318580/default.aspx</spout:SpoutFilmDetailURL><spout:type>Film</spout:type></item>
    <item>
      <title>Spout Post: 10 Most Accessible Foreign Films of the Last Ten Years</title>
      <link>http://www.spout.com/blogs/spoutblog/archive/2008/11/13/37289.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/s318580.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/9325/default.aspx'>SpoutBlog</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/blogs/spoutblog/default.aspx'>SpoutBlog on spout.com</a><br/>
<strong>Post Date:</strong> 11/13/2008 5:00:46 PM<br/>
<strong>Body:</strong> Danny Boyle’s new crowd-pleasing film Slumdog Millionaire was originally intended to be shot entirely in English, but apparently due to the preferences of a casting director, about a third of the movie is in Hindi. While this fraction may not be enough to call it a foreign-language film, it could have been enough to turn off subtitle-fearing audiences were the movie not so otherwise accessible due to its feel-good, “Hollywood-style” story involving star-crossed romance, destiny and an ultimate “love conquers all” message. Also, the movie breaks free from one off-putting foreign film tradition by following Man on Fire, Night Watch and TV’s Heroes into the realm of non-traditional subtitling.
Slumdog received a standing ovation at the Toronto Film Festival, where it won the People’s Choice Award, and it could very well extend its popularity in the direction of the multiplex crowd. If it’s a hit with moviegoers who aren’t typically open to world cinema, this could be the chance for similarly feel-good foreign films to cross over and reach a wider audience, whether they be upcoming releases like the Sundance-winning Captain Abu Raed or titles from the past that could always use more Netflix-queue love.
And so, in the hopes that Slumdog could help open the door to further foreign film consumption, SpoutBlog presents this guide to the most accessible world cinema titles from the past ten years. For every entry-level film on the list, we name a couple of more intermediate titled in the same vein — just in case you get hooked.


Amelie 
Spout.com user leeroy711 recently referred to this imaginative French film as the foreign-language cinema’s “gateway drug.” And it’s certainly true that its fanciful romantic story and colorful tone have won the favor of many a young adult not previously accustomed to European cinema. Never mind that it makes stalking seem a little too precious and innocent — the film’s whimsical title character (played delightfully by Audrey Tautou), full of good intentions and lots of heart, will have you wishing you had such a thoughtful and inventive pursuer. Also worth checking out: A Very Long Engagement; Love Me If You Dare

The Chorus
Hollywood sometimes seems to have cornered the market on movies about inspirational teachers, especially those involving music instruction. But this French film proves that foreign films can have similarly motivational stories about great educators and their newly encouraged students. Also worth checking out: Small Voices; Monsieur Ibrahim

City of God
This Brazilian film set in the favelas of Rio can be quite violent, enough to have been compared to gangster films like Goodfellas (though Goodfellas doesn’t have any little kids being shot in the foot). But at its center is the uplifting tale of a boy who makes it out of the slums in order to become a successful writer. Also worth checking out: City of Men (both the TV series and the feature film)

Crouching Tiger, Hidden Dragon
Martial arts cinema has long been an accessible genre to a large enough portion of Americans, but this film, which became the top grossing foreign-language title in the U.S. (not counting The Passion of the Christ), has managed to acquire fans that don’t normally go for kung fu and wuxia. The main attraction that makes this title more appealing than most is likely its production value, which with its beautiful cinematography and well-crafted special effects allows it to compare to romantic epics out of Hollywood. Also worth checking out: Hero; House of Flying Daggers

Lagaan: Once Upon a Time in India
The running time of 3 hrs. 43 min. probably seems like a deterrent, but this Bollywood film really does feel a lot shorter than it is. Really. And anyway its compelling story of an underdog cricket team is familiar enough that you don’t have to pay too much attention if you don’t have the time — though it will be difficult to let your attention stray except for during some of the less-adequately translated musical numbers that aren’t so significant or relatable to most Western viewers. Just think of this film as your typical Hollywood sports movie, except instead of the final game being quickly highlighted in the last 30 minutes, it’s seemingly depicted in its entirety for more than an hour. And yes, the ending is a crowd-pleaser. Also worth checking out: The Cup; Monsoon Wedding

