list http://www.spout.com/ Recent community activity around I Know Who Killed Me on Spout Copyright 2005-9 Spout, LLC Spout RSS http://www.spout.com/images/SpoutLogoRSS.jpg http://www.spout.com/ 136 30 http://www.spout.com/films/I_Know_Who_Killed_Me/298282/default.aspx Title: I Know Who Killed Me
Year: 2007
Director: Chris Sivertson
Plot: Lindsay Lohan stars in the mind-bending psychological thriller I Know Who Killed Me. She plays Aubrey Fleming, an unfortunate young woman whose life -- and body -- are irreparably damaged following an abduction by a heinous serial killer. Though Aubrey pulls off a miraculous escape from the clutches of the madman, she does so with deep-seated psychological scars, plus the loss of a hand, a leg, and untold amounts of blood. While Aubrey's parents view her return as a veritable answer to their prayers, they must soon confront an outrageous and seemingly inexplicable twist: the girl who returned claims another identity -- that of a young woman named Dakota. She also exhibits a wholly different personality and mannerisms than Aubrey did, and -- frighteningly -- insists that Aubrey is still very much alive, in the throes of the maniac's grip, and only inches away from death. ~ Nathan Southern, All Movie Guide
Times Tagged: 20
Number of Lists: 3
Number of blog posts: 8
Number of discussion threads: 2
SpoutRating: 2
]]>Thu, 08 Jan 2009 09:19:05 GMTI Know Who Killed Me2007Chris Sivertson<a href="/players/P___241579/default.aspx" style='text-decoration:underline'>Lindsay Lohan</a> stars in the mind-bending psychological thriller I Know Who Killed Me. She plays Aubrey Fleming, an unfortunate young woman whose life -- and body -- are irreparably damaged following an abduction by a heinous serial killer. Though Aubrey pulls off a miraculous escape from the clutches of the madman, she does so with deep-seated psychological scars, plus the loss of a hand, a leg, and untold amounts of blood. While Aubrey's parents view her return as a veritable answer to their prayers, they must soon confront an outrageous and seemingly inexplicable twist: the girl who returned claims another identity -- that of a young woman named Dakota. She also exhibits a wholly different personality and mannerisms than Aubrey did, and -- frighteningly -- insists that Aubrey is still very much alive, in the throes of the maniac's grip, and only inches away from death. ~ Nathan Southern, All Movie Guide20Tag Target (>10)3822http://www.spout.com/ProductImages/s298282.jpghttp://www.spout.com/films/I_Know_Who_Killed_Me/298282/default.aspxFilm http://www.spout.com/groups/Worst_Movie_Ever/Re_The_Worst_of_2008/104/39232/1/ShowPost.aspx Post By: scswngr
Post To: Worst Movie Ever
Post Date: 1/8/2009 4:19:05 AM
Body: Well I wouldn't say Bangkok Dangerous was a bad movie... but you could certainly nominate Nicholas Cage for worst actor in a fairly decent movie. Disaster Movie is too easy to pick for worst movie of the year. Its almost as easy as calling Bush the worst president ever... I will have to think longer, but I'm sure I have an opinion on this... last year I Know Who Killed Me made it Soooooooooo Easy....
]]>Thu, 08 Jan 2009 09:19:05 GMTscswngrWorst Movie Ever1/8/2009 4:19:05 AMWell I wouldn't say Bangkok Dangerous was a bad movie... but you could certainly nominate Nicholas Cage for worst actor in a fairly decent movie. Disaster Movie is too easy to pick for worst movie of the year. Its almost as easy as calling Bush the worst president ever... I will have to think longer, but I'm sure I have an opinion on this... last year I Know Who Killed Me made it Soooooooooo Easy.... http://www.spout.com/blogs/karina/archive/2008/6/12/31169.aspx Post By: Karina
Post To: Karina on SpoutBlog
Post Date: 6/12/2008 2:01:07 PM
Body: No, this is not movie news, but it is a complete horror show, and its a totally slow news day, so I feel justified in posting it. A publicist just sent me this link to a stream of “Lindsay Lohan’s all new single ‘Bossy’ from her upcoming album due this fall.” It’s your standard unremarkable club track, but for whatever reason, this slightly-robotocized male ad pro voice keeps interrupting to remind us that what we’re listening to is “from Lindsay’s upcoming record, in stores, this fall!” Also, there are some pretty amazing lyrics about how people are touching her without her permission. Oh––here’s a movie angle: would Avant Retarde crapterpiece I Know Who Killed Me have been more successful if a) it had been released now, as Lindsay’s “comeback” film, rather than as the coincidental symbol of her gutter fall? and/or b) she had recorded one plot song for each half of his dual role? Wouldn’t this one be good for the stripper part––wouldn’t it be amazing if acting Lindsay stripped to “real” Lindsay singing (or, at least, “singing”) about not wanting to be touched? Discuss!!! UPDATE: Um, it looks like the song has actually been floating around for over a month. The fact that someone like me who spends 20 hours a day online had no idea it existed explains somewhat the need for a publicist, I guess. Originally posted on:SpoutBlog » Karina Longworth
