list http://www.spout.com/ Recent community activity around Beverly Hills Cop IV on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/Beverly_Hills_Cop_IV/315497/default.aspx Title: Beverly Hills Cop IV
Year: 2008
Director: Brett Ratner
Plot: Axel Foley is back on the beat in this belated entry in the popular Beverly Hills Cop film series that finds Eddie Murphy revising the character that helped launch him to international stardom in the mid-'80s. ~ Jason Buchanan, All Movie Guide
Times Tagged: 8
Number of Lists: 1
Number of blog posts: 2
]]>Fri, 11 Jul 2008 17:26:39 GMTBeverly Hills Cop IV2008Brett RatnerAxel Foley is back on the beat in this belated entry in the popular <a href=/films/3057/default.aspx style='text-decoration:underline'>Beverly Hills Cop</a> film series that finds <a href="/players/P____51440/default.aspx" style='text-decoration:underline'>Eddie Murphy</a> revising the character that helped launch him to international stardom in the mid-'80s. ~ Jason Buchanan, All Movie Guide8Taggedy Taggged (6-10)12http://www.spout.com/images/no_image.jpghttp://www.spout.com/films/Beverly_Hills_Cop_IV/315497/default.aspxFilm http://www.spout.com/blogs/karina/archive/2008/5/29/30152.aspxPost By: Karina
Post To: Karina on SpoutBlog
Post Date: 5/29/2008 5:01:40 PM
Body: Earlier this week, Jonathan Marlow published a rant on GreenCine Daily, titled They didn’t build their sales model for you. Much of the piece is given over to a description of the dire state of distribution affairs for truly independent filmmakers. Marlow, who acquires films for GreenCine’s DVD-by-mail main site, essentially argues that filmmakers should put less weight on dreams of theatrical distribution and concentrate on the many new media options. I didn’t comment on this story earlier because, well, my reaction was pretty much the same as Agnes Varnum’s: “It reads to me as a good summary of where things have been for last couple of years in film sales, so my question is what’s the news? Do people really not know this information?” Tom Hall also weighs in on the Marlow piece, from a festival programmer’s perspective: “Let me begin by taking exception to Marlow’s straw man, one that I have seen being built over and over again on panels and in discussions among filmmakers and programmers over the past few years; Film festivals are not, in fact, an ersatz distribution system for films.” If you live in New York and/or read the blogs of people who do, chances are you’re aware of The Emily Gould Fiasco. Funnily enough, Juan and Victor Piñeiro, brothers as well as director and producer of Second Skin, have bared witness to several smaller-scale Emily Gould fiascos over the past decade and a half. Finally, Paul Scheer explains why, although no one will admit to wanting it, Beverly Hills Cop 4 will make back twice its budget in its first weekend: “I’m like an abused sequel wife, I keep going back to theaters time and time again to get mercilessly kicked in the cinematic balls for having faith that a sequel can actually be good as it’s predecessors.” Originally posted on:SpoutBlog » Karina Longworth
]]>Thu, 29 May 2008 21:01:40 GMTKarinaKarina on SpoutBlog5/29/2008 5:01:40 PM Earlier this week, Jonathan Marlow published a rant on GreenCine Daily, titled They didn’t build their sales model for you. Much of the piece is given over to a description of the dire state of distribution affairs for truly independent filmmakers. Marlow, who acquires films for GreenCine’s DVD-by-mail main site, essentially argues that filmmakers should put less weight on dreams of theatrical distribution and concentrate on the many new media options. I didn’t comment on this story earlier because, well, my reaction was pretty much the same as Agnes Varnum’s: “It reads to me as a good summary of where things have been for last couple of years in film sales, so my question is what’s the news? Do people really not know this information?” Tom Hall also weighs in on the Marlow piece, from a festival programmer’s perspective: “Let me begin by taking exception to Marlow’s straw man, one that I have seen being built over and over again on panels and in discussions among filmmakers and programmers over the past few years; Film festivals are not, in fact, an ersatz distribution system for films.” If you live in New York and/or read the blogs of people who do, chances are you’re aware of The Emily Gould Fiasco. Funnily enough, Juan and Victor Piñeiro, brothers as well as director and producer of Second Skin, have bared witness to several smaller-scale Emily Gould fiascos over the past decade and a half. Finally, Paul Scheer explains why, although no one will admit to wanting it, Beverly Hills Cop 4 will make back twice its budget in its first weekend: “I’m like an abused sequel wife, I keep going back to theaters time and time again to get mercilessly kicked in the cinematic balls for having faith that a sequel can actually be good as it’s predecessors.” Originally posted on:SpoutBlog » Karina Longworth http://www.spout.com/blogs/spoutblog/archive/2008/5/29/30151.aspxPost By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 5/29/2008 5:01:31 PM