Life is Beautiful
This Oscar-winning film is so feel-good that it comes close to overkill. In fact, a decade after its release, it’s easy to forget just how entertaining it is. Just as we’re more likely to remember the stomach ache after gorging ourselves with delicious sweets or the hangover that follows a great night of drinking, moviegoers often recall only the obnoxiousness that came with an overexposed and over-awarded Roberto Benigni. But don’t let the cynics keep you from enjoying such a heartwarming and inspiriting tale of a “real life Prince Charming.” Also worth checking out: I Served the King of England

The Motorcycle Diaries
Hollywood could actually take a cue from this film the next time it wants to make one of those prequels detailing the life of an iconic villain (ex: Hannibal Rising), at least if it wants audiences to like the guy enough to forget he grows up to be a murderous rebel. Whether or not you like who and what Ernesto Guevara becomes in the years after The Motorcycle Diaries takes place, you’ll have no trouble falling for his younger self as he ditches his privileged life and devotes himself to a colony of lepers. Also worth checking out: Downfall

Pan’s Labyrinth
In the tradition of such dark yet magical stories as Alice in Wonderland and The Wizard of Oz, a little girl encounters strange creatures and kind of winds up a princess. It’s ultimately a very sad and depressing film, but the ending at least pretends to be happy, enough that you might think your eyes are watering with tears of joy. Also worth checking out: City of Lost Children

Run Lola Run
It’s extremely fast-paced, a little bit MTV, a little bit video game, and it features a character you really want to root for, especially because she’s narratively allotted a few do-overs in order to make things right. And mainstream moviegoers love stories of both chance and second chances. Roger Ebert also noted in his review that it’s the kind of film that could play in a sports bar, so perhaps it’s even more of a gateway foreign film for sports fans than Lagaan. Also worth checking out: The Princess and the Warrior; Amores perros

Tsotsi
Like City of God, this film involves a crime-ridden ghetto, but it’s even more accessible than that film despite its lack of inspiring upward mobility. It could probably appeal most to fans of American “urban” gangster films, but any mainstream moviegoer should enjoy the conventional plot involving a thug who accidentally kidnaps a baby and then changes morally as a result. Also worth checking out: Kolya; Central Station Originally posted on:SpoutBlog<br/>
</div>]]></description><pubDate>Thu, 13 Nov 2008 22:00:46 GMT</pubDate><spout:postby>SpoutBlog</spout:postby><spout:postto>SpoutBlog on spout.com</spout:postto><spout:postdate>11/13/2008 5:00:46 PM</spout:postdate><spout:body>Danny Boyle’s new crowd-pleasing film Slumdog Millionaire was originally intended to be shot entirely in English, but apparently due to the preferences of a casting director, about a third of the movie is in Hindi. While this fraction may not be enough to call it a foreign-language film, it could have been enough to turn off subtitle-fearing audiences were the movie not so otherwise accessible due to its feel-good, “Hollywood-style” story involving star-crossed romance, destiny and an ultimate “love conquers all” message. Also, the movie breaks free from one off-putting foreign film tradition by following Man on Fire, Night Watch and TV’s Heroes into the realm of non-traditional subtitling.
Slumdog received a standing ovation at the Toronto Film Festival, where it won the People’s Choice Award, and it could very well extend its popularity in the direction of the multiplex crowd. If it’s a hit with moviegoers who aren’t typically open to world cinema, this could be the chance for similarly feel-good foreign films to cross over and reach a wider audience, whether they be upcoming releases like the Sundance-winning Captain Abu Raed or titles from the past that could always use more Netflix-queue love.
And so, in the hopes that Slumdog could help open the door to further foreign film consumption, SpoutBlog presents this guide to the most accessible world cinema titles from the past ten years. For every entry-level film on the list, we name a couple of more intermediate titled in the same vein — just in case you get hooked.


Amelie 
Spout.com user leeroy711 recently referred to this imaginative French film as the foreign-language cinema’s “gateway drug.” And it’s certainly true that its fanciful romantic story and colorful tone have won the favor of many a young adult not previously accustomed to European cinema. Never mind that it makes stalking seem a little too precious and innocent — the film’s whimsical title character (played delightfully by Audrey Tautou), full of good intentions and lots of heart, will have you wishing you had such a thoughtful and inventive pursuer. Also worth checking out: A Very Long Engagement; Love Me If You Dare

The Chorus
Hollywood sometimes seems to have cornered the market on movies about inspirational teachers, especially those involving music instruction. But this French film proves that foreign films can have similarly motivational stories about great educators and their newly encouraged students. Also worth checking out: Small Voices; Monsieur Ibrahim