]]>Thu, 12 Jun 2008 18:01:07 GMTKarinaKarina on SpoutBlog6/12/2008 2:01:07 PMNo, this is not movie news, but it is a complete horror show, and its a totally slow news day, so I feel justified in posting it. A publicist just sent me this link to a stream of “Lindsay Lohan’s all new single ‘Bossy’ from her upcoming album due this fall.” It’s your standard unremarkable club track, but for whatever reason, this slightly-robotocized male ad pro voice keeps interrupting to remind us that what we’re listening to is “from Lindsay’s upcoming record, in stores, this fall!” Also, there are some pretty amazing lyrics about how people are touching her without her permission. Oh––here’s a movie angle: would Avant Retarde crapterpiece I Know Who Killed Me have been more successful if a) it had been released now, as Lindsay’s “comeback” film, rather than as the coincidental symbol of her gutter fall? and/or b) she had recorded one plot song for each half of his dual role? Wouldn’t this one be good for the stripper part––wouldn’t it be amazing if acting Lindsay stripped to “real” Lindsay singing (or, at least, “singing”) about not wanting to be touched? Discuss!!! UPDATE: Um, it looks like the song has actually been floating around for over a month. The fact that someone like me who spends 20 hours a day online had no idea it existed explains somewhat the need for a publicist, I guess. Originally posted on:SpoutBlog » Karina Longworth http://www.spout.com/blogs/spoutblog/archive/2008/6/12/31168.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 6/12/2008 2:00:56 PM
Body: No, this is not movie news, but it is a complete horror show, and its a totally slow news day, so I feel justified in posting it. A publicist just sent me this link to a stream of “Lindsay Lohan’s all new single ‘Bossy’ from her upcoming album due this fall.” It’s your standard unremarkable club track, but for whatever reason, this slightly-robotocized male ad pro voice keeps interrupting to remind us that what we’re listening to is “from Lindsay’s upcoming record, in stores, this fall!” Also, there are some pretty amazing lyrics about how people are touching her without her permission. Oh––here’s a movie angle: would Avant Retarde crapterpiece I Know Who Killed Me have been more successful if a) it had been released now, as Lindsay’s “comeback” film, rather than as the coincidental symbol of her gutter fall? and/or b) she had recorded one plot song for each half of his dual role? Wouldn’t this one be good for the stripper part––wouldn’t it be amazing if acting Lindsay stripped to “real” Lindsay singing (or, at least, “singing”) about not wanting to be touched? Discuss!!! UPDATE: Um, it looks like the song has actually been floating around for over a month. The fact that someone like me who spends 20 hours a day online had no idea it existed explains somewhat the need for a publicist, I guess. Originally posted on:SpoutBlog
]]>Thu, 12 Jun 2008 18:00:56 GMTSpoutBlogSpoutBlog on spout.com6/12/2008 2:00:56 PMNo, this is not movie news, but it is a complete horror show, and its a totally slow news day, so I feel justified in posting it. A publicist just sent me this link to a stream of “Lindsay Lohan’s all new single ‘Bossy’ from her upcoming album due this fall.” It’s your standard unremarkable club track, but for whatever reason, this slightly-robotocized male ad pro voice keeps interrupting to remind us that what we’re listening to is “from Lindsay’s upcoming record, in stores, this fall!” Also, there are some pretty amazing lyrics about how people are touching her without her permission. Oh––here’s a movie angle: would Avant Retarde crapterpiece I Know Who Killed Me have been more successful if a) it had been released now, as Lindsay’s “comeback” film, rather than as the coincidental symbol of her gutter fall? and/or b) she had recorded one plot song for each half of his dual role? Wouldn’t this one be good for the stripper part––wouldn’t it be amazing if acting Lindsay stripped to “real” Lindsay singing (or, at least, “singing”) about not wanting to be touched? Discuss!!! UPDATE: Um, it looks like the song has actually been floating around for over a month. The fact that someone like me who spends 20 hours a day online had no idea it existed explains somewhat the need for a publicist, I guess. Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2008/2/29/25697.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 2/29/2008 10:01:02 AM