Body: Earlier this week, Jonathan Marlow published a rant on GreenCine Daily, titled They didn’t build their sales model for you. Much of the piece is given over to a description of the dire state of distribution affairs for truly independent filmmakers. Marlow, who acquires films for GreenCine’s DVD-by-mail main site, essentially argues that filmmakers should put less weight on dreams of theatrical distribution and concentrate on the many new media options. I didn’t comment on this story earlier because, well, my reaction was pretty much the same as Agnes Varnum’s: “It reads to me as a good summary of where things have been for last couple of years in film sales, so my question is what’s the news? Do people really not know this information?” Tom Hall also weighs in on the Marlow piece, from a festival programmer’s perspective: “Let me begin by taking exception to Marlow’s straw man, one that I have seen being built over and over again on panels and in discussions among filmmakers and programmers over the past few years; Film festivals are not, in fact, an ersatz distribution system for films.” If you live in New York and/or read the blogs of people who do, chances are you’re aware of The Emily Gould Fiasco. Funnily enough, Juan and Victor Piñeiro, brothers as well as director and producer of Second Skin, have bared witness to several smaller-scale Emily Gould fiascos over the past decade and a half. Finally, Paul Scheer explains why, although no one will admit to wanting it, Beverly Hills Cop 4 will make back twice its budget in its first weekend: “I’m like an abused sequel wife, I keep going back to theaters time and time again to get mercilessly kicked in the cinematic balls for having faith that a sequel can actually be good as it’s predecessors.” Originally posted on:SpoutBlog
]]>Thu, 29 May 2008 21:01:31 GMTSpoutBlogSpoutBlog on spout.com5/29/2008 5:01:31 PM Earlier this week, Jonathan Marlow published a rant on GreenCine Daily, titled They didn’t build their sales model for you. Much of the piece is given over to a description of the dire state of distribution affairs for truly independent filmmakers. Marlow, who acquires films for GreenCine’s DVD-by-mail main site, essentially argues that filmmakers should put less weight on dreams of theatrical distribution and concentrate on the many new media options. I didn’t comment on this story earlier because, well, my reaction was pretty much the same as Agnes Varnum’s: “It reads to me as a good summary of where things have been for last couple of years in film sales, so my question is what’s the news? Do people really not know this information?” Tom Hall also weighs in on the Marlow piece, from a festival programmer’s perspective: “Let me begin by taking exception to Marlow’s straw man, one that I have seen being built over and over again on panels and in discussions among filmmakers and programmers over the past few years; Film festivals are not, in fact, an ersatz distribution system for films.” If you live in New York and/or read the blogs of people who do, chances are you’re aware of The Emily Gould Fiasco. Funnily enough, Juan and Victor Piñeiro, brothers as well as director and producer of Second Skin, have bared witness to several smaller-scale Emily Gould fiascos over the past decade and a half. Finally, Paul Scheer explains why, although no one will admit to wanting it, Beverly Hills Cop 4 will make back twice its budget in its first weekend: “I’m like an abused sequel wife, I keep going back to theaters time and time again to get mercilessly kicked in the cinematic balls for having faith that a sequel can actually be good as it’s predecessors.” Originally posted on:SpoutBlog http://www.spout.com/members/0/tags/California/MemberTagFilms.aspxCalifornia
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]]>Wed, 16 Sep 2009 17:24:59 GMT832490Tag http://www.spout.com/members/0/tags/cop/MemberTagFilms.aspxcop
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