City of God
This Brazilian film set in the favelas of Rio can be quite violent, enough to have been compared to gangster films like Goodfellas (though Goodfellas doesn’t have any little kids being shot in the foot). But at its center is the uplifting tale of a boy who makes it out of the slums in order to become a successful writer. Also worth checking out: City of Men (both the TV series and the feature film)

Crouching Tiger, Hidden Dragon
Martial arts cinema has long been an accessible genre to a large enough portion of Americans, but this film, which became the top grossing foreign-language title in the U.S. (not counting The Passion of the Christ), has managed to acquire fans that don’t normally go for kung fu and wuxia. The main attraction that makes this title more appealing than most is likely its production value, which with its beautiful cinematography and well-crafted special effects allows it to compare to romantic epics out of Hollywood. Also worth checking out: Hero; House of Flying Daggers

Lagaan: Once Upon a Time in India
The running time of 3 hrs. 43 min. probably seems like a deterrent, but this Bollywood film really does feel a lot shorter than it is. Really. And anyway its compelling story of an underdog cricket team is familiar enough that you don’t have to pay too much attention if you don’t have the time — though it will be difficult to let your attention stray except for during some of the less-adequately translated musical numbers that aren’t so significant or relatable to most Western viewers. Just think of this film as your typical Hollywood sports movie, except instead of the final game being quickly highlighted in the last 30 minutes, it’s seemingly depicted in its entirety for more than an hour. And yes, the ending is a crowd-pleaser. Also worth checking out: The Cup; Monsoon Wedding

Life is Beautiful
This Oscar-winning film is so feel-good that it comes close to overkill. In fact, a decade after its release, it’s easy to forget just how entertaining it is. Just as we’re more likely to remember the stomach ache after gorging ourselves with delicious sweets or the hangover that follows a great night of drinking, moviegoers often recall only the obnoxiousness that came with an overexposed and over-awarded Roberto Benigni. But don’t let the cynics keep you from enjoying such a heartwarming and inspiriting tale of a “real life Prince Charming.” Also worth checking out: I Served the King of England

The Motorcycle Diaries
Hollywood could actually take a cue from this film the next time it wants to make one of those prequels detailing the life of an iconic villain (ex: Hannibal Rising), at least if it wants audiences to like the guy enough to forget he grows up to be a murderous rebel. Whether or not you like who and what Ernesto Guevara becomes in the years after The Motorcycle Diaries takes place, you’ll have no trouble falling for his younger self as he ditches his privileged life and devotes himself to a colony of lepers. Also worth checking out: Downfall

Pan’s Labyrinth
In the tradition of such dark yet magical stories as Alice in Wonderland and The Wizard of Oz, a little girl encounters strange creatures and kind of winds up a princess. It’s ultimately a very sad and depressing film, but the ending at least pretends to be happy, enough that you might think your eyes are watering with tears of joy. Also worth checking out: City of Lost Children

Run Lola Run
It’s extremely fast-paced, a little bit MTV, a little bit video game, and it features a character you really want to root for, especially because she’s narratively allotted a few do-overs in order to make things right. And mainstream moviegoers love stories of both chance and second chances. Roger Ebert also noted in his review that it’s the kind of film that could play in a sports bar, so perhaps it’s even more of a gateway foreign film for sports fans than Lagaan. Also worth checking out: The Princess and the Warrior; Amores perros

Tsotsi
Like City of God, this film involves a crime-ridden ghetto, but it’s even more accessible than that film despite its lack of inspiring upward mobility. It could probably appeal most to fans of American “urban” gangster films, but any mainstream moviegoer should enjoy the conventional plot involving a thug who accidentally kidnaps a baby and then changes morally as a result. Also worth checking out: Kolya; Central Station Originally posted on:SpoutBlog</spout:body></item>
    <item>
      <title>Spout Post: 10 Movies to Watch When Feeling a Financial Crunch</title>
      <link>http://www.spout.com/blogs/spoutblog/archive/2008/9/16/35197.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/s318580.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/9325/default.aspx'>SpoutBlog</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/blogs/spoutblog/default.aspx'>SpoutBlog on spout.com</a><br/>
<strong>Post Date:</strong> 9/16/2008 2:01:08 PM<br/>
<strong>Body:</strong> 
I’m probably the least financial-minded person there is, and I’ve never owned a stock, bond or whatever else people invest in. But I am an expert on being broke, being poor, being frugal and, most importantly, putting things into perspective. What I mean is, whenever I feel like things just can’t get any worse for me money-wise, I think of the people who are or were actually worse off than I am. And by people, I mostly mean characters from the movies.
So, as you may be worrying about your finances after Black Monday, consider dropping by the video store on your way home from the office (or job interview) today. Invest a few bucks into your own sanity and happiness by renting one of the following movies. Don’t worry, I’ve tried to make the selections rather common and accessible. If you’re like any of the financial guys and girls I know, you’re not likely the sort to go for obscure or difficult cinema. And if you are of the sort, then you probably don’t need this list anyway.