Body: Chicago 10 opens tonight. It’s a film full of archival footage and animated courtroom drama about the 1968 Democratic National Convention protests. We talk to director Brett Morgen about his dedication to bringing 60’s era protest back to today and ask the question, “Can it be done?” Lindsay Lohan swept the Razzies last weekend when I Know Who Killed Me outdid Catwoman as one of the all-time worst movies ever. But there’s a lot of people out there who say it’s, in fact, one of the best movies of 2007. We investigate. (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store and an episode will download each Friday) FilmCouch 59 Chicago 10, Brett Morgen, I Know Who Killed Me, Lindsay Lohan Originally posted on:SpoutBlog
]]>Fri, 29 Feb 2008 15:01:02 GMTSpoutBlogSpoutBlog on spout.com2/29/2008 10:01:02 AM Chicago 10 opens tonight. It’s a film full of archival footage and animated courtroom drama about the 1968 Democratic National Convention protests. We talk to director Brett Morgen about his dedication to bringing 60’s era protest back to today and ask the question, “Can it be done?” Lindsay Lohan swept the Razzies last weekend when I Know Who Killed Me outdid Catwoman as one of the all-time worst movies ever. But there’s a lot of people out there who say it’s, in fact, one of the best movies of 2007. We investigate. (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store and an episode will download each Friday) FilmCouch 59 Chicago 10, Brett Morgen, I Know Who Killed Me, Lindsay Lohan Originally posted on:SpoutBlog http://www.spout.com/blogs/paul/archive/2008/2/29/25696.aspx Post By: paul
Post To: paul on spout.com
Post Date: 2/29/2008 10:00:35 AM
Body: Chicago 10 opens tonight. It’s a film full of archival footage and animated courtroom drama about the 1968 Democratic National Convention protests. We talk to director Brett Morgen about his dedication to bringing 60’s era protest back to today and ask the question, “Can it be done?” Lindsay Lohan swept the Razzies last weekend when I Know Who Killed Me outdid Catwoman as one of the all-time worst movies ever. But there’s a lot of people out there who say it’s, in fact, one of the best movies of 2007. We investigate. (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store and an episode will download each Friday) FilmCouch 59 Chicago 10, Brett Morgen, I Know Who Killed Me, Lindsay Lohan Originally posted on:SpoutBlog » Paul
]]>Fri, 29 Feb 2008 15:00:35 GMTpaulpaul on spout.com2/29/2008 10:00:35 AM Chicago 10 opens tonight. It’s a film full of archival footage and animated courtroom drama about the 1968 Democratic National Convention protests. We talk to director Brett Morgen about his dedication to bringing 60’s era protest back to today and ask the question, “Can it be done?” Lindsay Lohan swept the Razzies last weekend when I Know Who Killed Me outdid Catwoman as one of the all-time worst movies ever. But there’s a lot of people out there who say it’s, in fact, one of the best movies of 2007. We investigate. (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store and an episode will download each Friday) FilmCouch 59 Chicago 10, Brett Morgen, I Know Who Killed Me, Lindsay Lohan Originally posted on:SpoutBlog » Paul http://www.spout.com/groups/Worst_Movie_Ever/Worst_Movies_of_2007/104/22260/1/ShowPost.aspx Post By: scswngr
Post To: Worst Movie Ever
Post Date: 11/28/2007 1:21:45 AM
Body: Ok I definitely think there has been some crap on the screen this year. I would chalk Spider-Man 3 up as the biggest dissappointment of the year, but certainly it had some entertainment value even if every main character had to cry in it.My worst of 2007 nominees would be (these are the ones I have seen or at least started....there are other movies I avoid because I just know better): Delta Farce $8.135 Million (U.S. Theatrical Gross)I Know Who Killed Me $7.233 MillionI haven't seen them, but hear they sucked:Bug $7.025 MillionThe Last Legion $5.933 MillionWith 27 reviews in, Rotten Tomatoes rated The Comebacks a whopping 7% fresh... or 93% rotten I guess.... anyway what do you think the worst of 2007 was?
]]>Wed, 28 Nov 2007 06:21:45 GMTscswngrWorst Movie Ever11/28/2007 1:21:45 AMOk I definitely think there has been some crap on the screen this year. I would chalk Spider-Man 3 up as the biggest dissappointment of the year, but certainly it had some entertainment value even if every main character had to cry in it.My worst of 2007 nominees would be (these are the ones I have seen or at least started....there are other movies I avoid because I just know better): Delta Farce $8.135 Million (U.S. Theatrical Gross)I Know Who Killed Me $7.233 MillionI haven&#39;t seen them, but hear they sucked:Bug $7.025 MillionThe Last Legion $5.933 MillionWith 27 reviews in, Rotten Tomatoes rated The Comebacks a whopping 7% fresh... or 93% rotten I guess.... anyway what do you think the worst of 2007 was? http://www.spout.com/blogs/scswngr/archive/2007/11/26/22020.aspx Post By: scswngr
Post To: Film Obsessed
Post Date: 11/26/2007 1:52:35 AM
Body: After registering a mere blip on the Box Office radar this summer, I Know Who Killed Me will attempt to make up for its poor showing with its DVD release on November 27th. On the surface the film would seem to have all that the average suspense-obssessed DVD renter would desire; sex, a "hot" young starlet, a murder mystery, and an apparent plot twist. All I can say is viewer beware! The sexy young starlet , Lyndsay Lohan, teases you with the promise of T & A, but only delivers a dissappointing and rather raunchy exotic dance without any nudity. Perhaps young Lyndsay should have taken a lessons from Anne Hathaway, another child-star who had the guts to take her top off and then landed in an Oscar worthy movie, something Lohan is eons away from. What else does I Know Who Killed Me have to offer?, not much.The movie conspicuously leads you toward all kinds of theories, but in doing so makes it very obvious that none of them hold any water. Sure, you probably can't predict the ending at first, but by the time you get to the payoff you will have already scripted the ending which is oddly more reminiscent of Lohan's Parent Trap, only with more blood and decapitation. The performances are poor and there are far too many unecessary characters, like the FBI agents who never really piece anything together. WIth a plot that seems stolen from a dozen other movies, I Know Who Killed Me is a complete waste of time. Instead go rent Parent Trap or Anne Hathaway's Havoc, one of them is bound to satisfy any child starlet cravings you may have.
]]>Mon, 26 Nov 2007 06:52:35 GMTscswngrFilm Obsessed11/26/2007 1:52:35 AMAfter registering a mere blip on the Box Office radar this summer, I Know Who Killed Me will attempt to make up for its poor showing with its DVD release on November 27th. On the surface the film would seem to have all that the average suspense-obssessed DVD renter would desire; sex, a &quot;hot&quot; young starlet, a murder mystery, and an apparent plot twist. All I can say is viewer beware! The sexy young starlet , Lyndsay Lohan, teases you with the promise of T &amp; A, but only delivers a dissappointing and rather raunchy exotic dance without any nudity. Perhaps young Lyndsay should have taken a lessons from Anne Hathaway, another child-star who had the guts to take her top off and then landed in an Oscar worthy movie, something Lohan is eons away from. What else does I Know Who Killed Me have to offer?, not much.The movie conspicuously leads you toward all kinds of theories, but in doing so makes it very obvious that none of them hold any water. Sure, you probably can&#39;t predict the ending at first, but by the time you get to the payoff you will have already scripted the ending which is oddly more reminiscent of Lohan&#39;s Parent Trap, only with more blood and decapitation. The performances are poor and there are far too many unecessary characters, like the FBI agents who never really piece anything together. WIth a plot that seems stolen from a dozen other movies, I Know Who Killed Me is a complete waste of time. Instead go rent Parent Trap or Anne Hathaway&#39;s Havoc, one of them is bound to satisfy any child starlet cravings you may have. http://www.spout.com/blogs/spoutblog/archive/2007/11/8/21522.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 11/8/2007 11:01:49 AM
Body: I saw posters for Take Over BAM whilst wandering around Brooklyn last weekend; the words “Lindsay Lohan Mid-Career Retrospective” caught my eye but, alas, my attendance was expected at a different affair that evening. Teaches me to make plans in advance. Michael Tully has a full write-up on the glories I missed: Could someone really have their cake and eat it too, delivering one of the most impossibly perfect so-bad-it???s-incredible movies that I have ever seen? Is that really possible? It doesn???t even matter, to be honest. That said, if it was intentional I would be in greater awe than I was while watching the opening shot of Silent Light, or the entirety of No Country For Old Men, or the long one-takes in Children of Men. I firmly believe that I Know Who Killed Me is a rare gift to the world on par with those recent achievements. It???s somehow fitting that this was the exact same theater where a few months ago I experienced another of my all-time great movie-going experiences, surviving Bela Tarr???s staggering seven-and-a-half hour Satantango in one sitting. However, if I had to pick which event of the two was the more perfect, amazing, and momentous, my objective verdict would have to be??? Miss Lohan: 1, Mister Tarr: 0. Much, much, much more at the link. Originally posted on:SpoutBlog