The Grapes of Wrath (1940)
Let’s begin with one of the basics, a movie that will make you glad you at least aren’t living through the Great Depression. There are tons of films from and about the era, but this is perhaps the definitive example, adapted from John Steinbeck’s definitive story of the Okie migration. At times I’ve felt like I can identify with the financial hardships of the Joads, particularly when I’ve been after a job that tons of other people are after, too. But there’s really no comparison, and you’re likely to agree. After seeing the family’s struggle, you’ll be glad you don’t have it so bad. But you’ll also hopefully be lifted up by the conclusive speeches of both Tom and Ma Joad, who inspire us all to keep on keeping on, no matter what the setback.

American Madness (1932)
Going back a little earlier, here’s another film dealing with the Great Depression (though not as directly), and one that’s more relative to the current situation of bank failures. Its plot deals with a bank that is robbed and then rumored to be out of money, leading to a withdrawal panic. Released one year prior to the creation of the FDIC, it may be a comforting reminder of how much more secure your deposits are today. (Even if it is a potential problem that the FDIC doesn’t exactly have as much money as it insures against.)

Nine Queens (2000)
A lot of films dealing with cons can be watched to ease the suffering of financial woes. But then you have to realize that while you may be better off than the victim who has lost all his savings or seen his casino vault emptied, you’ll still want to hate the con artist who gets away with the fortune. With Nine Queens, there is indeed one of those guys you’ll be upset with in the end, but the film has an extra level to it than most movies about a long con, because it’s set amidst Argentina’s economic collapse at the turn of this century. Like the desperate bank run scenes from American Madness, a similar scene involving a crisis at a Buenos Aires bank should leave you a little more optimistic about the current situation in the U.S. Surely we could never experience as critical an economic failure as they did in Argentina, right? One more thing: don’t dare rent the inferior American remake, Criminal, which just doesn’t have the same relevance.

I Served the King of England (2006)
You won’t find this in the video store just yet, but hopefully it’s playing in a theater near you (currently it’s on 37 screens). I’ve so far contrasted your possibly upsetting financial situation with that of sufferers of the Great Depression and of the Argentine economic crisis. Now, here’s the worse-off situation of the Czechs under Nazi occupation and then communism. Filled with irony and wit, this film should, unlike some of the rest, put a smile on your face while also making you thankful that you didn’t have the misfortune of becoming a millionaire right on the brink of your nation’s change to communism. If there’s anything worse than losing your fortune, it’s losing your fortune and being sent to prison for having such a fortune.

Enron: The Smartest Guys in the Room (2005)
On the other side of the coin, you may want to watch this documentary about the Enron scandal if you are more angry about your economic situation and would rather see a villain sent to prison for corruptly amassing a great fortune. Of course, while the protagonist of I Served the King of England is a lot more lovable, his riches aren’t exactly free from sin, either. And if you’re completely averse to watching either a doc or a foreign film, you could just watch Wall Street again and take out your frustration on Gordon Gekko.

Bicycle Thieves (1948)
Hopefully you’re not against foreign films, though, because anyone experiencing a financial crunch should take a look at this Italian neorealist classic. Any time I’ve felt helpless due to unemployment or lack of money, I remember that at least I have a certain level of education and skill to fall back on, unlike poor Antonio, who can’t get work after his bicycle is stolen. Films with similar stories inspired by DeSica’s masterpiece, including Cyclo and Man Push Cart (but probably not Pee-Wee’s Big Adventure), may also be worth a look.

Grey Gardens (1975)
Also, hopefully you aren’t completely against watching a documentary, especially one that’s a little more lighthearted than Enron. Of course, watching two nutty former socialites living in squalor and allowing a once-beautiful mansion to fall apart could possibly make you just as irate. Just be glad that your own riches to rags story doesn’t involve tons of feral cats and a seemingly oblivious daughter who will one day be a poster girl for drag queens.