]]>Thu, 08 Nov 2007 16:01:49 GMTSpoutBlogSpoutBlog on spout.com11/8/2007 11:01:49 AMI saw posters for Take Over BAM whilst wandering around Brooklyn last weekend; the words “Lindsay Lohan Mid-Career Retrospective” caught my eye but, alas, my attendance was expected at a different affair that evening. Teaches me to make plans in advance. Michael Tully has a full write-up on the glories I missed: Could someone really have their cake and eat it too, delivering one of the most impossibly perfect so-bad-it???s-incredible movies that I have ever seen? Is that really possible? It doesn???t even matter, to be honest. That said, if it was intentional I would be in greater awe than I was while watching the opening shot of Silent Light, or the entirety of No Country For Old Men, or the long one-takes in Children of Men. I firmly believe that I Know Who Killed Me is a rare gift to the world on par with those recent achievements. It???s somehow fitting that this was the exact same theater where a few months ago I experienced another of my all-time great movie-going experiences, surviving Bela Tarr???s staggering seven-and-a-half hour Satantango in one sitting. However, if I had to pick which event of the two was the more perfect, amazing, and momentous, my objective verdict would have to be??? Miss Lohan: 1, Mister Tarr: 0. Much, much, much more at the link. Originally posted on:SpoutBlog http://www.spout.com/blogs/spoutblog/archive/2007/8/1/17021.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 8/1/2007 2:01:07 PM
Body: On last week’s edition of FilmCouch, I revealed one of my dirtiest secrets: on some level, I’m more interested in bad movies than good ones. You’ll have to listen to the podcast to hear my explanation, but coincidentally, I’ve come across a number of stories over the past few days that revolve around quantifying and qualifying movie badness. Going into the weekend, FILMMAKER’s Scott Macaulay noticed that the apparently unwatchable (and unscreened for critics) Lindsay Lohan vehicle I Know Who Killed Me was rocking a rating of 0% fresh on Rotten Tomatoes. “In our long-tailed world of a million and one tastes, it would seem impossible to make a film that simply nobody likes,” Macaulay wrote. “If you believe the tomato squad, however, it’s been done.” A commenter on that post noted that once a few more reviews started to roll in, its score skyrocketed to 8%; five days later, it has actually dropped to 7%. Only two of the reviews listed at Rotten Tomatoes are positive enough to earn a juicy red tomato; one of them, by the McVoice syndicate’s Jim Ridley, has essentially convinced me that I Know Who Killed Me is a must see. “Watch the mallrats’ jaws drop as they pay to see the same old teen slicer-dicer, only to get this wacko hodgepodge of the Brian De Palma horror filmography and—I swear to God—Kieslowski’s The Double Life of Veronique,” Ridley begins. The critic only has about 200 words to work with, but he manages to call it a “a surreal, disjointed mood piece about teen alienation,” AND commend Lohan for playing “her good-girl/bad-girl role with wit and an air of sly calculation,” AND toss off a reference to Kafka just before the clock runs out. Well played, indeed. (more…) Originally posted on:Spoutblog
]]>Wed, 01 Aug 2007 18:01:07 GMTSpoutBlogSpoutBlog on spout.com8/1/2007 2:01:07 PMOn last week’s edition of FilmCouch, I revealed one of my dirtiest secrets: on some level, I’m more interested in bad movies than good ones. You’ll have to listen to the podcast to hear my explanation, but coincidentally, I’ve come across a number of stories over the past few days that revolve around quantifying and qualifying movie badness. Going into the weekend, FILMMAKER’s Scott Macaulay noticed that the apparently unwatchable (and unscreened for critics) Lindsay Lohan vehicle I Know Who Killed Me was rocking a rating of 0% fresh on Rotten Tomatoes. “In our long-tailed world of a million and one tastes, it would seem impossible to make a film that simply nobody likes,” Macaulay wrote. “If you believe the tomato squad, however, it’s been done.” A commenter on that post noted that once a few more reviews started to roll in, its score skyrocketed to 8%; five days later, it has actually dropped to 7%. Only two of the reviews listed at Rotten Tomatoes are positive enough to earn a juicy red tomato; one of them, by the McVoice syndicate’s Jim Ridley, has essentially convinced me that I Know Who Killed Me is a must see. “Watch the mallrats’ jaws drop as they pay to see the same old teen slicer-dicer, only to get this wacko hodgepodge of the Brian De Palma horror filmography and—I swear to God—Kieslowski’s The Double Life of Veronique,” Ridley begins. The critic only has about 200 words to work with, but he manages to call it a “a surreal, disjointed mood piece about teen alienation,” AND commend Lohan for playing “her good-girl/bad-girl role with wit and an air of sly calculation,” AND toss off a reference to Kafka just before the clock runs out. Well played, indeed. (more…) Originally posted on:Spoutblog http://www.spout.com/blogs/spoutblog/archive/2007/7/27/16677.aspx Post By: SpoutBlog
Post To: SpoutBlog on spout.com
Post Date: 7/27/2007 2:00:42 PM
Body: I’ve got an unlikely double feature planed for today–a press screening of the Leonardo DiCaprio-narrated environmental doc The 11th Hour, followed by a special screening of Pasolini’s Teorema at BAM–and it’ll keep me away from the computer for most of the afternoon. So here’s a round of things you really should read before checking out for the weekend: “I don’t like movies in which a strong, confident woman learns (often through humiliation) that her life simply isn’t going to be fulfilling until she finds herself a man and maybe a child or two. I don’t care if it’s Bette Davis in Now, Voyager or Diane Keaton in Baby Boom, it’s insulting to single women, and I was a single woman for long enough that I still feel insulted.” That’s the cold open to Jette Kernion’s No Reservations review at Cinematical. The Reeler’s Annaliese Griffin notes that this year’s lineup for Scanners, the annual video festival which opens tonight at Lincoln Center, “grapples with our sex obsession in surprising ways…Traditionally form, not content, has been the shocker at video festivals like Scanners, and while plenty of experimental videos are on the program this year, artists are pushing the boundaries with their subject matter far more than their editing software.” NewTeeVee’s Jackson West has a round-up of the top ten traditional filmmaking techniques that are put to use in the majority of web videos. Number 9 is “Fixed Camera”: “The first films shot by the Lumiere Brothers were simply a single camera fixed on a tripod shooting a single set and scene with no editing. Web cams also lend themselves to this style — hence, the Lumiere Challenge project where people tag their video posts shot under the same restrictions the Lumiere brothers were subject to.” According to a Defamer operative who attended a cast and crew screening last night, Lindsay Lohan’s I Know Who Killed Me might be destined to become the next unintentional camp classic. “Also, in the scene where Lindsay gets hit in the face with a shovel– a scene meant to be terrifying–the audience erupted into laughter.” Originally posted on:Spoutblog
]]>Fri, 27 Jul 2007 18:00:42 GMTSpoutBlogSpoutBlog on spout.com7/27/2007 2:00:42 PMI’ve got an unlikely double feature planed for today–a press screening of the Leonardo DiCaprio-narrated environmental doc The 11th Hour, followed by a special screening of Pasolini’s Teorema at BAM–and it’ll keep me away from the computer for most of the afternoon. So here’s a round of things you really should read before checking out for the weekend: “I don’t like movies in which a strong, confident woman learns (often through humiliation) that her life simply isn’t going to be fulfilling until she finds herself a man and maybe a child or two. I don’t care if it’s Bette Davis in Now, Voyager or Diane Keaton in Baby Boom, it’s insulting to single women, and I was a single woman for long enough that I still feel insulted.” That’s the cold open to Jette Kernion’s No Reservations review at Cinematical. The Reeler’s Annaliese Griffin notes that this year’s lineup for Scanners, the annual video festival which opens tonight at Lincoln Center, “grapples with our sex obsession in surprising ways…Traditionally form, not content, has been the shocker at video festivals like Scanners, and while plenty of experimental videos are on the program this year, artists are pushing the boundaries with their subject matter far more than their editing software.” NewTeeVee’s Jackson West has a round-up of the top ten traditional filmmaking techniques that are put to use in the majority of web videos. Number 9 is “Fixed Camera”: “The first films shot by the Lumiere Brothers were simply a single camera fixed on a tripod shooting a single set and scene with no editing. Web cams also lend themselves to this style — hence, the Lumiere Challenge project where people tag their video posts shot under the same restrictions the Lumiere brothers were subject to.” According to a Defamer operative who attended a cast and crew screening last night, Lindsay Lohan’s I Know Who Killed Me might be destined to become the next unintentional camp classic. “Also, in the scene where Lindsay gets hit in the face with a shovel– a scene meant to be terrifying–the audience erupted into laughter.” Originally posted on:Spoutblog http://www.spout.com/members/0/tags/drugs/MemberTagFilms.aspxdrugs
Number of films tagged: 1643