Trading Places (1983)
Despite whatever happens with the current economic disaster, America will always be a place where one can get rich as quickly as one can lose it all, and no movie focuses on that truth as well as this comedy, about a bet to see how easily a bum can be made a millionaire, and a millionaire can be made a bum. Plus, it’s always nice to watch the greedy Duke brothers get their just deserts in the end. Just don’t watch Coming to America afterward, so as to pretend they never come back.

The Pursuit of Happyness (2006)
A lot of people are too cynical to enjoy this movie, but when you’re down in the dumps, especially financially, it’s a good pick-me-up, both for the uplifting story and the general American dream idea that one can truly rise from such poverty to such success as the real Chris Gardner did. Of course, given the current events, getting excited about a man struggling for a career in the financial world may not be so easy. I wonder if there are any good movies about working hard and making it big that don’t involve finance, sports or the entertainment industry.

The Gold Rush (1925)
In the Depression-set movie Sullivan’s Travels, it’s realized that audiences struggling with financial difficulties and other real-life woes would rather watch comedies than serious films focused on social problems. In that film, it’s a Disney cartoon called Playful Pluto that gives evidence of this, but it’s widely known that Preston Sturgis intended to use a Chaplin picture instead. So, as the final movie selection for the economically depressed, here’s one of the more fitting Chaplin features. While any film involving the Little Tramp could possibly serve to relatively lift you up, there’s just nothing better than watching Chaplin eat his boot and then being thankful for what you’ll be eating for dinner tonight.

Now, I must address the possible outcry over the idea of making oneself feel better through the suffering of others. Yes, it’s terrible what people have had and still have to go through, both in America and around the world. Poverty is no joke, and it’s not exactly something that exists merely to balance out the brattiness of those not living in and with such poor conditions. So, I encourage you to, after watching whatever movie lifts your spirits up, find it in your heart to also be inspired to help someone less fortunate than yourself. Originally posted on:SpoutBlog<br/>
</div>]]></description><pubDate>Tue, 16 Sep 2008 18:01:08 GMT</pubDate><spout:postby>SpoutBlog</spout:postby><spout:postto>SpoutBlog on spout.com</spout:postto><spout:postdate>9/16/2008 2:01:08 PM</spout:postdate><spout:body>
I’m probably the least financial-minded person there is, and I’ve never owned a stock, bond or whatever else people invest in. But I am an expert on being broke, being poor, being frugal and, most importantly, putting things into perspective. What I mean is, whenever I feel like things just can’t get any worse for me money-wise, I think of the people who are or were actually worse off than I am. And by people, I mostly mean characters from the movies.
So, as you may be worrying about your finances after Black Monday, consider dropping by the video store on your way home from the office (or job interview) today. Invest a few bucks into your own sanity and happiness by renting one of the following movies. Don’t worry, I’ve tried to make the selections rather common and accessible. If you’re like any of the financial guys and girls I know, you’re not likely the sort to go for obscure or difficult cinema. And if you are of the sort, then you probably don’t need this list anyway.



The Grapes of Wrath (1940)
Let’s begin with one of the basics, a movie that will make you glad you at least aren’t living through the Great Depression. There are tons of films from and about the era, but this is perhaps the definitive example, adapted from John Steinbeck’s definitive story of the Okie migration. At times I’ve felt like I can identify with the financial hardships of the Joads, particularly when I’ve been after a job that tons of other people are after, too. But there’s really no comparison, and you’re likely to agree. After seeing the family’s struggle, you’ll be glad you don’t have it so bad. But you’ll also hopefully be lifted up by the conclusive speeches of both Tom and Ma Joad, who inspire us all to keep on keeping on, no matter what the setback.

American Madness (1932)
Going back a little earlier, here’s another film dealing with the Great Depression (though not as directly), and one that’s more relative to the current situation of bank failures. Its plot deals with a bank that is robbed and then rumored to be out of money, leading to a withdrawal panic. Released one year prior to the creation of the FDIC, it may be a comforting reminder of how much more secure your deposits are today. (Even if it is a potential problem that the FDIC doesn’t exactly have as much money as it insures against.)

Nine Queens (2000)
A lot of films dealing with cons can be watched to ease the suffering of financial woes. But then you have to realize that while you may be better off than the victim who has lost all his savings or seen his casino vault emptied, you’ll still want to hate the con artist who gets away with the fortune. With Nine Queens, there is indeed one of those guys you’ll be upset with in the end, but the film has an extra level to it than most movies about a long con, because it’s set amidst Argentina’s economic collapse at the turn of this century. Like the desperate bank run scenes from American Madness, a similar scene involving a crisis at a Buenos Aires bank should leave you a little more optimistic about the current situation in the U.S. Surely we could never experience as critical an economic failure as they did in Argentina, right? One more thing: don’t dare rent the inferior American remake, Criminal, which just doesn’t have the same relevance.

I Served the King of England (2006)
You won’t find this in the video store just yet, but hopefully it’s playing in a theater near you (currently it’s on 37 screens). I’ve so far contrasted your possibly upsetting financial situation with that of sufferers of the Great Depression and of the Argentine economic crisis. Now, here’s the worse-off situation of the Czechs under Nazi occupation and then communism. Filled with irony and wit, this film should, unlike some of the rest, put a smile on your face while also making you thankful that you didn’t have the misfortune of becoming a millionaire right on the brink of your nation’s change to communism. If there’s anything worse than losing your fortune, it’s losing your fortune and being sent to prison for having such a fortune.

Enron: The Smartest Guys in the Room (2005)
On the other side of the coin, you may want to watch this documentary about the Enron scandal if you are more angry about your economic situation and would rather see a villain sent to prison for corruptly amassing a great fortune. Of course, while the protagonist of I Served the King of England is a lot more lovable, his riches aren’t exactly free from sin, either. And if you’re completely averse to watching either a doc or a foreign film, you could just watch Wall Street again and take out your frustration on Gordon Gekko.

Bicycle Thieves (1948)
Hopefully you’re not against foreign films, though, because anyone experiencing a financial crunch should take a look at this Italian neorealist classic. Any time I’ve felt helpless due to unemployment or lack of money, I remember that at least I have a certain level of education and skill to fall back on, unlike poor Antonio, who can’t get work after his bicycle is stolen. Films with similar stories inspired by DeSica’s masterpiece, including Cyclo and Man Push Cart (but probably not Pee-Wee’s Big Adventure), may also be worth a look.

Grey Gardens (1975)
Also, hopefully you aren’t completely against watching a documentary, especially one that’s a little more lighthearted than Enron. Of course, watching two nutty former socialites living in squalor and allowing a once-beautiful mansion to fall apart could possibly make you just as irate. Just be glad that your own riches to rags story doesn’t involve tons of feral cats and a seemingly oblivious daughter who will one day be a poster girl for drag queens.

Trading Places (1983)
Despite whatever happens with the current economic disaster, America will always be a place where one can get rich as quickly as one can lose it all, and no movie focuses on that truth as well as this comedy, about a bet to see how easily a bum can be made a millionaire, and a millionaire can be made a bum. Plus, it’s always nice to watch the greedy Duke brothers get their just deserts in the end. Just don’t watch Coming to America afterward, so as to pretend they never come back.

The Pursuit of Happyness (2006)
A lot of people are too cynical to enjoy this movie, but when you’re down in the dumps, especially financially, it’s a good pick-me-up, both for the uplifting story and the general American dream idea that one can truly rise from such poverty to such success as the real Chris Gardner did. Of course, given the current events, getting excited about a man struggling for a career in the financial world may not be so easy. I wonder if there are any good movies about working hard and making it big that don’t involve finance, sports or the entertainment industry.

The Gold Rush (1925)
In the Depression-set movie Sullivan’s Travels, it’s realized that audiences struggling with financial difficulties and other real-life woes would rather watch comedies than serious films focused on social problems. In that film, it’s a Disney cartoon called Playful Pluto that gives evidence of this, but it’s widely known that Preston Sturgis intended to use a Chaplin picture instead. So, as the final movie selection for the economically depressed, here’s one of the more fitting Chaplin features. While any film involving the Little Tramp could possibly serve to relatively lift you up, there’s just nothing better than watching Chaplin eat his boot and then being thankful for what you’ll be eating for dinner tonight.