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]]>Sun, 20 Dec 2009 18:42:19 GMT1643130489Tag http://www.spout.com/members/0/tags/sex/MemberTagFilms.aspxsex
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]]>Wed, 16 Dec 2009 19:01:30 GMT15682208Tag http://www.spout.com/members/0/tags/thriller/MemberTagFilms.aspxthriller
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]]>Wed, 25 Feb 2009 18:54:50 GMT595364Tag http://www.spout.com/members/0/tags/kidnapping/MemberTagFilms.aspxkidnapping
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]]>Sun, 16 Aug 2009 05:39:42 GMT285149172Tag http://www.spout.com/members/0/tags/torture/MemberTagFilms.aspxtorture
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]]>Mon, 16 Nov 2009 17:24:37 GMT12254084Tag http://www.spout.com/members/0/tags/piano/MemberTagFilms.aspxpiano
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]]>Fri, 20 Nov 2009 18:56:22 GMT4893252Tag http://www.spout.com/members/0/tags/serialkiller/MemberTagFilms.aspxserialkiller
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Number of people who tagged: 32

Number of times used: 64

]]>Fri, 31 Jul 2009 13:03:15 GMT9963264Tag http://www.spout.com/members/0/tags/twins/MemberTagFilms.aspxtwins
Number of films tagged: 426

Number of people who tagged: 26

Number of times used: 57

]]>Sun, 20 Dec 2009 01:16:35 GMT4262657Tag http://www.spout.com/members/0/tags/mistakenidentity/MemberTagFilms.aspxmistakenidentity
Number of films tagged: 683

Number of people who tagged: 20

Number of times used: 35

]]>Wed, 24 Jun 2009 13:02:45 GMT6832035Tag http://www.spout.com/members/0/tags/blue/MemberTagFilms.aspxblue
Number of films tagged: 18

Number of people who tagged: 19

Number of times used: 21

]]>Tue, 20 Jan 2009 20:08:16 GMT181921Tag http://www.spout.com/members/0/tags/delusion/MemberTagFilms.aspxdelusion
Number of films tagged: 99

Number of people who tagged: 12

Number of times used: 13

]]>Tue, 04 Aug 2009 13:05:14 GMT991213Tag