Now, I must address the possible outcry over the idea of making oneself feel better through the suffering of others. Yes, it’s terrible what people have had and still have to go through, both in America and around the world. Poverty is no joke, and it’s not exactly something that exists merely to balance out the brattiness of those not living in and with such poor conditions. So, I encourage you to, after watching whatever movie lifts your spirits up, find it in your heart to also be inspired to help someone less fortunate than yourself. Originally posted on:SpoutBlog</spout:body></item>
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      <title>Spout Post: Sing Off the Summer. Trade Roughage 09/02/08g</title>
      <link>http://www.spout.com/blogs/spoutblog/archive/2008/9/2/34656.aspx</link><description><![CDATA[<div><img align='left' src='http://www.spout.com/ProductImages/s318580.jpg' hspace='10' style='height:80px;' />
<strong>Post By:</strong> <a href='http://www.spout.com/members/9325/default.aspx'>SpoutBlog</a><br/>
<strong>Post To:</strong> <a href='http://www.spout.com/blogs/spoutblog/default.aspx'>SpoutBlog on spout.com</a><br/>
<strong>Post Date:</strong> 9/2/2008 4:00:48 PM<br/>
<strong>Body:</strong> 

Earning $14.3 million in its third weekend, Tropic Thunder retained its top placement on the box office chart over the holiday, yet it’s total gross still hasn’t reached the movie’s reported $90 million budget. Meanwhile, five new wide releases (Babylon A.D., Traitor, Disaster Movie, College and Hamlet 2, which expanded this week) performed badly enough to place this year’s Labor Day total at 17% below last year’s. In the end, the slow four-day weekend may have contributed to Summer 2008’s inability to top the box office of Summer 2007, despite The Dark Knight’s now more than $500 mill. take.
The most interesting box office news from the weekend is Mamma Mia!’s 34% increase over its previous weekend take — despite having lost more than 350 screens — due to Universal’s releasing a special sing-a-long version of the musical to 299 locations. I’d say something about the film being on its way to Rocky Horror-like cult hit status, but at $132.9 million and climbing, it’s already earned more than Rocky Horror has in 35 years and should anyway be considered an actual hit.
As for limited releases, Variety and The Hollywood Reporter failed to mention that Takashi Miike’s Sukiyaki Western Django earned $13,106 on a single screen in NYC this past weekend. Meanwhile, one of my favorite films of the year, Jirí Menzel’s I Served the King of England, earned a terrific per-screen average of $8,488 to gross almost $68,000.
I’ve always thought Nastassja Kinski was one of the most boring actresses in the world, but at least she would have given Quentin Tarantino’s Inglorious Bastards that usual casting from the ’70s cred. Unfortunately, Diane Kruger, who’s just plain boring, has instead been cast in the part originally offered to Kinski.
 Originally posted on:SpoutBlog<br/>
</div>]]></description><pubDate>Tue, 02 Sep 2008 20:00:48 GMT</pubDate><spout:postby>SpoutBlog</spout:postby><spout:postto>SpoutBlog on spout.com</spout:postto><spout:postdate>9/2/2008 4:00:48 PM</spout:postdate><spout:body>

Earning $14.3 million in its third weekend, Tropic Thunder retained its top placement on the box office chart over the holiday, yet it’s total gross still hasn’t reached the movie’s reported $90 million budget. Meanwhile, five new wide releases (Babylon A.D., Traitor, Disaster Movie, College and Hamlet 2, which expanded this week) performed badly enough to place this year’s Labor Day total at 17% below last year’s. In the end, the slow four-day weekend may have contributed to Summer 2008’s inability to top the box office of Summer 2007, despite The Dark Knight’s now more than $500 mill. take.
The most interesting box office news from the weekend is Mamma Mia!’s 34% increase over its previous weekend take — despite having lost more than 350 screens — due to Universal’s releasing a special sing-a-long version of the musical to 299 locations. I’d say something about the film being on its way to Rocky Horror-like cult hit status, but at $132.9 million and climbing, it’s already earned more than Rocky Horror has in 35 years and should anyway be considered an actual hit.
As for limited releases, Variety and The Hollywood Reporter failed to mention that Takashi Miike’s Sukiyaki Western Django earned $13,106 on a single screen in NYC this past weekend. Meanwhile, one of my favorite films of the year, Jirí Menzel’s I Served the King of England, earned a terrific per-screen average of $8,488 to gross almost $68,000.
I’ve always thought Nastassja Kinski was one of the most boring actresses in the world, but at least she would have given Quentin Tarantino’s Inglorious Bastards that usual casting from the ’70s cred. Unfortunately, Diane Kruger, who’s just plain boring, has instead been cast in the part originally offered to Kinski.
 Originally posted on:SpoutBlog</spout:body></item>
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      <title>Spout Tag:ambition</title>
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